(USA Tour)(New York, NY - AUDITIONS: March 1, 2010 at 10:00 am for Equity Chorus Male Dancers & at 2:00 pm for Equity Chorus Female Dancers at Details Are only Available By Subscription. will be holding auditions for future replacements for the first national tour. Title: YOUNG FRANKENSTEIN. DIR/CHOREO, Susan Stroman; CSTG, Tara Rubin Casting. Contract: Equity Production Contract Tier B (Modified. $1,329 min./wk.). Breakdown-- Male Dancers: 5'10"-6'4", must be excellent tap dancers; Female Dancers: 5'6"-5'10", must be excellent tap dancers. Note: This production will use smoke and haze in accordance with guidelines established with AEA. Seeking all vocal parts and understudies for principal roles. Seeking performers of all cultural backgrounds for all roles. Equity chorus procedures are in effect. Men, bring tap shoes and dance sneakers of jazz shoes. Women, bring tap shoes and character shoes. You may be asked to stay and sing. Prepare an uptempo traditional musical theatre song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(Atlanta, GA)(N. Hollywood, CA - AUDITIONS: March 1, 2010 at 10:00 am for Non-Required Chorus for Females & at 3:00 pm for Non-Required Chorus for Males at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BRING IT ON - The Musical. EXEC PROD, Kristin Caskey, Mike Isaacson; PROD, Universal Stage Prods/Charlie Lyons/Armyan Bernstein; DIR/CHOREO, Andy Blankenbuehler; MUSIC DIR, Alex Lacamoire; CSTG, Jody Feldman (Alliance Casting), Rachel Hoffman (Telsey + Co. - NY/LA casting). Contract: Equity LORT Non-Rep contract ($750 min. /wk.). Rehearsal Dates: Begins Late Fall/Early Winter, 2010. Performance Dates: Early 2011 (in Atlanta, GA). Breakdown-- Male & Female Dancers/Cheerleaders: 18+ to play high school, any ethnicity, must be excellent, athletic dancers with cheerleading and hip-hop dance skills, gymnastics/tumbling a plus, some members of the ensemble will have to be great singers, but singing is not required for all; Steven: 18+ to play high school, male, Caucasian, a handsome, slightly vapid puppy dog, begins show as Campbell's boyfriend, easily manipulated, means well, good singer with great dancing/cheerleading skills, ensemble; Cameron: 18+ to play high school, male, African-American, sexy boyfriend of Danielle, a star athlete who lets his guard down as he joins the Jackson cheerleading squad, good singer with good hip-hop/rap skills, must have significant dancing/cheerleading skills, ensemble. A monitor will not be provided. The producer will run all aspects of this audition. Come warmed up and prepared to dance. Bring 16 bars of a pop/rock song in case you are asked to sing. Bring sneakers and kneepads. Bring photographs & resumes, stapled together. (Posted: February 22, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 2, 2010 at 10:00 am for Equity Chorus Adult Female Singers & at 2:00 pm for Equity Chorus Adult Male Singers at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Ensemble Adult Singers: All ages, male and female, shapes and sizes with excellent singing voices and ability to dance, to play miners, officials, parents, ballet school applicants, friends and other featured specialties, may also understudy the principals. Note: Singers of all races and ethnic backgrounds are encouraged to attend. Equity chorus procedures are in effect. Prepare a brief, contemporary pop song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 2, 2010 at 10:00 am for Equity Chorus Male Singers & at 2:00 pm for Equity Chorus Female Singers at Details Are only Available By Subscription.. will be holding auditions for future replacements for the first national tour. Title: YOUNG FRANKENSTEIN. DIR/CHOREO, Susan Stroman; CSTG, Tara Rubin Casting. Contract: Equity Production Contract Tier B (Modified. $1,329 min./wk.). Breakdown-- Ensemble Singers: Men should be 5'10"-6'4" & Women should be 5'6"-5'10", sopranos, altos, tenors and basses, singers with big, healthy voices, impeccable diction and wide ranges, sopranos should not hesitate in showing off their sustained high notes and basses should give their best "low," understudies for principals will be drawn from the ensemble, producers are specifically looking for a real old-fashioned "Barbershop Quartet" top tenor. Note: This production will use smoke and haze in accordance with guidelines established with AEA. Seeking all vocal parts and understudies for principal roles. Seeking performers of all cultural backgrounds for all roles. Equity chorus procedures are in effect. Prepare an uptempo traditional musical theatre song. Producer's statement: "Always appreciated are funny songs that make us laugh." Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 4, 2010 at 10:00 am for Equity Chorus Adult Female Singers & at 2:00 pm for Equity Chorus Adult Male Singers at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Ensemble Adult Singers: All ages, male and female, shapes and sizes with excellent singing voices and ability to dance, to play miners, officials, parents, ballet school applicants, friends and other featured specialties, may also understudy the principals. Note: Singers of all races and ethnic backgrounds are encouraged to attend. Equity chorus procedures are in effect. Prepare a brief, contemporary pop song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 8, 2010 at 10:00 am for Equity Chorus Adult Female Dancers who Sing well & at 2:00 pm for Equity Chorus Adult Male Dancers who Sing well at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Adult Ensemble Dancers: All ages, male and female, all shapes and sizes, with excellent tap and dance skills and strong singing voices, ensemble will play miners, officials, parents, ballet school applicants, friends, and other featured specialties, may also understudy the principals. Note: Dancers of all races and ethnic backgrounds are encouraged to attend this call. Equity chorus procedures are in effect. Be warmed up and ready to dance when the call begins. Bring tap and character shoes or dance sneakers. Some may be asked to stay and sing after all have danced. Prepare a brief song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 9, 2010 at 10:00 am for Equity Chorus Female Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: FELA. PROD, Steve Hendel; DIR/CHOREO, Bill T. Jones; MUSIC DIR, Aaron Johnson. Contract: Equity Production Contract ($1,605 min./wk.). Performance Dates: Currently running on Broadway. Breakdown-- Male Dancers/Chorus Member: 18-30s, must be able to play authentically black African characters, must dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, must be able to improvise, ballet and modern, as well as traditional African dance, some tap most welcome, but not required, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, characters are members of Fela's entourage, composed of young toughs, aspiring musicians and charismatic, attractive hangers-on, dancer must be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, ability to sing required, sometimes multi-part harmony; Male Dancers with Rhythm Tap: 18-30s, must be able to play authentically black African characters, physically active, dancer must be an excellent rhythm tap artist with ability in the African and modern styles - choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, ability to sing, in particular Afrobeat style, a plus; Female Dancers/Chorus Members: 18-30s, must be able to play authentically black African characters, must be able to dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest but not required if the performer has great coordination, flexible body and is able to learn new style quickly, must be able to sing, sometimes multi-part harmony, but most importantly be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, will embody Fela Kuti's legendary "Queens," young women from all over West Africa, Christian, Moslem, and Animist, from polygamous and monogamous backgrounds, who served as backup singers and dancers from Fela and were his lovers as well, at a certain point, he took them all as his wives and called them his "Queens," tall and statuesque preferred but not required. Note: Especially seeking one Male Swing, one Male Rhythm Tap Swing & one Female Swing for immediate replacements. All characters are African, of mixed race or of African descent. Be warmed up and ready to dance when your call begins. All dancers will dance barefoot. In addition, male rhythm tappers will also dance in tap shoes and should bring them to the audition. Male dancers who play percussion should bring a djembe, conga or similar percussion instrument to the audition. Some may be asked to stay and sing after all have danced. Prepare 16 bars of a simple sustained legit song or Afrobeat song that shows off your voice and range. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(Redondo Beach, CA - AUDITIONS: March 9, 2010 at 10:00 am for Equity Chorus Male Singers [Registration at 9:30 am] & at 12:00 noon for Equity Chorus Female Singers [Registration at 11:30 am] & at 3:00 pm for Equity Chorus Male Dancers & [Registration at 2:30 pm] at 5:00 pm for Equity Chorus Female Dancers [Registration at 4:30 pm] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. EXEC PROD, James Blackman; ART DIR, Stephanie Coltrin; DIR, Ron Kellum; MUSIC DIR, Dennis Castellano; CHOREO, Chad Allen, Dean Harvey. Contract: Equity LOA ref WCLO Contract ($965/wk). Rehearsal Dates: Begins April 6, 2010. Performance Dates: April 21-May 9, 2010. Breakdown-- Chorus/Ensemble Singers & Dancers: Males & females, boys & girls, any ethnicity, cast includes an adult chorus and a children's chorus, large singing and dancing ensemble, out of which roles will be assigned wives, saloon girls, Ishmaelites, slaves, etc., also seeking children for a large children's choir. Singers: Prepare to sing a song in the style of the show. Dancers: Wear jazz shoes for men and character shoes for women. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(Matunuck, RI)(New York, NY - AUDITIONS: March 9, 2010 at 10:00 am for Equity Chorus Male & Female Singers & at 2:00 pm for Equity Chorus Male & Female Dancers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: A CHORUS LINE. Rehearsal Dates: Begins May 18, 2010. Performance Dates: June 2-20, 2010. HELLO, DOLLY! Rehearsal Dates: Begins June 8, 2010. Performance Dates: June 23-July 11, 2010. THE FULL MONTY. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 4-29, 2010. PROD ART DIR, Amiee Turner. Contract: Equity LOA Contract, Approval Pending (2009 salary: $515 min./wk., current level pending). Breakdown-- For A CHORUS LINE - Zach: Director & Choreographer of the show; Larry: Zach's assistant; Alan DeLuca: Male, from the Bronx, very straight, street-tough, macho, baritone; Bebe Benzenheimer: Female, insecure about her looks, just wants to be liked, alto; Bobby Mills: Male, flamboyant, funny, bitchy and witty, baritone; Cassie Ferguson: Female, older, very strong dancer, had a relationship with Zach, soprano; Connie Wong: Female, short, a bit of a mother hen, great sense of humor, alto; Diana Morales: Female, streetwise, a little bit tough, eternal optimist and starry-eyed, alto; Don Kerr: Male, ladies' man, married, into cars, money and women, baritone; Gregory Gardner: Male, very gay, very East side New York, baritone; Judy Turner: Female, funny, gawky, nervous scatterbrain, warm and hopeful, mezzo; Kristine Urich: Female, wide-eyed, naive, very nervous when not dancing, mezzo; Maggie Winslow: Female, a sweetheart, little sister-type, dreamer, soprano; Mark Anthony: Very young man, optimistic, all-American kid, hopeful and fresh, tenor; Mike Costa: Male, quite aggressive, determined, cocky, sure of himself but likable, tenor; Paul San Marco: Male, introverted and slightly insecure, but loves performing, baritone; Richie Walters: Male, African-American, strong dancer, enthusiastic, cool and very funny, tenor; Sheila Bryant: Female, brassy, sexy, bitchy and sophisticated, alto; Valerie Clark: Female, funny and foul-mouthed, brazen, direct, attention-seeker, mezzo. Note: Performers will be considered for the (four min.) Equity principal contracts; no chorus contracts in this production. All performers must be extremely strong dancers. Must have strong vocal range, able to sing in parts. Must have true stage presence. For HELLO, DOLLY! - Ensemble: Must be very strong dancers with partnering skills, must also sing well, several smaller characters will be cast from the chorus. Note: Two Equity contracts min. available. For THE FULL MONTY - Ensemble: Must be very strong singers who move extremely well, several smaller characters will be cast from the chorus. Note: Two Equity contracts min. available. Note: There are at least four Equity performer contracts in each production. Prepare 16 bars of an uptempo song and 16 bars of a ballad. Bring sheet music; an accompanist will be provided. Note: There may be time to perform one selection only. Some singers may be asked to stay and dance after all have sung; bring character shoes and dance clothes. Theater's producers state that they prefer to see performers at either the Equity principal auditions or the singers' ECC, but not at both calls. Dancers, be warmed up and ready to dance when the call begins. Bring dancewear, ballet and character shoes. Some dancers may be asked to stay and sing after all have danced. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 10, 2010 at 10:00 am for Equity Chorus Male Dancers who Sing & at 2:00 pm for Equity Chorus Female Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: ROCK OF AGES. EXEC PROD, Scott Prisand, Janet Billig Rich, Hillary Weaver; PROD, Matthew Weaver, Carl Levin, Corner Store Entertainment; PROD, Kristin Hanggi; CHOREO, Kelly Devine. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Currently running at the Brooks Atkinson Theatre (on Broadway in New York, NY). Breakdown-- Dancers Who Sing: 18-Early 40s, male and female, unique and fit dancers with strong modern/jazz technique, to play various characters in the ensemble and possibly understudy principal roles; Singers Who Move: 18-40s, male and female, fantastic singers with strong rock vocals, should be strong movers/dancers, to play various characters in the ensemble and possibly understudy principal roles. Note: We are seeking an ethnically diverse ensemble. All are encouraged to attend. Dancers, be warmed up and ready to dance when the call begins. Bring jazz shoes or sneakers, as well as kneepads. Some may be asked to stay and sing after all have danced. Prepare 16 bars of an '80s rock ballad. Bring sheet music; an accompanist will be provided. Singers, prepare 16 bars of an '80s rock ballad (e.g. Styx, Whitesnake, Journey, etc.) showing range; no musical theater songs. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 11, 2010 at 10:00 am for Equity Chorus Male Dancers who Sing & at 1:00 pm for Equity Chorus Male Rhythm Tappers who Sing at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: FELA. PROD, Steve Hendel; DIR/CHOREO, Bill T. Jones; MUSIC DIR, Aaron Johnson. Contract: Equity Production Contract ($1,605 min./wk.). Performance Dates: Currently running on Broadway. Breakdown-- Male Dancers/Chorus Member: 18-30s, must be able to play authentically black African characters, must dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, must be able to improvise, ballet and modern, as well as traditional African dance, some tap most welcome, but not required, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, characters are members of Fela's entourage, composed of young toughs, aspiring musicians and charismatic, attractive hangers-on, dancer must be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, ability to sing required, sometimes multi-part harmony; Male Dancers with Rhythm Tap: 18-30s, must be able to play authentically black African characters, physically active, dancer must be an excellent rhythm tap artist with ability in the African and modern styles - choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, ability to sing, in particular Afrobeat style, a plus; Female Dancers/Chorus Members: 18-30s, must be able to play authentically black African characters, must be able to dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest but not required if the performer has great coordination, flexible body and is able to learn new style quickly, must be able to sing, sometimes multi-part harmony, but most importantly be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, will embody Fela Kuti's legendary "Queens," young women from all over West Africa, Christian, Moslem, and Animist, from polygamous and monogamous backgrounds, who served as backup singers and dancers from Fela and were his lovers as well, at a certain point, he took them all as his wives and called them his "Queens," tall and statuesque preferred but not required. Note: Especially seeking one Male Swing, one Male Rhythm Tap Swing & one Female Swing for immediate replacements. All characters are African, of mixed race or of African descent. Be warmed up and ready to dance when your call begins. All dancers will dance barefoot. In addition, male rhythm tappers will also dance in tap shoes and should bring them to the audition. Male dancers who play percussion should bring a djembe, conga or similar percussion instrument to the audition. Some may be asked to stay and sing after all have danced. Prepare 16 bars of a simple sustained legit song or Afrobeat song that shows off your voice and range. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 17, 2010 at 10:00 am for Equity Chorus Male Singers who Move & at 2:00 pm for Equity Chorus Female Singers who Move at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: ROCK OF AGES. EXEC PROD, Scott Prisand, Janet Billig Rich, Hillary Weaver; PROD, Matthew Weaver, Carl Levin, Corner Store Entertainment; PROD, Kristin Hanggi; CHOREO, Kelly Devine. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Currently running at the Brooks Atkinson Theatre (on Broadway in New York, NY). Breakdown-- Dancers Who Sing: 18-Early 40s, male and female, unique and fit dancers with strong modern/jazz technique, to play various characters in the ensemble and possibly understudy principal roles; Singers Who Move: 18-40s, male and female, fantastic singers with strong rock vocals, should be strong movers/dancers, to play various characters in the ensemble and possibly understudy principal roles. Note: We are seeking an ethnically diverse ensemble. All are encouraged to attend. Dancers, be warmed up and ready to dance when the call begins. Bring jazz shoes or sneakers, as well as kneepads. Some may be asked to stay and sing after all have danced. Prepare 16 bars of an '80s rock ballad. Bring sheet music; an accompanist will be provided. Singers, prepare 16 bars of an '80s rock ballad (e.g. Styx, Whitesnake, Journey, etc.) showing range; no musical theater songs. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)