JULY
2010
(New York, NY - AUDITIONS:
July 1, 2010 at 9:00 am for Equity Chorus Female Singers & at 11:00
am for Equity Chorus Male Singers at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: FAT CAMP. DIR, Casey Husion;
MUSIC DIR, Jason DeBord; CSTG, Michael Cassara, CSA. Contract: Equity Workshop
Contract ($683 min./wk. plus health and pension provided). Workshop Dates:
July 26-August 14, 2010. Breakdown-- Camper Ensemble: 18+
to play Teens, male and female, overweight actors who can act, sing and
dance, to play various characters and potentially cover principal roles
in the future, especially (but not exclusively) seeking performers to play
African-American male teens; Female Cheerleader Ensemble:
18+ to play Teens, stunning and fit performers who can sing, dance, act
and who have cheerleading or acrobatic experience, to play various characters.
Singers, prepare 16 bars of a rock/pop/contemporary musical theatre selection.
Bring sheet music; an accompanist will be provided. There will be no dancing
at the singers' call. Dancers, be warmed up and ready to dance when the
call begins. Bring jazz shoes or sneakers. Women should also bring character
heels. There will be no singing at the dancers' call. Singers may attend
the dancers' ECC and dancers may attend the singers' ECC if they wish.
Bring photographs & resumes, stapled together. (Posted: June 24, 2010)
(New York, NY - AUDITIONS:
July 1, 2010 at 2:00 pm for Equity Chorus Female Dancers & at 4:00
pm for Equity Chorus Male Dancers at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: FAT CAMP. DIR, Casey Husion;
MUSIC DIR, Jason DeBord; CSTG, Michael Cassara, CSA. Contract: Equity Workshop
Contract ($683 min./wk. plus health and pension provided). Workshop Dates:
July 26-August 14, 2010. Breakdown-- Camper Ensemble: 18+
to play Teens, male and female, overweight actors who can act, sing and
dance, to play various characters and potentially cover principal roles
in the future, especially (but not exclusively) seeking performers to play
African-American male teens; Female Cheerleader Ensemble:
18+ to play Teens, stunning and fit performers who can sing, dance, act
and who have cheerleading or acrobatic experience, to play various characters.
Singers, prepare 16 bars of a rock/pop/contemporary musical theatre selection.
Bring sheet music; an accompanist will be provided. There will be no dancing
at the singers' call. Dancers, be warmed up and ready to dance when the
call begins. Bring jazz shoes or sneakers. Women should also bring character
heels. There will be no singing at the dancers' call. Singers may attend
the dancers' ECC and dancers may attend the singers' ECC if they wish.
Bring photographs & resumes, stapled together. (Posted: June 24, 2010)
(Chester, CT)(New York,
NY - AUDITIONS: July 6, 2010 at 10:00 am for Equity Chorus Male Dancers
who Sing & at 12:00 noon for Equity Chorus Female Dancers who Sing
at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: JAMES AND THE GIANT PEACH.
PROD, Michael Price; AP, Bob Alwine; DIR, Graciela Daniele; CHOREO, Pilobolus.
Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins
September 28, 2010. Performance Dates: October 21-November 28, 2010 (in
the Norma Terris Theatre in Chester, CT). Breakdown-- Ensemble Dancers:
Male & Female, all types, dancers who sing. Come prepared to dance
in jazz sneakers. Also prepare a brief song to sing. Bring sheet music;
an accompanist will be provided. Bring photographs & resumes, stapled
together. (Posted: June 24, 2010)
(Chester, CT)(New York,
NY - AUDITIONS: July 6, 2010 at 2:30 pm for Equity Chorus Male Singers
who move Well at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: JAMES AND THE GIANT PEACH.
PROD, Michael Price; AP, Bob Alwine; DIR, Graciela Daniele; CHOREO, Pilobolus.
Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins
September 28, 2010. Performance Dates: October 21-November 28, 2010 (in
the Norma Terris Theatre in Chester, CT). Breakdown-- Ensemble Singers:
Male & Female, all types, who move well. Take note of the date and
times for each audition. Come prepared to dance in jazz sneakers. Prepare
a brief song from the Great American Songbook for ballads and contemporary
musical theater for uptempo songs (Maltby/Shire, Schwartz but no pop or
rock). Bring sheet music; an accompanist will be provided. Bring photographs
& resumes, stapled together. (Posted: June 24, 2010)
(New York, NY - AUDITIONS:
July 6, 2010 at 10:00 am for Equity Chorus Female Dancers who Sing &
at 2:00 pm for Equity Chorus Male Dancers who Sing at Details
Are only Available By Subscription. will be holding auditions
for a workshop production. Title: COOL PAPA'S PARTY. EXEC PROD,
Stephen M. Hayes; PROD, Arlie Cone; DIR, Jonathan Silverstein; CHOREO,
Maurice Hines; CSTG, Binder Casting. Contract: Equity Workshop Contract
($578 min./wk. for five-day work week and $683 min./wk. for six-day work
week). Workshop Contract Dates: October 11-November 12, 2010. Breakdown--
Ensemble
Singers: Early 20s-Early 30s, male and female, to play African-American
and Caucasian characters, strong singers who move very well, tap skills
a plus, seeking all vocal types from bass to high tenor as well as sopranos
and altos, all should possess unique and vivid personalities and have the
ability to play a wide variety of characters, seeking singers who are rhythmically
adept and well-versed in straight ahead jazz idioms, with the ability to
improvise; Ensemble Dancers: Early 20s-Early 30s, male and
female, to play African-American and Caucasian characters, strong dancers
with a jazz/ballet and tap background, all dancers must be excellent singers,
all should be sexy and possess unique and vivid personalities and be proficient
in all forms of dance, seeking dancers who are rhythmically adept and well-versed
in straight ahead jazz idioms, with the ability to improvise. Dancers,
be warmed up and ready to dance when the call begins. Men, bring tap shoes
and flat jazz shoes or sneakers; women, bring tap shoes and character heels.
Some may be asked to stay and sing after all have danced. Prepare a brief
standard pop jazz song that shows off your voice and range. Bring sheet
music; an accompanist will be provided. Singers, prepare a brief standard
pop jazz song that shows off your voice and range. Bring sheet music; an
accompanist will be provided. Bring photographs & resumes, stapled
together. (Posted: June 24, 2010)
(Chester, CT)(New York,
NY - AUDITIONS: July 7, 2010 at 2:00 pm for Equity Chorus Female Singers
who move Well at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: JAMES AND THE GIANT PEACH.
PROD, Michael Price; AP, Bob Alwine; DIR, Graciela Daniele; CHOREO, Pilobolus.
Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins
September 28, 2010. Performance Dates: October 21-November 28, 2010 (in
the Norma Terris Theatre in Chester, CT). Breakdown-- Ensemble Singers:
Male & Female, all types, who move well. Take note of the date and
times for each audition. Come prepared to dance in jazz sneakers. Prepare
a brief song from the Great American Songbook for ballads and contemporary
musical theater for uptempo songs (Maltby/Shire, Schwartz but no pop or
rock). Bring sheet music; an accompanist will be provided. Bring photographs
& resumes, stapled together. (Posted: June 24, 2010)
(New York, NY - AUDITIONS:
July 7, 2010 at 10:00 am for Equity Chorus Female Singers who move very
well & at 2:00 pm for Equity Chorus Male Singers who move very well
at Details
Are only Available By Subscription. will be holding auditions
for a workshop production. Title: COOL PAPA'S PARTY. EXEC PROD,
Stephen M. Hayes; PROD, Arlie Cone; DIR, Jonathan Silverstein; CHOREO,
Maurice Hines; CSTG, Binder Casting. Contract: Equity Workshop Contract
($578 min./wk. for five-day work week and $683 min./wk. for six-day work
week). Workshop Contract Dates: October 11-November 12, 2010. Breakdown--
Ensemble
Singers: Early 20s-Early 30s, male and female, to play African-American
and Caucasian characters, strong singers who move very well, tap skills
a plus, seeking all vocal types from bass to high tenor as well as sopranos
and altos, all should possess unique and vivid personalities and have the
ability to play a wide variety of characters, seeking singers who are rhythmically
adept and well-versed in straight ahead jazz idioms, with the ability to
improvise; Ensemble Dancers: Early 20s-Early 30s, male and
female, to play African-American and Caucasian characters, strong dancers
with a jazz/ballet and tap background, all dancers must be excellent singers,
all should be sexy and possess unique and vivid personalities and be proficient
in all forms of dance, seeking dancers who are rhythmically adept and well-versed
in straight ahead jazz idioms, with the ability to improvise. Dancers,
be warmed up and ready to dance when the call begins. Men, bring tap shoes
and flat jazz shoes or sneakers; women, bring tap shoes and character heels.
Some may be asked to stay and sing after all have danced. Prepare a brief
standard pop jazz song that shows off your voice and range. Bring sheet
music; an accompanist will be provided. Singers, prepare a brief standard
pop jazz song that shows off your voice and range. Bring sheet music; an
accompanist will be provided. Bring photographs & resumes, stapled
together. (Posted: June 24, 2010)
(N. Hollywood, CA - AUDITIONS:
July 8, 2010 at 2:00 pm for All Male Principals & Chorus Singers [Registration
at 1:30 pm] at Details
Are only Available By Subscription. is casting Disney's
ALADDIN:
A
MUSICAL SPECTACULAR, a Broadway-caliber, theatrical production. Originally
directed by world-renowned, award-winning director Francesca Zambello and
choreographed by acclaimed Broadway choreographer Lynne Taylor-Corbett.
Contract: AGVA Performance Contract (Professional pay provided. Entertainers
for this show are covered under the terms and conditions of a collective
bargaining agreement with the American Guild of Variety Artists [AGVA]).
This show is performed in the state-of-the-art, indoor, 2000-seat Hyperion
Theater at Disney's California Adventure® park. Breakdown-- Aladdin:
18-22, male, 5'7"-5'11", good physique, good-looking guy filled with teenage
charm and appeal, great charisma, clever, survives on the streets of Agrabah,
baritone/tenor with a youthful sound; Jasmine: 18-22, female,
5'2"-5'6", beautiful, independent, feisty princess, desperately longs to
experience life beyond the castle walls, soprano with strong mix, contemporary
musical theatre/Disney princess sound; Genie: 26-40s, male,
charismatic and full of energy, great celebrity impressionist, quickly
transforms from character to character, genuinely pained by his lack of
freedom, especially seeking actors with extensive improv and physical comedy
background, must carry a tune; Jafar: 35-55, male, 6'0"+,
commanding and menacing presence, great classical actor, the ultimate Disney
villain, lusts for power, desires Jasmine, bass/baritone with deep rich
voice, classical vocal training a plus; Sultan/Narrator:
50+, male, performs both roles, great actor, Narrator has a mysterious
and engaging presence, must connect well with an audience, Sultan is a
kind and benevolent man with great love for his daughter Jasmine, baritone/tenor;
Chorus
Singers: Male & Female, must have strong acting and movement
skills, strong contemporary musical theatre vocal technique, may understudy
principal/featured roles; Magic Carpet: Female, 4'9"-5'3",
physically expressive mimic, joyfully speaks volumes without saying a word,
tumbling a plus, strong dancer, Genie's side kick, enthusiastic, endearing,
principal/featured role; Chorus Dancers: Male 5'7"+ &
Female 5'3"+, strong technical/musical theatre dancers, acting, singing,
tumbling, and tap a plus, especially seeking well-built male dancers for
speaking roles portraying thuggish palace guards. Note: All roles must
be at least 18 or older. Seeking performers with an ethnic look to portray
citizens of the mythical Arabian town of Agrabah. Principals and chorus
singers, prepare 16 bars of a contemporary musical theatre selection showing
vocal versatility and range. You may sing from the show. Bring sheet music
in your key, an accompanist will be provided. Chorus dancers and Magic
Carpet may be taught several combinations. Bring appropriate shoes (no
heels). Bring photographs & resumes, stapled together. (Posted: July
6, 2010)
(N. Hollywood, CA - AUDITIONS:
July 9, 2010 at 2:00 pm for Magic Carpet & Chorus Dancers [Registration
at 1:30 pm] at Details
Are only Available By Subscription. is casting Disney's
ALADDIN:
A
MUSICAL SPECTACULAR, a Broadway-caliber, theatrical production. Originally
directed by world-renowned, award-winning director Francesca Zambello and
choreographed by acclaimed Broadway choreographer Lynne Taylor-Corbett.
Contract: AGVA Performance Contract (Professional pay provided. Entertainers
for this show are covered under the terms and conditions of a collective
bargaining agreement with the American Guild of Variety Artists [AGVA]).
This show is performed in the state-of-the-art, indoor, 2000-seat Hyperion
Theater at Disney's California Adventure® park. Breakdown-- Aladdin:
18-22, male, 5'7"-5'11", good physique, good-looking guy filled with teenage
charm and appeal, great charisma, clever, survives on the streets of Agrabah,
baritone/tenor with a youthful sound; Jasmine: 18-22, female,
5'2"-5'6", beautiful, independent, feisty princess, desperately longs to
experience life beyond the castle walls, soprano with strong mix, contemporary
musical theatre/Disney princess sound; Genie: 26-40s, male,
charismatic and full of energy, great celebrity impressionist, quickly
transforms from character to character, genuinely pained by his lack of
freedom, especially seeking actors with extensive improv and physical comedy
background, must carry a tune; Jafar: 35-55, male, 6'0"+,
commanding and menacing presence, great classical actor, the ultimate Disney
villain, lusts for power, desires Jasmine, bass/baritone with deep rich
voice, classical vocal training a plus; Sultan/Narrator:
50+, male, performs both roles, great actor, Narrator has a mysterious
and engaging presence, must connect well with an audience, Sultan is a
kind and benevolent man with great love for his daughter Jasmine, baritone/tenor;
Chorus
Singers: Male & Female, must have strong acting and movement
skills, strong contemporary musical theatre vocal technique, may understudy
principal/featured roles; Magic Carpet: Female, 4'9"-5'3",
physically expressive mimic, joyfully speaks volumes without saying a word,
tumbling a plus, strong dancer, Genie's side kick, enthusiastic, endearing,
principal/featured role; Chorus Dancers: Male 5'7"+ &
Female 5'3"+, strong technical/musical theatre dancers, acting, singing,
tumbling, and tap a plus, especially seeking well-built male dancers for
speaking roles portraying thuggish palace guards. Note: All roles must
be at least 18 or older. Seeking performers with an ethnic look to portray
citizens of the mythical Arabian town of Agrabah. Principals and chorus
singers, prepare 16 bars of a contemporary musical theatre selection showing
vocal versatility and range. You may sing from the show. Bring sheet music
in your key, an accompanist will be provided. Chorus dancers and Magic
Carpet may be taught several combinations. Bring appropriate shoes (no
heels). Bring photographs & resumes, stapled together. (Posted: July
6, 2010)
(New York, NY & USA
Tour)(New York, NY - AUDITIONS: July 13, 2010 at 11:00 am for Equity Chorus
Female Dancers & at 2:00 pm for Equity Chorus Male Dancers at Details
Are only Available By Subscription. will be holding auditions
for future replacements for the Broadway & National tour companies.
Title: PHANTOM OF THE OPERA. PROD, Cameron Mackintosh, The Really
Useful Company; DIR, Harold Prince; CHOREO, Gillian Lynne. Contract: Equity
Production Contract ($1,605 min./wk.). Breakdown-- Female Ensemble
Dancers: 18-25, must look very young, must be 5'4" or under, must
have a degree of innocence about them, experienced classically trained
dancers required; Male Ensemble Dancers: Must be 6'+, must
be classical/ballet dancers, should have solid classical technique with
a musical theater flair, must be well-built and muscular, strong classical
dancers required, not seeking tap dancers, jazz dancers, or "hoofers."
Also seeking Meg: Should appear 16-18, member of the Corps
du Ballet, range is mezzo-soprano to G. Note: There is no solo singing
for the female dancers (except Meg), but they will have to carry some vocal
responsibility in the ensemble numbers. Casting for The Phantom of the
Opera is interracial; singers of all ethnic backgrounds and races are encouraged
to attend. Be warmed up and ready to dance. Women, most of the audition
will be on pointe; have pointe shoes and flat ballet shoes with you. Men,
wear ballet shoes. Prepare a brief song from the musical theater repertoire
that best shows off your voice and range, in case you are asked to stay
and sing. Bring sheet music; an accompanist will be provided. Note: Casting
directors will also be seeking girls for future replacements for the role
of Meg at this dance call. Bring photographs & resumes, stapled together.
(Posted: July 8, 2010)
(White River Junction,
VT)(New York, NY - July 13, 2010 at 9:30 am for for Equity Chorus Female
Singers & at 11:30 am for Equity Chorus Male Singers & at 2:00
pm for Equity Chorus Female Dancers & at 4:00 pm for Equity Chorus
Male Dancers at Details
Are only Available By Subscription.) -
Title: THE WIZARD OF OZ. ART DIR, Brooke Ciardelli. PROD DIR, Catherine
Doherty. Contract: Equity LORT D Contract. Rehearsal Dates: Begins November
16, 2010. Performance Dates: December 10, 2010-January 9, 2011 (in White
River Junction, VT). Breakdown-- Ensemble Singers & Dancers:
Male & Female, all types. Singers, prepare a brief classic Broadway
uptempo song in the style of the show. Bring sheet music; an accompanist
will be provided. Dancers, be warmed up and ready to dance when the call
begins. Women, bring character shoes; men, bring jazz shoes. Bring photographs
& resumes, stapled together. (Posted: July 8, 2010)
(Baltimore, MD)(New York,
NY - AUDITIONS: July 13, 2010 at 10:00 am for Equity Chorus Male Dancers
& at 2:00 pm for Equity Chorus Female Dancers at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: THE WIZ. DIR, Irene Lewis;
MUSIC DIR, Eric Svejcar; CHOREO, Willie Rosario; CSTG, Janet Foster. Contract:
Equity LORT B Contract ($750 min./wk.). Rehearsal Dates: Begins August
27, 2010. Performance Dates: September 29-November 7, 2010 (in Baltimore,
MD). Breakdown-- Ensemble Dancer-Singer-Actors: Four Males
& Four Females, who can sing, dance and act for this ensemble, seeking
highly inventive performers who will play a variety of roles, including
the Tornado & Munchkins. Note: All characters in this
production are African-American. Wear clothes and shoes you can dance in.
Note: If you know acrobatics or have any fun tricks, be sure to let them
know. Bring a short musical selection that shows off your voice in case
asked to sing. An accompanist will be provided. Bring photographs &
resumes, stapled together. (Posted: July 8, 2010)
(Milburn, NJ)(New York,
NY - AUDITIONS: July 14, 2010 at 10:00 am for Equity Chorus Female Singers
who Move & at 2:00 pm for Equity Chorus Male Singers who Move at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: HAIRSPRAY. PROD ART DIR, Mark
S. Hoebee; DIR, Matt Lenz; MUSIC DIR, Tom Helm; CHOREO, Michele Lynch;
CSTG, Craig Burns. Contract: Equity COST Contract ($777 min./wk.). Rehearsal
Dates: Begins August 30, 2010. Performance Dates: September 22-October
17, 2010 (with possible extension until October 31, 2010). Breakdown--
Ensemble
Singers & Dancers: Male & Female, to play high-schoolers,
all types and ethnicities, with strong pop singing voices and great personalities,
to play various ensemble characters and possible cover principal roles;
The Dynamites: Three sexy African-American female singer/dancers,
inspired by the Supremes, should have glorious pop/gospel singing voices,
are featured in the showstopper "Welcome to the '60's". Singers, prepare
16 bars of a 1960s style pop song showing range. Bring sheet music; an
accompanist will be provided. Bring photographs & resumes, stapled
together. (Posted: July 8, 2010)
(New York, NY & USA
Tour)(New York, NY - AUDITIONS: July 15, 2010 at 10:00 am for Equity Chorus
Male Singers & at 2:00 pm for Equity Chorus Male Singers at Details
Are only Available By Subscription. will be holding auditions
for future replacements for the Broadway & National tour companies.
Title: PHANTOM OF THE OPERA. PROD, Cameron Mackintosh, The Really
Useful Company; DIR, Harold Prince; CHOREO, Gillian Lynne. Contract: Equity
Production Contract ($1,605 min./wk.). Breakdown-- Female Ensemble
Singers: Should be sopranos (lyric or coloratura), mezzo sopranos,
or contraltos, with strong legit musical theater or opera voices; Male
Ensemble Singers: Should be strong legit musical theater or opera
tenors, baritones, or basses, two of the basses in the chorus must sing
to low F. Note: Out of the ensemble, seeking the following chorus specialty
parts and principal understudies - Don Attilo/Passarino:
30s-40s, bass or bass baritone with a solid and legitimate low F, should
be a physically interesting character man with a good sense of comedy,
chorus contract, small specialty role; Wardrobe Mistress/Confidant:
30s-40s, contralto or low mezzo, physically interesting character woman,
short and round or tall and thin, chorus contract, small specialty role;
Monsieur
Reyer: 30s-40s, tenor, character role, the repetiteur (vocal coach)
of the Paris Opera, an agitated, finicky, and meticulous fellow, a strict
disciplinarian, always on the verge of hysteria, chorus contract, small
specialty role; Christine Daae: 20s, beautiful young singer,
soprano voice that combines elements of classical and pop singing, a light
and floaty soprano, sings briefly to high E; The Phantom:
30s-40s, high lyric baritone or tenor (with a good low range) from low
A flat to high A flat, must be dynamic, bravura, "star" performance, both
frightening and irresistible; Raoul, Vicomte de Chagny: Late
20s-Early 30s, dashing, handsome young artistocrat, high baritone, two
octave range from A flat to A flat; Firmin & Andre: Late
30s-50ish, the managers of the Paris Opera House, trying to be elegant,
slightly befuddled and bumbling, must have good instincts for stylish comedy,
baritones (one sings to A and one to G), supporting roles; Carlotta
Giudicelli: 30s-Early 40s, the prima donna of the Paris Opera,
a diva in every sense of the word, coloratura soprano to high E, opera
training required; Madame Giry: Late 30s-Early 50s, the Opera's
ballet mistress, an ominous, stern, and forbidding figure, mezzo soprano
to high B flat; Ubaldo Piangi: Late 30s-50s, the opera's
leading tenor, Italian-style singer, sings to high C, opera training required.
Note: Casting for The Phantom of the Opera is interracial; singers of all
ethnic backgrounds and races are encouraged to attend. Prepare a brief
song from legit musical theater/standard opera or operetta repertoire,
preferably in English; do not sing pop or rock. Bring your book of music
in case you are asked for another selection; an accompanist will be provided.
Bring photographs & resumes, stapled together. (Posted: July 8, 2010)
(Milburn, NJ)(New York,
NY - AUDITIONS: July 16, 2010 at 10:00 am for Equity Chorus Female Dancers
who Sing & at 2:00 pm for for Equity Chorus Male Dancers who Sing at
Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: HAIRSPRAY. PROD ART DIR, Mark
S. Hoebee; DIR, Matt Lenz; MUSIC DIR, Tom Helm; CHOREO, Michele Lynch;
CSTG, Craig Burns. Contract: Equity COST Contract ($777 min./wk.). Rehearsal
Dates: Begins August 30, 2010. Performance Dates: September 22-October
17, 2010 (with possible extension until October 31, 2010). Breakdown--
Ensemble
Singers & Dancers: Male & Female, to play high-schoolers,
all types and ethnicities, with strong pop singing voices and great personalities,
to play various ensemble characters and possible cover principal roles;
The
Dynamites: Three sexy African-American female singer/dancers, inspired
by the Supremes, should have glorious pop/gospel singing voices, are featured
in the showstopper "Welcome to the '60's". Singers, prepare 16 bars of
a 1960s style pop song showing range. Bring sheet music; an accompanist
will be provided. Bring photographs & resumes, stapled together. (Posted:
July 8, 2010)
(New York, NY - AUDITIONS:
July 22, 2010 at 10:00 am for Equity Chorus Male Singers who move well
& at 2:00 pm for Equity Chorus Female Singers who move well at Details
Are only Available By Subscription.) - Title:
ELF,
a new musical. PROD, Warner Bros. Theatre Ventures & Unique Features;
DIR/CHOREO, Casey Nicholaw; MUSIC DIR, Phil Reno; CSTG, Telsey + Company.
Contract: Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal
Dates: Begins September 27, 2010. Performance Dates: November 2, 2010-January
2, 2011 (at the Al Hirschfeld Theatre on Broadway). Breakdown--
Singers
Who Move: 30s-40s, male and female, all ethnicities, seeking comedic
singers with a wide vocal range, must move well, to play various characters
in the ensemble and possibly understudy principal roles;
Dancers Who
Sing Well: 20s-early 40s, male and female, all ethnicities, seeking
comedic dancers who sing well, to play various characters in the ensemble
and possibly understudy principal roles. Note: Seeking an ethnically diverse
ensemble. Singers, prepare 16 bars of a contemporary musical theater song,
showing range. Bring sheet music; an accompanist will be provided. Dancers,
be warmed up and ready to dance when the call begins. Women, bring heels
and jazz shoes/flats. Men, bring jazz shoes and/or character shoes. In
addition to the other shoes listed, men and women should bring tap shoes.
Bring photographs & resumes, stapled together. (Posted: July 19, 2010)
(Los Angeles, CA - AUDITIONS:
July 26, 2010 at 10:00 am for Equity Chorus Female Dancers [Registration
at 9:30 am] & at 12:00 noon for Equity Chorus Male Dancers [Registration
at 11:30 am] at Details
Are only Available By Subscription. will be holding auditions
for Dancers for their co-production. Title: VENICE. PROD, Michael
Ritchie (CTG), Eric Rosen (KCR); AP, Kelley Kirkpatrick (CTG); ART DIR/DIR,
Eric Rosen (KCR); MUSIC DIR, Curtis Moore; CHOREO, John Carrafa, Tanisha
Scott; CSTG, Bonnie Grisan (CTG), Stephanie Klapper (KCR). Contract: Equity
LORT Non-Rep Contract ($555/wk.). Rehearsal Dates: Begins September 7,
2010 (in Los Angeles, CA). Performance Dates: October 7-November 14, 2010
(in the Kirk Douglas Theatre in Los Angeles, CA). Breakdown-- Ensemble:
1 female & 2 male roles, 20s-30s, any ethnicity, excellent hip-hop
dancers who are also strong singers comfortable singing in a contemporary
hip-hop style, a facility for rapping is a plus, ensemble members play
various soldiers, reporters, and citizens of Venice. Chorus rules are in
effect. A monitor will be provided. Come prepared to dance in hip-hop style,
wear sneakers. Prepare 16 bars of an R&B song. Bring sheet music; accompanist
provided. Bring photographs & resumes, stapled together. (Posted: July
19, 2010)
(Cumberland, MD - AUDITIONS:
July 26, 2010 between 2:00-9:00 pm for Equity Performer at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: ROCKY HORROR SHOW. AP, Gary
Goodson; ART DIR, Don Whisted; WRTR, Richard O'Brien; MUSIC DIR, Chris
E. McCabe. Contract: Equity SPT Level 4 Contract, approval pending ($293/wk.).
Rehearsal Dates: Begins October 4, 2010. Performance Dates: October 14-31,
2010 (in Cumberland, MD). Breakdown-- Frank 'N' Furter: Transexual
mad scientist, pop/rock powerful performer; Magenta/Popcorn Girl:
Pop sound; Columbia: Pop sound; Narrator: Character
male, any age; Eddie: Rock singer; Dr. Scott:
Character male, older; Brad Majors: Male ingénue,
dorky, pop sound; Riff Raff: Pop/rock powerful performer;
Transylvanians:
Male and female. Note: Three Equity contracts are available, one of which
being a chorus contract, to be cast among the available roles. The roles
of Janet Weiss and Rocky have been cast. For the auditions, prepare a musical
number in the style of the show. Bring sheet music; an accompanist will
be provided. Note: This will be the only call for this show. Bring photographs
& resumes, stapled together. (Posted: July 19, 2010)
(Los Angeles, CA - AUDITIONS:
July 26, 2010 at 2:00 pm for Equity Chorus Female & Male Singers [Registration
at 1:30 pm] at Details
Are only Available By Subscription. will be holding auditions
for Singers for their co-production. Title: VENICE. PROD, Michael
Ritchie (CTG), Eric Rosen (KCR); AP, Kelley Kirkpatrick (CTG); ART DIR/DIR,
Eric Rosen (KCR); MUSIC DIR, Curtis Moore; CHOREO, John Carrafa, Tanisha
Scott; CSTG, Bonnie Grisan (CTG), Stephanie Klapper (KCR). Contract: Equity
LORT Non-Rep Contract ($555/wk.). Rehearsal Dates: Begins September 7,
2010 (in Los Angeles, CA). Performance Dates: October 7-November 14, 2010
(in the Kirk Douglas Theatre in Los Angeles, CA). Breakdown-- Ensemble:
one female and two males, 20s-30s, any ethnicity, excellent hip-hop dancers
who are also strong singers comfortable singing in a contemporary hip-hop
style, a facility for rapping is a plus, will play various soldiers, reporters,
and citizens of Venice. Chorus rules are in effect. A monitor will be provided.
Prepare 16 bars of an R&B song. Bring sheet music; pianist provided.
Bring photographs & resumes, stapled together. (Posted: July 19, 2010)
(New York, NY - Auditions:
July 27, 2010 at 10:00 am for Equity Chorus Female Dancers & at 2:00
pm for Equity Chorus Male Dancers at Details
Are only Available By Subscription. will be holding auditions
for upcoming production. Title: SISTER ACT. PROD, Whoopi Goldberg,
Stage Entertainment; DIR, Jerry Zaks; CHOREO, Anthony van Laast. Contract:
Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal Dates:
Begins Early 2011. Performance Dates: Opens Spring, 2011 (on Broadway).
Breakdown-- Female Ensemble Dancers: 18-55, all ethnicities,
all types, shapes, and sizes, great singers and strong movers, should have
style and the ability to play various characters (including nuns) and understudy
principal roles, also seeking women to play Kay-T & La Rosa,
Caucasian or Latina, low-rent, big-haired wannabe Pointer Sisters whose
moves are smooth and attitude sassy, very strong legit and belt voices
required for all performers; Male Ensemble Dancers: 20-55,
all ethnicities, all types, shapes, and sizes, great singers (with disco
falsetto) and strong movers, should have style and ability to play various
small roles and understudy principal roles. Be warmed up and ready to dance.
Women should wear character heels. After dancing, you may be asked to sing,
so prepare 16 bars of a pop song, disco song, or contemporary musical theater
song in the style of Alan Menken. Bring sheet music; an accompanist will
be provided. Bring photographs & resumes, stapled together. (Posted:
July 26, 2010)
(New York, NY - AUDITIONS:
July 28, 2010 at 10:00 am for Equity Chorus Male Singers & at 2:00
pm for Equity Chorus Female Singers at Details
Are only Available By Subscription. will be holding auditions
for the Broadway production. Title: BLOODY BLOODY ANDREW JACKSON.
DIR, Alex Timbers; MUSIC DIR, Justin Levine; CSTG, Carrie Gardner. Contract:
Equity Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins
August 3, 2010. Previews Date: Begin September 21, 2010. Performance Dates:
Broadway opening TBD. Breakdown-- Singers: 20s-Mid 30s, male
and female, seeking performers with a rock 'n' roll look, who can play
moody, within that, seeking a variety of physical types and ethnicities,
all must be adept with diverse performance styles - capable of broad yet
sharp characterizations as well as sudden beat shifts, facility with deadpan
comedy and vacant expressions a must, comic character actors who can sing.
Prepare 16 bars of a pop/rock song. Bring sheet music; an accompanist will
be provided. Bring photographs & resumes, stapled together. (Posted:
July 27, 2010)
(Olney, MD)(New York,
NY - AUDITIONS: July 28, 2010 at 9:30 am for Equity Chorus Male Singers
& at 11:00 am for Equity Chorus Female Singers at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: ANNIE. PROD/ART DIR, Brad
Watkins; DIR, Mark Waldrop; MUSIC DIR, Christopher Youstra; CHOREO, Tara
Jeanne Vallee. Contract: Equity COST Contract ($613 min./wk.). Rehearsal
Dates: Begins October 25, 2010 (three weeks). Performance Dates: November
16-January 2, 2011. Breakdown-- Ensemble Male Singers: Character
men to play the roles of Bundles, Ward, Bert Healy
& Drake; Ensemble Female Singers: Character
women to perform in the ensemble and understudy the roles of Hannigan,
Grace & Lily. Prepare 16 bars of a Broadway
belt. Bring sheet music; an accompanist will be provided. Bring photographs
& resumes, stapled together. (Posted: July 26, 2010)
(Olney, MD)(New York,
NY - AUDITIONS: July 28, 2010 at 2:00 pm for Equity Chorus Male Dancers
& at 4:00 pm for Equity Chorus Female Dancers at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: ANNIE. PROD/ART DIR, Brad
Watkins; DIR, Mark Waldrop; MUSIC DIR, Christopher Youstra; CHOREO, Tara
Jeanne Vallee. Contract: Equity COST Contract ($613 min./wk.). Rehearsal
Dates: Begins October 25, 2010 (three weeks). Performance Dates: November
16-January 2, 2011. Breakdown-- Ensemble Dancers: Male &
Female, strong Broadway dancers with gymnastics preferred. Be prepared
to dance a combination and wear appropriate dance clothes of your choice.
Men, bring jazz shoes; women, bring character shoes. Bring photographs
& resumes, stapled together. (Posted: July 26, 2010)
(New York, NY - AUDITIONS:
July 29, 2010 at 10:00 am for Equity Chorus Female Dancers who Sing well
& at 2:00 pm for Equity Chorus Male Dancers who Sing well at Details
Are only Available By Subscription.) -
Title: ELF, a new musical. PROD, Warner Bros. Theatre Ventures &
Unique Features; DIR/CHOREO, Casey Nicholaw; MUSIC DIR, Phil Reno; CSTG,
Telsey + Company. Contract: Equity Broadway/Production Contract ($1,605
min./wk.). Rehearsal Dates: Begins September 27, 2010. Performance Dates:
November 2, 2010-January 2, 2011 (at the Al Hirschfeld Theatre on Broadway).
Breakdown-- Singers Who Move: 30s-40s, male and female, all
ethnicities, seeking comedic singers with a wide vocal range, must move
well, to play various characters in the ensemble and possibly understudy
principal roles; Dancers Who Sing Well: 20s-early 40s, male
and female, all ethnicities, seeking comedic dancers who sing well, to
play various characters in the ensemble and possibly understudy principal
roles. Note: Seeking an ethnically diverse ensemble. Singers, prepare 16
bars of a contemporary musical theater song, showing range. Bring sheet
music; an accompanist will be provided. Dancers, be warmed up and ready
to dance when the call begins. Women, bring heels and jazz shoes/flats.
Men, bring jazz shoes and/or character shoes. In addition to the other
shoes listed, men and women should bring tap shoes. Bring photographs &
resumes, stapled together. (Posted: July 19, 2010)
(New York & White
Plains, NY)(New York, NY - AUDITIONS: July 30, 2010 at 9:30 am for Equity
Chorus Female Singers & at 11:30 am for Equity Chorus Male Singers
at Details
Are only Available By Subscription. will be holding auditions
for their upcoming production. Title: WALLENBERG, a New Musical
Drama. DIR, Annette Jolles; CSTG, Michael Cassara, CSA. Contract: Equity
LOA Contract ($400 min./wk.). Rehearsal Dates: Begins September 27, 2010
(in New York & White Plains, NY). Performance Dates: Runs through November
21, 2010 (in White Plains, NY). Breakdown-- Ensemble: Male
& Female, all must be strong singers. Tracks include - Male 1:
40s-60s, characters include Rabbi, Nazi General
& Others; Male 2: Early 20s, characters
include Young Nazi Soldier & Others; Male
3: 60s-70s, characters include Businessman, Holocaust
Survivor & Others; Male 4: 40s,
characters include Businessman, Nazi Soldier
& Others; Male 5: Mid 20s-Mid 30s, characters
include Nazi Soldier & Others; Male
6: Mid 30s-Mid 40s, characters include Hungarian Fascist
Official & Others; Male 7: Mid
30s-Mid 40s, characters include Rabbi, Nazi Soldier
& Others; Male 8: 60s-70s, characters include
Hungarian Regent & Others; Male 9:
40s, characters include Doctor & Others;
Boy: 6-8, characters are young children; Female 1:
20s-30s; Female 2: 20s-30s; Females 3 & 4:
30s-40s; Female 5: 40s-50s; Female 6: 50s-60s.
Prepare 16 bars of a contemporary or traditional musical theater song;
no pop. Bring sheet music; an accompanist will be provided. Bring photographs
& resumes, stapled together. (Posted: July 27, 2010)
AUGUST
2010
(Dayton, OH)(Chicago,
IL - AUDITIONS: August 9, 2010 between 10:00 am-3:00 pm for Equity Performers
by Appointment Only at Details
Are only Available By Subscription. will be holding auditions
for their 2010-2011 season. Season Titles: 8-TRACK: THE SOUNDS OF THE
'70s. DIR, Scott Stoney. Rehearsal Dates: Begins November 8, 2010.
Performance Dates: December 2-19, 2010 & may extend to December 31,
2010. THE DROWSY CHAPERONE. Rehearsal Dates: Begins February 7,
2011. Performance Dates: March 8-20, 2011 (under an Equity LOA to LORT
D Contract at 1,100-seat proscenium Victoria Theatre). RIGHT NEXT TO
ME. Rehearsal Dates: Begins April 25, 2011. Performance Dates: May
26-June 12, 2011. PROD/EXEC DIR, Kevin Moore. Contract: Equity SPT Contract
($367 min./wk.). Breakdown-- Actor-Singers: Male & Female.
Equity audition procedures are in effect, and a monitor will be provided.
Prepare one song, three minutes max; theater suggests '70s pop for 8-Track,
traditional Broadway for Drowsy Chaperone, or contemporary Broadway for
Right Next to Me. Bring sheet music in your key; an accompanist will be
provided. Performers of all ethnic and racial backgrounds are encouraged
to attend. Always bring your Equity membership card to auditions. Bring
photographs & resumes, stapled together. (Posted: July 20, 2010)
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