(Lewiston, ME)(New York, NY - AUDITIONS: Early February, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes by February 3, 2010 to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MAGNETIC NORTH. DIR, Christopher Schario; WRTR, William Donnelly. Contract: Equity SPT 8 Contract ($450 min./wk., plus housing and transportation provided). Rehearsal/Performance Dates: March 1-28, 2010. Breakdown-- Mara: Early 40s, the sexy, feminine, alluring, very attractive former girlfriend of the married male lead, charmingly predatory yet still likable, appears confident and entertaining, but struggles internally with being single, still in love with her old boyfriend. Actors will read from the script at the auditions. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 3, 2010 between 10:30 am-2:00 pm & 3:00-6:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE KID. DIR, Scott Elliott; WRTR, Dan Savage; MUSIC DIR, Dominick Amendum; CHOREO, Josh Prince; CSTG, Judy Henderson. Contract: Equity ANTC Contract ($487 min./wk.). Rehearsal Dates: Begins February 22, 2010. Performance Dates: April 7-May 29, 2010. Breakdown-- Jack/Friend #1: 20s,male; Alice/Waitress/Friend #2: 30s, female; Tom/Friend #3: 30s-40s, male; Male: 20s. The following roles are CAST. Performers will be considered as possible replacements - Dan: 30s, sex columnist, self-assured, opinionated, arrogant, yet self-deprecating, doubtful of his ability as a father; Terry: Mid 20s, Dan's boyfriend, works as a barista and enjoys clubs and dance music, but has an intellectual side, the voice of reason in their relationship; Melissa; Teens-20s, homeless, pregnant teenager (a "gutter punk"), closed-mouthed and affectless, but strong-willed; Dan's Mom: 60s, maternal, with traditional values, yet used to - and accepting of - Dan's life and outspoken opinions, thrilled about getting to be a grandmother; Bacchus: 20s, father of Melissa's unborn child, homeless as a lifestyle, rootless, but he believes he is ready for the responsibility of fatherhood; Ruth/Anne/Marilyn: 40s-50s, female; Carol/Susan: 20s, female. Prepare a brief song that shows vocal range and ability. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Austin, TX - AUDITIONS: February 3 & 4, 2010 between 6:00-10:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BECKY'S NEW CAR. ART DIR, Dave Steakley; DIR/WRTR, Steven Dietz. Contract: Equity SPT Contract ($284/wk.). Rehearsal Dates: Begins May 3, 2010. Performance Dates: June 3-July 3, 2010 (in Austin, TX). Breakdown-- Joe Foster: Late 40s, Becky's husband, a roofer; Chris Foster: 26, Joe and Becky's son, a psychology student; Walter Flood: 60s, a very wealthy businessman, widowed; Kensington (Kenni) Flood: 23, Walter's daughter; Steve: 50, Becky's co-worker, widowed; Ginger: 50, a neighbor of Walter's, single. Note: Seeking male and female actors ages 18+ for all roles. A monitor will not be provided. The producer will run all aspects of this audition. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 4, 2010 at 10:00 am for Equity Chorus Male Singers who move Well & at 2:00 pm for Equity Chorus Female Singers who move Well at Details Are only Available By Subscription. will be holding auditions for their production. Title: SOUTH PACIFIC. EXEC PROD, Bernard Gersten; ART DIR, Andre Bishop; DIR, Bartlett Sher; MUSIC DIR, Ted Sperling; CHOREO, Christopher Gattelli; CSTG, Telsey + Company. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Breakdown-- Ensemble Singers: Male & Female, all ethnicities, to play a variety of physical types within the world of South Pacific, movement ability, musicality, and good physical storytelling required, but not necessarily seeking dancers, all must sing well. Note: The following roles will be cast from the ensemble - Henry: 45-70, Debecq's premiere servant, an islander with dark aboriginal features whose watchful wisdom provides security to the household; Marcel: 35-45, Henry's assistant, an islander, will also cover Henry; Bloody Mary's Assistant: Tonkinese, will also cover Mary; Liat Cover: female, 15-22, Tonkinese, heartbreakingly delicate, beautiful, the picture of purity; Nurses: 22-35, females, Caucasian, with a variety of looks and body types, well-educated, tight-knit group, should embody the openness and generosity of the period; Sailors, Seabees, and Marines: 18-Late 20s, males, Caucasian and African-American, young, real-looking Marine bodies, skinny is good, coming from all classes, the heart and soul of the musical, serving their country with open and innocent spirits, idealistic, committed to this adventure. Prepare 16 bars of a Rodgers & Hammerstein song or a song in the style of the show; absolutely no pop/rock. Bring sheet music for your song; a piano accompanist will be provided. Equity chorus procedures are in effect. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(N. Hollywood, CA - AUDITIONS: February 4, 2010 at 10:00 am for Equity Chorus Male Singers [Registration at 9:30 am] & at 2:30 pm for Equity Chorus Female Singers [Registration at 2:00 pm] at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: SPAMALOT. DIR, Glenn Casale; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins June 21, 2010. Performance Dates: July 9-18, 2010. JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR/CHOREO, Richard Stafford; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins July 9, 2010. Performance Dates: July 20-25, 2010. OKLAHOMA! DIR, Marcia Milgrom Dodge; CHOREO, Bob Richard; MUSIC DIR, Michael Rice. Rehearsal Dates: Begins July 12, 2010. Performance Dates: July 27-August 1, 2010. DIRTY ROTTEN SCOUNDRELS. DIR/CHOREO, Richard Stafford; MUSIC DIR, Darren Cohen. Rehearsal Dates: Begins July 19, 2010. Performance Dates: August 3-8, 2010. FUNNY GIRL. DIR, Glenn Casale; CHOREO, Bob Richard; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-15, 2010. THE MARVELOUS WONDERETTES. DIR, Roger Bean; CHOREO, Janet Miller; MUSIC DIR, Michael Borth. Rehearsal Dates: Begins August 6, 2010. Performance Dates: August 17-22, 2010. 42ND STREET. DIR, Charley Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins August 9, 2010. Performance Dates: August 24-29, 2010. EXEC PROD, Richard Lewis; AP, Scott Klier; ART DIR, Glenn Casale. Contract: Equity RMTA Contract ($951/wk). Breakdown-- Singers: All ethnicities encouraged. Note: All roles for The Marvelous Wonderettes have been cast. Chorus rules are in effect. A monitor will be provided. Prepare a brief musical theater song appropriate for the season; singing material from the show is acceptable and encouraged. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Minneapolis, MN)(New York, NY - AUDITIONS: February 4 & 5, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DOLLHOUSE by Rebecca Gilman. CSTG, Pat McCorkle. Contract: Equity LORT B Contract ($750 min./wk.). Rehearsal Dates: Begins April 27, 2010. Performance Dates: May 28-July 11, 2010. Breakdown-- Nora: 30s, actress must be very attractive and able to play flighty (even if she isn't) as that is Nora's basic mode of defense and offense, high-energy, committed to the moment, in self-denial, willful, determined, stubborn, worries all the time about money; Terry: Very committed to notions of masculinity and normalcy, an incredibly hard worker, worries all the time about money, good-looking, very fit, it's easy to cast him as a jerk, but he has a very strong undercurrent of insecurity running through him that motivates everything he does, desperately needs to fit in, the most Chicago-y of all the characters (no Chicago accent, but has an idea of how guys behave in Chicago), still goes to Cubs games and drinks too much and high-fives people; Raj Patel: East Indian, basically that guy who was so smart in college but who everybody resented because he let everybody know how smart he was, is also recovering from not fitting in and takes it out on people by trying to beat them, hyper-competitive, has a real insecurity as well, loved Kristine. Seeking submissions from Equity members only for these auditions. Read the notice carefully and submit only if you are right for one or more roles. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Sag Harbor, NY - AUDITIONS: February 4 & 5, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: DISSONANCE by Damian Lanigan. DIR, Lonnie Price. Rehearsal Dates: Begins May 10, 2010. Performance Dates: June 1-27, 2010. 5TH OF JULY by Lanford Wilson. Rehearsal Dates: Begins June 15, 2010. Performance Dates: July 6-August 1, 2010. ROMANCE by David Mamet. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-September 5, 2010. ART DIR, Murphy Davis. Contract: Equity LORT C Contract ($696 min./wk.). Breakdown-- For DISSONANCE - James: 50s, an Englishman, first violinist; Hal: 30s, an American, second violinist; Paul: 40s, an Englishman, violist; Beth: 30s, an American, a cellist; Jonny: 30, an American, a rock star. Note: The characters are musicians in the play, but actors will not be actually playing those instruments. For 5TH OF JULY - Kenneth Talley Jr.: 35, had both legs shot off seven years ago in the Vietnam War, strong, good-looking, a touch cynical, but not deeply; Jed Jenkins: 25, his lover, larger, stronger, an almost silent listener; June Talley: 33, Ken's sister; Shirley Talley: 14, June's daughter; John Landis: 35, childhood friend of the Talleys, deeply cynical; Gwen Landis: 33, John's wife, racy; Sally Friedman: 67, Ken and June's Aunt, not really batty, preoccupied. For ROMANCE - The Prosecutor: 40s+, single-minded and humorless; The Defendant: 30s, puzzled and Woody Allen(ish); The Defense Attorney: 40s+, hard worker and dedicated; The Judge: 60s, absentminded and elderly; The Baliff: 50s, good-natured and dedicated; Bernard: Late 20s, gay beyond words; The Doctor: 40s, serious and dedicated. Equity members without appointment will be seen as time permits, but appointment are recommended. Prepare a brief contemporary monologue, preferably no longer than two minutes. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Denver, CO)(New York, NY - AUDITIONS: February 5, 2010 at 2:00 pm for Equity Chorus Female Singers at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: NINE. ART PROD/DIR, Rod Lansberry; MUSIC DIR, David Nehls; CHOREO, Kitty Skillman Hilsabeck; CSTG, Wojcik/Seay Casting. Contract: Equity LORT B Contract ($750 min./wk.). Rehearsal Dates: Begins March 30, 2010. Performance Dates: April 20-May 16, 2010. Breakdown-- Ensemble Female Singers: 20s-50s, strong female performers with excellent acting and singing ability, dance or strong movement skills a plus. Equity chorus procedures are in effect. Prepare a music selection in the style of the show or from the show. Bring a book of music in case you are asked for more than one piece; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 5, 2010 at 10:00 am for Equity Chorus Female Dancers who Sing & at 2:00 pm for Equity Chorus Male Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for their production. Title: SOUTH PACIFIC. EXEC PROD, Bernard Gersten; ART DIR, Andre Bishop; DIR, Bartlett Sher; MUSIC DIR, Ted Sperling; CHOREO, Christopher Gattelli; CSTG, Telsey + Company. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Breakdown-- Ensemble Dancers: Male & Female, all ethnicities, to play a variety of physical types within the world of South Pacific, movement ability, musicality, and good physical storytelling required, but not necessarily seeking dancers, all must sing well. Note: The following roles will be cast from the ensemble - Henry: 45-70, Debecq's premiere servant, an islander with dark aboriginal features whose watchful wisdom provides security to the household; Marcel: 35-45, Henry's assistant, an islander, will also cover Henry; Bloody Mary's Assistant: Tonkinese, will also cover Mary; Liat Cover: female, 15-22, Tonkinese, heartbreakingly delicate, beautiful, the picture of purity; Nurses: 22-35, females, Caucasian, with a variety of looks and body types, well-educated, tight-knit group, should embody the openness and generosity of the period; Sailors, Seabees, and Marines: 18-Late 20s, males, Caucasian and African-American, young, real-looking Marine bodies, skinny is good, coming from all classes, the heart and soul of the musical, serving their country with open and innocent spirits, idealistic, committed to this adventure. Be warmed up and ready to dance at the start of your call. Men wear sneakers or jazz shoes; women wear heels and flats. Equity chorus procedures are in effect. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(N. Hollywood, CA)(New York, NY - AUDITIONS: February 10, 2010 at 10:00 am for Equity Chorus Male Singers & at 2:00 pm for Equity Chorus Female Singers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: SPAMALOT. DIR, Glenn Casale; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins June 21, 2010. Performance Dates: July 9-18, 2010. JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR/CHOREO, Richard Stafford; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins July 9, 2010. Performance Dates: July 20-25, 2010. OKLAHOMA! DIR, Marcia Milgrom Dodge; CHOREO, Bob Richard; MUSIC DIR, Michael Rice. Rehearsal Dates: Begins July 12, 2010. Performance Dates: July 27-August 1, 2010. DIRTY ROTTEN SCOUNDRELS. DIR/CHOREO, Richard Stafford; MUSIC DIR, Darren Cohen. Rehearsal Dates: Begins July 19, 2010. Performance Dates: August 3-8, 2010. FUNNY GIRL. DIR, Glenn Casale; CHOREO, Bob Richard; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-15, 2010. THE MARVELOUS WONDERETTES. DIR, Roger Bean; CHOREO, Janet Miller; MUSIC DIR, Michael Borth. Rehearsal Dates: Begins August 6, 2010. Performance Dates: August 17-22, 2010. 42ND STREET. DIR, Charley Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins August 9, 2010. Performance Dates: August 24-29, 2010. EXEC PROD, Richard Lewis; AP, Scott Klier; ART DIR, Glenn Casale. Contract: Equity RMTA Contract ($951/wk). Breakdown-- Ensemble Singers: Male & Female, all types for the 2010 season. Note: Equity performers of all ethnic backgrounds are encouraged to attend. Prepare 16 bars of a musical theater song that shows range and is appropriate for the season. Singing material from the shows listed is acceptable and encouraged. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(N. Hollywood, CA)(New York, NY - AUDITIONS: February 11, 2010 at 10:00 am for Equity Chorus Female Dancers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: SPAMALOT. DIR, Glenn Casale; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins June 21, 2010. Performance Dates: July 9-18, 2010. JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR/CHOREO, Richard Stafford; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins July 9, 2010. Performance Dates: July 20-25, 2010. OKLAHOMA! DIR, Marcia Milgrom Dodge; CHOREO, Bob Richard; MUSIC DIR, Michael Rice. Rehearsal Dates: Begins July 12, 2010. Performance Dates: July 27-August 1, 2010. DIRTY ROTTEN SCOUNDRELS. DIR/CHOREO, Richard Stafford; MUSIC DIR, Darren Cohen. Rehearsal Dates: Begins July 19, 2010. Performance Dates: August 3-8, 2010. FUNNY GIRL. DIR, Glenn Casale; CHOREO, Bob Richard; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-15, 2010. THE MARVELOUS WONDERETTES. DIR, Roger Bean; CHOREO, Janet Miller; MUSIC DIR, Michael Borth. Rehearsal Dates: Begins August 6, 2010. Performance Dates: August 17-22, 2010. 42ND STREET. DIR, Charley Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins August 9, 2010. Performance Dates: August 24-29, 2010. EXEC PROD, Richard Lewis; AP, Scott Klier; ART DIR, Glenn Casale. Contract: Equity RMTA Contract ($951/wk). Breakdown-- Ensemble Dancers: All types, all dancers must excel at tap, ballet, and jazz, acrobatics is a plus, for the 2010 season. Note: Equity performers of all ethnic backgrounds are encouraged to attend. All will dance first. Women, bring character heels, flats, and tap shoes; men, bring character shoes and tap shoes. All wear comfortable clothes. Have prepared 16 bars of a song in your key in case asked to sing after all have danced. Singing material from the shows listed is acceptable and encouraged. Bring sheet music; an accompanist will be provided. Equity chorus procedures are in effect. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(N. Hollywood, CA)(New York, NY - AUDITIONS: February 12, 2010 at 10:00 am for Equity Chorus Male Dancers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: SPAMALOT. DIR, Glenn Casale; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins June 21, 2010. Performance Dates: July 9-18, 2010. JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR/CHOREO, Richard Stafford; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins July 9, 2010. Performance Dates: July 20-25, 2010. OKLAHOMA! DIR, Marcia Milgrom Dodge; CHOREO, Bob Richard; MUSIC DIR, Michael Rice. Rehearsal Dates: Begins July 12, 2010. Performance Dates: July 27-August 1, 2010. DIRTY ROTTEN SCOUNDRELS. DIR/CHOREO, Richard Stafford; MUSIC DIR, Darren Cohen. Rehearsal Dates: Begins July 19, 2010. Performance Dates: August 3-8, 2010. FUNNY GIRL. DIR, Glenn Casale; CHOREO, Bob Richard; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-15, 2010. THE MARVELOUS WONDERETTES. DIR, Roger Bean; CHOREO, Janet Miller; MUSIC DIR, Michael Borth. Rehearsal Dates: Begins August 6, 2010. Performance Dates: August 17-22, 2010. 42ND STREET. DIR, Charley Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins August 9, 2010. Performance Dates: August 24-29, 2010. EXEC PROD, Richard Lewis; AP, Scott Klier; ART DIR, Glenn Casale. Contract: Equity RMTA Contract ($951/wk). Breakdown-- Ensemble Dancers: All types, all dancers must excel at tap, ballet, and jazz, acrobatics is a plus, for the 2010 season. Note: Equity performers of all ethnic backgrounds are encouraged to attend. All will dance first. Women, bring character heels, flats, and tap shoes; men, bring character shoes and tap shoes. All wear comfortable clothes. Have prepared 16 bars of a song in your key in case asked to sing after all have danced. Singing material from the shows listed is acceptable and encouraged. Bring sheet music; an accompanist will be provided. Equity chorus procedures are in effect. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Sag Harbor, NY)New York, NY - AUDITIONS: February 23, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: DISSONANCE by Damian Lanigan. DIR, Lonnie Price. Rehearsal Dates: Begins May 10, 2010. Performance Dates: June 1-27, 2010. 5TH OF JULY by Lanford Wilson. Rehearsal Dates: Begins June 15, 2010. Performance Dates: July 6-August 1, 2010. ROMANCE by David Mamet. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-September 5, 2010. ART DIR, Murphy Davis. Contract: Equity LORT C Contract ($696 min./wk.). Breakdown-- For DISSONANCE - James: 50s, an Englishman, first violinist; Hal: 30s, an American, second violinist; Paul: 40s, an Englishman, violist; Beth: 30s, an American, a cellist; Jonny: 30, an American, a rock star. Note: The characters are musicians in the play, but actors will not be actually playing those instruments. For 5TH OF JULY - Kenneth Talley Jr.: 35, had both legs shot off seven years ago in the Vietnam War, strong, good-looking, a touch cynical, but not deeply; Jed Jenkins: 25, his lover, larger, stronger, an almost silent listener; June Talley: 33, Ken's sister; Shirley Talley: 14, June's daughter; John Landis: 35, childhood friend of the Talleys, deeply cynical; Gwen Landis: 33, John's wife, racy; Sally Friedman: 67, Ken and June's Aunt, not really batty, preoccupied. For ROMANCE - The Prosecutor: 40s+, single-minded and humorless; The Defendant: 30s, puzzled and Woody Allen(ish); The Defense Attorney: 40s+, hard worker and dedicated; The Judge: 60s, absentminded and elderly; The Baliff: 50s, good-natured and dedicated; Bernard: Late 20s, gay beyond words; The Doctor: 40s, serious and dedicated. Prepare a brief contemporary monologue, preferably no longer than two minutes. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)
  

(New York, NY - AUDITIONS: February 2, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: HAMLET, PRINCE OF DENMARK. DIR, Stephen Burdman. Rehearsal Dates: Begins March 1, 2010. Performance Dates: April 1-18, 2010 (at the World Financial Center). RICHARD III. DIR, Teresa Pond. Rehearsal Dates: Begins May 6, 2010. Performance Dates: June 3-27, 2010 (in Central Park). MUCH ADO ABOUT NOTHING. DIR, Stephen Burdman. Rehearsal Dates: Begins June 19, 2010 (in Battery Park). Performance Dates: July 17-August 1, 2010 (on selected days). Rehearsal Dates: Begins July 27, 2010 (in Central Park). Performance Dates: August 5-29, 2010. ART DIR, Stephen Burdman. Contract: Equity Seasonal Showcase Code ($1,000 stipend provided for Hamlet and Richard III; $2000 stipend provided for Much Ado about Nothing due to the extended run). Breakdown-- For HAMLET, PRINCE OF DENMARK - All Roles Are Open. For RICHARD III - All Roles Are Open. For MUCH ADO ABOUT NOTHING - All Roles Are Open. Prepare a brief Shakespearean monologue in verse. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(East Haddam, CT)(New York, NY - AUDITIONS: February 2, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BAND GEEKS! PROD, Michael Price; AP, Bob Alwine; DIR, Gordon Greenberg; CHOREO, Denis Jones; CSTG, Paul Hardt/SH Entertainment. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins April 20, 2010. Performance Dates: Through June 6, 2010 (at the Norma Terris Theatre in Chester, CT). Breakdown-- Jake Fowler: African-American/Hispanic, troubled and good-looking, all-star football player, baritenor, must play drums; Mr. Hornsby: 45-50, an excellent comic actor/singer with heart, humor and soulfulness; Spitz: Male, geeky Jewish trumpet player; Natalia: Exchange student from the former Soviet Union, strong-willed, disciplined, ironic and determined to be the best trumpeter, must have strong European dialect and play trumpet; Molly Winderman: Any ethnicity, dry wit and strong smart presence, somewhat anti-social, will have to play trombone; Alvin: Quick dry wit, and a penchant to say what the rest of the band thinks, excellent comic actor/singer, may have a boycrush on Kyle, but still one of the guys, must play a marching band instrument exceptionally well; Kyle: Wealthy, addicted to his Gameboy, so doesn't realize his best friend's crush, especially seeking African-American or Hispanic actor with excellent comic and musical skills, must play a marching band instrument. Note: Unless age range is mentioned, all must appear youthful enough to play high school students. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(Cruise Ship) - For more information, Email: Details Are only Available By Subscription. will be holding auditions for professional Singers & Dancers for their contemporary stage productions. Contract: Six months contract (Salary, paid rehearsals, and guest privileges provided). Performance are ongoing aboard cruise lines. Audition Dates & Locations:

London, UK - February 2, 2010 at 10:00 am for Female Singers for HARISPRAY [Registration at 9:30 am] at Details Are only Available By Subscription..

London, UK - February 2, 2010 at 2:00 pm for Male Singers for HARISPRAY [Registration at 1:30 pm] at Details Are only Available By Subscription..

London, UK - February 4, 2010 at 10:00 am for Dancers for HARISPRAY [Registration at 9:30 am] at Details Are only Available By Subscription..

London, UK - February 4, 2010 at 2:30 pm for Gymnasts/Tumblers for HARISPRAY [Registration at 2:00 pm] at Details Are only Available By Subscription..

New York, NY - February 23, 2010 at 10:00 am for Female Singers for HARISPRAY [Registration at 9:30 am] at Details Are only Available By Subscription..

New York, NY - February 23, 2010 at 2:00 pm for Male Singers for HARISPRAY [Registration at 1:30 pm] at Details Are only Available By Subscription..

New York, NY - February 24, 2010 at 3:00 pm for Improvisational Comedians/Actors for HARISPRAY [Registration at 2:30 pm] at Details Are only Available By Subscription..

New York, NY - February 25, 2010 at 10:00 am for Dancers for HARISPRAY [Registration at 9:30 am] at Details Are only Available By Subscription..

New York, NY - February 25, 2010 at 2:30 pm for Gymnasts/Tumblers for HARISPRAY [Registration at 2:00 pm] at Details Are only Available By Subscription..

Hollywood/Miami, FL- February 28, 2010 at 10:45 am for Singers [Registration at 10:15 am] at Details Are only Available By Subscription..

Hollywood/Miami, FL- February 28, 2010 at 10:45 am for Dancers [Registration at 10:15 am] at Details Are only Available By Subscription..

Breakdown-- Singers: To play 18-40, any ethnicity. Females Range - G below middle C, with a strong belt/mix up to a G. Top notes should soar. Males Range - C below middle C, with the ability to sing comfortably up to an A. Must be able to sustain an upper range. Come prepared with one ballad and one up-tempo song in contrasting styles. 16-32 bars. Bring sheet music in the proper key. An accompanist will be provided. We are looking for R&B, Pop/Rock & Contemporary Music Theater types (Rent, Wicked, Tommy, Contact, etc…), No Legit (Oklahoma, Sound of Music, Guys N’ Dolls). Be prepared to learn a short dance/movement combination. Proper dance attire should be worn for the dance portion of the audition. Dancers: To play 18-40, any ethnicity, must be technically trained and have a strong background in jazz, also seeking dancers who have acrobatic and/or flying skills. Their choreographer will teach three challenging combinations of contrasting styles. Flying and Tumbling skills a plus. Please come prepared with proper dance attire (avoid baggy or bulky clothing) and shoes (whatever you dance comfortably in). Note: You are welcome to audition at 17, however, you must be 18 to be hired. Bring photographs & resumes. If you are unable to attend an audition, video/dvd submissions will be accepted. However, the video/dvd must be in specific format. Videos should be anywhere from 5 to 7 minutes long and include contact information. Please note: Live auditions are always preferred. Singers - They are seeking Singers with exceptional vocal abilities and qualities. Please include the following on your video: Any previous professional material you may have. Vocal styles should include; R&B, Pop/Rock, Contemporary Musical Theatre, Jazz, Material that shows dance ability. Dancers - They are seeking Dancers that have technical training along with a background in Jazz. Please include the following on your video: Any previous professional material you may have. Combinations across the floor showing technique. Three routines; one Lyrical Jazz, one Broadway Jazz and one Contemporary Pop. Gymnast/Tumblers - Must have a Jazz dance background. Please include the following on your video: Any previous professional material you may have. Combination across the floor showing dance ability. Include: Front walkovers, Back walkovers, Side aerials, Front aerials, Standing back tucks, Standing backhand spring, Round off backhand spring, Round off backhand spring back tuck. Men, also include round off backhand spring Full twisting layout or Layout step out. Ballroom Couples/Dancers - Please include on your tape: Any previous professional material you may have. You must be able to perform all styles of Latin, Jive/Swing, Quick Step and Waltz. Send/Email Videos/DVDs to: Details Are only Available By Subscription.. Videos/DVDs will not be returned. (Posted: February 1, 2010)

(St. Petersburg, FL - AUDITIONS: February 3, 2010 between 12:00 noon-5:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HAIR. PROD ART DIR, Todd Olson; DIR, Eric Davis; MUSIC DIR, Vince di Mura. Contract: Equity SPT Contract ($396 min./wk.). Rehearsal Dates: Begins March 30, 2010. Performance Dates: Through May 16, 2010. Breakdown-- Claude: Late Teens-20s, male, the most beautiful beast in the forest, smart, attractive, with a playful side, lover of life and the picture of a young-man-next-door of the '60s, Berger's best friend, recently drafted, his only valuable possession, other than his freedom, is his hair, a charismatic leader whom women adore, boys emulate and men will follow into the breach, a man of conscience who struggles with the conflict between what his heart tells him is right and what the authorities around him lead him to believe, requires a strong actor, rock baritone/tenor; George Berger: Late Teens-20s, social activist, recently banished from high school, an unrestrained animal, knows what is right and sticks to it, no matter the consequence, leader of the tribe, high-energy, athletic, wild, strong presence, though he may be a young man, people look up to him, tenor; Sheila: Late Teens-20s, second-semester student and passionate protester from NYU, lives with Berger and Claude, aspires to spread love, loves Berger, the most intelligent of the tribe, wants to change society through peaceful protest, rock alto/belter; Jeanie: Late Teens-20s, a follower, not a leader, incredibly sweet, understands Claude better than anyone, wise, passionate, creative, pregnant with the tribe's baby, has taken every drug, takes care of the tribe, alto; Crissy: Late Teens-20s, flower child mourning a lost love, youngest female of the tribe, sings "Frank Mills," mezzo; Dionne: Late Teens-20s, female, African-American, sassy and lots of fun, sings "Aquarius," alto/mezzo belt; Hud: Late Teens-20s, male, African-American, speaks his mind and hopes you can keep up with him, requires a high-energy, spiritual performer with a strong voice and presence, soul/rock baritone/tenor; Woof: Late Teens-20s, may not want to admit it, but he's gay, young animal, looks up to Berger and Mick Jagger, high-energy, versatile performer, must be a natural with comedy, rock baritone/tenor; Ensemble. Note: Seeking a multicultural cast of unique and charismatic singer/actor/dancers. At least 60% of casting will be on Equity contracts. Especially interested in performers with interesting/unusual hair or looks. All performers must be sensational rock/pop vocalists and strong, creative actors. Equity members without appointments will be seen throughout the audition day as time permits. Prepare a brief pop/rock song appropriate to the show's late '60s musical style. No musical theatre songs (except for songs from Hair or from a similarly authentic pop/rock score of the same period). Bring sheet music; an accompanist will be provided. Songs should not exceed three minutes. In addition to singing be prepared to read from sides, which will be provided at the audition. Visually-impaired performers may request an advance copy of sides when making an audition appointment. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(East Haddam, CT)(New York, NY - AUDITIONS: February 3, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BAND GEEKS! PROD, Michael Price; AP, Bob Alwine; DIR, Gordon Greenberg; CHOREO, Denis Jones; CSTG, Paul Hardt/SH Entertainment. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins April 20, 2010. Performance Dates: Through June 6, 2010 (at the Norma Terris Theatre in Chester, CT). Breakdown-- Jake Fowler: African-American/Hispanic, troubled and good-looking, all-star football player, baritenor, must play drums; Mr. Hornsby: 45-50, an excellent comic actor/singer with heart, humor and soulfulness; Spitz: Male, geeky Jewish trumpet player; Natalia: Exchange student from the former Soviet Union, strong-willed, disciplined, ironic and determined to be the best trumpeter, must have strong European dialect and play trumpet; Molly Winderman: Any ethnicity, dry wit and strong smart presence, somewhat anti-social, will have to play trombone; Alvin: Quick dry wit, and a penchant to say what the rest of the band thinks, excellent comic actor/singer, may have a boycrush on Kyle, but still one of the guys, must play a marching band instrument exceptionally well; Kyle: Wealthy, addicted to his Gameboy, so doesn't realize his best friend's crush, especially seeking African-American or Hispanic actor with excellent comic and musical skills, must play a marching band instrument. Note: Unless age range is mentioned, all must appear youthful enough to play high school students. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY - AUDITIONS: February 4, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: HAMLET, PRINCE OF DENMARK. DIR, Stephen Burdman. Rehearsal Dates: Begins March 1, 2010. Performance Dates: April 1-18, 2010 (at the World Financial Center). RICHARD III. DIR, Teresa Pond. Rehearsal Dates: Begins May 6, 2010. Performance Dates: June 3-27, 2010 (in Central Park). MUCH ADO ABOUT NOTHING. DIR, Stephen Burdman. Rehearsal Dates: Begins June 19, 2010 (in Battery Park). Performance Dates: July 17-August 1, 2010 (on selected days). Rehearsal Dates: Begins July 27, 2010 (in Central Park). Performance Dates: August 5-29, 2010. ART DIR, Stephen Burdman. Contract: Equity Seasonal Showcase Code ($1,000 stipend provided for Hamlet and Richard III; $2000 stipend provided for Much Ado about Nothing due to the extended run). Breakdown-- For HAMLET, PRINCE OF DENMARK - All Roles Are Open. For RICHARD III - All Roles Are Open. For MUCH ADO ABOUT NOTHING - All Roles Are Open. Prepare a brief Shakespearean monologue in verse. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: DON JUAN, a Short Film (approximately 40 min.). PROD, Nicole Alexander. DIR, Jaime Mateus-Tique. Rehearsal Dates: Begins approximately February 12-16, 2010. Shoot February 17-March 7, 2010 (in New York, NY. Exact location TBD - within an hour of Manhattan). STORY: The film is based on Moliere's Dom Juan. Breakdown-- Don Juan: Early 30s, male, athletic build, masculine, taller, must be able to ride, dark eyes preferred; Sganarelle: Early 30s, male, shorter in height, not athletic, sparkly eyes; Don Carlos: Early 20s, male; Donna Elvire: 18-25, female, very beautiful, motherly look; Don Luis: Mid 60s-70s, male; The Poor Man: 60s; Don Alonso: Mid 40s, male; The Statue: Baritone voice only; La Violette: Female, has one line; Ragotin: Mid 30s, has one line. (Posted: February 1, 2010)

(Cruise Ships) - If you cannot attend the auditions, Send video/DVD, pictures & resumes to: Details Are only Available By Subscription. will be holding auditions for Singers & Dancers for new productions of "Encore", Stardust", "It Takes Two", "Amore", "The Dinner Belles", "Sing That Song", "Stage & Screen", "That's Vegas", "In Concert", "Nightlife", "Dream Park", "Garage Band", "Ballroom Blitz" and many more shows on Holland America Line’s 15 luxury cruise ships! Performance Dates: Ongoing aboard 15 Holland America luxury liners including the flagship ms Rotterdam, the World Cruise ms Prinsendam and the new Vista Class ms Noordam, ms Zuiderdam, ms Oosterdam and ms Westerdam. Performers receive competitive wages, officer status, family cruise privileges, medical benefits and no cruise staff duties. Eight months contract cruise the Caribbean, Panama Canal, Mexico, Alaska, Europe, New England, Hawaii, South America, Asia, Australia, New Zealand and several US ports. Audition Dates & Locations (All Dates / Locations are subject to change):

Oklahoma City, OK- February 14, 2010 at 10:00 am for Singers [Registration at 9:00 am] & at 1:00 pm for Dancers [Registration at 12:00 noon] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Salt Lake City, UT- February 16, 2010 at 9:00 am for Singers [Registration at 8:00 am] & at 12:00 noon for Dancers [Registration at 11:00 am] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

New York, NY - February 24, 2010 at 10:00 am or 2:00 pm for Singers [Registration at 9:00 am or 1:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

New York, NY - February 25, 2010 at 10:00 am or 12:30 pm or 3:00 pm for Dancers [Registration at 9:00 am or 11:30 am or 2:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Philadelphia, PA - February 28, 2010 at 1:00 pm for Singers [Registration at 12:00 noon] & at 4:30 pm for Dancers [Registration at 3:30 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Breakdown-- Male & Female Lead Singers: Versatile singers with strong Broadway-Pop belt, ability to sing contemporary legit and harmonize. Must have a solid ‘G’ and developed falsetto. Must have excellent acting skills and move well; Male & Female Singers/Dancers: Versatile singers with strong Broadway-Pop belt, ability to sing contemporary legit and harmonize, excellent acting skills required, advanced dance experience in jazz, ballet and tap required. Must have a solid ‘G’ and developed falsetto; Male & Female Dancers: Experienced dancers with athletic and toned bodies, must have strong technique in jazz, ballet, tap and partnering. Gymnastics and acting a plus! Notes: • Female Singers & Singer/Dancers: No shorter than 5'4" for Lead Singers and 5'2" for singer/dancers / No taller than 5'9" /dress size 2 – 8 (U.S. sizes). • Male Singers & Singer/Dancers: No Shorter than 5'7" / No taller than 6'3" / suit size 36 – 42 (U.S. sizes) • Female Dancers: No shorter than 5'2" / No taller than 5'9" /dress size 0 – 6 (U.S. sizes). • Male Dancers: No Shorter than 5'6" / No taller than 6'3" / suit size 36 – 42 (U.S. sizes). • You must be at least 18 yrs old to work onboard Holland America Line. • All performers must meet height and weight limits to fit into existing costumes. There are no exceptions to this requirement. Singers must learn songs from our shows. Accompaniment and sheet music for the required song will be provided via CD at the audition. In addition, singers should be prepared to sing their best 16 bars acapella; men should have a pop tune and women a ballad. Singers, please bring a CD player should be you given additional music to sing. If you’re being considered as a LEAD SINGER, you may be asked to stay and do a movement combination. Please be dressed appropriately to sing. If you’re being considered as a SINGER/DANCER, you may be asked to attend a dance call. Please be dressed to sing first. We will give you time to change your clothes if we want to see you dance. Dancers will be taught a challenging combination from our shows. Please wear comfortable clothing you can move in and that shows your body type. Please wear jazz shoes (NO HEELS). Everyone must arrive one hour prior to their audition time to register, fill out paperwork, and for the singers to learn the audition music. Bring pictures & resume to auditions. Also seeking - Production Staff: Assistant choreographers, casting supervisors, production managers, costume supervisors, etc.; Musicians: Music directors, pianists, guitarists, drummers, etc.. Must have excellent sight-reading abilities and familiarity with American popular music. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(Bakersfield, CA - AUDITIONS: March-May, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes by February 28, 2010 to: Details Are only Available By Subscription.. Title: CHATSWORTH, a DV Dark Comedy. PROD, Roger Mathey; DIR, Kyle Watson. Contract: Producer plans to apply for a SAG Ultra Low Budget Agreement (Some pay, copy, credit, meals, travel & lodging provided). Shoot Dates: June, 2010 (in Bakersfield, CA). STORY: The film is about trying to make it in Hollywood while living in the "Porn Capital of the World". Breakdown-- Taylor: Late Teens-Early 20s, innocent, naive, cute, partial nudity and simulated sex required. Lead; Hannah: Late Teens-Early 20s, female, attractive, full of talent and energy, singer, partial nudity and simulated sex required. Lead; Dylan: 20s-30s, male, misogynistic stand up comic wannabe, attractive, charismatic, partial nudity and simulated sex required. Lead; Michelle: 20s-30s, female, aspiring cynical actor willing to do anything for role, partial nudity and simulated sex required. Lead; Bobby: 20s-30s, male, young go-getting agent. Supporting Role; Lane: 20s-30s, female, attractive low level porn performer almost past her prime. Supporting Role, partial nudity and simulated sex required; Sarah: 20s-30s, female, aspiring photographer, attractive. Supporting Role; Courtney: Late Teens, female, high school girl with aspirations of stardom; Males & Females: 18+ to play various friends and partiers. Sides will be provided with appointment. (Posted: February 1, 2010)

(New York, NY) - Email photographs, resumes & (if possible) a video sample to: Details Are only Available By Subscription.. Title: ANDREI KOLOSOV, a 70-80 minutes Independent Feature Film. PROD/DIR/SCR, Daniel McKleinfeld. Contract: Producer plans to apply for a SAG Ultra-Low Budget Film Agreement. Shoot Dates: February-March, 2010 (in New York, NY). STORY: The film is about two students in a love triangle over a professor's wife. Breakdown-- Rob: 18-22 to play 19 (older actors with young look are welcome), male, fit and athletic body type, blond hair a plus, from Montana, in his first year at college, a rich jock, a golden boy wrestler raised under his father's thumb, narrates the film extensively, a lot of the tension in the film comes from the disjoint between his straightforward descriptions of what he thinks is happening and the much more complex events that the audience actually sees (particularly the fact that he is the only person on campus who doesn't realize that he's visibly in love with his "best friend," and that his "best friend" is a gigolo and a sociopath), seeking an actor who can play the character's surface breeziness while animating the anxiety thrumming underneath, charismatic enough to be a movie lead, able to handle large amounts of monologue, comfortable playing a closeted gay character and performing in a number of sex scenes (all of the sex is hetero or solo, no full-frontal nudity). Lead. Note: This is emphatically not a porn film, not even a Cinemax-style soft-porn film, but much of the plot revolves around the characters' sexuality, and it is important to the story that the audience knows what's happening. The model for the sex scenes is the film A History of Violence, where the sexual content is very clear without ever being unnecessarily explicit. (Posted: February 1, 2010)

(New York, NY) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: UNTITLED FEATURE FILM. PROD/DIR, Geoffray Barbier. Shoot Dates: Begins March 1, 2010 (in New York, NY). Breakdown-- Katherine: Approximately 40, Eastern European, attractive, stylish; Anna: Early 20s, tall, slender, strikingly beautiful, slightly dark features and hair, very poised, collected, fearless, determined; Elliott: Early 40s, handsome, generally genial, outgoing, fond of a laugh, tender and caring with those he loves; Pauline: Mid-Late 20s, blonde, possibly middle American in origin. (Posted: February 1, 2010)

(Cruise Ship) - For more information, Email: Details Are only Available By Subscription. will be holding auditions for professional Singers & Dancers for their contemporary stage productions. Contract: Six months contract (Salary, paid rehearsals, and guest privileges provided). Performance are ongoing aboard cruise lines. Audition Dates & Locations:

Minneapolis, MN - March 4, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Minneapolis, MN - March 4, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Vancouver, Canada- March 8, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Vancouver, Canada- March 8, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Edmonton, Canada - March 10, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Edmonton, Canada - March 10, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Toronto, Canada - March 12, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Toronto, Canada - March 12, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Kalamazoo, MI - March 13, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Atlanta, GA - March 21, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Atlanta, GA - March 21, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Pittsburgh, PA - March 27, 2010 at 9:45 am for Dancers [Registration at 9:15 am] at Details Are only Available By Subscription..

Pittsburgh, PA - March 27, 2010 at 1:45 pm for Singers [Registration at 1:15 pm] at Details Are only Available By Subscription..

Hollywood/Miami, FL- March 28, 2010 at 10:45 am for Dancers [Registration at 10:15 am] at Details Are only Available By Subscription..

Hollywood/Miami, FL- March 28, 2010 at 10:45 am for Singers [Registration at 10:15 am] at Details Are only Available By Subscription..

Milan, Italy - March 29, 2010 at 11:30 am for Dancers [Registration at 11:00 am] at Details Are only Available By Subscription..

Breakdown-- Singers: To play 18-40, any ethnicity. Females Range - G below middle C, with a strong belt/mix up to a G. Top notes should soar. Males Range - C below middle C, with the ability to sing comfortably up to an A. Must be able to sustain an upper range. Come prepared with one ballad and one up-tempo song in contrasting styles. 16-32 bars. Bring sheet music in the proper key. An accompanist will be provided. We are looking for R&B, Pop/Rock & Contemporary Music Theater types (Rent, Wicked, Tommy, Contact, etc…), No Legit (Oklahoma, Sound of Music, Guys N’ Dolls). Be prepared to learn a short dance/movement combination. Proper dance attire should be worn for the dance portion of the audition. Dancers: To play 18-40, any ethnicity, must be technically trained and have a strong background in jazz, also seeking dancers who have acrobatic and/or flying skills. Their choreographer will teach three challenging combinations of contrasting styles. Flying and Tumbling skills a plus. Please come prepared with proper dance attire (avoid baggy or bulky clothing) and shoes (whatever you dance comfortably in). Note: You are welcome to audition at 17, however, you must be 18 to be hired. Bring photographs & resumes. If you are unable to attend an audition, video/dvd submissions will be accepted. However, the video/dvd must be in specific format. Videos should be anywhere from 5 to 7 minutes long and include contact information. Please note: Live auditions are always preferred. Singers - They are seeking Singers with exceptional vocal abilities and qualities. Please include the following on your video: Any previous professional material you may have. Vocal styles should include; R&B, Pop/Rock, Contemporary Musical Theatre, Jazz, Material that shows dance ability. Dancers - They are seeking Dancers that have technical training along with a background in Jazz. Please include the following on your video: Any previous professional material you may have. Combinations across the floor showing technique. Three routines; one Lyrical Jazz, one Broadway Jazz and one Contemporary Pop. Gymnast/Tumblers - Must have a Jazz dance background. Please include the following on your video: Any previous professional material you may have. Combination across the floor showing dance ability. Include: Front walkovers, Back walkovers, Side aerials, Front aerials, Standing back tucks, Standing backhand spring, Round off backhand spring, Round off backhand spring back tuck. Men, also include round off backhand spring Full twisting layout or Layout step out. Ballroom Couples/Dancers - Please include on your tape: Any previous professional material you may have. You must be able to perform all styles of Latin, Jive/Swing, Quick Step and Waltz. Send/Email Videos/DVDs to: Details Are only Available By Subscription.. Videos/DVDs will not be returned. (Posted: February 1, 2010)

(Redondo Beach, CA) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: DEWITT & MARIA, a HD DV Feature Film. Contract: SAG Ultra Low Budget Agreement (min. $100/day, copy & meal provided). Shoot Dates: March 13-20, 2010 (in Redondo Beach, CA). STORY: Dewitt thinks love is chemical/electrical until he waltzes with Maria. Breakdown-- Tony: 50-60, male, can pass for Italian, energetic, confident, assertive, widower with romantic inclinations, concerned for the welfare of three daughters, a good dancer of the waltz, used to speaking his mind and getting his way even though he has three daughters, talkative, demonstrative, expressive with words, keen native intelligence and powers of observation, plumber; Jean: 50-60, female, an elegant but not overly stylist divorcee, well-educated, well-spoken, a little harried by life's harsh emotional realties, worried about son's problems and future, college professor; Heidi: 25-35, female, sexy voice of a computer program Dewitt is programming, voice-over and head will appear on a computer screen seen in movie; Max: 30-40, male or female, boss of Dewitt, stoned out computer geek, pushy, domineering, funny, sarcastic, short role with much verbal comedy potential and does a transition. (Posted: February 1, 2010)

(Cruise Ships) - If you cannot attend the auditions, Send video/DVD, pictures & resumes to: Details Are only Available By Subscription. will be holding auditions for Singers & Dancers for new productions of "Encore", Stardust", "It Takes Two", "Amore", "The Dinner Belles", "Sing That Song", "Stage & Screen", "That's Vegas", "In Concert", "Nightlife", "Dream Park", "Garage Band", "Ballroom Blitz" and many more shows on Holland America Line’s 15 luxury cruise ships! Performance Dates: Ongoing aboard 15 Holland America luxury liners including the flagship ms Rotterdam, the World Cruise ms Prinsendam and the new Vista Class ms Noordam, ms Zuiderdam, ms Oosterdam and ms Westerdam. Performers receive competitive wages, officer status, family cruise privileges, medical benefits and no cruise staff duties. Eight months contract cruise the Caribbean, Panama Canal, Mexico, Alaska, Europe, New England, Hawaii, South America, Asia, Australia, New Zealand and several US ports. Audition Dates & Locations (All Dates / Locations are subject to change):

Elon, NC - March 13, 2010 at 10:00 am for Singers [Registration at 9:00 am] & at 2:00 pm for Dancers [Registration at 1:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Austin, TX - March 15, 2010 at 10:00 am for Singers [Registration at 9:00 am] & at 2:00 pm for Dancers [Registration at 1:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Atlanta, GA - March 17, 2010 at 10:00 am for Singers [Registration at 9:00 am] & at 2:00 pm for Dancers [Registration at 1:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Orlando, FL - March 20, 2010 at 1:00 pm for Singers [Registration at 12:00 noon] & at 4:30 pm for Dancers [Registration at 3:30 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Los Angeles, CA - March 28, 2010 at 10:00 am for Singers [Registration at 9:00 am] & at 2:00 pm for Dancers [Registration at 1:00 pm] at Details Are only Available By Subscription.. Sign-in begins one hour prior. Singers bring a CD walkman should you be asked to learn additional music. Singers Who Dance may be asked to attend the dance call. Dancers prepare to learn a short challenging combination. Females bring heels and clothing that show body type.

Breakdown-- Male & Female Lead Singers: Versatile singers with strong Broadway-Pop belt, ability to sing contemporary legit and harmonize. Must have a solid ‘G’ and developed falsetto. Must have excellent acting skills and move well; Male & Female Singers/Dancers: Versatile singers with strong Broadway-Pop belt, ability to sing contemporary legit and harmonize, excellent acting skills required, advanced dance experience in jazz, ballet and tap required. Must have a solid ‘G’ and developed falsetto; Male & Female Dancers: Experienced dancers with athletic and toned bodies, must have strong technique in jazz, ballet, tap and partnering. Gymnastics and acting a plus! Notes: • Female Singers & Singer/Dancers: No shorter than 5'4" for Lead Singers and 5'2" for singer/dancers / No taller than 5'9" /dress size 2 – 8 (U.S. sizes). • Male Singers & Singer/Dancers: No Shorter than 5'7" / No taller than 6'3" / suit size 36 – 42 (U.S. sizes) • Female Dancers: No shorter than 5'2" / No taller than 5'9" /dress size 0 – 6 (U.S. sizes). • Male Dancers: No Shorter than 5'6" / No taller than 6'3" / suit size 36 – 42 (U.S. sizes). • You must be at least 18 yrs old to work onboard Holland America Line. • All performers must meet height and weight limits to fit into existing costumes. There are no exceptions to this requirement. Singers must learn songs from our shows. Accompaniment and sheet music for the required song will be provided via CD at the audition. In addition, singers should be prepared to sing their best 16 bars acapella; men should have a pop tune and women a ballad. Singers, please bring a CD player should be you given additional music to sing. If you’re being considered as a LEAD SINGER, you may be asked to stay and do a movement combination. Please be dressed appropriately to sing. If you’re being considered as a SINGER/DANCER, you may be asked to attend a dance call. Please be dressed to sing first. We will give you time to change your clothes if we want to see you dance. Dancers will be taught a challenging combination from our shows. Please wear comfortable clothing you can move in and that shows your body type. Please wear jazz shoes (NO HEELS). Everyone must arrive one hour prior to their audition time to register, fill out paperwork, and for the singers to learn the audition music. Bring pictures & resume to auditions. Also seeking - Production Staff: Assistant choreographers, casting supervisors, production managers, costume supervisors, etc.; Musicians: Music directors, pianists, guitarists, drummers, etc.. Must have excellent sight-reading abilities and familiarity with American popular music. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York & New Jersey & Long Island & Westchester, NY) - Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: BELONGING, an HD Short Film. CO-DIR, J. Spinelli & M. Schechtman. Shoot Dates: March 2010 (at various locations in the New York & New Jersey metropolitan area and the immediate suburbs including Long Island & Westchester, NY). STORY: The film is about an isolated teenage girl's coming of age takes a disturbing turn. Breakdown-- Dana: Mid-Late Teens, alternative/goth girl trying to find herself and a crowd she can fit in with, her meekness belies a dark and eventually violent alter ego. Lead; Miranda: Early 20s, brash, overly confident, alternative/goth woman, sexy, over the top, Dana's role model. Supporting Role; Brad: Late Teens, clean cut, all-American boy, athletic and muscular, typical high school jock, Dana's brother who just doesn't get her. Supporting Role; Aemon: Early 20s, male, charming and mysterious, with an edgy or dark look, becomes Dana's love interest-turned-attacker. Supporting Role. (Posted: February 1, 2010)
 

(New York, NY - AUDITIONS: February 1, 2010 between 7:00-9:00 pm at Details Are only Available By Subscription. will be holding auditions. Title: UNTITLED FILM. Contract: Non-Union. Shoot Dates & Locations: TBD. STORY: The film is about a group of young men who managed to manufacture and distribute marijuana from Humboldt County, CA to the entire East Coast. Breakdown-- Jonas: 23, male, 5'6", charismatic young man, with blond hair and blue eyes, with an urban flair, was raised by two hippie parents in the late '60s and '70s, moved with his father to Mendocino, CA when his parents divorced, his father farmed and grew marijuana and put him right to work as a trimmer of plants. Lead; Dana: Male, 5'10", with long brown hair, wears Levis jeans and a pair of cowboy boots, a pure "country boy" just like his father, who was a Harley Davidson mechanic; Tucker: The backbone of the bunch, 6'2", tall, handsome, surfer with wavy layered hair, was raised by two parents who were former hippies in the '70s and who now work as legal attorneys for a law call Prop 13, which will legalize medical marijuana in every state. Note: These characters were all born and raised in San Francisco, CA. (Posted: January 28, 2010)

(New York, NY) - Email headshots or portfolios & resumes ASAP to: Details Are only Available By Subscription. are seeking models for an upcoming hair color education DVD for MATRIX. Contract: Professional pay, plus credit & meals provided. Shoot Dates: February 4 or 5, 2010 (in New York, NY). Breakdown-- Goodbye Grey: 30-60, female, with significant grey roots; Color Spice: 18-30, female, willing to get a funky, cool, and hip red hair color; Blonde Polish: 18-30, female, open to a cool and hip platinum blonde bob;Color Dimension: 18-30, female, with beautiful long blonde hair, open to a dimensional blonde look with lowlights and highlights. Note: Seeking four female models for the above roles/hair color types. All coloring will be performed by industry professionals from Matrix. (Posted: January 28, 2010)

(New York, NY - AUDITIONS: February 6, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for series of SATIRICAL SHORTS that will be shot on HD. Shoot Dates: February 20 or 27, 2010 (in New York, NY). Breakdown-- Tony: 30, male, medium build, business owner, mild-mannered, happy in life and unhappy in marriage; Fran: 30, female, Tony's unsuspecting wife, stern, with strong convictions of her own; Camille: Mid-Late 20s, female, sexy, Tony's neighbor and mistress, has her own devious agenda that Tony is not aware of; Mack Flower: 30s, male, athletic, an undercover CTU agent working for the Staten Island field office, Tony's other neighbor; Henry: Late 20s-Early 30s, Tony's younger blind brother, skinny, a pawn in massive events; Frank: Number one of two criminals for hire, the smarter of the two, but that isn't saying much; Sal: The other criminal, simple, to say the least. Note: Actors with strong comedic skills needed. (Posted: January 28, 2010)

(Lake Hopatcong, NJ - AUDITIONS: February 7, 2010 between 11:00 am-5:00 pm by Appointment Only) - To schedule an audition appointment, Email photographs & resumes with your email address ASAP to: Details Are only Available By Subscription.. Title: HARD PLACE, a Short HD Film. PROD, Sophie Lily Wienstein; DIR/SCR, Henry Winnik. Shoot Dates: Approximately February 19-21, 2010 (or the following weekend in Lake Hopatcong, NJ). STORY: The film is about three people get caught up in a situation that spirals out of control. Breakdown-- Jordan: 20-25, female, cute, innocent, "girl next door" type, sweetheart, does not mind the sight of blood; Nate: 26-30, male, fun-loving, nostalgic, always in control; Kermit: 27-32, male, adventurous, rough around the edges, turning a new leaf from party animal to serious businessman, gets in over his head, can handle blood makeup; Shooter: 30-40, male, large build, intimidating voice, can handle minor stunts. Note: Appointment will be given in 15-minute intervals; specify which time slot you would like. Audition location will be provided via email response. Absolutely no drop-offs or phone calls. Bring photographs & resumes, stapled together. (Posted: January 28, 2010)

(Quakertown, PA - AUDITIONS: February 9, 2010 between 5:00-9:00 pm at Details Are only Available By Subscription.) - Title: POPCORN PUSHERS, a Movie Theater Workplace Comedy. PROD, Kevin Kirner; DIR/SCR, Jeremiah Peck. Shoot Dates: March 7-13, 2010 (in Quakertown, PA). Breakdown-- Actors: 13+, male & female. Sides will be provided. (Posted: January 28, 2010)

(New Haven, CT) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: DECAY, a Short Film. PROD, Matt Bakal; DIR, Xander Dominitz. Contract: Producer plans to apply for a SAG Short Film Agreement (Possible pay, plus copy, credit, meals, travel, and lodging provided). Shoot Dates: February 19-21, 2010 (in New Haven, CT). STORY: The film is about an aging narrator, slowly losing his eyesight, conveys the nature of his blindness through visions of his decaying urban environment. Breakdown-- Narrator: 60s, male, grew up on the streets, once rebellious and idealistic, now older, wiser, and sadder. Lead; Various Non-speaking Supporting Roles: 55-70, including a woman who gets hit by a car, homeless shelter-seekers, and a business man. (Posted: January 28, 2010)

(Cruise Ships) - Attend one of their Auditions or Send a video Audition, photograph & resumes ASAP to: Details Are only Available By Subscription. is currently casting Singers, Dancers, Acrobats, Ballroom, Adagio Teams, Flyers & Specialty for immediate & year round openings on P & O's Cruises & Norwegian Cruise Lines. Productions include Andrew Lloyd Webber's "Masquerade" & Robert Stigwood’s "Saturday Night Fever". Worldwide Cruises, Cirque-Style shows, Las Vegas reviews, much more. Contract: Professional pay, meals, travel and lodging provided. Audition Dates & Locations:

New York, NY - February 12, 2010 at 10:00 am for Dancers & at 12:30 pm for Singers at Details Are only Available By Subscription..

London, UK - February 24, 2010 at 9:00 am for Dancers & at 12:00 noon for Singers at Details Are only Available By Subscription..

London, UK - February 26, 2010 at 9:00 am for Agents Call (To schedule an audition appointment, Send/Email: Details Are only Available By Subscription..

Breakdown-- Singers, Dancers, Acrobats, Ballroom, Adagio Teams, Flyers & Specialty: 18-49, any ethnicity, immediate and year round openings. If you do not find your specification or category here please do not let this concern you. This is just a list of with whom they deal most often. * Everyone who works onboard a cruise ship must have a valid passport. Those crew members who are from a country other than the U.S. or Canada most possess a valid C1/D visa. In order to get a C1/D visa you will need a letter of employment and a contract from Cruise Ship Productions. * If you have not already auditioned for them and are unable to attend one of their live Auditions, you will need to send in a picture, resume and a video of yourself or your team. The Video for singers should show range and belt. They would like to see something legitimate and something up-tempo (pop). For dancers, acro and specialty they need to see a good quality video of what you can do. For example, acro will need to show full tumbling passes and dancers should show ballet as well as jazz training. Please do not send a video if you are going to attend one of our live Auditions. * Contracts generally run from six months to one year. At the end of this contract we like to offer our current employees a chance to extend or to consider another contract on another ship that they may be interested in. (Posted: January 19, 2010. Revised: January 28, 2010)

(Cruise Ships)(New York, NY - AUDITIONS: February 26, 2010 between 10:00 am-3:00 pm for Singers by Appointment Only & at 3:00 pm for Open Call for Dancers [Registration at 2:00 pm] at Details Are only Available By Subscription. will be holding auditions for the "Showroom At Sea", a new concept in shipboard entertainment, aboard Holland America Line. The centerpiece of the new entertainment lineup is a musical repertory company, showcasing singers from two distinct vocal styles (one operetta/legitimate musical theatre and the other Broadway/contemporary pop), as well as dancers and a resident comedian. Various combinations of performers appear each night... from two classical singers backed by a 14-piece orchestra, to a four-man pop/rock doo-wop group on a street corner, to a singing host and his guests in a fictitious Vegas nightclub, to an ensemble for the ultimate Broadway tribute. CSTG, James Nadeau, Jodie Stinebaugh. Contract: Eight months contract, competitive salary, officer status with room and board provided aboard newly renovated vessels, medical benefits and worldwide itineraries as well as paid rehearsals with transportation provided. Rehearsal Dates: Begins as Early as February, 2010. Performance Dates: Begins on board ship after rehearsals (in Los Angeles, CA). Breakdown-- Male Singers: Bari-tenor range low G to high B, occasional high C. Must be able to sing tight harmonies. Broadway/Contemporary Pop: Bari-tenor must have a solid G and developed falsetto. Height range 5'10"-6'2", jacket sizes 38R-42L. Must be able to sing tight harmonies. 2nd Broadway/Contemporary Pop: Must have a solid G and developed falsetto. Height range 5'7"-6'3", jacket sizes 38R-42L. Must be able to sing tight harmonies and move very well. Note: All performers must be 21+ and have Broadway, National Tour or Regional Theater lead credits. Female Singers: Soprano range, low G to high G; with belt/mix range. Must be able to sing tight harmonies. Broadway/Contemporary Pop: Versatile voices with strong Broadway-pop belt/mix to F. Height range 5'4"-5'9", dress sizes 6-10. Must be able to sing tight harmonies. Note: All performers must be 21+ and have Broadway, National Tour or Regional Theater lead credits. Male Comics & Musical Comedy Character Actors: Must have excellent timing and ability to act, sing and harmonize & dance (move well). You will be a featured performer in the "Showroom At Sea" productions for character and comedic flair. Female Dancers: Must have advanced technique in jazz and ballet. Height range 5'8"-5'11". Beautiful body, confident presence and outgoing personality a must! Note: All performers must be 21+. All performers will learn songs from Stiletto shows as well as something from your repertoire with provided accompanist. You may be asked to learn a short movement and/or dance combination. Be dressed to sing, but also bring dance attire in case you're asked to stay. Comics and musical comedy character actors: Be prepared to sing a musical comedy song of your choice with provided accompanist. Bring photographs & resumes, stapled together. (Posted: January 20, 2010. Revised: January 28, 2010)
 

Toronto, Canada - February 13, 2010 between 10:00 am-6:00 pm.

Toronto, Canada - February 14, 2010 between 12:00 noon-8:00 pm.

Ottawa, Canada - February 19, 2010 between 12:00 noon-8:00 pm.

Ottawa, Canada - February 20, 2010 between 10:00 am-6:00 pm.

Perth, Canada - February 21, 2010 between 5:00-8:00 pm.

Breakdown-- For BLITHE SPIRIT - Elvira: 25-30. British accent required; Madame Arcati: 45-65. British accent required; Mrs. Bradman: 40-50. British accent required; Edith: 20-30. British accent required. For THE VOICE OF THE TURTLE - Sally: 20's; Olive: 20's; Bill: 20's. Only those selected for an audition will be contacted. Equity members will be signed to an Indie form of contract. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 1, 2010 at 10:00 am for Equity Chorus Female Singers & at 1:00 pm for Equity Chorus Male Singers at Details Are only Available By Subscription.) - Title: FIDDLERON THE ROOF. PROD, Troika Entertainment; DIR, Sammy Dallas Bayes; CSTG, Dave Clemmons Casting. Contract: Equity Production Contract, Tier C ($1,008 min./wk., plus $770/wk. per diem provided). Tour Performance Dates: Currently booked through May 2010. Breakdown-- Male Ensemble Singers: Character men who are excellent singer-actors for chorus roles including Avram, Nachum, Rabbi, Mordcha and other Papas and Sons; Female Ensemble Singers: various ages, who are excellent singer-actors for chorus roles including Grandma Tzeitel, Mamas & Daughters. Note: Seeking strong legit singers who are excellent actors for all roles. Prepare 16 bars of a legit musical theater song that shows off range and personality. Bring sheet music; an accompanist will be provided. Chorus is favored nations. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 1, 2010 by Appointment Only) - For consideration, Send photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE SUBJECT WAS ROSES. ART DIR, J.R. Sullivan; DIR, Amy Wright; WRTR, Frank D. Gilroy; CSTG, Stephanie Klapper. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins March 9, 2010. Performance Dates: April 9-May 9, 2010 (seven shows per week in New York, NY). Breakdown-- Timmy Cleary: 20s, clean-cut, average WWII vet, the only child of John and Nettie Cleary, returns from one war only to be trapped in the middle of another at home, still "boyish" after the war, but still most definitely a man, with a bit of darkness in him, attractive, appealing, masculine, a "good guy" and peacekeeper for his parents, actor must be in good physical shape and able to appear "of the time" and capture the sense of the period in 1946. Note: Seeking submissions from Equity members only for these auditions. Read the notice carefully, and submit only if you are right for the role. (Posted: January 27, 2010)

(Covina, CA - AUDITIONS: February 1, 2010 at 7:00 pm by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE FOREIGNER. PROD, Angelo Collado; DIR, John Butz. Contract: Equity 99-Seat Plan. Performance Dates: February 26-March 28, 2010. Breakdown-- Rev. David Marshall Lee: Late 20s-Mid 30s, male, Caucasian, southern accent, think Jimmy Carter, open, friendly, "kind of pastor you'd like to have, but he hides a secret" believes he's doing the Lord's work and that he's smarter than the people he's dealing with, engaged to Catherine. Prepare to cold read from the script. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 1, 2010 between 10:00 am-2:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: Early February, 2010 by Appointment) - To schedule an audition appointment, Send photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for the Mentor Project 2010. Titles: STRAY by Ruth McKee. DIR, Gionvanna Sardelli. Reading will be held February 22, 2010. Rehearsal Dates: Begins February 22, 2010. Performance Dates: March 16-27, 2010. THE BELLE OF BELFAST by Nate Rufus Edelman. DIR, Eric Tucker. Reading will be held February 8, 2010. Rehearsal Dates: Begins April 6, 2010. Performance Dates: April 27-May 8, 2010. PATERNITY by Winter Miller. DIR, Craig Lucas. Rehearsal Dates: Begins April 26, 2010. Performance Dates: May 18-29, 2010. ART DIR, Angelina Fiordellisi. CSTG, Pat Golden. Contract: Equity Basic Showcase, Approval Pending ($500 stipend provided). Breakdown-- For STRAY - Rachel: 30s, white African, the mother, adventurous, smart and strong, actress must speak in an African dialect; James: 30s, white African, the father, intelligent, charming, much like a big puppy dog; Tanya: 40s-50s, African-American, the principal, a strong woman and a force to be reckoned with; Ms. Kennedy: 20s, white American, the teacher, frazzled, overwhelmed and in over her head; Lucia: 40s, Latina, the counselor, a strong maternal figure, good at her job, speaks with an American accent. For THE BELLE OF BELFAST - Father Ben Reilly: 35, Belfast parish priest, a devout Catholic, decent, an IRA supporter, handsome, easy to talk to; Emma Malloy: 55-70, an observant Catholic, serial confessor, heavy drinker, thick Irish accent, Anne's guardian; Anne Malloy: 17, pretty, clever, fiery, but her status as an orphan has rendered her lost, angry and lonely, thinks she's in love with her parish priest, Emma's great niece; Ciara: 17, Anne's best friend, insecure, possibly overweight or heavyset, doesn't feel as pretty as she thinks Anne is, will never leave Belfast; Father Dermott Behan: 55-70, alcoholic, weather-beaten parish priest, a by-the-line Catholic, supports the IRA and believes in an Ireland united and free, a best mate to Ben Reilly, they live together with their own moral code in a Belfast rectory, although Father Behan would secretly prefer a quiet life surfing in Donegal. Note: All must speak with an Irish accent. It is important that these characters not be played as stock or a "stage Oirish" - they are alive, very real and three-dimensional. For PATERNITY - Sam: 35-45, any ethnicity, a successful actor in an unsuccessful personal relationship, partial nudity may be required; Tina: 35-45, any ethnicity, an award-winning "downtown" actor who is unhappy in her personal relationship, wants to get pregnant, partial nudity may be required; Paul Kimrick: 40-55, any ethnicity, an audience member, a blue-collar guy who has risen to middle management, occasionally enjoys the theatre, an odd-duck; Carl Appomatax: 35-45, any ethnicity, audience member, blue-collar, a sweet, loving guy who drives an old, beat up car, partial nudity may be required; Marcy Little: 40s, any ethnicity, the theatre's follow spot operator, a character. Note: Play contains sexual content. Partial nudity may be required for some roles, but not full-frontal. No nudity required at the auditions. (Posted: January 27, 2010)

(La Jolla, CA)(New York, NY - AUDITIONS: February 2, 2010 at 10:00 am for Equity Chorus Male Dancers who sing very well & at 2:00 pm for Equity Chorus Female Dancers who Sing very well at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A GENTLEMAN'S GUIDE TO LOVE AND MURDER. ART DIR, Christopher Ashley; DIR, Darko Tresnjak; MUSIC DIR, Paul Staroba; CSTG, Binder Casting. Contract: Equity LORT Contract ($750 min./wk.). Rehearsal Dates: Begins August 3, 2010. Performance Dates: September 7-October 17, 2010. Breakdown-- Man #1: Mid 40s-Mid 50s, to play multiple ensemble roles including Barber, Tour Guide, Lord Asquith's Secretary, Mr. Gorby, Detective & others, the Detective has a featured number, seeking a versatile character man, sings tenor (B to really solid high A) or bass-baritone (solid low C to a solid A-flat on top, or baritone with working low F); Man #2: 20s-30s, plays multiple ensemble roles including Attendant, Farmer, Mr. Waters, Magistrate, Guard & other characters, the Magistrate has a featured number with the detective, seeking a younger character man, sings tenor (B to really solid high A) or bass-baritone (solid low C to a solid A-flat on top, baritone with a working low F); Woman #1: Late 40s-Late 50s, to play multiple ensemble roles including Miss Shingle & other characters, Miss Shingle is a housekeeper/governess, has served a wealthy, titled family for 30 years, track requires a comic character actress, can be a mezzo, but range should cover low A to high A; Woman #2: 30s-40s, to play multiple ensemble roles including Lady Eugenia, Miss Barley & others, Lady Eugenia is an unhappily married Countess, must be adept at the biting quip and the withering glance, Miss Barley is an alluring artist's model, seeking a statuesque actress who would be as comfortable playing Lady Bracknell as she would a beautiful courtesan, soprano, must have a fluid top to high B-flat. Note: This is a high style, Edwardian romantic farce requiring legit singers and/or dancers who sing beautifully. There is an ensemble of four, all of whom play various important characters throughout the evening. The dancing is basic social dancing of the period, and solo singing is required of all. We encourage performers of all ethnicities to attend. Dancers, be warmed up and ready to dance when the call begins. Women, bring character shoes with a heel; men, bring jazz shoes or sneakers. Some may be asked to stay and sing after all have danced; prepare 16 bars of legit theater music (the style of the score is completely legit - a hybrid between Candide, Night Music and Gilbert and Sullivan). Singers, prepare 16 bars (legit songs only) that show the ranges needed in the track descriptions. Operetta in English is fine - Gilbert and Sullivan, Victor Herbert, Rudolf Friml, Sigmund Romberg, selections from Candide or A Little Night Music, even light opera. Show range if at all possible. Everyone, bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 2, 2010 at 1:00 pm for Equity chorus Male Dancers at Details Are only Available By Subscription.) - Title: FIDDLER ON THE ROOF. PROD, Troika Entertainment; DIR, Sammy Dallas Bayes; CSTG, Dave Clemmons Casting. Contract: Equity Production Contract, Tier C ($1,008 min./wk., plus $770/wk. per diem provided). Tour Performance Dates: Currently booked through May 2010. Breakdown-- Male Ensemble Dancers: who are strong singers and actors. Be warmed up and ready to dance. Bring kneepads. Prepare 16 bars of a legit musical theater song that shows off range and personality, in case you are asked to stay and sing. Bring sheet music; an accompanist will be provided. Chorus is favored nations. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(Cambridge, MA)(New York, NY - AUDITIONS: February 2, 2010 at 10:00 am for Equity chorus Female Dancers who Sing & at 2:00 pm for Equity chorus Male Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: JOHNNY BASEBALL. DIR, Diane Paulus; MUSIC DIR, Wendy Bobbitt Cavett; CHOREO, Peter Pucci; CSTG, Stephen Kopel. Contract: Equity LORT Contract ($696 min./wk.). Rehearsal Dates: Begins April 5, 2010. Performance Dates: May 14-June 27, 2010. Breakdown-- Female Dancers: 20s-40s, all ethnicities, all physical types, with strong jazz/modern/ballet skills, to play various characters including fervent baseball fans, nuns, floozies, and reporters, seeking dancers who are also strong singer-actors, baseball skills (batting, catching, and throwing) a plus; Male Dancers: 20s-40s, all ethnicities, all physical types, with strong jazz/modern/ballet skills, to play various characters including team members, fervent fans, the blustery coach, and angry team manager, seeking dancers who are also strong singer-actors, baseball skills (batting, catching, and throwing) a plus. Note: Seeking authentic baseball fans to inhabit the world of the play. Be warmed up and ready to dance when the call begins. Bring jazz shoes/sneakers. No singing at this call. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 2, 2010 between 1:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 3, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription.) - Title: FIDDLER ON THE ROOF. PROD, Troika Entertainment; DIR, Sammy Dallas Bayes; CSTG, Dave Clemmons Casting. Contract: Equity Production Contract, Tier C ($1,008 min./wk., plus $770/wk. per diem provided). Tour Performance Dates: Currently booked through May 2010. Breakdown-- Tevye: 40-55, dairy man, father of five daughters, a dreamer, lives his faith and values its traditions, must be an excellent singer-actor with an exuberant personality; Golde: 35-55, dairy farmer's wife, looks older than her age from the hard lifestyle, strong-willed, a disciplinarian, able to convey a command with a look or a clap of the hands; Tzeitel: 20-25, eldest daughter, cut from her mother's apron, wants to be a good mother and wife in the tradition of her faith, strong belt; Hodel: 20-23, second eldest daughter, opinionated and strong-willed, knows the teaching of her faith, has very definitive ideas about marriage, to marry a man who is learned is a prerequisite, warm soprano; Chava: 17-19, third eldest and Tevye's favorite daughter, a dreamer like him, likes to read, lives her life in worlds where her books take her, just crossing over from child to young lady, with the innocence of a young child, strong dancer a plus; Shprintze/Bielke: 18+ to play 8-12, Tevye's youngest daughters, very dutiful in their place as children; Yente: 40-55, the town matchmaker, a widow, always busy with a sense of no time to slow down, even in her conversations, character belt; Lazar Wolf: 50-60, town butcher, wealthiest man in town, strong and big in stature, a widower, has a sense of the finer things in life but a bit crude in presence due to the nature of his work; Motel: 23-28, a tailor, thin and lanky, very quiet and reserved in his manner, a hard worker striving to make ends meet to support himself and marry Tzeitel, baritone-tenor; Perchik: 23-28, a student and revolutionary who has his own ideas about the problems of the world and his people, and has the answers to solve them, attracted to Hodel and the intellectual challenge she presents, baritone; Fyedka: 20-23, Russian peasant, enjoys reading, has a very gentle manner, displays a sense of respect for people, including those of the Jewish community, has very strong feelings for Chava, tenor; Constable: 40-60, the local law official, very much a peasant himself, with a sense of duty to his job, treats all with equal respect, but considers himself a cut above the rest (most notably the Jewish population) due to the uniform he wears. Note: Seeking strong legit singers who are excellent actors for all roles. Prepare a brief legit musical theater song that shows off range and personality. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(La Jolla, CA)(New York, NY - AUDITIONS: February 3, 2010 at 10:00 am for Equity Chorus Female Singers who move well & at 2:00 pm for Equity Chorus Male Singers who move well at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A GENTLEMAN'S GUIDE TO LOVE AND MURDER. ART DIR, Christopher Ashley; DIR, Darko Tresnjak; MUSIC DIR, Paul Staroba; CSTG, Binder Casting. Contract: Equity LORT Contract ($750 min./wk.). Rehearsal Dates: Begins August 3, 2010. Performance Dates: September 7-October 17, 2010. Breakdown-- Man #1: Mid 40s-Mid 50s, to play multiple ensemble roles including Barber, Tour Guide, Lord Asquith's Secretary, Mr. Gorby, Detective & others, the Detective has a featured number, seeking a versatile character man, sings tenor (B to really solid high A) or bass-baritone (solid low C to a solid A-flat on top, or baritone with working low F); Man #2: 20s-30s, plays multiple ensemble roles including Attendant, Farmer, Mr. Waters, Magistrate, Guard & other characters, the Magistrate has a featured number with the detective, seeking a younger character man, sings tenor (B to really solid high A) or bass-baritone (solid low C to a solid A-flat on top, baritone with a working low F); Woman #1: Late 40s-Late 50s, to play multiple ensemble roles including Miss Shingle & other characters, Miss Shingle is a housekeeper/governess, has served a wealthy, titled family for 30 years, track requires a comic character actress, can be a mezzo, but range should cover low A to high A; Woman #2: 30s-40s, to play multiple ensemble roles including Lady Eugenia, Miss Barley & others, Lady Eugenia is an unhappily married Countess, must be adept at the biting quip and the withering glance, Miss Barley is an alluring artist's model, seeking a statuesque actress who would be as comfortable playing Lady Bracknell as she would a beautiful courtesan, soprano, must have a fluid top to high B-flat. Note: This is a high style, Edwardian romantic farce requiring legit singers and/or dancers who sing beautifully. There is an ensemble of four, all of whom play various important characters throughout the evening. The dancing is basic social dancing of the period, and solo singing is required of all. We encourage performers of all ethnicities to attend. Dancers, be warmed up and ready to dance when the call begins. Women, bring character shoes with a heel; men, bring jazz shoes or sneakers. Some may be asked to stay and sing after all have danced; prepare 16 bars of legit theater music (the style of the score is completely legit - a hybrid between Candide, Night Music and Gilbert and Sullivan). Singers, prepare 16 bars (legit songs only) that show the ranges needed in the track descriptions. Operetta in English is fine - Gilbert and Sullivan, Victor Herbert, Rudolf Friml, Sigmund Romberg, selections from Candide or A Little Night Music, even light opera. Show range if at all possible. Everyone, bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 4, 2010 between 1:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)
  

(Ensenada, CA & Baja) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. No phone calls. Title: DRIVE-BY CHRONICLES 3: NICKY & JACKIE. PROD, Gonzalo Gonzalez. Shoot Dates: Begins February 1, 2010 (in Ensenada & Baja). STORY: The film is about two lovers caught in between a harsh world of cruelty. They force themselves into a spiral fall when they purposely rob a local thug/drug dealer from a corrupt church. Not knowing the consequences for their actions, they carefully plan out an escape plan, but things turns sour, heading to a tragic ending. Breakdown-- All Roles Open: 18-39, males and females, Latino, theatre trained actors preferred. (Posted: January 26, 2010)

(New York, NY - AUDITIONS: February 6 & 7, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: AWAKENING. DIR, Mario de Grossi. Contract: Producers plan to apply for a SAG Ultra Low Budget Film Agreement (Deferred pay, plus meals provided). Rehearsal Dates: Begins February 13, 2010. Shoot Dates: February 20 & 21, 2010. STORY: In an art gallery, Paolo, a surrealist photographer, meets Francesca, a beautiful young art critic, for an interview. Their conversation takes a profound and unexpected turn when Francesca recognizes Paolo as being "the root of the root and the bud of the bud and the sky of the sky of the tree of life," awakening her to true destiny and love; but Silver, Paolo's assistant, sees thing differently. Breakdown-- Paolo: 25-35, Caucasian, a fine art photographer, slender, tall, very handsome. Lead; Francesca: 25-30, Caucasian, an ex-model turned art critic photographer-journalist, very beautiful, slender, tall. Lead; Silver: 25-30, Caucasian or Asian, Paolo's assistant, very beautiful, slender, tall. Supporting Role. (Posted: January 26, 2010)

(Lehighton, PA) - Email photographs, resumes and a link to your website & reel (if available) ASAP to: Details Are only Available By Subscription.. Title: BRANCHES, a Short Film. DIR, Chris Messineo; SCR, Rick Hansberry. Contract: SAG Short Film Agreement ($100 deferred pay, plus copy, meals and lodging provided). Shoot Dates: February 13 & 14, 2010 (in Lehighton, PA). STORY: The film is about four friends trudge through the snow in search of the perfect Christmas tree as a holiday tradition. What they discover in the woods are lessons to last a lifetime. Breakdown-- Chris: 30-45, male, good-looking, strong, charming; Wade: 30-45, male, a character, kid at heart, jokester; James: 30-45, male, thoughtful, wise beyond his years; The Last Man: 30-45, male, an everyman, kind face, true to everyone. (Posted: January 26, 2010)

(Queens, NY)(New York, NY - AUDITIONS: February 20, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: AFGHAN HOUND, an Indie Feature to be shot in HD (RED). PROD, Eric P. MaryEa; DIR, Brian Alessandro. Shoot Dates: April 2-18, 2010 (in Queens, NY. Actors will be needed approx. one to two days each, and a few roles may be needed for a couple more). Breakdown-- Mario: 32, Latino, fit, masculine, former Marine, currently a corporate lawyer, married, a loyal friend, sensitive, empathetic; Doris Leeds: 60, Caucasian, classy, refined, delicate, maternal, warm, quietly neurotic; Jim Leeds: 60, Caucasian, old-fashioned, conservative, a tough-love kind of father; Sholah: Late 40s-Early 50s, Afghan, tall, strong-bodied, maternal, will also doubles as Zemar's Mother, the mother of the protagonist, but with an obscured face; Hamed: Late 40s-Early 50s, Afghan, quiet, decent, a provider, also doubles as Zemar's Father, the father of the protagonist, but with an obscured face; Prostitute #1: Early 20s, female, Caucasian, classy, reserved, tall, thin, partial nudity and simulated sex scenes required; Prostitute #2: Mid 20s, female, Chinese, heroin addict, oblivious, disturbed, violent, thin, partial nudity and simulated sex scenes required; Prostitute #3: Early 30s, female, Latina, voluptuous, warm, introspective, partial nudity and simulated sex scenes required; Homeless Man: Late 50s-Early 60s, African-American; Homeless Woman: Late 50s-Early 60s, African-American. Note: All roles listed are supporting. Scenes involving nudity are integral to character and story and will be tastefully filmed. (Posted: January 26, 2010)

(Los Angeles, CA & New York, NY & Sweden) - Email a short audition video, approximately 60 seconds ASAP to: Details Are only Available By Subscription.. Title: THE LUCKY SEVEN, a Feature Film. PROD, Jane Foster. Rehearsal Dates: February, 2010 (in Los Angeles, CA). Shoot Dates: March-April, 2010 (in Los Angeles, CA & New York, NY) & June-July, 2010 (in Sweden). STORY: The film is about a group of super-bright college graduates who find themselves competing for an extremely prestigious and highly competitive international fellowship at an exclusive institute in Oslo, Norway during the "midnight sun" summer of 2010. The grads find themselves drawn into cutthroat competition, sexual jealousy, betrayal, and, ultimately, murder. Breakdown-- Cindy: 16-22, female, Asian-American, never stops studying, hard-working genius, talented dancer or musician, role requires implied nudity, character will be covered with a sheet that will briefly fall as Inge Margborg, the mysterious head of the Institute, opens the door, closed set during filming; Don: 16-22, male, all-American scholar-athlete; Jennifer: 18-22, female, California golden girl, privileged, daughter of rocket scientists who inherited their sharp intellect; Malik: 18-24, male, African-American, brains plus brawn; Oliver: 18-24, Latino, first generation American, good natured; Quentin: 16-22, male, science geek with heart; Zoe: 16-24, female, beautiful, creative, super bright. Note: Video audition must be an improv monologue in which you answer the question "Why should you be awarded the prestigious fellowship?" Your video can be fun, serious, playful, or inventive, but you must take the process seriously, be in character and seem truly interested in winning the fellowship. Include your first and last names and contact info in the video. (Posted: January 26, 2010)

(New York, NY - AUDITIONS: February, 2010 by Appointment Only) - Email photographs & resumes ASAP to: Details Are only Available By Subscription. (More info regarding audition dates, times and location will be provided after a formal review of submissions). Title: IT'S A LOVELY WAR, a Dramatic Five minutes 16mm Short Film. DIR, Michael Banks. Contract: Producer plans to apply for SAG Short Film Agreement (Deferred pay, plus meals and travel provided). Rehearsal Dates: March, 2010. Shoot Approximately in April, 2010 (Dates TBD in or around the New York area). STORY: The film is about two British soldiers in the trenches of WWI. Breakdown-- Private Bird: 20s, male, Caucasian and require a British accent. A self-controlled British soldier. Lead; Private Cotton: 20s-30s, male, Caucasian and require a British accent. A psychologically frail British soldier. Lead. (Posted: January 26, 2010)

(Russia) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: SIBERIAN EXPRESS, an Action/Adventure Feature. PROD, Neil Hollander. Audition Dates: Will be held over the upcoming months via phone from the producer's office (in Paris, France) & by appointment (in New York, NY). Shoot Dates: February, 2010 (six-eight weeks shoot in Russia). STORY: The film is about an American, robbed and left for dead in Siberia, fighting his way back to survival. Breakdown-- Sam: Early-Late 20s, all-American type. Lead; Anna: Early-Late 20s, wholesome, pretty, girl-next-door type. Note: The cast must be willing to work and live in adverse climate and conditions. (Posted: January 26, 2010)

(New York, NY) - Send/Email photographs, resumes & links ASAP to: Details Are only Available By Subscription.. Title: THE NINTH DAY, a Cannon Mark II Short Thriller. PROD/DIR, Michael Kofsky, David Rabinowitz. Contract: Producers plan to apply for a SAG Short Film Agreement. Shoot Dates: February, 2010 (four to six days shoot in New York, NY). STORY: The film is about the consequences of a drunk-driving accident. Breakdown-- Reese: 20s, social problems, awkward, crash survivor. Lead; Nurse: 30s, caring, professional. Supporting Role; Shelly: 20s+, accident victim, seductive, creepy; Doctor: 30s, Shelly's husband, angry, seeking answers. Also seeking Extras: 21+, to play doctors and bar patrons. (Posted: January 26, 2010)

(New York, NY) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: PRIVATE TUTOR, a Short Comedy Film to be shot in HD 24p, and will be submitted to film festivals. DIR, Mark Harborth. Contract: Producer plans to apply for SAG Short Film Agreement. Rehearsal Dates: February, 2010. Shoot Dates: March, 2010 (in New York, NY). STORY: The film is about a college freshman who tries to morph himself into the embodiment of his ex-girlfriend's expectations of him after being dumped by her. Breakdown-- Timmy: 18, sweet, masculine, handsome boy-next-door, shy, engaging, eager to please others; Alterna-Tim: 18, Timmy's alter ego (to be played by a different actor), masculine, handsome, athletic, confidence bordering on cockiness, eager to please himself. Note: Both roles involve physical comedy/stage combat. (Posted: January 26, 2010)

(Jacksonville, FL) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: VEER, a Feature Length Super 16mm & HD Video Film. DIR, Patrick Barry. Shoot Dates: February-March, 2010 (in Jacksonville, FL). Breakdown-- Sammy: 18, female, Caucasian, party girl, high energy, immature, comfortable on camera in underwear for 1 scene; Paige: Late 20s-Early30s, female, Caucasian, indie-rocker, emo, tom-boy, very cute but downplays her looks, funny, mysterious; Tammy: Early 30s, female, Caucasian, worn-out mom type; Dinah: Mid 40s, female, Caucasian, wealthy, a "cougar"; Nana: Female, Caucasian, grandmother type, spunky; Son: 5-7, male, Caucasian, innocent, cute. (Posted: January 26, 2010)

(Springfield, PA) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: ROMAINE, a Short Narrative Film. PROD, Bob Edits. Shoot Dates: February or March, 2010 (in Springfield, PA). Breakdown-- Albert: Early 50s, male, struggling with depression; Teddy: Mid 40s, male, Albert’s brother. (Posted: January 26, 2010)

(New York, NY) - Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: HOMELESS PRAYERS, an Independent Low Budget Short. PROD/DIR, Jake Martin. Shoot Dates: Late February-Early March, 2010 (approximately six minutes shoot in and around New York, NY). Breakdown-- X: 50-60, male, homeless, with a scruffy beard, mumbles to himself, has no lines, seeking a great nonverbal actor; Nun: 50-60, female; Charlie: Middle Aged, male, Hispanic, annoyed with his job, works for the Salvation Army coat drive; Dave: 20s, Caucasian, Charlie's partner; Mother & Daughter: A well-off mother-and-daughter combo shopping for Christmas gifts; Derek: 40-50, a homeless Vietnam vet, slightly psychotic, looking for a friend; Chinese Fry Cook: 20s, male, disgruntled fry cook, wise beyond his years, must speak Mandarin Chinese. (Posted: January 26, 2010)
 

(Manchester, NH)(New York, NY - AUDITIONS: January 25, 2010 at 10:00 am for Male & Female Dancers & at 2:00 pm for Male Singers for Full Monty and Rent at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Titles: SWING FEVER! Rehearsal/Performance Dates: January 30-February 27, 2010 (in Manchester, NH). RENT. Rehearsal/Performance Dates: March 13-April 11, 2010 (in Manchester, NH). FULL MONTY. Rehearsal/Performance Dates: April 17-May 15, 2010 (in Manchester, NH). PROD, Peter Ramsey; DIR/CHOREO, Carl Rajotte; MUSIC DIR, Julie Oliver. Contract: Professional pay, plus travel & lodging provided. Breakdown-- For SWING FEVER! - Young Athletic Dancers: 18+, male and female, all ethnicities, all styles from Lindy to hip-hop, especially seeking male dancers. For RENT & FULL MONTY - Singers & Dancers: 18+, male and female, all ethnicities, for all roles except Maureen in Rent. If male singers cannot attend the January 25, 2010 auditions, they may attend auditions for female singers January 26, 2010. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Chicago, IL - AUDITIONS: January 25, 2010 between 10:00 am-4:00 pm for Equity Performers by Appointment at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season Titles: ROMEO AND JULIET, A Summer MUSICAL & other titles TBA. CSTG, Bob Mason. Contract: Equity CAT Tiers 5 & 6 and TYA Contracts ($721 min./wk., $601 min./wk., and $418 min./wk. [Depending on contract]). Breakdown-- Actor-Singers: Male & Female. Note: Ethnic diversity is strongly encouraged. Performers of all ethnic and racial backgrounds are encouraged to attend. A monitor will be provided. This is an Equity performer audition; chorus singers will also be seen. EPA rules apply. Prepare 32 bars of a song that best shows off your vocal and acting ability and one classical or contemporary monologue. Monologues should not exceed two minutes in length. Bring sheet music in your key; an accompanist will be provided. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Westport, CT)(New York, NY - AUDITIONS: January 25, 2010 at 10:00 am for Equity Chorus Female Singers & at 2:00 pm for Equity Chorus Male Singers at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: SHE LOVES ME. ART DIR/DIR, Mark Lamos; MUSIC DIR, Wayne Barker; CSTG, Janet Foster. Contract: Equity WCP Contract ($666 min./wk.). Rehearsal Dates: Begins March 23, 2010. Performance Dates: April 20-May 8, 2010. Breakdown-- Ensemble: three men and three women, to play customers, couples & carolers, seeking a diverse group of players, the Busboy, Keller and the Waiter will be cast out of the ensemble. Prepare 16 bars of a musical selection that shows off your voice. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(New York, NY - AUDITIONS: January 26, 2010 between 11:00 am-2:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: CABARET. PROD, Anthony Augello, Paul Campione, Carlo Rivieccio. Performance Dates: March 11-28, 2010 (at the Players Theatre in New York, NY). Breakdown-- Emcee: Strong singer-dancer-actor, ambiguous sexuality and stunning charisma, German accent; Cliff: American writer in Germany, strong actor who can sing; Ernst: A natural seducer, strong actor, German accent; Herr Schultz: Older Jewish man, warm character actor, Jewish accent; Sally Bowles: English accent, must be talented enough to convince the audience she is not that talented, strong actress-singer-dancer; Fraulein Schneider: Love interest of Schultz, German accent; Fraulein Kost: German accent, promiscuous, strong actress; Kit Kat Boys: Six to eight males, ensemble, strong dancer-singers, possibly willing to be shirtless; Kit Kat Girls: Six to eight females, strong dancers, girls who can play instruments. There will be a sign-up sheet. Prepare a 16-bar selection from contemporary musical theater; no rock. Musicians interested in playing Kit Kat Girls are encouraged to attend auditions with a prepared piece (no guitars). Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Manchester, NH)(New York, NY - AUDITIONS: January 26, 2010 at 10:00 am for Male & Female Dancers & at 1:00 pm for Female Singers for Full Monty and Rent at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Titles: SWING FEVER! Rehearsal/Performance Dates: January 30-February 27, 2010 (in Manchester, NH). RENT. Rehearsal/Performance Dates: March 13-April 11, 2010 (in Manchester, NH). FULL MONTY. Rehearsal/Performance Dates: April 17-May 15, 2010 (in Manchester, NH). PROD, Peter Ramsey; DIR/CHOREO, Carl Rajotte; MUSIC DIR, Julie Oliver. Contract: Professional pay, plus travel & lodging provided. Breakdown-- For SWING FEVER! - Young Athletic Dancers: 18+, male and female, all ethnicities, all styles from Lindy to hip-hop, especially seeking male dancers. For RENT & FULL MONTY - Singers & Dancers: 18+, male and female, all ethnicities, for all roles except Maureen in Rent. If male singers cannot attend the January 25, 2010 auditions, they may attend auditions for female singers January 26, 2010. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(St. Louis, MO - AUDITIONS: January 27, 2010 between 1:00-6:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: BIG RIVER. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 28-June 27, 2010. PROMISES, PROMISES. Rehearsal Dates: Begins June 29, 2010. Performance Dates: July 16-August 15, 2010. STATE FAIR. Rehearsal Dates: Begins August 17, 2010. Performance Dates: September 3-October 3, 2010. PROD, Jack Lane; ART DIR, Michael Hamilton; CHOREO, Dana Lewis. Contract: Equity LOA ref. COST Contract ($512 min./wk.). Breakdown-- Actors: Male & Female, actors who sing and dance well. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a minimum of 32 bars. Bring sheet music in your key (no lead sheets or transpositions); an accompanist will be provided. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Ivins, UT)(New York, NY - AUDITIONS: January 27, 2010 between 9:00 am-1:00 pm for Equity Chorus Male Performers & 2:00-6:00 pm Equity Chorus Female Performers at Details Are only Available By Subscription., an outdoor amphitheatre will be holding auditions for their 2010 season. Season Titles: TARZAN. DIR, Scott S. Anderson. Rehearsal Dates: Begins May 3, 2010. Performance Dates: June 7-October 15, 2010 (in repertory with Cats through August and in repertory with Crazy for You through Mid October, 2010). CATS. DIR/CHOREO, Derryl Yeager. Rehearsal Dates: Begins May 3, 2010. Performance Dates: June 7-August 14, 2010 (in repertory with Tarzan). CRAZY FOR YOU. DIR/CHOREO, Deanna Dys. Rehearsal Dates: Begins July 26, 2010. Performance Dates: August 25-October 16, 2010 (in repertory with Tarzan September through Mid October, 2010). ART DIR, Scott S. Anderson; MUSIC DIR, Camille Rolla. Contract: Equity LOA Contract ($585 min./wk.). Breakdown-- Ensemble: 20s-30s, male and female, strong singers who dance well and dancers with strong ballet, jazz, tap, and contemporary technique, chorus singers must be able to sing harmonies. Note: Performers may also be considered for principal roles at these auditions, so all characters are listed below. Ethnic performers and performers with gymnastic/tumbling skills are strongly encouraged to attend. For TARZAN - Tarzan: 20s, the Ape Man; Kala: 25-40, a mother ape, Kerchak's mate; Kerchak: 30-40s, a bull ape, leader of the tribe; Young Tarzan: 8 years old, human raised by apes; Terk: 20-30, young male ape; Jane: 18-30, young British botanist; Porter: 50s, British professor of biology, father of Jane; Clayton: 30s, American expedition guide, hired hand to Porter, partial to Jane. Chorus Roles - Victorian Father; Victorian Mother; Ape Tribe: 18-30, males and females, dance, aerial, gymnastics, and singing required; Snipes: 30-40s, head of the expedition crew; Expedition Crew: 20s-40s, males. For CATS - Grizabella the Glamour Cat: Singer-Mover, mezzo/belt; Bustopher Jones/Gus the Theater Cat: Singer-Mover, character actor; Mr. Mistoffelees: Singer-Dancer, extra strong ballet; Rum Tum Tugger: Singer-Dancer, Elvis-like, baritone; Old Deuteronomy: Singer-Mover, huge baritone; Munkustrap: Singer-Dancer, baritone. Chorus Roles - Bombalurina: Singer-Dancer, sexy cat, mezzo/belt; Demeter: Singer-Dancer, alto/belt; Skimbleshanks: Singer-Dancer, baritone/tenor; Mungojerrie: Singer-Dancer-Tumbler, alto/belt; Jellylorum: Singer-Dancer, soprano; Jennyanydots: Singer-Dancer, character actress, tap dancer, mezzo/belt; Jemima: Singer-Dancer, mezzo; Pouncival: male, Dancer-Chorus Singer; Macavity/Plato: Male, Dancer-Chorus Singer-Tumbler, strong contemporary; Cassandra: Female, Dancer-Chorus Singer, tall, sleek, flexible; Coricopat: Male, Dancer-Chorus Singer; Quaxo: Male, Dancer-Chorus Singer; Electra: Female, Dancer-Chorus Singer; Etcetera: Female, Dancer-Chorus Singer; Sillabub: Female, Dancer-Chorus Singer; Alonzo: Male, Dancer-Chorus Singer; Tantomile: Female, Dancer-Chorus Singer; Tumblebrutus: Male, Dancer-Chorus Singer; Victoria: Female, Dancer-Chorus Singer, extra strong ballet, white cat; Admetus: Age 9-14, male or female, young kitten, Mover-Singer, sings verse of "Memory". For CRAZY FOR YOU - Bobby Child: 30s, great dancer, tapper, excellent comic, must sing well, leading man; Polly Baker: Late 20s-30s, excellent dancer, singer, actress; Bela Zangler: 40s, show impresario, must be of similar size to Bobby Child, must move well, sing & act; Lank Hawkins: 30s-40s, must move, rugged, actor; Irene: 30s, sophisticated, must move well, singer, actress; Everett Baker: Father, actor; Tess: 20s-30s, showgirl, leader of the girls, must dance, sing & act; Patsy: 20s, dumb blonde, must dance, sing, and act. Chorus Roles - Lottie Child: Mother, actor; Cowboy Trio: All must sing and dance, character of Moose should be big. Equity audition procedures are not in effect. No Equity monitor provided; the producer runs all aspects of the audition. Prepare a brief musical theater song in the style of one of the shows. Have a contrasting selection ready in case it is requested. Bring sheet music; an accompanist will be provided. Selections from the above shows are permitted. Bring character, jazz, and tap shoes and attire appropriate for dancing and movement. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(St. Louis, MO - AUDITIONS: January 28, 2010 between 11:00 am-6:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: BIG RIVER. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 28-June 27, 2010. PROMISES, PROMISES. Rehearsal Dates: Begins June 29, 2010. Performance Dates: July 16-August 15, 2010. STATE FAIR. Rehearsal Dates: Begins August 17, 2010. Performance Dates: September 3-October 3, 2010. PROD, Jack Lane; ART DIR, Michael Hamilton; CHOREO, Dana Lewis. Contract: Equity LOA ref. COST Contract ($512 min./wk.). Breakdown-- Actors: Male & Female, actors who sing and dance well. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a minimum of 32 bars. Bring sheet music in your key (no lead sheets or transpositions); an accompanist will be provided. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Chicago, IL)(New York, NY - AUDITIONS: January 28, 2010 at 11:00 am for Dancers Who Sing Well [Registration at 9:30 am; unofficial sign-in sheets will not be honored] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A CHORUS LINE. EXEC PROD, Terry James; ART DIR, Andy Hite; DIR, Mark Lococo; CHOREO, Rachel Rockwell. Contract: Professional pay, plus travel and lodging provided. Rehearsal Dates: Begins August 16, 2010. Performance Dates: September 1-October 31, 2010 (at The Marriott Theatre in Lincolnshire, IL). Breakdown-- Dancers Who Sing Well: 18-30s, male and female, all ethnicities, exceptionally trained dancers in jazz and ballet. Note: All roles available. Bring jazz and character shoes. Prepare 16 bars uptempo and ballad. Bring sheet music in your key; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(St. Louis, MO - AUDITIONS: January 29, 2010 between 11:00 am-6:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: BIG RIVER. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 28-June 27, 2010. PROMISES, PROMISES. Rehearsal Dates: Begins June 29, 2010. Performance Dates: July 16-August 15, 2010. STATE FAIR. Rehearsal Dates: Begins August 17, 2010. Performance Dates: September 3-October 3, 2010. PROD, Jack Lane; ART DIR, Michael Hamilton; CHOREO, Dana Lewis. Contract: Equity LOA ref. COST Contract ($512 min./wk.). Breakdown-- Actors: Male & Female, actors who sing and dance well. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a minimum of 32 bars. Bring sheet music in your key (no lead sheets or transpositions); an accompanist will be provided. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(St. Louis, MO - AUDITIONS: January 30, 2010 at 10:00 am for Equity Chorus Females [Registration from 9:00 am] & at 3:00 pm for Equity Chorus Males [Registration from 2:00 pm] at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: BIG RIVER. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 28-June 27, 2010. PROMISES, PROMISES. Rehearsal Dates: Begins June 29, 2010. Performance Dates: July 16-August 15, 2010. STATE FAIR. Rehearsal Dates: Begins August 17, 2010. Performance Dates: September 3-October 3, 2010. PROD, Jack Lane; ART DIR, Michael Hamilton; CHOREO, Dana Lewis. Contract: Equity LOA ref. COST Contract ($512 min./wk.). Breakdown-- Actors: Male & Female, actors who sing and dance well. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. Equity members will be seen first. Chorus rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Be warmed up and ready to dance at call time. You may be asked to sing; prepare at least 32 bars. Bring sheet music in your key (no lead sheets or transpositions); an accompanist will be provided. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Auburn, NY - AUDITIONS: January 30 & 31, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Performer by Appointment at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: THE DROWSY CHAPERONE. DIR, Ed Sayles; MUSIC DIR, Corinne Aquilina; CHOREO, Lori Leshner. Rehearsal Dates: Begins May 27, 2010. Performance Dates: June 9-30, 2010 (in Auburn, NY). PROMISES, PROMISES. DIR, Paul Bryant; MUSIC DIR, Mark Goodman; CHOREO, Lori Leshner. Rehearsal Dates: Begins June 24, 2010. Performance Dates: July 7-28, 2010 (in Auburn, NY). MEET ME IN ST. LOUIS. DIR/CHOREO, Kate Swan; MUSIC DIR, Corinne Aquilina. Rehearsal Dates: Begins July 22, 2010. Performance Dates: August 4-25, 2010 (in Auburn, NY). MAN OF LA MANCHA. MUSIC DIR, Mark Goodman. Rehearsal Dates: Begins August 19, 2010. Performance Dates: September 1-18, 2010 (in Auburn, NY). RING OF FIRE, the Johnny Cash musical show. DIR, David Lutken; MUSIC DIR, Eric Anthony; CHOREO, Sherry Stregack. Rehearsal Dates: Begins September 9, 2010. Performance Dates: September 22-October 9, 2010 (in Auburn, NY). CHURCH BASEMENT LADIES 2: A SECOND HELPING. DIR, Curt Wollan; MUSIC DIR, Mark Goodman; CHOREO, Wendy Short-Hayes. Rehearsal Dates: Begins September 30, 2010. Performance Dates: October 13-30, 2010 (in Auburn, NY). PROD DIR, Ed Sayles. Contract: Equity LOA Contract ($547 min./wk.). Breakdown-- For THE DROWSY CHAPERONE - Man in Chair: Musical theater enthusiast, neurotic, precise, mischievous, passionate, ideally think Tony Randall 30 years ago, non-singing role. Lead; Janet Van deGraff, the Bride: 20s-early 30s, female, leggy young leading lady, actress should be a strong dancer, acrobatic and any other bizarre skills a plus, character is right out of a 1930s movie, a real movie star from the golden age, sings G3 to Eb, with power; The Drowsy Chaperone: 40s-50s, female, boozy, sexy, jaded, deadpan, wisecracking lady, Eve Arden type, highly comedic, dance skills a plus, actress must belt or have a good mix, sing F3 to D5; Robert Martin, the Groom: 20s-30s, male, movie star good looks, athletic build, very charming, with a big smile and small brain, a deeply superficial person, actor should be a good song-and-dance man with strong tap skills, must be comfortable on roller skates, sings C3 to Ab4; Adolpho: Approximately 30s-40s, male, "Latin lover" type, cross between Cesar Romero and Desi Arnaz, hysterically funny, over-the-top Latino accent complete with trilled "R"s, great physical comedy skills and strong vocal control required, chews scenery for breakfast, rich bass/baritone, A#2 to G4, with falsetto; George, the Best Man: 40s, shorter character look, regular guy type, very energetic and goal-oriented, a heart attack waiting to happen, straight man to the groom, excellent tap dancer preferred, sings F3 to Bb4; Mrs. Tottendale: Middle Aged or older, very cute, endearing, gentle, dizzy but not dotty, widowed socialite who appears to be pleasantly medicated at all times, ukulele playing and dance skills a plus, character singing, G3 to Db5; Underling the Butler: Middle Aged or older, Mrs. Tottendale's butler and comedic partner, very much the droll and refined British butler, more worldly-wise than his employer but extremely devoted to her, actor should have great comedic skills and be able to tolerate a spit-take or two, tap skills a plus, sings Ab3 to Eb5; Feldzieg, the Producer: Middle Aged, hard-nosed showbiz guy, blustery, with a strong presence, basically the stereotypical old-time producer, cigar-smoking wheeler-dealer, sings Db# to Db4; Kitty, a Chorine: Late 20s-30s, dumb but sweet chorus girl who wants to be the leading lady, real Judy Holliday type, has been around the block but still gets lost, has the dumbest jokes in the show and must be able to pull them off, she and Feldzieg have a real Burns-and-Allen thing going on, actress must be a strong dancer and belt, Bb3 to F5; The Tall Brothers: Two males, 30s-40s, no taller than 5'8", former Vaudeville brother act, cast as gangsters, disguised as pastry chefs, real tough-guy look and style which is made humorous by the fact that they are short in stature, seeking strong dancers, acrobatics a plus, character baritones; Ensemble. For PROMISES, PROMISES - Chuck Baxter: Late 20s-Early 30s, nice guy who's always finishing last, stuck in a dead-end job at a large corporation, head-over-heels for Fran, the classic underdog whose day at last arrives, seeking a warm and friendly comedic actor who can handle some pretty serious scenes and can truly connect with the audience, baritone, Bb to F; Fran Kubelik: Late 20s-Early 30s, works in the company cafeteria, having an affair with Mr. Sheldrake, winning smile, cute rather than glamorous, girl next door but very desirable, must have a powerful singing voice with a broad range, low G to high C (belt) to Eb (belt-mix), should be proficient in folk guitar; J.D. Sheldrake: 40s-50s, head of personnel who controls Chuck's future at the company, Fran's married boyfriend, charming and handsome, not unattractive on the outside but a ladies' man without a conscience, seeking a strong dramatic actor with comedic skills, refined baritone voice, low C# to high F; Dr. Dreyfuss: 50s, character type, pudgy and of medium stature, Chuck's next-door neighbor, easily flustered family doctor with a heart of gold, think Lou Jacobi, seeking an exceptional character comic, funny without trying to funny, sings one number with Chuck, strong character voice, low Bb to high G; Marge MacDougall: 40s, very sexy woman who picks Chuck up in a bar, cameo role, but real tour-de-force performance required, strong character voice, low A to high D (belt-mix); Dobitch, Kirkeby, Eichelberger & Vanderhof: Four males, 40-50s, philandering senior executives at the company who advance Chuck's career in return for using his apartment for their dalliances, seeking real character men with great comedic timing, sing a very darkly funny quartet, low Bb to high F#; Ensemble. For MEET ME IN ST. LOUIS - Esther Smith: Plays Late Teens, lively, attractive, forceful, great comedic sense, the middle child of the Smith family, superb belt/mix, low G to E, must also be a proficient dancer; Rose Smith: Plays Late Teens, the chic and beautiful Smith daughter, Esther's older sister, sophisticated, romantic, flirtatious, mezzo soprano to G, must also be a proficient dancer; Alonso Smith: 40ish, the family patriarch, seemingly stuffy attorney with a heart of gold, tries to rule the roost with an iron hand but is constantly undermined, baritone to E; Anna Smith: 40ish, loving wife and mother, diplomatic and supportive, good at balancing everyone's needs, mezzo to E; Lon Smith: Early 20s, oldest of the Smith children and the only son, big man on campus at Princeton, very good-natured, lyric baritone to G, should be a great dancer; Grandpa Prophater: 60s, Mrs. Smith's father, charming Civil War veteran, fun and childlike, with a twinkle in his eye, loves his grandchildren, baritone to F; Katie: Approximately 50, Irish, the Smith family's cook and housemaid, delightful working-class woman, strong singer-mover with large range, mezzo, F below middle C to G; John Truitt: Approximately 19, the "boy next door," handsome, charming, athletic, lyric, the apple of Esther's eye, baritone to F, must also be a proficient dancer; Warren Sheffield: Rose's suitor, eligible young man from a rich family, very shy, has difficulty expressing his true feelings to Rose, baritone to E, must also be a proficient dancer; Ensemble. For MAN OF LA MANCHA - Don Quixote (Cervantes): 40s, tall, thin, distinguished look, seeking a highly experienced actor with a rich speaking voice with a Shakespearean feel, must move well and command the stage, enthusiastic and optimistic, strong singer, low B to high F; Aldonza (Dulcinea): Mid 20s-Early 30s, tall, very attractive, olive complexion, has a very hard edge and has learned to expect only the worst from life, seeking a strong singer-actress, low Ab to high C (belt) and high Ab (soprano); Sancho Panza: Mid 30s-40s, short, round, seeking a character actor with great comedic skills and a very expressive face, Don Quixote's pragmatic but loyal servant and sidekick, strong high baritenor, low C to high G; Innkeeper: 40s-50s, powerfully built man who looks like he could hurt someone if he wanted to, slowly develops an affection for the eccentric Quixote, seeking an experienced actor, strong bass-baritone, low G to at least C#; Antonia: 20s, attractive ingénue, Quixote's niece, gravely embarrassed by her uncle's behavior, it is strongly implied that she is most concerned with protecting her inheritance, beautiful soprano sound, low C to high F; Dr. Carrasco: 30s-40s, sinister but handsome look, tall and thin, engaged to Antonia, obsessed with making Quixote see reality and return home, must be a strong actor who can sing well, low B to high F; Housekeeper: 40s-50s, character look, Quixote's busybody servant, in league with Antonia, rich mezzo soprano, low F to high F; Barber: Mid 20s-30s, short, pudgy, very energetic and likable, great comedic skills required, must be a strong and bright baritenor to high G; Padre: 30s-40s, confessor to Antonia and the housekeeper, sincerely religious man, also a realist, strong high baritenor, low C to high G; Ensemble. For RING OF FIRE - Woman #1: 20s-30s, soprano, must play good country fiddle and move very well, also plays guitar, mandolin, and drums; Man #1: 20s-30s, baritone, must play acoustic and electric guitar and stand-up and electric bass, moves very well; Woman #2: 40s, mezzo, must play guitar and move very well, also plays ukulele and percussion; Man #2: 40s, bass/baritone, must play acoustic and electric guitar, stand-up bass, Scruggs-style banjo, and dobro, moves very well, also plays mandolin and harmonica; Woman #3: 50s, alto, must play stand-up bass, autoharp, and guitar, moves well, also plays ukulele; Man #3: 50s, bass/baritone, must play guitar and harmonica, must move well; Band #1: Plays lead guitar (acoustic and electric), stand-up bass, mandolin, and banjo, sings and moves well; Band #2: Plays keyboard, accordion, guitar, mandolin, stand-up bass, and trumpet, sings and moves well; Band #3: Plays drums, also plays mandolin, guitar, and spoons, sings and moves well. For CHURCH BASEMENT LADIES 2: A SECOND HELPING - The Pastor: Indeterminate age, has been the pastor at this church for some time, has a wife "half his age," the ladies have a great deal of respect for him and tolerate his wife, a nice man if perhaps not a terribly dynamic preacher, lives a life of service and humility; Mrs. Elroy Engelson (Karin): Mid-Late 40s, Beverly's mother, the most fashionable of the ladies and the best cook in the kitchen, married young, has always strived to be a good wife and mother, appears happy, but had she been born in another time her life might have turned out quite differently; Beverly Signe (Engelson) Hauge: Early-Mid 20s, newlywed, left home a year ago to move to "the City" with her new husband Harry after graduating from the "U," grew up in this kitchen and has a great deal of affection for the women of the basement, strong-willed but has a good head on her shoulders and a genuine love for the community; The Widow Snustad (Vivian): Late 60s, her husband died very early in their marriage, the matriarch of the kitchen, holds tightly to tradition with both hands, the other women get a kick out of her and secretly enjoy watching her squirm a little when she is challenged; Mrs. Gilmer Gilmerson (Mavis): 50s, able-bodied farm wife, extremely good-natured, often tries to dispel any tension in the kitchen by changing the subject or telling a joke, knows the lineage of every family in town, always willing to pitch in and fix someone's tractor, peel a potato, or scrub the lutefisk pot, believes hard work is good for the soul. Equity members without appointment will be seen throughout each audition day as time permits. Prepare a brief song that best displays your vocal style and strengths. Bring sheet music; an accompanist will be provided. If auditioning for the non-singing role of Man in Chair, prepare a brief comedic monologue. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(St. Louis, MO)(New York, NY - AUDITIONS: February 8, 2010 at 10:00 am for Equity Chorus Female Dancers & at 2:00 pm for Equity Chorus Male Dancers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: BIG RIVER. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 28-June 27, 2010. PROMISES, PROMISES. Rehearsal Dates: Begins June 29, 2010. Performance Dates: July 16-August 15, 2010. STATE FAIR. Rehearsal Dates: Begins August 17, 2010. Performance Dates: September 3-October 3, 2010. PROD, Jack Lane; ART DIR, Michael Hamilton; CHOREO, Dana Lewis. Contract: Equity LOA ref. COST Contract ($512 min./wk.). Breakdown-- Ensemble Dancers: Late Teens-Mid 30s, male and female, accomplished dancers who sing well, chorus members will understudy principal roles. Equity chorus procedures are in effect. Be warmed and ready to dance. Bring all dance style shoes: character, ballet, jazz and tap. Also prepare 16- and 32-bar cuts of a song in case asked to stay and sing. Songs from the shows are fine. Bring sheet music; an accompanist will be provided. No lead sheets, no transposition. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Auburn, NY)(New York, NY - AUDITIONS: February 13, 2010 at 10:00 am for Equity Chorus Male Singers & at 12:00 noon for Equity Chorus Female Singers & at 2:00 pm for Equity Chorus Male dancers who Sing & at 4:00 pm for Equity Chorus Female Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: THE DROWSY CHAPERONE. DIR, Ed Sayles; MUSIC DIR, Corinne Aquilina; CHOREO, Lori Leshner. Rehearsal Dates: Begins May 27, 2010. Performance Dates: June 9-30, 2010 (in Auburn, NY). PROMISES, PROMISES. DIR, Paul Bryant; MUSIC DIR, Mark Goodman; CHOREO, Lori Leshner. Rehearsal Dates: Begins June 24, 2010. Performance Dates: July 7-28, 2010 (in Auburn, NY). MEET ME IN ST. LOUIS. DIR/CHOREO, Kate Swan; MUSIC DIR, Corinne Aquilina. Rehearsal Dates: Begins July 22, 2010. Performance Dates: August 4-25, 2010 (in Auburn, NY). MAN OF LA MANCHA. MUSIC DIR, Mark Goodman. Rehearsal Dates: Begins August 19, 2010. Performance Dates: September 1-18, 2010 (in Auburn, NY). RING OF FIRE, the Johnny Cash musical show. DIR, David Lutken; MUSIC DIR, Eric Anthony; CHOREO, Sherry Stregack. Rehearsal Dates: Begins September 9, 2010. Performance Dates: September 22-October 9, 2010 (in Auburn, NY). CHURCH BASEMENT LADIES 2: A SECOND HELPING. DIR, Curt Wollan; MUSIC DIR, Mark Goodman; CHOREO, Wendy Short-Hayes. Rehearsal Dates: Begins September 30, 2010. Performance Dates: October 13-30, 2010 (in Auburn, NY). PROD DIR, Ed Sayles. Contract: Equity LOA Contract ($547 min./wk.). Breakdown-- Singers & Dancers Who Sing: Male & Female. Note: All chorus positions available. Singers, prepare 16 bars of an uptempo song that shows vocal range. The song may or may not be from the theater's upcoming season. Bring sheet music; an accompanist will be provided. Some may be asked to stay and dance after all have sung. Dancers, be warmed up and ready to dance when the call begins. Men, bring jazz shoes/sneakers and tap shoes. Women, bring character heels and flats, as well as tap heels. Some may be asked to stay and sing after all have danced. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Auburn, NY)(New York, NY - AUDITIONS: February 14, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: THE DROWSY CHAPERONE. DIR, Ed Sayles; MUSIC DIR, Corinne Aquilina; CHOREO, Lori Leshner. Rehearsal Dates: Begins May 27, 2010. Performance Dates: June 9-30, 2010 (in Auburn, NY). PROMISES, PROMISES. DIR, Paul Bryant; MUSIC DIR, Mark Goodman; CHOREO, Lori Leshner. Rehearsal Dates: Begins June 24, 2010. Performance Dates: July 7-28, 2010 (in Auburn, NY). MEET ME IN ST. LOUIS. DIR/CHOREO, Kate Swan; MUSIC DIR, Corinne Aquilina. Rehearsal Dates: Begins July 22, 2010. Performance Dates: August 4-25, 2010 (in Auburn, NY). MAN OF LA MANCHA. MUSIC DIR, Mark Goodman. Rehearsal Dates: Begins August 19, 2010. Performance Dates: September 1-18, 2010 (in Auburn, NY). RING OF FIRE, the Johnny Cash musical show. DIR, David Lutken; MUSIC DIR, Eric Anthony; CHOREO, Sherry Stregack. Rehearsal Dates: Begins September 9, 2010. Performance Dates: September 22-October 9, 2010 (in Auburn, NY). CHURCH BASEMENT LADIES 2: A SECOND HELPING. DIR, Curt Wollan; MUSIC DIR, Mark Goodman; CHOREO, Wendy Short-Hayes. Rehearsal Dates: Begins September 30, 2010. Performance Dates: October 13-30, 2010 (in Auburn, NY). PROD DIR, Ed Sayles. Contract: Equity LOA Contract ($547 min./wk.). Breakdown-- For THE DROWSY CHAPERONE - Man in Chair: Musical theater enthusiast, neurotic, precise, mischievous, passionate, ideally think Tony Randall 30 years ago, non-singing role. Lead; Janet Van deGraff, the Bride: 20s-early 30s, female, leggy young leading lady, actress should be a strong dancer, acrobatic and any other bizarre skills a plus, character is right out of a 1930s movie, a real movie star from the golden age, sings G3 to Eb, with power; The Drowsy Chaperone: 40s-50s, female, boozy, sexy, jaded, deadpan, wisecracking lady, Eve Arden type, highly comedic, dance skills a plus, actress must belt or have a good mix, sing F3 to D5; Robert Martin, the Groom: 20s-30s, male, movie star good looks, athletic build, very charming, with a big smile and small brain, a deeply superficial person, actor should be a good song-and-dance man with strong tap skills, must be comfortable on roller skates, sings C3 to Ab4; Adolpho: Approximately 30s-40s, male, "Latin lover" type, cross between Cesar Romero and Desi Arnaz, hysterically funny, over-the-top Latino accent complete with trilled "R"s, great physical comedy skills and strong vocal control required, chews scenery for breakfast, rich bass/baritone, A#2 to G4, with falsetto; George, the Best Man: 40s, shorter character look, regular guy type, very energetic and goal-oriented, a heart attack waiting to happen, straight man to the groom, excellent tap dancer preferred, sings F3 to Bb4; Mrs. Tottendale: Middle Aged or older, very cute, endearing, gentle, dizzy but not dotty, widowed socialite who appears to be pleasantly medicated at all times, ukulele playing and dance skills a plus, character singing, G3 to Db5; Underling the Butler: Middle Aged or older, Mrs. Tottendale's butler and comedic partner, very much the droll and refined British butler, more worldly-wise than his employer but extremely devoted to her, actor should have great comedic skills and be able to tolerate a spit-take or two, tap skills a plus, sings Ab3 to Eb5; Feldzieg, the Producer: Middle Aged, hard-nosed showbiz guy, blustery, with a strong presence, basically the stereotypical old-time producer, cigar-smoking wheeler-dealer, sings Db# to Db4; Kitty, a Chorine: Late 20s-30s, dumb but sweet chorus girl who wants to be the leading lady, real Judy Holliday type, has been around the block but still gets lost, has the dumbest jokes in the show and must be able to pull them off, she and Feldzieg have a real Burns-and-Allen thing going on, actress must be a strong dancer and belt, Bb3 to F5; The Tall Brothers: Two males, 30s-40s, no taller than 5'8", former Vaudeville brother act, cast as gangsters, disguised as pastry chefs, real tough-guy look and style which is made humorous by the fact that they are short in stature, seeking strong dancers, acrobatics a plus, character baritones; Ensemble. For PROMISES, PROMISES - Chuck Baxter: Late 20s-Early 30s, nice guy who's always finishing last, stuck in a dead-end job at a large corporation, head-over-heels for Fran, the classic underdog whose day at last arrives, seeking a warm and friendly comedic actor who can handle some pretty serious scenes and can truly connect with the audience, baritone, Bb to F; Fran Kubelik: Late 20s-Early 30s, works in the company cafeteria, having an affair with Mr. Sheldrake, winning smile, cute rather than glamorous, girl next door but very desirable, must have a powerful singing voice with a broad range, low G to high C (belt) to Eb (belt-mix), should be proficient in folk guitar; J.D. Sheldrake: 40s-50s, head of personnel who controls Chuck's future at the company, Fran's married boyfriend, charming and handsome, not unattractive on the outside but a ladies' man without a conscience, seeking a strong dramatic actor with comedic skills, refined baritone voice, low C# to high F; Dr. Dreyfuss: 50s, character type, pudgy and of medium stature, Chuck's next-door neighbor, easily flustered family doctor with a heart of gold, think Lou Jacobi, seeking an exceptional character comic, funny without trying to funny, sings one number with Chuck, strong character voice, low Bb to high G; Marge MacDougall: 40s, very sexy woman who picks Chuck up in a bar, cameo role, but real tour-de-force performance required, strong character voice, low A to high D (belt-mix); Dobitch, Kirkeby, Eichelberger & Vanderhof: Four males, 40-50s, philandering senior executives at the company who advance Chuck's career in return for using his apartment for their dalliances, seeking real character men with great comedic timing, sing a very darkly funny quartet, low Bb to high F#; Ensemble. For MEET ME IN ST. LOUIS - Esther Smith: Plays Late Teens, lively, attractive, forceful, great comedic sense, the middle child of the Smith family, superb belt/mix, low G to E, must also be a proficient dancer; Rose Smith: Plays Late Teens, the chic and beautiful Smith daughter, Esther's older sister, sophisticated, romantic, flirtatious, mezzo soprano to G, must also be a proficient dancer; Alonso Smith: 40ish, the family patriarch, seemingly stuffy attorney with a heart of gold, tries to rule the roost with an iron hand but is constantly undermined, baritone to E; Anna Smith: 40ish, loving wife and mother, diplomatic and supportive, good at balancing everyone's needs, mezzo to E; Lon Smith: Early 20s, oldest of the Smith children and the only son, big man on campus at Princeton, very good-natured, lyric baritone to G, should be a great dancer; Grandpa Prophater: 60s, Mrs. Smith's father, charming Civil War veteran, fun and childlike, with a twinkle in his eye, loves his grandchildren, baritone to F; Katie: Approximately 50, Irish, the Smith family's cook and housemaid, delightful working-class woman, strong singer-mover with large range, mezzo, F below middle C to G; John Truitt: Approximately 19, the "boy next door," handsome, charming, athletic, lyric, the apple of Esther's eye, baritone to F, must also be a proficient dancer; Warren Sheffield: Rose's suitor, eligible young man from a rich family, very shy, has difficulty expressing his true feelings to Rose, baritone to E, must also be a proficient dancer; Ensemble. For MAN OF LA MANCHA - Don Quixote (Cervantes): 40s, tall, thin, distinguished look, seeking a highly experienced actor with a rich speaking voice with a Shakespearean feel, must move well and command the stage, enthusiastic and optimistic, strong singer, low B to high F; Aldonza (Dulcinea): Mid 20s-Early 30s, tall, very attractive, olive complexion, has a very hard edge and has learned to expect only the worst from life, seeking a strong singer-actress, low Ab to high C (belt) and high Ab (soprano); Sancho Panza: Mid 30s-40s, short, round, seeking a character actor with great comedic skills and a very expressive face, Don Quixote's pragmatic but loyal servant and sidekick, strong high baritenor, low C to high G; Innkeeper: 40s-50s, powerfully built man who looks like he could hurt someone if he wanted to, slowly develops an affection for the eccentric Quixote, seeking an experienced actor, strong bass-baritone, low G to at least C#; Antonia: 20s, attractive ingénue, Quixote's niece, gravely embarrassed by her uncle's behavior, it is strongly implied that she is most concerned with protecting her inheritance, beautiful soprano sound, low C to high F; Dr. Carrasco: 30s-40s, sinister but handsome look, tall and thin, engaged to Antonia, obsessed with making Quixote see reality and return home, must be a strong actor who can sing well, low B to high F; Housekeeper: 40s-50s, character look, Quixote's busybody servant, in league with Antonia, rich mezzo soprano, low F to high F; Barber: Mid 20s-30s, short, pudgy, very energetic and likable, great comedic skills required, must be a strong and bright baritenor to high G; Padre: 30s-40s, confessor to Antonia and the housekeeper, sincerely religious man, also a realist, strong high baritenor, low C to high G; Ensemble. For RING OF FIRE - Woman #1: 20s-30s, soprano, must play good country fiddle and move very well, also plays guitar, mandolin, and drums; Man #1: 20s-30s, baritone, must play acoustic and electric guitar and stand-up and electric bass, moves very well; Woman #2: 40s, mezzo, must play guitar and move very well, also plays ukulele and percussion; Man #2: 40s, bass/baritone, must play acoustic and electric guitar, stand-up bass, Scruggs-style banjo, and dobro, moves very well, also plays mandolin and harmonica; Woman #3: 50s, alto, must play stand-up bass, autoharp, and guitar, moves well, also plays ukulele; Man #3: 50s, bass/baritone, must play guitar and harmonica, must move well; Band #1: Plays lead guitar (acoustic and electric), stand-up bass, mandolin, and banjo, sings and moves well; Band #2: Plays keyboard, accordion, guitar, mandolin, stand-up bass, and trumpet, sings and moves well; Band #3: Plays drums, also plays mandolin, guitar, and spoons, sings and moves well. For CHURCH BASEMENT LADIES 2: A SECOND HELPING - The Pastor: Indeterminate age, has been the pastor at this church for some time, has a wife "half his age," the ladies have a great deal of respect for him and tolerate his wife, a nice man if perhaps not a terribly dynamic preacher, lives a life of service and humility; Mrs. Elroy Engelson (Karin): Mid-Late 40s, Beverly's mother, the most fashionable of the ladies and the best cook in the kitchen, married young, has always strived to be a good wife and mother, appears happy, but had she been born in another time her life might have turned out quite differently; Beverly Signe (Engelson) Hauge: Early-Mid 20s, newlywed, left home a year ago to move to "the City" with her new husband Harry after graduating from the "U," grew up in this kitchen and has a great deal of affection for the women of the basement, strong-willed but has a good head on her shoulders and a genuine love for the community; The Widow Snustad (Vivian): Late 60s, her husband died very early in their marriage, the matriarch of the kitchen, holds tightly to tradition with both hands, the other women get a kick out of her and secretly enjoy watching her squirm a little when she is challenged; Mrs. Gilmer Gilmerson (Mavis): 50s, able-bodied farm wife, extremely good-natured, often tries to dispel any tension in the kitchen by changing the subject or telling a joke, knows the lineage of every family in town, always willing to pitch in and fix someone's tractor, peel a potato, or scrub the lutefisk pot, believes hard work is good for the soul. Prepare a brief song that best displays your vocal style and strengths. The song may or may not be from the upcoming Merry-Go-Round Playhouse season. Bring sheet music; an accompanist will be provided. If auditioning for the non-singing role of Man in Chair, prepare a brief comedic monologue. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(New York, NY - AUDITIONS: February 27, 2010 between 12:00 noon-6:00 pm Open Call at Details Are only Available By Subscription.. Title: DENIAL! TIME TO FACE THE MUSICAL. PROD, Crystal Field; DIR, Aaron Pratt; WRTR, Nikki Jenkins; MUSIC DIR, Brad Gardner. Contract: Seasonal AEA Showcase ($100 stipend Non-Union & $869 Union). Rehearsal Dates: Begins Mid March, 2010. Performance Dates: April 15-May 2, 2010 (at Theater for the New City). Breakdown: Amanda Gottadolla (Mandi) : Early 20's, African-American female, "Black Barbie" type, legit soprano with strong belt. Lead; Ashley Sue: Early 20's, Caucasian female, "Blonde Bombshell" type, folksy alto voice, plays guitar (not required); Daniel Goodman: Mid 20's, Caucasian male, leading man, a "guy's guy", pop rock tenor; Bee-Bee Machelstein: Early 20's, 5'7"+, Jewish/Catholic female, heavyset, sweet demeanor, pop belt; Dee-Dee Machelstein: Early 20's, super-short - 5'2", Jewish/Catholic female, fiesty, pop belt; Stephen Q. Burkowski: 20's, comic villain, any ethnicity, flamboyantly sinister, tenor with strong vocal flexibility; Margharita Torres: Late 20's-Early 30's, Hispanic, Comic villainess, gritty, strong alto belt with some high notes; Man #1: Late 20's-Early 40's, African-American male, able to play male and female, strong gospel/R&B voice; Man #2: Any age, Asian male, plays multiple female characters *must be comfortable in "drag"*, strong comic instincts, character singer. Prepare 16-bar cut from contemporary musical theatre. Sides will be provided. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)