(Los Angeles, CA - AUDITIONS: March 13-14, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes by March 12, 2010 to: Details Are only Available By Subscription.. Title: SWEET DREAMS, an HD Supernatural Thriller Feature. PROD, Brian Kniffel; DIR, Chris Callahan. Contract: SAG Ultra Low Budget Agreement Pending. Shoot Dates: Begins March 26, 2010. STORY: The film is about a love affair between the Sandman and a human. Breakdown-- Lisa: 18-20, blonde, the little sister, naive and unsure; Niko: Mid 20s, Asian, conservative, traditional, violinist, socially awkward; Trisha LeMoore: Mid 20s, blonde, former cheerleader, current party girl; Steph: Mid 20s, punky, brunette, shorter hair, lucid dreamer; Toni: Mid 20s, tomboy, sporty, unsure friend; George: 30s, mountain man in love, the Brawny paper towel guy; Billy: Mid 20s, Caucasian, all-American boy, Niko's love interest; Dave: Early 30s, Caucasian, Hollywood cool guy, Trisha's love interest; Jake: Mid-Late 20s, Caucasian, tall, dark hair, athletic, Steph's love interest; Daniel: Mid-Late 20s, Caucasian, nerdy, creepy, Trisha's stalker; Jon: 50s, Asian, Niko's father, speaking Mandarin and/or Taiwanese a plus. Sides will be available. (Posted: March 9, 2010)

(London, UK) - Email photographs & resumes by March 12, 2010 to: Details Are only Available By Subscription.. Title: FOXGLOVE, a Feature Film. PROD, Stewart le Marechal; DIR, Ornette Spenceley; SCR, Ornette Spenceley, Kate Spenceley. Shoot Dates: Early June-Late July, 2010 (four weeks shoot in UK). STORY: The film is about a pair of teenage miscreants who are imprisoned after hiding out on a farm while on the run. At first, they try to escape their captor, but the tension is increased when one of the youngsters develops a connection with the bitter farmer. Breakdown-- One Boy & One Girl: Both actors need to be aged 16+ and have finished their GCSEs but must have a playing age of 14. Note: Please do not send any other submissions and No one of licensing age should apply. (Posted: March 9, 2010)

(Chesapeake Bay, MD) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: SPRING LIGHTNING AND THUNDER, an Independent Short DV Film. DIR, Hunter Nesbitt. Audition Dates: March 12 & 13, 2010 by appointment only (in New York, NY. Auditions in Philadelphia, Baltimore & DC will be held at a later date TBA). Shoot Dates: Late Spring or Summer, 2010 (two-three weekends shoot on the Lower Eastern Shore of the Chesapeake Bay, MD. Dates TBD). Breakdown-- Mary: 18-25, female, Caucasian, a widowed newlywed from a small waterman's village, dreams during a thunderstorm that her drowned husband returns to her. Partial nudity and simulated sex required; Ricky: 18-25, male, Caucasian, a young Chesapeake Bay waterman. Partial nudity and simulated sex required. Note: The love scene between the characters will be tasteful and might not even include any nudity. The focus will be on the connection between the characters and not shot in any raunchy way. (Posted: March 9, 2010)

(Vancouver, Canada - AUDITIONS: March 13, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: THE INTERVIEW. DIR, Ben Alley. Shoot Dates: March 20, 2010 (in downtown Vancouver, Canada). STORY: The film is about a hitman who dies and meets with St. Peter to discuss where he will spend eternity. Breakdown-- Daniel Greenbeck: 25, a hitman with a med-large build and dirty blonde-dark hair; Peter Guthrie: 50's, med-large build with greying hair. (Posted: March 9, 2010)

(Scotland) - Email photographs & resumes by March 15, 2010 to: Details Are only Available By Subscription.. Title: THE GRAVE AT ANGEL’S PEAK (aka THE LONG WEEKEND). PROD, Mike Loveday; DIR, Julian Gilbey. Shoot Dates: May 17-Late June, 2010 (in Scotland). Breakdown-- Male: Early-Late 20s, must have charisma. Lead. (Posted: March 9, 2010)

(Long Island, NY & Montreal, Canada)(New York, NY - AUDITIONS: Mid March, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: MONTREAL: 320, a Short HD Film. Rehearsal Dates: Begins at the End of March, 2010 (in New York, NY). Shoot Dates: Begins Mid April, 2010 (on Long Island, NY & Montreal, Canada). STORY: The film is about a group of American friends who spend an eventful weekend in Montreal, Canada. Breakdown-- Marc: Early 20s, lanky, baby-faced, socially awkward. Lead; Emma: Early 20s, attractive, brunette, very impulsive, Rob's girlfriend. Lead; Rob: Early 20s, stocky, thin-line goatee, arrogant, Marc's best friend from grade school; Christie: Early 20s, lots of body art, college student, loves to party, carefree. Supporting Role; Heavy: Mid 20s, very large, tall, heavy drug dealer, "wannabe" gangster. Supporting Role. Sides will be provided prior to auditions. Note: The roles of Marc, Emma & Rob are Caucasian; seeking performers of all ethnicities for all other roles. (Posted: March 9, 2010)

(Chicago & Park Ridge, IL) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: GERTRUDE. PROD, Lizzie Perkins; DIR, Matt Cusimano. Shoot Dates: March 18-22, 2010 (in Chicago [South Loop] & Park Ridge, IL). STORY: The film is about an ex-con struggling against her own temper and the high school social hierarchy, when she's faced with disrespect on her work release program. Breakdown-- Gertrude: 35-50, female, African-American, with a tough face that let's you know times have been hard on her, but despite her exhaustion she's very animated, she's been transferred from prison on a work release program to a high school cafeteria, she has a rage that gets her into trouble at the school, especially when she finds out that certain students are favored above the rest; Principal Vondette: 45-50, male, Caucasian, greasy hair, a disciplinarian with an obsession for high school football that leads him to favor the football players by feeding them special meals and sucking up to them every chance he gets. (Posted: March 9, 2010)

(Atlanta, GA) - Send/Email photographs & resumes by March 20, 2010 to: Details Are only Available By Subscription.. Absolutely No Drop-Offs or Phone Calls. Title: HIGH STAKES, a Digital Dramatic Short. DIR, Jamall Ellzy. Rehearsal Dates: Begins immediately. Shoot Dates: Early-Mid April, 2010 (around the Atlanta metro area, GA). STORY: The film is about four men who are coaxed into playing a game of winner takes all high stakes poker to protect their deepest darkest secrets. Breakdown-- Maya: Early-Mid 20s, ethnic looking, sexy, exotic, mysterious. Lead; Markus: Early 30s, African-American, attractive, muscular build, overly sure of himself, ladies man, partial sexual nudity required for 1 scene. Lead; Simon: Early-Mid 30s, Caucasian, stoic, straight-forward, brooding. Lead; Charles: Late 20s, Caucasian, clean-cut, conservative, uptight. Lead; Jesse: Mid 20s, laid back, easygoing, slacker type. Supporting Role; Clark: Mid 20s, clean-cut, Ivy league type, office worker. Supporting Role; Markus' Mistress: Mid 20s-Early 30s, African-American, attractive, partial sexual nudity is required for 1 scene. Supporting Role; Males & Females: 18+ to play various office workers and political rally attendees. Note: Scenes requiring nudity will be shot on a closed set with only the necessary crew present. Also seeking Crew - Sound Mixer; Gaffer; PA's. (Posted: March 9, 2010)

(Vancouver, Canada - AUDITIONS: March 22, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs, resumes & link to demo ASAP to: Details Are only Available By Subscription.. Title: SAND DOLLAR, a Film. DIR, Beth Miller. Shoot Dates: Summer, 2010 (on the lower mainland of Vancouver, Canada). STORY: The film is about two children who become friends with a young mermaid. Breakdown-- Dylan:16-17, an artistic high school senior whose sensitive nature makes him an outsider with other kids his age; Raven: 16-17, a beautiful high school senior with a unique fashion sense and a sarcastic manner, which hides her loving soul; Record Playing Guy: 16-17, an eccentric high school student who pretends he is a radio DJ. (Posted: March 9, 2010)

(Tustin, CA) - Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: PRAIRIE DOGS, a Dramatic Digital Short. DIR, Tony Oliverio. Shoot Dates: Begins March 22, 2010. STORY: The film is about two war vets adjusting to civilian life. Breakdown-- Sal: Late 20s, male, Caucasian, rugged good looks, suffers from PSD; Gino: Late 20s, male, Caucasian, confined to a wheelchair, boyish charm; Becky: Mid 20s, female, Caucasian, Gino's wife, somewhat attractive; Billy: Late 40s, male, Caucasian, Becky's boyfriend, tacky cowboy swagger and accent; Preacher: Late 40s, male, Caucasian, heavy regional accent; Landlord: Early 60s, male, Caucasian; Thug 1: Mid-Late 20s, male, Latino, energetic; Thug 2: Late 20s, male, Caucasian, tattoos, unkempt, rugged, creepy; Thug 3: Latino, Mid 20s, Ranchero, uncut hair, overgrown moustache; Vet 1: Mid 20s, male, Caucasian, short haired, hard-drinking ex-marine; Vet 2: Late 20s, male, Caucasian, chain-smoking drunk; Clerk: Late-Mid 50s, male, African-American or Asian, talkative and inquisitive; Officer 1: Mid 30s, male, Caucasian, authentic; Officer 2: Mid 30s, male, Caucasian, authentic. Also seeking Crew - Script Super; Production & Set Designer; Set Decorator; Gaffer & Key Grip; Prop Master; Costume Designer; Make-Up Artist; Boom Operator; Sound Mixer; PAs. (Posted: March 9, 2010)
  

(Redondo Beach, CA - AUDITIONS: March 9, 2010 at 10:00 am for Equity Chorus Male Singers [Registration at 9:30 am] & at 12:00 noon for Equity Chorus Female Singers [Registration at 11:30 am] & at 3:00 pm for Equity Chorus Male Dancers & [Registration at 2:30 pm] at 5:00 pm for Equity Chorus Female Dancers [Registration at 4:30 pm] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. EXEC PROD, James Blackman; ART DIR, Stephanie Coltrin; DIR, Ron Kellum; MUSIC DIR, Dennis Castellano; CHOREO, Chad Allen, Dean Harvey. Contract: Equity LOA ref WCLO Contract ($965/wk). Rehearsal Dates: Begins April 6, 2010. Performance Dates: April 21-May 9, 2010. Breakdown-- Chorus/Ensemble Singers & Dancers: Males & females, boys & girls, any ethnicity, cast includes an adult chorus and a children's chorus, large singing and dancing ensemble, out of which roles will be assigned wives, saloon girls, Ishmaelites, slaves, etc., also seeking children for a large children's choir. Singers: Prepare to sing a song in the style of the show. Dancers: Wear jazz shoes for men and character shoes for women. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(Matunuck, RI)(New York, NY - AUDITIONS: March 9, 2010 at 10:00 am for Equity Chorus Male & Female Singers & at 2:00 pm for Equity Chorus Male & Female Dancers at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: A CHORUS LINE. Rehearsal Dates: Begins May 18, 2010. Performance Dates: June 2-20, 2010. HELLO, DOLLY! Rehearsal Dates: Begins June 8, 2010. Performance Dates: June 23-July 11, 2010. THE FULL MONTY. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 4-29, 2010. PROD ART DIR, Amiee Turner. Contract: Equity LOA Contract, Approval Pending (2009 salary: $515 min./wk., current level pending). Breakdown-- For A CHORUS LINE - Zach: Director & Choreographer of the show; Larry: Zach's assistant; Alan DeLuca: Male, from the Bronx, very straight, street-tough, macho, baritone; Bebe Benzenheimer: Female, insecure about her looks, just wants to be liked, alto; Bobby Mills: Male, flamboyant, funny, bitchy and witty, baritone; Cassie Ferguson: Female, older, very strong dancer, had a relationship with Zach, soprano; Connie Wong: Female, short, a bit of a mother hen, great sense of humor, alto; Diana Morales: Female, streetwise, a little bit tough, eternal optimist and starry-eyed, alto; Don Kerr: Male, ladies' man, married, into cars, money and women, baritone; Gregory Gardner: Male, very gay, very East side New York, baritone; Judy Turner: Female, funny, gawky, nervous scatterbrain, warm and hopeful, mezzo; Kristine Urich: Female, wide-eyed, naive, very nervous when not dancing, mezzo; Maggie Winslow: Female, a sweetheart, little sister-type, dreamer, soprano; Mark Anthony: Very young man, optimistic, all-American kid, hopeful and fresh, tenor; Mike Costa: Male, quite aggressive, determined, cocky, sure of himself but likable, tenor; Paul San Marco: Male, introverted and slightly insecure, but loves performing, baritone; Richie Walters: Male, African-American, strong dancer, enthusiastic, cool and very funny, tenor; Sheila Bryant: Female, brassy, sexy, bitchy and sophisticated, alto; Valerie Clark: Female, funny and foul-mouthed, brazen, direct, attention-seeker, mezzo. Note: Performers will be considered for the (four min.) Equity principal contracts; no chorus contracts in this production. All performers must be extremely strong dancers. Must have strong vocal range, able to sing in parts. Must have true stage presence. For HELLO, DOLLY! - Ensemble: Must be very strong dancers with partnering skills, must also sing well, several smaller characters will be cast from the chorus. Note: Two Equity contracts min. available. For THE FULL MONTY - Ensemble: Must be very strong singers who move extremely well, several smaller characters will be cast from the chorus. Note: Two Equity contracts min. available. Note: There are at least four Equity performer contracts in each production. Prepare 16 bars of an uptempo song and 16 bars of a ballad. Bring sheet music; an accompanist will be provided. Note: There may be time to perform one selection only. Some singers may be asked to stay and dance after all have sung; bring character shoes and dance clothes. Theater's producers state that they prefer to see performers at either the Equity principal auditions or the singers' ECC, but not at both calls. Dancers, be warmed up and ready to dance when the call begins. Bring dancewear, ballet and character shoes. Some dancers may be asked to stay and sing after all have danced. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 11, 2010 at 10:00 am for Equity Chorus Male Dancers who Sing & at 1:00 pm for Equity Chorus Male Rhythm Tappers who Sing at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: FELA. PROD, Steve Hendel; DIR/CHOREO, Bill T. Jones; MUSIC DIR, Aaron Johnson. Contract: Equity Production Contract ($1,605 min./wk.). Performance Dates: Currently running on Broadway. Breakdown-- Male Dancers/Chorus Member: 18-30s, must be able to play authentically black African characters, must dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, must be able to improvise, ballet and modern, as well as traditional African dance, some tap most welcome, but not required, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, characters are members of Fela's entourage, composed of young toughs, aspiring musicians and charismatic, attractive hangers-on, dancer must be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, ability to sing required, sometimes multi-part harmony; Male Dancers with Rhythm Tap: 18-30s, must be able to play authentically black African characters, physically active, dancer must be an excellent rhythm tap artist with ability in the African and modern styles - choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest, but not required if the performer has great coordination, flexible body and is able to learn new style quickly, ability to sing, in particular Afrobeat style, a plus; Female Dancers/Chorus Members: 18-30s, must be able to play authentically black African characters, must be able to dance well enough to handle choreography rooted in the gestural language of Bill T. Jones and extended into contemporary African movement, able to improvise, ballet and modern, acrobatic training of great interest but not required if the performer has great coordination, flexible body and is able to learn new style quickly, must be able to sing, sometimes multi-part harmony, but most importantly be familiar with or have a feel for Fela Kuti's invention, Afrobeat music, will embody Fela Kuti's legendary "Queens," young women from all over West Africa, Christian, Moslem, and Animist, from polygamous and monogamous backgrounds, who served as backup singers and dancers from Fela and were his lovers as well, at a certain point, he took them all as his wives and called them his "Queens," tall and statuesque preferred but not required. Note: Especially seeking one Male Swing, one Male Rhythm Tap Swing & one Female Swing for immediate replacements. All characters are African, of mixed race or of African descent. Be warmed up and ready to dance when your call begins. All dancers will dance barefoot. In addition, male rhythm tappers will also dance in tap shoes and should bring them to the audition. Male dancers who play percussion should bring a djembe, conga or similar percussion instrument to the audition. Some may be asked to stay and sing after all have danced. Prepare 16 bars of a simple sustained legit song or Afrobeat song that shows off your voice and range. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 10, 2010 at 10:00 am for Equity Chorus Male Dancers who Sing & at 2:00 pm for Equity Chorus Female Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: ROCK OF AGES. EXEC PROD, Scott Prisand, Janet Billig Rich, Hillary Weaver; PROD, Matthew Weaver, Carl Levin, Corner Store Entertainment; PROD, Kristin Hanggi; CHOREO, Kelly Devine. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Currently running at the Brooks Atkinson Theatre (on Broadway in New York, NY). Breakdown-- Dancers Who Sing: 18-Early 40s, male and female, unique and fit dancers with strong modern/jazz technique, to play various characters in the ensemble and possibly understudy principal roles; Singers Who Move: 18-40s, male and female, fantastic singers with strong rock vocals, should be strong movers/dancers, to play various characters in the ensemble and possibly understudy principal roles. Note: We are seeking an ethnically diverse ensemble. All are encouraged to attend. Dancers, be warmed up and ready to dance when the call begins. Bring jazz shoes or sneakers, as well as kneepads. Some may be asked to stay and sing after all have danced. Prepare 16 bars of an '80s rock ballad. Bring sheet music; an accompanist will be provided. Singers, prepare 16 bars of an '80s rock ballad (e.g. Styx, Whitesnake, Journey, etc.) showing range; no musical theater songs. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 10, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DREAMS OF THE WASHER KING. ART DIR, Katherine Kovner; PROD DIR, Stephanie Ybarra; DIR, Giovanna Sardelli; WRTR, Christopher Wall; CSTG, Paul Davis. Contract: Equity Off-Broadway Contract ($540 min./wk.). Rehearsal Dates: Begins May 14, 2010. Performance Dates: June 4-26, 2010 (at The Cherry Lane Studio Theatre). Breakdown-- Ryan: 18+ to play 15, male, a loner, used to living in his own world without a lot of friends, looks a bit out of place, like most teenagers, he swings quickly between petulance and growing maturity, intellectually precocious and obsessive about his projects, nerdy but endearing, a great storyteller, uses wit and melodrama to make light of his predicament, has a wellspring of inner loneliness and despair; Claire: 40s, female. Ryan's mother, middle-aged but feels old, doesn't always take good care of herself but is very comfortable in her body, loopy, brittle, self-destructive, both weak and plays at being weak, but underneath that is a survivor, feels uprooted - she didn't choose to live where she does, and is underemployed, it's been a long time since she's been able to challenge herself intellectually - she seeks solace in men and sex, weighted down by her experiences; Wade: 40s, male, physically unassuming, inarticulate, and manipulative in a clumsy way, oddly charismatic, an attractive man with a kind of charm that enables him to get away with things, his temper is well hidden, but he is frighteningly unpredictable with a dangerous, quiet anger that is hard to read, when challenged, he can smile or lash out at a moment's notice, sympathetic because he knows what he's doing is wrong and is making an honest attempt - most of the time - to do better; Elsie: 18+ to play 16, female. Wade's daughter, brutally vulnerable, but has a wellspring of inner strength, layered and complex, with a spunky tenaciousness, is able to cover up the fact that she is being abused. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(N. Hollywood, CA - AUDITIONS: March 12, 2010 between 10:00 am-6:00 pm for Equity Principal [Registration at 9:00 am] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MELISSA ARCTIC by Craig Wright. ART DIR, Deb Norton, Chris Nottoli; DIR, Scott Alan Smith. Contract: Equity SPT Contract Pending (Professional pay provided). Rehearsal Dates: Begins May 18, 2010. Performance Dates: Jun 25-August 1, 2010. Breakdown-- Mina Mattson: Early 30s, a sweet, good-natured, kind wife and mother and the wife of Leonard and the mother of Melissa, is baffled by her husband's sudden accusations of her infidelity and makes a plan to take her newborn baby, Melissa away to her friend Cindy's house, her old church camp friend and best friend of her husband, Paul is the one she is accused of cheating with; Leonard Mattson: Early 30s, a disgruntled barber who is watching his business fail to the new shopping mall, while his best friend, successful CEO of his own company, Paul comes to stay for a long visit, Leonard gets it into his head that Paul is carrying on an affair with his wife Mina, he flies into a rage and sends his daughter, Melissa away before he harms her; Paul Anderson: Early 30s, dashingly handsome, Paul is the CEO of his own woolens company and old church camp friend of Mina, he has come to spend time as their houseguest and is encouraged to stay a few more days when suddenly, his best friend, Leonard accuses him of cheating with Mina, Paul is formerly divorced and has a young son named Ferris who later falls in love with Mina's daughter, Melissa; Ferris Anderson: 18-25 to play 18, earnest and charismatic, Ferris is the son of Paul Anderson and spends time away from his SAT test studies to be with Melissa on her adopted father's flower farm, bent on raising herbs instead of going to college, he proposes to Melissa and defies his father's plans for him, sings a duet with Melissa; Melissa Arctic: 18-25 to play 18, the sweet and beautiful daughter of Mina and Leonard Mattson, but raised by adoptive father Alec Willoughby, Melissa grows up on his flower farm and falls in love with Ferris Anderson, she is unknowing of the connection between Ferris' father and her own biological father, Leonard, sings a duet with Ferris; Alec Willoughby: 35-45, kind, aging hippie who takes up flower farming after refusing to go into the family mortuary business, he happily accepts Melissa to raise and care for when asked by Alan Linda, sings a solo and other songs as part of the ensemble; Cindy Lindy: 40-50, no-nonsense artist and friend of Mina, Cindy paints a portrait of her friend and runs her own art gallery with her husband, Lindy, sings a duet with Leonard; Alan Linda: 45-55, sensible and gentle husband of Cindy Linda, he prevents Leonard from killing himself and finds a home for the baby Melissa, also plays the role of Fisherman and Bear; Mike Goebel: 22-40, naïve assistant chaplain, tries to console Leonard and delivers the news of his wife's death, confused by Leonard's insistence that he take the baby Melissa out of Leonard's sight, as he swears he will harm him, will also play a fisherman and must be able to sing and play the piano and must be able to sight read well; Time: 9-13, girl, looking for two young actors with a beautiful singing voice to share the role of Time, pivotal part, functions as the plays narrator and also plays one of the fishermen, must be able to sing and move well and be confident on stage, solo, duet and ensemble singing. Note: Seeking solid actors who can sing. EPA Rules are in effect. A monitor will be provided. Prepare a one-minute Shakespeare monologue a one-minute contemporary monologue, and 16 bars of a song a cappella. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 12, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: ROCK OF AGES. EXEC PROD, Scott Prisand, Janet Billig Rich, Hillary Weaver; PROD, Matthew Weaver, Carl Levin, Corner Store Entertainment; PROD, Kristin Hanggi; CHOREO, Kelly Devine. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Currently running at the Brooks Atkinson Theatre (on Broadway in New York, NY). Breakdown-- Drew Dillenbeck: 20s, any ethnicity, young, handsome rocker, has great comedic timing, strong rock tenor, desperately wants to be a rocker, but works as a bar-back at the famous "Rock of Ages" club on the Sunset Strip until his dreams (however unrealistic) come true; Sherrie Christian: 20s, female, Caucasian, young, pretty girl who has left her Midwestern family to pursue stardom in Los Angeles, innocent and naive, with great comedic timing, has strong rock vocals and terrific movement; Lonny Barnett: Middle Aged, male, any ethnicity, with very strong comedic timing and commanding but comically strong rock vocals, the narrator, has a slightly unflattering appearance but doesn't see it; Dennis Dupree: 40s, any ethnicity, older, possibly heavyset, very strong comedic timing, runs the famous "Rock of Ages" club on the Sunset Strip, caught between a rock and a hard pace when German businessmen pressure him to sell his club; Stacee Jaxx/Father: Middle Aged, male, Caucasian, rock star, very sexy, at the top of his game and has just left his very successful metal-rock band to venture out on his own, has very strong comedic timing and a strong rock voice, arrogant and charming, his life is a merry-go-round of good old sex, drugs, and rock & roll, actor will also play Sherrie's Father; Justice Charlier/Mother: 40-50, female, African-American, commanding woman who runs the strip club where Sherrie ends up when the going gets rough, sultry, maternal, sexy madam with strong vocals and belt, actress will also play Sherrie's Mother; Hertz Klinemann: 40-60, male, Caucasian, uptight, older German businessman who is looking to take over the Sunset Strip, the villain, must have a commanding presence, with strong comedic timing and vocals, must have a good German accent; Franz Klinemann: 20s-30s, young, foppish German who is pressured by his father to work for his business, small, shy, with good vocals and strong comedic timing; Regina: 20-40s, any ethnicity, granola girl, strong comedic timing, hilarious, tree-hugging fighter who will stop at nothing to protect the Sunset Strip. Prepare a brief '80s rock ballad (e.g. Styx, Whitesnake, Journey, etc.) showing range; no musical theater songs. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(N. Hollywood, CA - AUDITIONS: March 12, 2010 between 10:00 am-6:00 pm for Equity Principal [Registration at 9:00 am] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE WINTER'S TALE by William Shakespeare. ART DIR, Deb Norton, Chris Nottoli; DIR, Jessica Kubzansky. Contract: Equity SPT Contract Pending (Professional pay provided). Rehearsal Dates: Begins June 1, 2010. Performance Dates: July 8-August 1, 2010. Breakdown-- Leontes: 30s-40s, King of Sicilia, passionate, intelligent, can be charming, secretly insecure, horrified to think his wife is an adulterer, and tormented by a jealousy that has him in its grip and will not let him go, being on the wrong side of Leontes is terrifying, but his passion, rage, and anguish at his own betrayal and the loss of all he holds most dear are equally volcanic and epic; Hermoine/Autolycus: 30s-40s, Queen of Sicilia, later, a Rogue, in this production, Hermoine disguises herself as Autolycus, requires a woman who has a charming, lovely, queenly dignity and integrity, and then later a woman who disguises herself as a man and lives on her wits, with a rogue-ish sense of cynical, slightly wicked humor, who takes great joy in picking a pocket and has great physical and verbal dexterity; Polixenes: 30s-40s, sexy, charming, full of affection for those he loves; a brilliant mind, a sharp wit, and very beguiling, however, his friend's lack of faith in him changes him, and years later he can be implacable when his own child crosses him; Paulina: Mid 30s-50s, married to Antigonus, a Lord of Sicilia, she's passionate, fierce, unafraid of authority, will always stand for what's right no matter who she has to defy, capable of great passion and containing her own great pain, brilliant, funny, sarcastic, a force of nature; Camillo: 40s-60, Lord of Sicilia, advisor to Leontes who defects to Bohemia when Leontes' jealousy makes him a dangerous and irrational man to serve, a man of integrity who conceals a good heart under a very savvy political face; Antigonus: Mid 30s-50s, Lord of Sicilia, advisor to Leontes, a loyal, wry, sensitive man who has lived long with a brilliant and impetuous wife and has had to figure out how to 'manage' her in the court, a man of good intentions who has too much fear to defy his King and abandons Perdita on the heath, perhaps that's why he is eaten by a bear; Cleomenes and Dion: Late 20s-50s, Lords of Sicilia, advisors to Leontes who must be wary as the king loses his mind with jealousy, and yet maintain the truth and reason and as they see it, they find themselves in very tense circumstances most of the time (and will absorb most of the text of all the lords of Sicilia other than the ones mentioned above); Emilia: 20s-30s, Hermoine's Lady-in-Waiting who acts as a go-between between the banished queen and all who would seek her, this role will likely be doublecast with Mopsa or Dorcas; Archidamus: 20s-40s, a lord of Bohemia (will likely be doublecast with something else); Mamillius: Should read 7-9, the young prince of Sicilia, smart, brave and unafraid, charming and the true hope of the country; Time: Could be either sex, but more likely a woman, any age, should be able to sing, may journey us through the whole play; The Shepherd: 40s-60s, an honorable if simple Sheeptender who raises the baby Perdita has his own, he and his son Clown are the slow, good-natured bucolics who are usually three beats behind any action, but very sure in their convictions, and very good-hearted; Clown: 20s-30s, the Shepherd's son, goofy, doofy, passionately sure of his rightness and intelligence, he is the definition of gullible and fancies himself quite the ladies man, very physical role; Perdita: Should read approx 17, feisty, passionate, full of joie de vivre, entranced by life, and utterly entrancing in her joyous youthful discovery of the world, but her humble upbringing has made her much more alive to the class differences in the world at large, and much more of a realist than her swain Florizel, good dancing a plus; Florizel: 20s, the son of King Polixenes of Bohemia, in disguise as the simple youth Doricles to woo his beloved Perdita, whom he believes to be of humble birth, he is by turns lovesick, impetuous, charming, reasonable, defiant and passionate, his passion for Perdita and his defiance of his father for that end are the crucible of his becoming a man, good dancing a plus; Mopsa and Dorcas: 20s-30s, saucy, charming farm maids interested in a good time, with swains, with dancing, with flirting, with the acquisition of dainty pretty things, appetite for life and good dancing a plus. Note: All ethnicities urged to audition. We will use Standard American speech for this production. Many actors will be cast to play more than one role, but never cross-gendered. EPA Rules are in effect. A monitor will be provided. Prepare a one-minute Shakespeare monologue a one-minute contemporary monologue, and 16 bars of a song a cappella. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)

(New York, NY - AUDITIONS: March 17, 2010 at 10:00 am for Equity Chorus Male Singers who Move & at 2:00 pm for Equity Chorus Female Singers who Move at Details Are only Available By Subscription. will be holding auditions for possible future replacements for the Broadway company. Title: ROCK OF AGES. EXEC PROD, Scott Prisand, Janet Billig Rich, Hillary Weaver; PROD, Matthew Weaver, Carl Levin, Corner Store Entertainment; PROD, Kristin Hanggi; CHOREO, Kelly Devine. Contract: Equity Broadway Production Contract ($1,605 min./wk.). Currently running at the Brooks Atkinson Theatre (on Broadway in New York, NY). Breakdown-- Dancers Who Sing: 18-Early 40s, male and female, unique and fit dancers with strong modern/jazz technique, to play various characters in the ensemble and possibly understudy principal roles; Singers Who Move: 18-40s, male and female, fantastic singers with strong rock vocals, should be strong movers/dancers, to play various characters in the ensemble and possibly understudy principal roles. Note: We are seeking an ethnically diverse ensemble. All are encouraged to attend. Dancers, be warmed up and ready to dance when the call begins. Bring jazz shoes or sneakers, as well as kneepads. Some may be asked to stay and sing after all have danced. Prepare 16 bars of an '80s rock ballad. Bring sheet music; an accompanist will be provided. Singers, prepare 16 bars of an '80s rock ballad (e.g. Styx, Whitesnake, Journey, etc.) showing range; no musical theater songs. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 8, 2010)
  

(London, UK - AUDITIONS: March 15, 2010) - Send/Email photographs & resumes by March 12, 2010 to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DANIEL DERONDA by George Eliot. DIR, Harry Meacher. Contract: This is a profitshare production which will suit actors living in London. Rehearsal Dates: Begins April 7, 2010. Performance Dates: May 5-29, 2010 (four weeks run Upstairs at the Gatehouse in Highgate). Breakdown-- Gwendolen Harleth: A young Englishwoman aged 21, daughter of Mrs Davilow. Quick-witted, impulsive and stunningly beautiful. Passable singing skills; Mrs. Davilow: 45, a widow, mature beauty, mother to Gwendolen and three other daughters; Mirah Lapidoth: A Jewess of 20, small, delicate and beautiful, pure, sincere, modest, a talented singer; Mrs. Gascoigne/Mrs. Meyrick: 40s; Miss Arrowpoint/Amy Meyrick: 16-22; Leonora: 50s, Daniel’s mother, aristocratic Jewish singer, Lady Mallinger/Baroness de Langen; Lydia Glasher/Lady Brackenshaw/Dowager/Mrs Cohen: 40-65; Daniel Deronda: 25, a young man with dark, exotic looks, intelligent and sensitive; Henleigh Grandcourt: 35, an English aristocrat, rich, arrogant, controlling; Hans Meyrick: Mid 20s, college friend of Deronda, spirited, effusive artist, will also play Rex Gascoigne; Mordecai: A Jewish visionary of about 30, ill with consumption, will also play Clintock, 28 and Vandernoodt, 45; Herr Klesmer: 30s, highly accomplished and charismatic German musician, will also play Mr. Cohen, 40s. This is an ensemble production. Doubling roles include Casino Gamblers, Croupiers, Footmen, Pawnbrokers, Servants, Housekeepers, Hotel Registrar, Hotel Guests, Doctor etc. Bring photographs & resumes, stapled together. (Posted: March 4, 2010)

(Hackney, UK) - Email photographs & resumes by March 17, 2010 to: Details Are only Available By Subscription.. Title: HAPPY DAZE, a 13 minutes Short Film. Shoot Dates: April, 2010 (two days shoot in Hackney, UK). STORY: The film is about an initially mundane conversation at a bus stop between a shy, introverted woman and a loud, over-confident teenage girl. Things take a deeper turn when personal secrets are inadvertently revealed and confessions take the place of pleasantries. Breakdown-- Female: Early-Mid 40s, white; Female: 15-18, black teenage girl. (Posted: March 4, 2010)

(London, UK) - Email photographs & resumes by March 19, 2010 to: Details Are only Available By Subscription.. Title: INCIDENT ON THE 266. DIR/SCR, Ozgur Uyanik. Shoot Dates: April, 2010 (two days of rehearsals and one day shoot). STORY: The film is about a child witnesses an argument between angry adults on the top deck of a London bus. The events end in a shocking tragedy. Breakdown-- Polish Man: 25-35, above average height with a muscular physique. Polish speaker preferred; Young Black Man: 30-35, elegant, above average height, well dressed and groomed, a middle class professional; Old Black Man: 60-70, thin, unkempt hair and beard, a first generation Jamaican émigré with accent; 2 Teenage Chavs: 14-15, female. One is aggressive and masculine, required to swear and commit an act of violence, hair in tight ponytail, one has a softer edge to her features, required to swear; Young Boy: 7-9, intelligent, curious and hyperactive; Young Boy’s Father: 35-45, middle class suburbanite; James: 25-30, average height and looks. An upper middle class accent, soft effete features, possibly overweight; Jennifer: 21-25, a pretty, blonde Sloane Ranger type, posh accent, above average height and slim build; Bus Driver: 45-55, Indian or Pakistani, fully Anglicised accent; Nurse: 20-30, Brazilian, Spanish or Portuguese accent. A guest worker nurse with a good command of English, average height and Mediterranean looks. (Posted: March 4, 2010)

(London, UK) - Email photographs & resumes by March 31, 2010 to: Details Are only Available By Subscription.. Title: ONE SUMMER’S DAY, an 80 minutes Film. Shoot Dates: April/May, 2010 (six days shoot in London, UK). STORY: The film is about wo-Hander spend 24 hours in London discussing their hopes and plans for the future, before separating and never meeting again. Breakdown-- Jo: 20, male, an English student leaving for a gap year around the world; Mary: 20, female, an American student returning to New York after travelling around Europe. (Posted: March 4, 2010)

(Worldwide) - Send/Email photographs & resumes by March 31, 2010 to: Details Are only Available By Subscription. is looking for qualified professionals Dancers & Singers for Celebrity Cruise Lines’ Solstice, Equinox & Eclipse for 2010-2011 contracts. Contract: Non-Union (6 months contract). Breakdown-- Dancers: Versatile, classically trained, male and female dancers with strong ballet and jazz technique as well as improvisational skills. Tap and hip hop a plus and should be demonstrated in the audition video. Please include headshot and resume. Prior ship experience a plus. Note: If contracted, all dancers will be trained by our in-house aerial trainers to perform various aerial choreography in addition to dance choreography. Should be willing and able to train and perform at heights up to 25 feet; Singers: Cirque-style singers with excellent vocal technique and versatility needed for Broadway, Cirque-style and Pop productions. Males: Seeking tenors, must have a strong G; Females: Altos must have a strong belt to a an F, Sopranos must have a high C. Audition submissions should include a classical, broadway and pop selection. Please include headshot and resume. Prior ship experience a plus. Note: If contracted, singer must be willing and able to be suspended up to 25 feet. (Posted: March 4, 2010)

(Gadsden County, FL) - Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: UNTITLED FEATURE FILM. Contract: Deferred pay is $500. Shoot Dates: March, 2010 (in Gadsden County, FL). Breakdown-- Actress: 28-35, female, European, Asian, or Hispanic, news correspondent, physically strong, active. Lead; Actor: 30-40, male, at least 5'9", European, Asian, or Hispanic, physically strong. Lead. (Posted: March 4, 2010)

(London & Surrey, UK) - Email photographs & resumes by April 1, 2010 to: Details Are only Available By Subscription.. Title: RED KINGDOM RISING, Feature Film. DIR, Navin Dev. Shoot Dates: Late Spring/Early Summer, 2010 (in London & Surrey, UK). STORY: The film is about Mary Ann who returns to her family home on the death of her father. There she finds her mother suffering from dementia and soon encounters the mysterious child Alice. Haunting events lead Mary Ann to unlock secrets of her suppressed past. Breakdown-- Mary Ann: Late 30s-Early 40s, a humble and quiet demeanour, yet bears suppressed rage. She must display a vast range of truthful emotions; Mother: Late 40s, authoritative and stern. Maintains many varied transformations during the film, so the actor must be athletic and comfortable with prosthetics and contact lenses. Some scenes include spiders; Father: Late 40s, longish dark hair and beard. Docile, yet predatory, as he is the sexual abuser. Maintains many varied transformations during the film, so the actor must be athletic and comfortable with heavy prosthetics and contact lenses; Doll: Docile, childish and innocent. Small person, must be prepared to be enclosed in a costume. (Posted: March 4, 2010)

(Norfolk, UK) - Email photographs & resumes by April 28, 2010 to: Details Are only Available By Subscription.. Title: INTO THE SILENT LAND. Shoot Dates: July, 2010 (at Happisburgh Lighthouse, Norfolk, UK. Dates to be confirmed). STORY: The film is a hypnotic tale of 7 years old twin sisters. A year after a tragic accident, Rachel returns to the lighthouse, where it all happened, to search for her sister Sarah. Then the truth about that day is revealed. Breakdown-- Twin Sisters: Playing age 7, must be identical, eg same hair colour and style. (Posted: March 4, 2010)
  

(Dessau, Germany - AUDITIONS: March 7 or 14, 2010 at 11:00 am for Male & Female Dancers in Details Are only Available By Subscription. will be holding auditions for Dancers for their 2010-2011 season. ART DIR, Tomasz Kajdanski. Breakdown-- Male & Female Dancers: Must have a high level of both classical and modern dance as well as strong theatrical skills. (Posted: March 3, 2010)

(New York, NY) - Send photographs & resumes ASAP to: Details Are only Available By Subscription. casting background for the new FX series. Title: LIGHTS OUT. Professional pay provided. AFTRA Television Contract. Shoot Dates: Begins March 9, 2010. Breakdown-- Professional Boxing Gym Staff: Including trainers, professional boxers, nutritionists, managers, receptionist, custodial workers, etc.; Uniformed NJ Police Officers; Commercial Shoot Crew Types; ESPN-Like Sporting Event Patrons; Criminal Types: Including large male and small Hispanic male; Catholic School Kids; 8 Years Old Boys; Ballerinas: Ages 6-10; Young Female Soccer Players: Ages 13-17. Note: Seeking AFTRA background talent only. (Posted: March 3, 2010)

(Amsterdam, The Netherlands - AUDITIONS: March 19-21, 2010 for Male & Female Dancers) - Email CV & 2 photographs by March 10, 2010 to: Details Are only Available By Subscription. will be holding auditions for their upcoming new production. Title: JUST SHUT UP & DANCE! CHOREO, Dorottya Kiss. Rehearsal/Performance Dates: March 22-June 26, 2010 & August 2, 2010-January, 2011. Breakdown-- Male & Female Dancers: With strong physical abilities and theatrical presence who can adapt to new forms and styles of movement and are experienced in (and/or): CONTEMPORARY / MODERN /BALLET /URBAN/ JAZZ. The same cast members will be selected for the Tour. This position is available only for dancers from the EU or for dancers with a valid working visa! (Posted: March 3, 2010)

(Hamburg, Germany - AUDITIONS: March 29, 2010 at 10:00 am for Female Dancers; March 30, 2010 at 10:00 am for Male Dancers & at 11:00 am for Female Aerial Artists; March 31, 2010 at 11:00 am for Male Aerial Artists) - Email your audition application with an updated CV (PDF format only) & photographs by March 14, 2010 to: Details Are only Available By Subscription. will be auditioning for the cast change of Disney’s German production in Hamburg. Title: TARZAN. Contract: 1 year. Rehearsal Dates: Begins Mid July, 2010. Breakdown-- Female & Male Dancers: Skilled, fit dancers with a wide range of physical ability and experience in modern/contemporary dance; with acrobatic skills using upper body strength; forms of dance that are very athletic and strength-oriented. Singing ability is a plus but not necessary. All of the dancers fly in the show. Auditionees should be prepared to stay for 2 days for both dance and possible aerial auditions. (Posted: March 3, 2010)

(Hamburg, Germany - AUDITIONS: March 29, 2010 at 12:00 noon for Male Dancers & March 31, 2010 at 12:00 noon for Female Dancers) - Email your audition application with an updated CV (PDF format only) & photographs by March 14, 2010 to: Details Are only Available By Subscription. will be auditioning for the cast change of Disney’s German production in Hamburg. Title: LION KINGS. Contract: 1 year. Rehearsal Dates: Begins Late October, 2010. Breakdown-- Female & Male Dancers: With strong modern/contemporary or classical background. Singing and acrobatic abilities an advantage. African, Afro American, Asian, Latin-American or South European origin or background. (Posted: March 3, 2010)

(Aarhus, Denmark) - Send/Email CV & photographs by March 15, 2010 to: Details Are only Available By Subscription. seeks strong, versatile contemporary Male Dancer for technically demanding dance. Audition Dates: March 18, 2010 (in Budapest, Hungary) & April 18, 2010 (in Aarhus, Denmark). Rehearsal/Performance Dates: August 16, 2010-April 29, 2011. (Posted: March 3, 2010)

(Warsaw, Poland - AUDITIONS: April 11, 2010 at 1:00 pm for Male & Female Dancers by Invitation Only) - Send/Email a full CV (date of birth, nationality, height, weight, education, work experience, roles, address and email), with portrait and classical dance photographs and for soloists, also a recent DVD by March 15, 2010 to: Details Are only Available By Subscription. will be holding auditions for Male & Female Soloists & Corps De Ballet Dancers with strong classical and contemporary technique for their 2010-2011 season. DIR, Krzysztof Pastor. (Posted: March 3, 2010)

(Lisboa, Portugal - AUDITIONS: April 10 & 11, 2010 for Professional Dancers. Participation by Invitation Only) - To apply, Send full CV (education, work experience, roles and repertoire, weight, height, date of birth, nationality, contact information, email), 3 photographs (portrait, full-length body, performance) & performance video by March 15, 2010 to: Details Are only Available By Subscription. is looking for Professional Dancers with a strong classical and contemporary technique. Invitations will be issued before March 26, 2010. (Posted: March 3, 2010)

(Brno, Czech Republic - AUDITIONS: March 21, 2010 at 10:00 am for Male Dancers at Details Are only Available By Subscription. will be holding auditions for new Male Dancers to join the company from August, 2010. ART DIR, Lenka Dímalová. Dancers are required to have strong skills, classical and contemporary technique and have stage experience. (Posted: March 3, 2010)

(Graz, Austria - AUDITIONS: March 28, 2010 at 11:00 am for Male & Female Dancers [Registration at 10:00 am] at Details Are only Available By Subscription. will be holding auditions for experienced Male & Female Dancers with strong classical and contemporary technique. DIR, Darrel Toulon. Contract Dates: Begins September 1, 2010. The willingness to improvise and experiment is necessary. Ladies should bring pointe shoes. (Posted: March 3, 2010)

(Lodz , Poland) - Send/Email CV and description of physical appearance (height and weight) & DVDs by March 31, 2010 to: Details Are only Available By Subscription. is seeking ambitious, Talented Dancers, who like taking up artistic challenges to join the theatre¹s ballet company. Dancers have the opportunity to take part in various ballet and opera shows, presenting both classical and contemporary dance forms. Applicants must be under 26 years old. Lucrative remuneration and accommodation are offered. (Posted: March 3, 2010)

(Barcelona, Spain - AUDITIONS: April 8 & 9, 2010 for Male Professional Dancers Only) - If you are interested in attending the audition, Send/Email full CV with a portrait and dance photographs by April 1, 2010 to: Details Are only Available By Subscription. are seeking Male Professional Dancers only, with strong contemporary and classical technique for recasting a company repertory choreography. Contract Dates: August 16-September 26, 2010 (with the possibility of extending contract until the end of year). Selected applicants will be notified as to whether they have secured an audition and will be given the address of venue and time of audition. (Posted: March 3, 2010)

(St. Petersburg, Russia) - Email full CV, photographs & DVD by May 15, 2010 to: Details Are only Available By Subscription. will be holding auditions for Male & Female Soloists and Corps De Ballet with strong classical and contemporary techniques for their 2010-2011 season. Audition Dates: June 1 & July 8, 2010 by invitation only. (Posted: March 3, 2010)
  

(Madison, NJ)(New York, NY - AUDITIONS: March 3, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MAHIDA'S EXTRA KEY TO HEAVEN. ART DIR/DIR, John Pietrowski; WRTR, Russell Davis. Contract: Equity SPT Contract ($357 min./wk., plus pension and health provided. Travel from NYC for rehearsal and performance is reimbursed for train travel only). Rehearsal Dates: Begins March 23, 2010. Performance Dates: April 22-May 9, 2010. Breakdown-- Mahida: Early 20s, female, Iranian-born, undergraduate student studying literature at a college in the U.S., wants to be a writer; Thomas: Early 20s, male, American-born, visual artist, recent college graduate, a bit adrift; Edna: 50s, Thomas's mother, lives on an island off the coast of Maine, would consider herself a good Christian, knows what's right and wrong; Ramin: Late Teens-Early 20s, male, Iranian-born, Mahida's brother, does not live in the U.S., may be studying at a madrassa in Pakistan, claims he has come to the U.S. to bring his sister back to Iran after the death of their father, has no affection or affinity for the U.S., but is more of a lost soul than our typical conception of a terrorist. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(St. Louis, MO - March 3, 2010 between 6:00-9:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: IT HAD TO BE YOU by Renee Taylor & Joseph Bologna. DIR, Sydnie Grosberg Ronga. Contract: Equity Special Appearance Contract ($300 min./wk.). Rehearsal Dates: Begins June 22, 2010 Performance Dates: July 14-August 1, 2010 (in St. Louis, MO). Breakdown-- Vito Pignoli: Mid 50s-Early 60s, successful director of commercials, worked for the same company for 15 years but has been unable to commit to a relationship, warm but quick to anger, with a lot of depth and artistic ambitions that have gone unfulfilled. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are not in effect and a monitor will no be provided. The producer will run all aspects of this audition. Prepare a one- to two-minute comedic monologue. You will also be asked to read from sides provided at the audition. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(New York, NY - AUDITIONS: March 3, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE PARENTS EVENING by Bathsheba Dorn. PROD, Carol Ostrow, Jim Simpson; DIR, Jim Simpson; CSTG, James Calleri (Calleri Casting). Contract: Equity Mini Contract ($402 min./wk.). Rehearsal Dates: Begins March 15, 2010. Performance Dates: April 20-June 12, 2010. Breakdown-- The Father: Mid 30s-Mid 40s, male, New Yorker, blocked writer, deeply passionate, gifted intellectual/artist, verbal, incisive, all of the armaments of an adult hiding the needy heart of a child, displays anger easily, also physically explosive, sexy; The Mother: Mid 30s-Mid 40s, female, New Yorker, faces a "modern woman's dilemma" in that she wants to do/have it all and still be liked, ambitious, working her way toward a partnership in her law firm, the main provider for the family at present, wearing the pants but trying her best not to own the fact of it, overwhelmed with all the balls she has in the air and fulfilling the needs of her job and family. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Los Angeles, CA - AUDITIONS: March 3, 2010 at 10:00 am for for Non-Required Principal [Registration at 9:30 am] at Details Are only Available By Subscription. will be holding audition for their production. Title: IN THE HEIGHTS: THE MUSICAL. PROD, Kevin McCollum, Jeffrey Seller, Jill Furman; DIR, Thomas Kail; MUSIC DIR, Alex Lacamoire; CHOREO, Andy Blankenbuehler; CSTG, Telsey + Company. Contract: Equity Production (League) Contract ($1,605/wk). Breakdown-- Usnavi: Early-Mid 20s, male, to play Latino, our hip-hop narrator, young, energetic bodega owner who dreams of making enough to go back home to Dominican Republic, puts a brave face on his genuine financial trouble, must be able to rap well. Principal Role; Nina: 18-25, female, to play Latina, intelligent, book-smart, starry-eyed, naïve, ready to conquer the world but still trying to find her way. Principal Role; Vanessa: 18-25, female, to play Latina, a great sense of humor, lively, vivacious personality, bright, moody, easily frustrated, she buries a lot of stress. Principal Role; Benny: Early-Mid 20s, male, African-American, a taxi driver/aspiring businessman, looking to rise from his station in life, but utterly at home on any street in NY. Principal Role; Sonny: Mid-Late Teens, male, to play Latino, completely streetwise, part political genius, part goofball who wants to play video games, makes everyone laugh, you just want to pinch his cheek. Principal Role; Kevin: 38-Late 50s, male, to play Latino, an upstanding businessman, a total wheeler-dealer in the most personable kind of way, a lion slowed down by time and, injury and over-working, traditional in his beliefs, very hardworking and proud, wants desperately to remain the leader of his family, must sing very well. Principal Role; Camilla: 40s, female, to play Latina, strong, beautiful, wise, she helps everyone, asks for nothing, and loves being active in the community, traditionalist. Principal Role; Claudia: 50s-70s, female, to play Latina, proud, tired from another era, but also watches a lot of TV, working class, she scrubbed floors all her life, and is in the twilight of her life. Principal Role; Daniela: 30s, female, to play Latina, straight-ahead businesswoman, gossip queen, great sense of comic timing. Supporting; Carla: 20s, female, to play Latina, loves to dance and get her hair done. Supporting; Graffiti Pete: Late Teens-Early 20s, male, any ethnicity, streetwise, dances a lot, amazing hip hop dance skills. Supporting; Piragua Man: 30s-60s, male, to play Latino, sings, should move well, and will understudy principal roles, featured ensemble; Ensemble Dancers: 18-45, male and female, must play Latino(a) or African-American, ages all shapes and sizes, must be technically strong dancer and very proficient in the areas of hip-hop and all forms of Latin dance, must be able to sing and possibly understudy principal roles, onstage ensemble and offstage covers; Ensemble Singers: 18-60, male and female, must play Latino(a) or African-American, all shapes and sizes, must be able to sing very well and cover principal roles, should be able to move well, onstage ensemble and offstage covers. Note: All must be technically strong dancers who are very proficient in the areas of hip-hop and all forms of Latin dance. Must be able to sing very well. A monitor will not be provided. The producer will run all aspects of this audition. Bring sneakers and movement clothing, women should bring dance heels. Prepare 16 bars of a pop/R&B song with sheet music and bring your book of songs. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(New York, NY - AUDITIONS: March 3-5, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription.) - Title: YOU CAN'T TAKE IT WITH YOU by Moss Hart & George S. Kaufman. PROD, Elizabeth Ireland McCann, Joey Parnes; ART DIR, Peter DuBois; DIR, Anna D. Shapiro; CSTG, Binder Casting. Contract: Equity Production & LORT Contracts ($1,605 min./wk.). Rehearsal Dates: Begins August 23, 2010 (for pre-Broadway tryout production in Boston, MA). Performance Dates: September 24-October 24, 2010 (at the Huntington Theatre in Boston, MA) & Broadway preview begins October 29, 2010 & Opens approximately November 7, 2010 (on Broadway at a theatre TBA). Breakdown-- Grandpa Vanderhof: Late 60s-Mid 70s, Paul's father-in-law, Penny's father, Alice and Essie's grandfather, warm, happy man whom the years have treated kindly, his face is youthful, despite the lines that seam it, his eyes are very much alive, made his peace with the world long long ago, and his whole attitude and manner are quietly persuasive than this, exudes a gentle authority, the patience of a philosopher, a wry wit and a twinkle in his eye, as does everyone in the play, loves his family deeply, treats everyone he comes in contact with equally, be they a man on the street or a king on the throne, has never paid his income tax, because he doesn't believe in it, as he feels that the government wouldn't know what to do with the money if he paid it, lives his life by the philosophy "don't do anything that you're not going to enjoy doing"; Paul Sycamore: Very Late 40s-Mid 50s, Essie and Alice's father, Penny's husband, Grandpa's son-in-law, has a kind of youthful charm, his quiet charm and mild manner are distinctly engaging, delights in manufacturing fireworks in the basement with the help of his assistant, Mr. De Pinna, loves his daughter Alice very much; Ed Carmichael: Mid 30s, Essie's husband, Paul and Penny's son-in-law, extremely good-natured and innocent, xylophone player, distributes Essie's candies, amateur printer who prints anything that sounds good to him, places little quotes in boxes of Essie's candy, which gets him into trouble when the government thinks he is printing anti-American propaganda, just loves the way the words sound, playing the xylophone is certainly a plus but definitely not necessary; Tony Kirby: Mid 20s, fiancé of Alice, Mr. and Mrs. Kirby's son, vice-president of Kirby and Co., very handsome, intelligent, charming, romantic, not long out of Yale, fits all the physical requirements of a boss's son, his face has something of an idealist in it, hopelessly in love with Alive, his own family is very proper, has many issues none of them will admit, sees the Sycamores as the really perfect family; Boris Koklenkhov: 40s-60s, Russian, escaped to America shortly before the Russian revolution, Essie's ballet instructor, knows she's not good at dancing, but knows that she enjoys it, so he keeps working with her, an honorary member of the Sycamore family, and always welcome, very, very Russian, has a larger-than-life personality, is not afraid to tell anybody what he thinks or feels about them, embraces life to the fullest; Mr. Kirby: Late 50s-Early 60s, Mrs. Kirby's husband, Tony's father, very proper, pompous man, president of Kirby and Co., his hobby is raising expensive orchids, also a member of the Harvard Society, the Union Club, the National Geographic Society, and the Racquet Club, through the course of the play, he realizes that he despises his job, accepts and understands Grandpa's philosophy of life and accepts the fact that Tony and Alice are a perfect match; Mr. De Pinna: Mid 40s-Mid 50s, iceman who delivered ice to the house one day and never left, he simply was accepted, and joined the family, bald-headed man with a serious manner, loves helping Ed to build his fireworks, moonlights as a model in Mrs. Sycamore's paintings, could be short and round, but not necessarily; Donald: Mid 30s, male, African-American, Rheba's boyfriend, affable, good-natured, enjoys the wonderful madness of the Sycamore family; Henderson: Mid 30s, IRS employee, comes to collect the tax money Grandpa owes, can't understand why Grandpa won't pay income tax, very official and officious; Penny Vanderhof Sycamore: Very Late 40s-Mid 50s, Essie and Alice's mother, Paul's wife, Grandpa's daughter, comfortable-looking, gentle and homey, warm and caring, one would not suspect that under that placid exterior there surges the Divine Urge but it does, one day, a typewriter arrived at the house, and for the past eight years, she's become a playwright, the first two years didn't really count because she was learning to type, at times may seem a bit vague, but that's only because she is completely happy in her own world, has a blithe, light tough, fervent optimism, boundless energy, and feminine charm, the mother of her brood, loves and cares for them fiercely; Alice Sycamore: Early 20s, Grandpa's granddaughter and Penny's daughter, but there is something that sets her apart from the rest of the family, for one thing, she is in daily contact with the world, and in addition, she seems to have escaped the tinge of mild insanity that pervades the rest of them, but she is a Sycamore for all that, and her devotion and love for them are plainly apparent, lovely, fresh as paint and head-over-heels in love with Tony, her boss's son, exudes warmth and romance, but with a grounded awareness of the real world; Essie Carmichael: Late 20s, Penny's eldest daughter, has the curious air of a pixie about her, obsessed with becoming a ballet dancer, has been studying for years, but actually isn't very good (but it doesn't matter, because she think she's wonderful), also an avid maker of homemade candy, so between her candy and her ballet, she couldn't be happier, has a wonderful innocence and naivete, very much in love with her husband Ed, does the entire play either in ballet slippers or en pointe, casting personnel are not necessarily looking for a dancer, but someone who could have aptitude to learn, or a dancer; Rheba: Mid 30s, female, African-American, the Sycamore's maid, an equal part of the family, game for anything, with a wry sense of humor, absolutely adores being a part of the Sycamore family, in love with Donald, who is on relief after the war; Mrs. Kirby: Late 50s-Early 60s, handsome woman, classic snobbish, upper-class society matron, Tony's mother, completely resistant to any change in her insulated, upper-crust sensibility, on the surface, she never displays anything less than frosty good manners, very prim and proper, stays up with the fads of the times, her hobby is spiritualism; Gay Wellington: 30s-50s, Penny meets this actress on a bus, and asks her to read her plays, what Penny and everyone else soon realizes is that Gay is a hopeless drunk who can barely stand and utter a word, let alone read a play, in fact, within in the first five minutes of her entrance, she passes out and comes to at the most embarrassing moments possible; Grand Duchess Olga Katrina: 60s-Early 70s, one of the Grand Duchesses of Russia, before the revolution, since then, she has been forced to flee to American, where she has found work as a waitress in Childs Restaurant (but once a duchess, always a duchess), "star" cameo possible. Note: We encourage performers of all ethnicities to attend. All actors in the play must have light comedy experience and have the ability to make these characters not only comic but also endearingly truthful. Prepare a brief (preferably 1-2 minutes) monologue; suggested authors include Kaufman & Hart, Neil Simon, S.N. Behrman, Wendy Wasserstein, Lindsay & Crouse, and Alfred Uhry. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Vancouver, Canada - AUDITIONS: March 14, 15, 20 & 21, 2010 between 8:45 am-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Title: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR, Shel Piercy; MUSIC DIR, Kevin Michael Cripps; CHOREO, Keri Minty. Rehearsal Dates: Begins May 17, 2010. Performance Dates: July 9-August 20, 2010 (at Stanley Park’s outdoor theatre, Malkin Bowl). SINGIN’ IN THE RAIN. DIR, Shel Piercy; MUSIC DIR, Wendy Bross Stuart; CHOREO, Shelley Stewart Hunt. Rehearsal Dates: Begins May 17, 2010. Performance Dates: July 10-August 21, 2010 (at Stanley Park’s outdoor theatre, Malkin Bowl). Breakdown-- For JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT - Joseph: 19-30. An extraordinary singer, dancer and actor with huge charisma and strong experience carrying a show; 8 Males & 6 Females: Must be at least 16 years old; 3 Boys & 6 Girls: 8-15. For SINGIN’ IN THE RAIN - R.F. Simpson: 40+. He is distinguished and a strong character actor; Cosmo Brown: 20-35. A superb singer, dancer and stong comedian; Lina Lamont: 20-35. A superb singer and strong comedienne; Roscoe Dexter: 30-50. Strong comic actor with a distinctive appearance; Don Lockwood: Superb singer and dancer; Kathy Selden: Superb singer and dancer; 10 Males & 10 Females; 2 Boys: 10; 2 Girls: 8-12. Everyone must be able to both sing and dance as well as being strong actors. Bring sheet music in your key. Prepare two contrasting musical theatre pieces of your choice, at least 16 bars each. An accompanist will be provided. Please come prepared to dance. A dance routine will be taught. Bring dance shoes if you have them: character, soft (flat) and tap. Bring two stes of photographs & resumes, stapled together. (Posted: March 2, 2010)

(St. Louis, MO - March 4, 2010 between 1:00-5:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: IT HAD TO BE YOU by Renee Taylor & Joseph Bologna. DIR, Sydnie Grosberg Ronga. Contract: Equity Special Appearance Contract ($300 min./wk.). Rehearsal Dates: Begins June 22, 2010 Performance Dates: July 14-August 1, 2010 (in St. Louis, MO). Breakdown-- Vito Pignoli: Mid 50s-Early 60s, successful director of commercials, worked for the same company for 15 years but has been unable to commit to a relationship, warm but quick to anger, with a lot of depth and artistic ambitions that have gone unfulfilled. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are not in effect and a monitor will no be provided. The producer will run all aspects of this audition. Prepare a one- to two-minute comedic monologue. You will also be asked to read from sides provided at the audition. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Birmingham, AL - AUDITIONS: March 7,2010 between 9:00 am-5:00 pm at Details Are only Available By Subscription. will be holding Equity & Non-Equity auditions for their upcoming comedy production. Title: SECRET OF SOCCER MOM by Kathleen Clark. DIR, Jeanmarie Collins. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 27-June 6, 2010. Breakdown-- Nancy: In her 40’s. The oldest of the women. She is a former model, still attractive, but, shy. She does not seek attention; her main goal in life is to keep her children happy and so she devotes herself to them, and does not like to share her time otherwise. Because of her attitude, she appears to be tough to others, but, is gentle with her children; Lynn: In her 30’s. An organizer, member of the PTA,and can be intimidating. "I wind up doing everything for everyone everyday of the week and I'm not fair?...."; Alison: In her 20’s. The youngest of the three. She was voted best athlete in high school and resents that her husband asked her to give it all up. She is aggressive, competitive, has a troubled marriage, and a troubled past as a child with her own mother. Note: Three females of any race or ethnicity. Non-Union actresses welcome to audition. Prepare 2 short contrasting monologues. Reading from the script may be asked for. (Posted: March 2, 2010)

(Concord, NC - AUDITIONS: March 8, 2010 between 7:00-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE BOYS NEXT DOOR by Tom Griffin. DIR, Phil Taylor. Performance Dates: April 29-May 9, 2010. Breakdown-- Arnold Wiggins: 25-60. Marginally intellectually disabled. A depressive...; Norman Bulansky: 25-50, needs to be slightly overweight. Intellectually disabled; Lucien P. Smith: 30-55. Intellectually disabled; Barry Klemper: 22-35. Grade A schizophrenic; Jack Palmer: 30-50. Social Worker; Sheila: 25-50. Intellectually disabled; Mr. Klemper: 42-65. Barry Klemper's father. The following roles may be single or multiple cast, the ages may be done thru makeup - Mrs. Fremus: 55-75M. The next door neighbor, deaf; Mrs. Warren: 20-75. A new next door neighbor; Clara: 20-75. Intellectually disabled. Sheila's friend: Mr. Hedges: 35-75. Takes golf lesson from Barry; Mr. Corbin: 30-75. Arnold's boss at a movie theatre; Senator Clarke: 30-75, male or female. A U.S. Senator. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Concord, NC - AUDITIONS: March 9, 2010 between 7:00-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE BOYS NEXT DOOR by Tom Griffin. DIR, Phil Taylor. Performance Dates: April 29-May 9, 2010. Breakdown-- Arnold Wiggins: 25-60. Marginally intellectually disabled. A depressive...; Norman Bulansky: 25-50, needs to be slightly overweight. Intellectually disabled; Lucien P. Smith: 30-55. Intellectually disabled; Barry Klemper: 22-35. Grade A schizophrenic; Jack Palmer: 30-50. Social Worker; Sheila: 25-50. Intellectually disabled; Mr. Klemper: 42-65. Barry Klemper's father. The following roles may be single or multiple cast, the ages may be done thru makeup - Mrs. Fremus: 55-75M. The next door neighbor, deaf; Mrs. Warren: 20-75. A new next door neighbor; Clara: 20-75. Intellectually disabled. Sheila's friend: Mr. Hedges: 35-75. Takes golf lesson from Barry; Mr. Corbin: 30-75. Arnold's boss at a movie theatre; Senator Clarke: 30-75, male or female. A U.S. Senator. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(York, SC - AUDITIONS: March 22, 2010 at 7:00 pm at Details Are only Available By Subscription..Title: THE CANTERBURY TALES. DIR/WRTR, Burton Bumgarner. Breakdown-- Flexible Male & Female Casts of 15-60: Ages 10 & up including adult roles. No preparation required (head shot helpful, but not required). (Posted: March 2, 2010)

(York, SC - AUDITIONS: March 27, 2010 at at 10:00 am at Details Are only Available By Subscription.. Title: THE CANTERBURY TALES. DIR/WRTR, Burton Bumgarner. Breakdown-- Flexible Male & Female Casts of 15-60: Ages 10 & up including adult roles. No preparation required (head shot helpful, but not required). (Posted: March 2, 2010)
  

(USA Tour)(New York, NY - AUDITIONS: March 1, 2010 at 10:00 am for Equity Chorus Male Dancers & at 2:00 pm for Equity Chorus Female Dancers at Details Are only Available By Subscription. will be holding auditions for future replacements for the first national tour. Title: YOUNG FRANKENSTEIN. DIR/CHOREO, Susan Stroman; CSTG, Tara Rubin Casting. Contract: Equity Production Contract Tier B (Modified. $1,329 min./wk.). Breakdown-- Male Dancers: 5'10"-6'4", must be excellent tap dancers; Female Dancers: 5'6"-5'10", must be excellent tap dancers. Note: This production will use smoke and haze in accordance with guidelines established with AEA. Seeking all vocal parts and understudies for principal roles. Seeking performers of all cultural backgrounds for all roles. Equity chorus procedures are in effect. Men, bring tap shoes and dance sneakers of jazz shoes. Women, bring tap shoes and character shoes. You may be asked to stay and sing. Prepare an uptempo traditional musical theatre song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 1, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Titles: OTHELLO by William Shakespeare. DIR, Cara Reichel & ORDER by Chris Boal. ART DIR, Brad Fryman. Contract: Equity Seasonal Showcase Code. Rehearsal Dates: Begins April 29, 2010. Performance Dates: June 3-27, 2010. Breakdown-- For OTHELLO - All Roles Are Open. For ORDER - Tom Blander: 30s, male; Bathug: A demon; Maisy Blander: 30s, female, Tom's wife, mousey; Adam Jacoby: 40s, Tom's boss; Joe Davis: 30s, African-American, Tom's friend; Dr. Fine: 50s, Tom's shrink; Detective Arlow: 50s; Homeless Man: 40s, African-American. Prepare a brief monologue. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(Covina, CA - AUDITIONS: March 1-3, 2010 at 7:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: NUNSENSE. PROD, Angelo B. Collado; DIR/CHOREO, Ali England Sam. Contract: Equity 99-Seat Plan. Rehearsal Dates: Begins March 10, 2010. Performance Dates: April 16-May 16, 2010. Breakdown-- Sister Mary Regina: 35-50, overweight, outrageous, quick-witted soul who knows how to get a laugh, Mother Superior, tries to convince you that she is strict but everyone knows that her bark is worse than her bite, can't resist the spotlight. Vocal Mezzo; Sister Mary Hubert: 30-40, kind person who always tries to be understanding and diplomatic, teaches the Novices the ground rules, supposed to be dignified but at the slightest bit of encouragement is ready to kick up her heels, second in command, competing with Mother Superior. Vocal Alto; Sister Robert Anne: 25-30 , tough streetwise nun who has a heart of gold, all the kids adore her because she speaks their language and can hit a baseball out of the park, constant source of aggravation for Mother Superior. Vocal Alto belt; Sister Mary Amnesia: 23-29, the picture of innocence, lost her memory when a crucifix fell on her head, can't remember her past, looks at each day with a childlike joy. Vocal Soprano; Sister Mary Leo: 21-25, former professional dancer before entering the convent, always eager to display her talent, also impressionable because she is young and could easily be lead astray, entered the convent to become the first ballerina nun. Vocal Soprano. Prepare 16 bars of music similar to the show. Ok to sing from show. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 2, 2010 at 10:00 am for Equity Chorus Adult Female Singers & at 2:00 pm for Equity Chorus Adult Male Singers at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Ensemble Adult Singers: All ages, male and female, shapes and sizes with excellent singing voices and ability to dance, to play miners, officials, parents, ballet school applicants, friends and other featured specialties, may also understudy the principals. Note: Singers of all races and ethnic backgrounds are encouraged to attend. Equity chorus procedures are in effect. Prepare a brief, contemporary pop song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 2, 2010 at 10:00 am for Equity Chorus Male Singers & at 2:00 pm for Equity Chorus Female Singers at Details Are only Available By Subscription. will be holding auditions for future replacements for the first national tour. Title: YOUNG FRANKENSTEIN. DIR/CHOREO, Susan Stroman; CSTG, Tara Rubin Casting. Contract: Equity Production Contract Tier B (Modified. $1,329 min./wk.). Breakdown-- Ensemble Singers: Men should be 5'10"-6'4" & Women should be 5'6"-5'10", sopranos, altos, tenors and basses, singers with big, healthy voices, impeccable diction and wide ranges, sopranos should not hesitate in showing off their sustained high notes and basses should give their best "low," understudies for principals will be drawn from the ensemble, producers are specifically looking for a real old-fashioned "Barbershop Quartet" top tenor. Note: This production will use smoke and haze in accordance with guidelines established with AEA. Seeking all vocal parts and understudies for principal roles. Seeking performers of all cultural backgrounds for all roles. Equity chorus procedures are in effect. Prepare an uptempo traditional musical theatre song. Producer's statement: "Always appreciated are funny songs that make us laugh." Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 2, 2010 between 1:00-5:00 pm by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: SPACESHIP TO VENUS by Stephanie Fleuratin. PROD, Sofia Barclay, Lydia Medeiros, Damon Krometis; DIR, Damon Krometis. Contract: Equity NYC Showcase, approval pending ($100 stipend provided). Rehearsal Dates: Begins March 8, 2010. Performance Dates: April 7-18, 2010 (at the Cherry Lane Studio in New York, NY). Breakdown-- David: 26, Jackie's older brother, suffering from post-traumatic stress, kind-hearted, but off balance, delusional, paranoid, and easily upset, always looking towards the future; Man: 30, cocky, smart, fairly attractive, occasionally abrasive, but ultimately nice and insecure, has trust issues, a bit of a romantic, should be able to move well; Tim: Mid 20s, David's best friend from the army, unbeknownst to audience he is a ghost, small, solemn, soft-spoken, but can suddenly become firm and even menacing, slightly ambiguous; Father/Old Man: one actor to play Father, 60s, delusional, aggressive, easily angered, his anger comes from remorse, dying from lung cancer and Old man, 60s, kind, good-humored, generous, a Vietnam veteran. Sides will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(Boca Raton, FL - AUDITIONS: March 2, 2010 between 12:00 noon-4:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DISTRACTED by Lisa Loomer. ART DIR/DIR, Clive Cholerton. Contract: Equity LOA Contract ($578 min./wk.). Rehearsal Dates: Begins March 22, 2010. Performance Dates: April 11-May 16, 2010. Breakdown-- Jesse: 9, male, funny, wild, sweet, angry, with a mouth on him, mostly done as an off-stage voice; Dr. Waller/Mrs. Holly/Nurse: Mid 30s-Mid 40s, female, African-American, to play several roles, must be able to easily portray multiple characters, command of accents is a must; Vera/Waitress: Female, to play Vera, a neighbor with no people skills and a ditsy Waitress; Natalie: female, late teens, a cutter, kind, has lots of issues. The following roles are CAST; performers will be considered as possible replacements - Mama: Early-Mid 40s, female, smart, warm, wry, positive, dedicated but distractible; Dad: Early-Mid 40s, male, a guy's guy, working-class background, designs car crashes; Dr. Daniel Broder/Dr. Jinks/Dr. Karnes/Actor with ADD: Late 30s-Early 40s, male, must be able to easily portray multiple characters, command of accents a must; Dr. Zavala/Carolyn/Sherry: Female, to play multiple roles including a well-off Mother who wants the best for her child and an anxious Psychologist. Equity members without appointments will be seen throughout the audition day as time permits, but auditions are strongly suggested. Prepare a brief (preferably two-minute) contemporary monologue. No sides at this audition. Bring two sets of your photographs & resumes, stapled together. (Posted: March 1, 2010)

(Arlington, VA - AUDITIONS: March 2, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal/Chorus at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season will consist of 4 musicals and 3 plays. The musicals include two pop operas, a Sondheim and a new musical; the plays are a comedy and two small cast character dramas. ART DIR, Eric Schaeffer; CSTG, Michael Baron. Contract: Equity LORT D Contract ($555 min./wk.). Breakdown-- Performers. Equity members without appointments will be seen throughout the audition day as time permits. Prepare either a brief monologue, a brief song, or 16 bars of a song and a brief monologue. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 2, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: OLIVER!, Not A Musical. DIR, Evan Cabnet; WRTR, Elizabeth Meriwether; CSTG, James Calleri (Calleri Casting). Contract: Equity LOA-NYC Contract ($517 min./wk., plus pension and health provided). Rehearsal Dates: Begins April 13, 2010. Performance Dates: May 8-June 6, 2010 (on the mainstage at The Cherry Lane Theatre in New York, NY). Breakdown-- Oliver: 18+ to play 17, male, whip-smart high-school outcast, constantly using humor and awkward and offensive social behavior to cover up the perpetual hurt and pain underneath, wealthy, sheltered, horny, occasionally out-of-control, with no friends his own age, a scared and sad child deep down who's desperately confused and incredibly lonely, funny yet deep; Jasper: Late 50s-Late 60s, male, sturdy, friendly Midwestern man whose life has come undone in the last few years, an army veteran who used to run a multi-million dollar manufacturing plant in Michigan, now drinking himself to death in a NY dive of an apartment, ever-optimistic and kind, nevertheless devoured by the sins of his past; Willa: Mid 40s-Late 50s, female, tough, composed politician who has recently endured a traumatic event, just barely keeping her life (and composure) together, strong-willed and independent woman who is secretly abusing prescription medication to maintain her sanity, underneath her hard shell is a very loving and deeply wounded mother who misses her daughter; Agnes: Early 20s, female, non-Caucasian, ethnically ambiguous in appearance, "I'm Filipino, I'm Puerto Rican, I'm African-American, and I'm Italian, and 1/16th Swedish," the ultimate intern, efficient, organized, aggressive, anxious, a type-A personality who has made the care of her superior her life's work, her intensity borders on the absurd, and a crack in her armor reveals a wild side that's equally aggressive, a young woman with a plan, and no one and no thing will ever alter her course. Prepare a brief contemporary seriocomic monologue (this is a play, not a musical). Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(Arlington, VA - AUDITIONS: March 3, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal/Chorus at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season will consist of 4 musicals and 3 plays. The musicals include two pop operas, a Sondheim and a new musical; the plays are a comedy and two small cast character dramas. ART DIR, Eric Schaeffer; CSTG, Michael Baron. Contract: Equity LORT D Contract ($555 min./wk.). Breakdown-- Performers. Equity members without appointments will be seen throughout the audition day as time permits. Prepare either a brief monologue, a brief song, or 16 bars of a song and a brief monologue. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 4, 2010 at 10:00 am for Equity Chorus Adult Female Singers & at 2:00 pm for Equity Chorus Adult Male Singers at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Ensemble Adult Singers: All ages, male and female, shapes and sizes with excellent singing voices and ability to dance, to play miners, officials, parents, ballet school applicants, friends and other featured specialties, may also understudy the principals. Note: Singers of all races and ethnic backgrounds are encouraged to attend. Equity chorus procedures are in effect. Prepare a brief, contemporary pop song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(USA Tour)(New York, NY - AUDITIONS: March 8, 2010 at 10:00 am for Equity Chorus Adult Female Dancers who Sing well & at 2:00 pm for Equity Chorus Adult Male Dancers who Sing well at Details Are only Available By Subscription. will be holding auditions for the new 2nd National Tour company. Title: BILLY ELLIOT. EXEC PROD, Angela Morrison, David Furnish; DIR, Stephen Daldry; MUSIC DIR, David Chase; CHOREO, Peter Darling; CSTG, Tara Rubin Casting (Adult Casting), Nora Brennan Casting (Children Casting). Contract: Equity Broadway/ProductionContract ($1,605 min./wk.). Breakdown-- Adult Ensemble Dancers: All ages, male and female, all shapes and sizes, with excellent tap and dance skills and strong singing voices, ensemble will play miners, officials, parents, ballet school applicants, friends, and other featured specialties, may also understudy the principals. Note: Dancers of all races and ethnic backgrounds are encouraged to attend this call. Equity chorus procedures are in effect. Be warmed up and ready to dance when the call begins. Bring tap and character shoes or dance sneakers. Some may be asked to stay and sing after all have danced. Prepare a brief song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)