(Brooklyn, NY - AUDITIONS: February 1 & 3, 2012 between 7:00-10:00 pm by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A RAISIN IN THE SUN. PROD, Brian Michael Flanagan; DIR, Reginald D. Douglas; WRTR, Lorraine Hansberry; CSTG, Destiny Lilly. Contract: Equity Showcase Code, approval pending. Rehearsal Dates: Begins February 18, 2012 (four weeks). Performance Dates: March 17-April 1, 2012 (12 performances at The Gallery Players in Brooklyn, NY). Breakdown-- Lena Younger: 59, female, African-American, resilient and wise, with the power to maintain a good humor despite the many hardships of her life, still in mourning over her recently deceased husband, but masking it with a confident demeanor and bravely bright smile and spirit, thoroughly tough, fierce, and thick-skinned, but her love for her children and desire to provide for their family reveals a quiet, gentle, and tender soul; Walter Lee Younger: 30, male, African-American, street smart from a life of struggle in the inner city, his confident pride and tough exterior masks the tender child and "mama's boy" that resulted from his life of love and familial safety and protection, striking in his grandeur and size (both physically and emotionally), with the ability to both cry and scream with emotional ease, his ability to shift between the harsh reality of his life and the brighter future that he dreams of is both electrifying and frighteningly harrowing; Ruth Younger: 28, female, African-American, a life of sacrifice has aged her beyond her years, but has not erased her sensuality, self-esteem, and deep love for her family, beautiful yet broken, has invested her dreams and passions into her son and husband with a grace and pride that is now starting to rip at the seams, a sharp wit coupled with a sincerely sweet spirit allows her to navigate her pain and frustrations with an easy laughter and infectious sense of humor, a fierce strength allows her to stand tall even as her world crumbles before her eyes; Beneatha Younger: 21, female, African-American, a confident and proud scholar and "know-it-all" with a big heart and even bigger zest for life and learning, an enthusiastic dreamer who aspires to be a doctor as an extension of her vibrant newfound political activism, boldly awakening to the joys of first love without the courage to admit how much she enjoys it; Joseph Asagai: 24, male, African-American, a suitor of Beneatha, Nigerian exchange student, enthusiastically proud of his Nigerian heritage, his power with words is captivating, entrancing, and allows him to take over any room he enters (an ability that he relishes), delights in Beneatha's fascination with his culture; George Murchison: 22, male, African-American, a suitor of Beneatha, handsome, privileged, and savvy, with a personality that is at once immediately charming and off-putting, actively aware of how his unique combination of good looks, money, and raging hormones makes him quite a catch, has a genuine interest in Beneatha that he hides under his mask of machismo and confidence, actor will double as a "Moving Man" in other scenes; Travis Younger: 9, boy, African-American, inner city life has made him wise beyond his years, quick-witted and bright-eyed, his joyful enthusiasm for life is kept in balance with the harsh realities of lack and struggle that burden his family and particularly his father, a mama's boy on the verge of adolescence, is discovering his voice and enjoying the thrill of pushing his mother's limits, the apple of his grandmother's eye and he knows it; Karl Lindner: 30, male, Caucasian, proud and big-hearted, projects a confidence and wisdom that masks his fear of the unknown and hard to understand, a family man who takes pride in his work, community, and sweet demeanor, a man on a mission that is in conflict with his conscience, is in many ways who Walter Lee could have been in another life; Bobo: 35, male, African-American, street smart without the common sense (as his name suggests), a friend of Walter Lee who is willing to risk his family's future on his personal ambitions, a man of pride without much dignity or honor, lives in his dreams with his head in the clouds, actor will double as a "Moving Man" in other scenes. Prepare the side for the audition for the role for which you are interested; cuttings will be for the characters Mama, Beneatha, Ruth, Walter, Asagai, Travis, Lindner or Ruth. If you do not get an appointment attend the open auditions on February 2 & 4, 2012. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(New York, NY - AUDITIONS: February 2 & 4, 2012 by Appointment Only) - To schedule an audition appointment, Email cover letters, photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HAMLET. DIR, Sybille Bruun. Contract: Producer plans to apply for Equity Basic Showcase Code (Stipend, plus travel provided). Rehearsal Dates: Begins May 2012. Performance Dates: June 21-July 1, 2012 (at Theater for the New City in New York, NY). Breakdown-- Actors: 18+, male and female, all ethnicities, movement/dance experience a plus for some roles. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(Lincoln, NE)(Chicago, IL - AUDITIONS: February 2, 2012 between 10:00 am-4:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming season. Season Titles: JEEVES INTERVENES, HEROES & GOD OF CARNAGE. ART DIR, Virginia Smith. Contract: Equity SPT Contract, Tier 7 ($458 min./wk.). Rehearsal Dates: Begins June 4, 2012 (in Lincoln, NE). Performance Dates: July 6-August 5, 2012 (shows are performed in rep, with one opening per week beginning July 6, 2012 in Lincoln, NE). Breakdown-- For JEEVES INTERVENES - Bertie Wooster: 20s, male, a young and foolish gentleman; Jeeves: 40s-50s, his resourceful butler; Eustace Bassington-Bassington: 20s, Bertie's school chum; Aunt Agatha: 60+, Bertie's overbearing aunt; Gertrude Winklesworth-Bode: 20s, Bertie's intended, Eustace's heartthrob; Sir Rupert Watlington-Pipp: 60+, Eustace's uncle. For HEROES - Henri: 60+, an enthusiast, with a limp; Philippe: 60+, a peacemaker, with a fainting disorder; Gustave: 60+, a curmudgeon, afraid to go beyond the terrace. For GOD OF CARNAGE - Alan Raleigh: 40s, a lawyer; Annette Raleigh: 30s-40s, Alan's wife, a financial planner; Michael Novak: 40s, a hardware wholesaler; Veronica Novak: 40s, Michael's wife, a part-time writer. EPA rules are in effect; a monitor will be provided. Prepare two contemporary comic monologues, one performed in a British accent, not to exceed two minutes combined. Always bring your Equity membership card to auditions. Note: Actors may be cast in more than one play. Performers of all ethnic and racial backgrounds are encouraged to attend. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(New York, NY - AUDITIONS: February 2, 2012 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: NINTH AND JOANIE. ART DIR, Stephen Adly Guirgis, Mimi O'Donnell, Yul Vázquez; DIR, Mark Wing-Davey; WRTR, Brett C. Leonard. Contract: Equity ANTC Contract ($317 min./wk.). Rehearsal Dates: Begins March 6, 2012. Performance Dates: April 5-May 6, 2012 (in New York, NY). Breakdown-- Charlie: 60s, Italian-American; Rocco: Late 30s, Italian-American; Michael: Mid 30s, Italian-American; Isabella: 30s, Puerto Rican or Latina; Carlito: 7 years old, son of Isabella and Michael. Prepare a monologue (two minutes or less) from a contemporary play. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(New York, NY - AUDITIONS: February 2, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DON'T DRESS FOR DINNER by Marc Camoletti. DIR, John Tillinger; CSTG, Jim Carnahan, Carrie Gardner, Stephen Kopel. Contract: Equity LORT Contract ($1,231 min./wk.). Rehearsal Dates: Begins February 28, 2012. Performance Dates: March 30-July 1, 2012 (on Broadway in New York, NY). Breakdown-- George: Late 20s-Late 30s, Suzette's husband, also a cook, extremely tall, masculine, and intimidating; Understudy for Bernard and Robert: Late 30s-Early 40s, one actor understudies both roles including Bernard, the Master of the House, an architect, upscale but has a lascivious side, quick-thinking and scheming, is the mastermind of the evening's intricate cover-up, having an affair with Suzanne & Robert, Bernard's oldest and most trusted friend, having an affair with Bernard's wife, mild in temper, likable and charming, but also has a mischievous and lustful side, not as innocent as he lets on, track for a strong comedic actor who is comfortable with farce, must have a strong British accent; Understudy for Jacqueline, Suzette & Suzanne: 30s-Early 40s, one actress understudies all three roles including Jacqueline, married to Bernard, but having an affair with his best friend Robert, chic, smart, sophisticated socialite with a mischievous and fun side, Suzette, French, a cook, comedian, innately funny, takes full advantage of opportunities that come her way & Suzanne, Bernard's mistress, a glamorous Parisian model/actress, track for an excellent comedienne who is comfortable with farce and has a superb understanding of physical comedy, must have a strong British accent, must have an excellent French accent. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(New York, NY - AUDITIONS: February 2, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: INTO THE WOODS. DIR, Timothy Sheader; CSTG, Jordan Thaler/Heidi Griffiths. Contract: Equity LORT Contract ($765 min./wk.). Rehearsal Dates: Begins June 19, 2012. Performance Dates: July 24-August 19, 2012 (at the Delacorte Theatre in Central Park in New York, NY). Breakdown-- Baker: 35+, role for a performer who is equal parts actor and singer, carries the main conflict and emotion of the show, an anxious but goodhearted man who feels somewhat powerless to create the life he wants, his charm, and lovability come from his lack of status, his anxieties and his boy-next-door qualities, a reluctant hero with good intentions who is sometimes held back by a fear of being assertive or upsetting others, ultimately learns that taking responsibility is the only way to serve his goals without harming others; Baker's Wife: 30+, driven by her strong desire to start a family at any cost, quick on her feet and industrious of thought, a clever woman who manipulates her husband when necessary and is not willing to take a backseat in determining her own fate, her story is largely about discovering how her actions affect the world beyond her own family, an everywoman, role for an actress with emotional range and highly evolved comedic gifts; The Witch: 30s-50s, a frightened, aggressive, and possessive woman, still hung up on her childhood experiences, driven by an intense need for her world to be set right and for a sense of family and belonging as well as power and beauty, wants it all, including emotional fulfillment, and is not afraid to use any means to get it, trapped in a cycle of abuse that ultimately gives way to a moment of transcendence, her transformation from Act 1 to Act 2 requires an actress with enormous vocal, emotional, and physical range; Narrator: 9-12, boy, with strong musical, movement, and acting skills, unafraid to be the center of things, a sense of adventure and curiosity, but also a definite sense of self, this is his story, on stage throughout; Jack: 18+ to play Early Teens believably, a naive teenager in the midst of puberty at its most awkward stage (acne and all), and discovering his sexuality, full of life and possibilities, his spirit of adventure is often tempered by his fear of the world beyond his mother's apron strings; Jack's Mother: 45+, single mother who has raised her son under hardship, working-class and unsentimental, strong comedy, which conceals a tough broad, not a fairy-tale old-lady mother; Cinderella: 20s, an outsider in her own family, led by a strong sense of morals, usually caring and kind, but with a bit of grit and fortitude to learn from her struggles and come out stronger, at first a loner and a dreamer, comes of age as she falls in love, suffers betrayal and ultimately takes responsibility for her own actions, wishes, and desires, not necessarily a Disney princess; Cinderella's Stepmother: 40+, used to an elevated level of comfort and status, and invested in retaining that life, dry and angular, role for a strong character actress with a little hauteur and edge as well as humor; Florinda & Lucinda (The Stepsisters): 20s-30s, full of character, attractive in their folly, witty, most concerned with their own happiness, long, lean and mean, strong singers, strong dancers, actors in these roles will cover other principal roles; Prince/Wolf: 30s, plays Prince, a great sense of irony and pastiche needed, a film star-like look, with the relevant narcissism & Wolf, raw and compelling predator, genuine sex appeal; 2nd Prince: 30s, film-star-like look, with the relevant narcissism, great sense of irony and pastiche; Little Red Riding Hood: 18+ to play early teens believably, an impish teenager who is in the midst of puberty, is discovering her sexuality and what it can do for her very quickly, yet she retains a level of innocence, confident, spunky, overindulges in everything, including food and sweets, strident and no-nonsense, full-figured a plus, actor in this role will cover other principal roles; Mysterious Man: 55+, a ghost-like presence, a man who has run away from his responsibilities, but has never escaped his own guilt, his conscience has led him to return to fix past mistakes, but not to an extent that leads him to directly engage in the action, not doubling with the narrator; Rapunzel: 20s, in the first act she is fairy-tale siren and yearning beauty, in the second act she becomes a neurotic, worn-down single mother of two, actor in this role will cover other principal roles; Granny: 40+, seeking character actress to play Little Red Riding Hood's granny, is spunky and no-nonsense, lives alone in the woods without fear, doesn't concern herself with how she comes off to others either in appearance or behavior, needs to be of the same brash world as Little Red, actor in this role will cover other principal roles; Cinderella's Mother: Late 20s-Early 30s, classic fairy-tale dead mother, at the age at which she died, beautiful and serene, held up in Cinderella's memory as an example of perfect kindness and care, actor in this role will cover other principal roles; Steward: 30-50, steward to the Prince, officious, determined to fulfill his duties at any cost, actor in this role will cover other principal roles. Casting director's statement: "We are committed to casting diverse companies. We are seeking qualified actors of all cultures and ages. This is a physically demanding ensemble production on a multi-level stage. All cast members must be extremely comfortable with climbing stairs and with contributing to the aesthetics of this production's universe outside of their individual roles, both through acting and physicality". Prepare a brief contemporary musical theater song. No pop/rock/R&B. No a cappella singing. Bring sheet music in the correct key; an accompanist will be provided, but may not transpose. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(New York, NY - AUDITIONS: February 2, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: PETER & THE STARCATCHER by Rick Elice. DIR, Roger Rees, Alex Timbers; CSTG, Jim Carnahan. Contract: Equity Broadway/Production Contract ($1,703 min./wk.). Rehearsal Dates: Begins February 20, 2012. Preview Dates: March 18, 2012. Performance Dates: Opens April 15, 2012 (at the Brooks Atkinson Theatre on Broadway in New York, NY). Breakdown-- Peter: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a boy who doesn't miss much, nameless, homeless, and friendless at the beginning of the play, and a hero by the end, feral, brave, competitive, the boy the others will come to look up to, a survivor, more than anything in the world he wants a home and a family, will stare at adult life from a distance but will never understand it or enjoy it, because he will be forever held back in childhood, if he could grow up he'd fall for Molly in a big way, but it'll never happen; Molly Aster: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), raised to believe females can do anything males can, a natural leader at a time when girls are mostly followers, fearless, passionate, devoted to her father, her country, and her Queen, willing to risk everything for the sake of doing right, curious, intelligent, beginning to feel things she doesn't yet understand (romantic longings that revert to childish tantrums under pressure) because for the moment she's still a 13-year-old kid, will be one hell of a woman one day, must have an excellent British accent; Prentiss: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a bit older than Peter, ambitious, hyper-articulate, logical, yearns to be a leader even as he knows he never shall be one on account of the fact that the boys wouldn't follow him no matter what, and also just the teeny-tiniest touch of cowardice; Ted: Early-Mid Teens (but must be played by an adult actor who appears early to mid-20s), obsessed with food (the finding of, the eating of, the fighting over, and the dreaming about), the most talented of the boys, a natural actor, and easy wit, maybe even a poet, called "Tubby" by Prentiss, though not due to girth (of which orphans, given their meager diets, have very little indeed), fed up with Prentiss, but hungry for companionship. Also seeking the following adult characters - The Black Stache: 30s, continues to terrorize the seven seas long after most everyone else had gotten out of the pirate business, started shaving at age 10 and had the blood of 20 frigate crews on his hands by age 12, ruthless, peerless, heartless, and hirsute, suspiciously well read, partial to the poetical and theatrical, and married to his piratical career with a ferocity from which no good shall ever spring, must have an excellent British accent; Lord Leonard Aster: Late 30s-Early 40s, the very model of a Victorian English gentleman, loyal subject to the Queen, devoted father, faithful friend, also (and not irrelevant to the story) is a Starcatcher, dedicated to protecting the Earth and all who dwell there from the awesome power of Starstuff, must have an excellent British accent; Mrs. Bumbrake/Teacher: Two-character female track (to be played by a male actor) includes Mrs. Bumbrake, Late 30s-Early 40s, Molly's nanny, British through and through, not afraid of anything (including her husband, who is no longer alive), a no-nonsense good-time gal, who liked a rough shag and a quick drag too back in the day, still has enough of her girlish charm intact to turn a sailor's head and leaven his dreams, stiff in the lip, loose in the hip, fun on a ship & Teacher, formerly a salmon, now an ancient and knowledgeable mermaid, must have excellent British and Scottish accents; Captain Robert Falcon Scott: Late 30s-Early 40s, captain of the sports teams at Trinity School, now commander of the Wasp (the fastest ship in Victoria's fleet), if you don't ask he won't tell about his schoolboy crush on Leonard Aster (who was also a student at Trinity), years later Scott would lead an expeditionary team to the South Pole, freeze to death, and become an iconic British hero, "Scott of the Antarctic," must have an excellent British accent; Grempkin/Mack/Fighting Prawn: Three-character track for one actor includes Grempkin, Early-Mid 30s, the mean and malodorous schoolmaster from St. Norbert's Orphanage for Lost Boys, known as "The Angel of Anguish," keeps his boys in the dark, as sunlight is known to feed rebellious notions, Mack, a very bad sailor who wants to be anywhere else but under the thumb of Bill Slank & Fighting Prawn, King of the Mollusk natives, son of Jumbo Prawn and Littleneck Clam, kidnapped by British sailors and brought in chains to England, served as sous-chef below stairs in a country estate in Derbyshire, where for no good reason he learned Italian wines and mastered Italian cuisine, since returning to his island kingdom he has vengefully murdered any English with the temerity to land on his Mollusk Isle domain, must have an excellent British accent; Smee: Early-Mid 30s, first mate to The Black Stache, simple-minded, but single-mindedly dedicated to his Captain's every whim, no first name, and from the day he was out of diapers was packed off somewhere to be subservient to somebody, his motto is "'Tis good to be busy," must have an excellent British accent; Bill Slank/Hawking Clam: Two-character track for one actor includes Slank, Late 30s-Early 40s, a vicious captain without the skill or quality to lead anyone but himself (and always into disaster), would sell his own mother for a ship to command, would kill his best friend for a leg up from the stinking hole he calls home, cheerfully aids the awful machinations of those who would use Starstuff for personal gain, global domination, or worse, an orphan too & Hawking Clam, son of Fighting Prawn, the issue of a night of love mere moments before Fighting Prawn was torn from the nuptial bed he shared with Princess Sweetnsour Prawn and whisked into a British kitchen half a world away, understands his father's hatred for the British, but (as often happens with younger generations) will gladly bend such strictures when one day he ascends to the Clam throne as head of the Royal Clam Clan, must have an excellent British accent; Alf: 30s-Early 40s, an old seadog who's prouder of achieving the rank of "Mister" than he should be given the state of the competition, a white knight in search of a damsel (any damsel), something about him appeals to the feminine sensibility, might be his bow legs, his saucy gait or his kind heart, must have an excellent British accent. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Pittsburgh, PA)(New York, NY - AUDITIONS: February 2, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2012 season. Season Titles: A CHOURS LINE. DIR/CHOREO, Baayork Lee; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins June 7, 2012. Performance Dates: June 15-24, 2012 (in Pittsburgh, PA). ANNIE. DIR, Charles Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins June 21, 2012. Performance Dates: June 29-July 8, 2012 (in Pittsburgh, PA). FIDDLER ON THE ROOF. DIR, Jack Allison; CHOREO, Mark Esposito; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins July 5, 2012. Performance Dates: July 13-22, 2012 (in Pittsburgh, PA). SUNSET BOULEVARD. DIR/CHOREO, Barry Ivan; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins July 16, 2012. Performance Dates: July 24-29, 2012 (in Pittsburgh, PA). PROD, Van Kaplan; CSTG, Telsey + Company. Contract: Equity RMTA Contract ($983 min./wk.). Breakdown-- All Roles Are Open. Note: The role of Norma Desmond in Sunset Boulevard has been cast. Prepare a brief musical theater song, uptempo or ballad. Bring sheet music in the correct key; an accompanist will be provided, but may not transpose. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Ivins, UT)(Las Vegas, NV - AUDITIONS: February 2, 2012 between 9:30 am-12:30 pm for Non-Required Chorus Open Singers Call & 1:00-2:30 pm for Non-Required Chorus Open Dance Call at Details Are only Available By Subscription. will be holding auditions for their 2012 season. Season Titles: ALADDIN. DIR, Scott S. Anderson; CHOREO, Deanna Dys. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 1, 4 & 6, 2012. Performance Dates: June 8-October 19, 2012 (in repertory in Ivins, UT). HAIRSPRAY. DIR/CHOREO, Derryl Yeager. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 2, 5 & 7, 2012. Performance Dates: June 9-October 20, 2012 (in repertory in Ivins, UT). AP, Ryan Norton; ART DIR, Scott S. Anderson. Contract: Equity LOA Contract ($710/wk.). Breakdown-- For ALADDIN - Aladdin: 20s, clever, resourceful street urchin with a heart of gold, best friends with Babkak, Omar, and Kassim, seeks a life beyond the confines of poverty; Jasmine: 20s, intelligent young princess with insight beyond her years and station, seeks a life beyond the confines of privilege; Babkak: 20s, chubby, romantic desert dweller, part of Aladdin's band, the "Crosby" of this Arabian "Road" picture, although perhaps with a bit more flair; Omar: 20s, nervous, diminutive desert dweller, part of Aladdin's band, the "Lamour"; Kassim: 20s, tough (inside and out) desert dweller, part of Aladdin's band, the "Hope"; Sultan: 50s, kind-hearted, widowed ruler of Agrabah, gets so caught up in following the law and tradition that he overlooks his daughter's desires and gets swindled by his own vizier; Jafar: 50s, bitter, deep-voiced, rapier-tongued advisor to the Sultan, cannot tolerate idiots, always looking out for number one, the comedic villain of the story; Iago: 40s, dim-witted, classic comedy lackey to Jafar; Genie: 30s-40s, quick-witted, fast-talking, ancient genie who knows all time and place, an old-school song-and-dance man. For HAIRSPRAY - Tracy Turnblad: To play high school age, female, Caucasian, a "pleasantly plump" teenager who dreams of fame and fights to racially integrate The Corny Collins Show, strong pop belt singer and great mover; Edna Turnblad: 40s-50s, male to play female, Caucasian, Tracy's kind plus-sized mother, runs a laundry business out of her home, needs a funny and grand character actor with singing ability who can convincingly play a woman; Wilbur Turnblad: 40s-50s, male, Caucasian, Tracy's goofy father who owns the Har-De-Har Hut joke shop and is still madly in love with his wife Edna, encourages Tracy to follow her dreams; Link Larkin: To play high school age, male, Caucasian, a teenage heartthrob and one of The Corny Collins Show council members, who falls in love with Tracy, strong pop singer and great mover; Seaweed J. Stubbs: To play high school age, male, African-American, a hip "Negro Day" dancer and the son of Motormouth Maybelle who falls in love with Penny, strong soulful tenor pop singer and great mover; Amber Von Tussle: To play high school age, female, Caucasian, a bratty and selfish resident princess of The Corny Collins Show, despite her lack of talent, is willing to do anything to win the Miss Teenage Hairspray pageant, strong pop belt singer and great mover; Penny Pingleton: To play high school age, female, Caucasian, Tracy's slightly dorky, devoted, and perky best friend, strong pop belt singer and mover; Corny Collins: 30s, male, Caucasian, the eccentric and cocky host of The Corny Collins Show, handsome, charming, engaging, and smooth, strong pop singer; Motormouth Maybelle: 40s-50s, female, African-American, the owner of a downtown record shop and the host of "Negro Day" on The Corny Collins Show, self-described as "big, blonde, and beautiful," strong soulful gospel/pop singer; Velma Von Tussle: 40s-50s, female, Caucasian, Amber's scheming mother and producer of The Corny Collins Show, who pushes her daughter to seek the stardom that she never had, good character singer; Little Inez: To play Early Teens, female, African-American, Seaweed's younger sister, who tries to audition for The Corny Collins Show but is turned away because she is black, strong Broadway/pop singer and mover; Male Authority Figure: 40s-50s, Caucasian, plays Mr. Pinky, owner of Mr. Pinky's Hefty Hideaway who gives Tracy and Edna a makeover, Principal of Patterson Park High School & Mr. Harriman F. Spritzer, the President of Ultra Clutch Hairspray; Female Authority Figure: 40s-50s, Caucasian, plays the Matron guarding The Big Dollhouse, the Gym Teacher & Prudy Pingleton, Penny's overprotective and often close-minded mother; The Council: A group of Teenage singers and dancers on The Corny Collins Show, characters include Brad, Tammy, Fender, Brenda, Sketch, IQ & Lou Ann (also part of the Council are Amber and Link); Seaweed's Pals: To play high school roles, male and female, African-American, singers and dancers, characters include Gilbert, Stooie, Cindy Watkins, Lorraine, Duane & Thad; The Dynamites: Females, African-American, three sexy singer-dancers inspired by the Supremes, should have glorious pop/gospel singing voices, should move well, featured in the showstopper "Welcome to the '60s". A monitor will not be provided; the producer will run all aspects of this audition. Wear comfortable character/dance shoes and clothing. Be ready to learn combination(s). Prepare 16 bars of a musical theater song in the style of the show(s), in case you are asked to stay and sing; have a contrasting selection prepared in case requested. Bring sheet music; an accompanist will be provided. Note: Seeking experienced musical theater performers for all roles; also seeking understudies for all roles. Ethnic performers are strongly encouraged to attend. Aladdin and Hairspray play in repertory June-October, 2012. Actors may be cast in both productions; some shorter contracts may be available. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Brooklyn, NY - AUDITIONS: February 2, 2012 between 7:00-11:00 pm [Registration between 6:30-8:30 pm] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A RAISIN IN THE SUN. PROD, Brian Michael Flanagan; DIR, Reginald D. Douglas; WRTR, Lorraine Hansberry; CSTG, Destiny Lilly. Contract: Equity Showcase Code, approval pending. Rehearsal Dates: Begins February 18, 2012 (four weeks). Performance Dates: March 17-April 1, 2012 (12 performances at The Gallery Players in Brooklyn, NY). Breakdown-- Lena Younger: 59, female, African-American, resilient and wise, with the power to maintain a good humor despite the many hardships of her life, still in mourning over her recently deceased husband, but masking it with a confident demeanor and bravely bright smile and spirit, thoroughly tough, fierce, and thick-skinned, but her love for her children and desire to provide for their family reveals a quiet, gentle, and tender soul; Walter Lee Younger: 30, male, African-American, street smart from a life of struggle in the inner city, his confident pride and tough exterior masks the tender child and "mama's boy" that resulted from his life of love and familial safety and protection, striking in his grandeur and size (both physically and emotionally), with the ability to both cry and scream with emotional ease, his ability to shift between the harsh reality of his life and the brighter future that he dreams of is both electrifying and frighteningly harrowing; Ruth Younger: 28, female, African-American, a life of sacrifice has aged her beyond her years, but has not erased her sensuality, self-esteem, and deep love for her family, beautiful yet broken, has invested her dreams and passions into her son and husband with a grace and pride that is now starting to rip at the seams, a sharp wit coupled with a sincerely sweet spirit allows her to navigate her pain and frustrations with an easy laughter and infectious sense of humor, a fierce strength allows her to stand tall even as her world crumbles before her eyes; Beneatha Younger: 21, female, African-American, a confident and proud scholar and "know-it-all" with a big heart and even bigger zest for life and learning, an enthusiastic dreamer who aspires to be a doctor as an extension of her vibrant newfound political activism, boldly awakening to the joys of first love without the courage to admit how much she enjoys it; Joseph Asagai: 24, male, African-American, a suitor of Beneatha, Nigerian exchange student, enthusiastically proud of his Nigerian heritage, his power with words is captivating, entrancing, and allows him to take over any room he enters (an ability that he relishes), delights in Beneatha's fascination with his culture; George Murchison: 22, male, African-American, a suitor of Beneatha, handsome, privileged, and savvy, with a personality that is at once immediately charming and off-putting, actively aware of how his unique combination of good looks, money, and raging hormones makes him quite a catch, has a genuine interest in Beneatha that he hides under his mask of machismo and confidence, actor will double as a "Moving Man" in other scenes; Travis Younger: 9, boy, African-American, inner city life has made him wise beyond his years, quick-witted and bright-eyed, his joyful enthusiasm for life is kept in balance with the harsh realities of lack and struggle that burden his family and particularly his father, a mama's boy on the verge of adolescence, is discovering his voice and enjoying the thrill of pushing his mother's limits, the apple of his grandmother's eye and he knows it; Karl Lindner: 30, male, Caucasian, proud and big-hearted, projects a confidence and wisdom that masks his fear of the unknown and hard to understand, a family man who takes pride in his work, community, and sweet demeanor, a man on a mission that is in conflict with his conscience, is in many ways who Walter Lee could have been in another life; Bobo: 35, male, African-American, street smart without the common sense (as his name suggests), a friend of Walter Lee who is willing to risk his family's future on his personal ambitions, a man of pride without much dignity or honor, lives in his dreams with his head in the clouds, actor will double as a "Moving Man" in other scenes. Prepare the side for the audition for the role for which you are interested; cuttings will be for the characters Mama, Beneatha, Ruth, Walter, Asagai, Travis, Lindner or Ruth. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(London, UK)(Chiswick, UK - AUDITIONS: February 7-8, 2012) - Send photographs & resumes by February 3, 2012 to: Details Are only Available By Subscription. will be holding auditions for their forthcoming tour. Title: THE WIZARD OF OZ. Contract: The contract is paid at a weekly rate on near Equity minimum. Rehearsal Dates: Begins March 5, 2012. Tour Performance Dates: Ending on July 21, 2012 (tour to schools in London and the Home Counties and small and mid scale theatres mostly in the Midlands and southern UK). Breakdown-- Dorothy: 5'0", female; Scarecrow: 5'4"-5'8", female; Tin Man: 5'6"-6'0", male; Lion: 5'9"-6'2", male. All four actors must be good singers. All actors must be resident in London or the Home Counties at the time of rehearsal and have a maximum one hour daily journey time to Shepherds Bush in west London. The ability to drive is very useful. Would applicants for previous productions please reapply as the director is aware that many good people have yet to be seen. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(New Orleans, LA - AUDITIONS: February 3, 2012 between 6:00-7:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Titles: HAMLET. DIR, Clare Moncrief. Rehearsal Dates: Begins May 15, 2012. Performance Dates: June 16-July 8, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ROSENCRANTZ AND GUILDENSTERN ARE DEAD. DIR, Danny Bowen. Rehearsal Dates: Begins May 29, 2012. Performance Dates: June 23-July 7, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ART DIR, Ron Gural. Contract: Equity NOLA Tier C Contract ($231 min./wk.). Breakdown-- All Roles Are Open. Note: The roles of Rosencrantz and Guildenstern in both Hamlet and Rosencrantz and Guildenstern Are Dead are cast. Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a Shakespearean monologue, not to exceed 90 seconds. Always bring your Equity membership card to auditions. If you cannot attend during the above audition times (Equity members only), call to schedule an alternate time. Bring photographs & resumes, stapled together. (Posted: February 1, 2012)

(New York, NY - AUDITIONS: February 3, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MY OCCASION OF SIN. ART DIR/DIR, Frances Hill; SCR, Monica Bauer. Contract: Equity Transition Contract ($339/wk.). Rehearsal Dates: Begins approximately February, 22, 2012. Performance Dates: Approximately March 16-April 15, 2012 (in New York, NY). Breakdown-- Luigi Wells: 40s, male, African-American, a jazz drummer (no playing required) in Omaha, NE in 1969, attractive, charismatic, warm, draws people in; George Hollewinski: 50s-Early 60s, male, owner of Accordion Music Studio, rumpled, loveable, can be stubborn, but wants to do the right thing. Note: The following roles are cast; auditioning performers will be considered as possible replacements, should any become necessary - Vivian Strong: 14, female, African-American, smart, funny, animated by a desire to "know what's what," a bundle of energy who is a born story-teller, loves to mimic the characters in the stories she tells; Mary Margaret Irzandowsky: 16, female, attractive, intelligent, and musically talented, a product of a Catholic, Polish, Midwestern upbringing, but curious and anxious to expand her horizons; Helen Hollewinski: 50s, female, George's wife and bookkeeper for the music studio, strong religious background, intelligent, attractive, charming, but suspicious and wary of strangers. Prepare a brief contemporary monologue under two minutes. Bring photographs & resumes, stapled together. (Posted: February 1, 2012)

(New York, NY - AUDITIONS: February 3, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: SUPER FLY The Musical, featuring music and lyrics by Curtis Mayfield. DIR/CHOREO, Bill T. Jones; MUSIC DIR, Ron Melrose; CSTG, Mungioli Theatricals, Inc. Contract: Equity Workshop Contract ($736 min./wk.). Workshop commitment runs March 12-April 13, 2012. Note: Producer expects a Broadway production in the future. Breakdown-- Priest (aka Super Fly): Mid 20s-Mid 30s, male, African-American, extremely sexy, his sexual energy is smooth and powerful, the very personification of cool, fearless, with a great sense of style, at home in the Harlem streets of the 1970s, described as "a drug pusher, a stick-up artist, and a child of the ghetto," truly beats the system, outsmarting the corrupt police force so that he can break free and start a new life, some may find him despicable but he is the unlikely hero, actor must have the stature and physique to play this iconic wide-brimmed hat and chinchilla-coat-wearing style, must be a great actor and sing well, actor must be familiar with music of the period, must be able to sing this music with great passion and style, and must be able to move; Georgia: 20s, female, African-American, has great beauty and sexual energy, fabulous singer, the headline performer at Harlem Nightclub, the feminine complement to Priest's prowess, gentle and loving, sexy and smart, courageous, matches him in sexuality, fearlessness, and heart, college-educated, is "the little shining light of hope" in Priest's dark life that guides him to freedom and a new life, performer must be a strong actress, able to handle the sole female lead in the show (book scenes and solos), actress must be familiar with music of the period, must be able to sing this music with great passion and style, and must be able to move; Fat-Freddy: 20s, male, African-American, physically round and heavyset, a lovable idiot, but with heterosexual passion, an innocent, in over his head in the underground drug trade of 1970s Harlem, earnest and childlike, very heartful and lovable, passionately in love with a prostitute and ultimately risks his life to stand by her, subject of the well-known song "Freddie's Dead," actor must be familiar with music of the period, must be able to sing this music with great passion and style, and must be able to move; Scatter: 60s, male, African-American, Priest's mentor, gave him entrée into the world of the Mafia, very much like a father to Priest, now retired from the drug trade and runs a restaurant/nightclub in Harlem, warm and fatherly toward Priest, is also described as a "ruthless individual [who would] kill you for spitting, he is nothing to mess with," actor must be familiar with music of the period, must be able to sing this music with great passion and style, and must be able to move; Riordan: Late 40s-Late 50s, male, Caucasian, police officer in charge of street investigations, appears to be the typical white-collar police executive, but is also the kingpin of the Harlem drug trade, capable of great power and command, actor must be able to sing, as well as have some movement ability. Note: The following role is cast; auditioning performers will be considered as possible (emergency) replacements, should any become necessary - Eddie: Late 20s-Mid 30s, African-American, wiry, fast-eyed, Priest's partner in the drug trade and "main boy" out of a family (which is 50 strong) out on the streets working for them, lives the "street life" (thieving, selling drugs, shooting craps), volatile and vengeful, does not support Priest's plan to get out, and ultimately betrays him, role requires a great actor who is able to move with great style and rhythm, actor must be familiar with music of the period and must be able to sing this music with great passion. Prepare a brief simple sustained legit song and/or an R&B song from the 1970s Harlem era that shows off your voice and range; the more complex the text, the better for the R&B song. Bring sheet music in the correct key; an accompanist will be provided, but may not transpose. Bring photographs & resumes, stapled together. (Posted: February 1, 2012)

(New York, NY - AUDITIONS: February 3, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: PETER & THE STARCATCHER by Rick Elice. DIR, Roger Rees, Alex Timbers; CSTG, Jim Carnahan. Contract: Equity Broadway/Production Contract ($1,703 min./wk.). Rehearsal Dates: Begins February 20, 2012. Preview Dates: March 18, 2012. Performance Dates: Opens April 15, 2012 (at the Brooks Atkinson Theatre on Broadway in New York, NY). Breakdown-- Peter: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a boy who doesn't miss much, nameless, homeless, and friendless at the beginning of the play, and a hero by the end, feral, brave, competitive, the boy the others will come to look up to, a survivor, more than anything in the world he wants a home and a family, will stare at adult life from a distance but will never understand it or enjoy it, because he will be forever held back in childhood, if he could grow up he'd fall for Molly in a big way, but it'll never happen; Molly Aster: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), raised to believe females can do anything males can, a natural leader at a time when girls are mostly followers, fearless, passionate, devoted to her father, her country, and her Queen, willing to risk everything for the sake of doing right, curious, intelligent, beginning to feel things she doesn't yet understand (romantic longings that revert to childish tantrums under pressure) because for the moment she's still a 13-year-old kid, will be one hell of a woman one day, must have an excellent British accent; Prentiss: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a bit older than Peter, ambitious, hyper-articulate, logical, yearns to be a leader even as he knows he never shall be one on account of the fact that the boys wouldn't follow him no matter what, and also just the teeny-tiniest touch of cowardice; Ted: Early-Mid Teens (but must be played by an adult actor who appears early to mid-20s), obsessed with food (the finding of, the eating of, the fighting over, and the dreaming about), the most talented of the boys, a natural actor, and easy wit, maybe even a poet, called "Tubby" by Prentiss, though not due to girth (of which orphans, given their meager diets, have very little indeed), fed up with Prentiss, but hungry for companionship. Also seeking the following adult characters - The Black Stache: 30s, continues to terrorize the seven seas long after most everyone else had gotten out of the pirate business, started shaving at age 10 and had the blood of 20 frigate crews on his hands by age 12, ruthless, peerless, heartless, and hirsute, suspiciously well read, partial to the poetical and theatrical, and married to his piratical career with a ferocity from which no good shall ever spring, must have an excellent British accent; Lord Leonard Aster: Late 30s-Early 40s, the very model of a Victorian English gentleman, loyal subject to the Queen, devoted father, faithful friend, also (and not irrelevant to the story) is a Starcatcher, dedicated to protecting the Earth and all who dwell there from the awesome power of Starstuff, must have an excellent British accent; Mrs. Bumbrake/Teacher: Two-character female track (to be played by a male actor) includes Mrs. Bumbrake, Late 30s-Early 40s, Molly's nanny, British through and through, not afraid of anything (including her husband, who is no longer alive), a no-nonsense good-time gal, who liked a rough shag and a quick drag too back in the day, still has enough of her girlish charm intact to turn a sailor's head and leaven his dreams, stiff in the lip, loose in the hip, fun on a ship & Teacher, formerly a salmon, now an ancient and knowledgeable mermaid, must have excellent British and Scottish accents; Captain Robert Falcon Scott: Late 30s-Early 40s, captain of the sports teams at Trinity School, now commander of the Wasp (the fastest ship in Victoria's fleet), if you don't ask he won't tell about his schoolboy crush on Leonard Aster (who was also a student at Trinity), years later Scott would lead an expeditionary team to the South Pole, freeze to death, and become an iconic British hero, "Scott of the Antarctic," must have an excellent British accent; Grempkin/Mack/Fighting Prawn: Three-character track for one actor includes Grempkin, Early-Mid 30s, the mean and malodorous schoolmaster from St. Norbert's Orphanage for Lost Boys, known as "The Angel of Anguish," keeps his boys in the dark, as sunlight is known to feed rebellious notions, Mack, a very bad sailor who wants to be anywhere else but under the thumb of Bill Slank & Fighting Prawn, King of the Mollusk natives, son of Jumbo Prawn and Littleneck Clam, kidnapped by British sailors and brought in chains to England, served as sous-chef below stairs in a country estate in Derbyshire, where for no good reason he learned Italian wines and mastered Italian cuisine, since returning to his island kingdom he has vengefully murdered any English with the temerity to land on his Mollusk Isle domain, must have an excellent British accent; Smee: Early-Mid 30s, first mate to The Black Stache, simple-minded, but single-mindedly dedicated to his Captain's every whim, no first name, and from the day he was out of diapers was packed off somewhere to be subservient to somebody, his motto is "'Tis good to be busy," must have an excellent British accent; Bill Slank/Hawking Clam: Two-character track for one actor includes Slank, Late 30s-Early 40s, a vicious captain without the skill or quality to lead anyone but himself (and always into disaster), would sell his own mother for a ship to command, would kill his best friend for a leg up from the stinking hole he calls home, cheerfully aids the awful machinations of those who would use Starstuff for personal gain, global domination, or worse, an orphan too & Hawking Clam, son of Fighting Prawn, the issue of a night of love mere moments before Fighting Prawn was torn from the nuptial bed he shared with Princess Sweetnsour Prawn and whisked into a British kitchen half a world away, understands his father's hatred for the British, but (as often happens with younger generations) will gladly bend such strictures when one day he ascends to the Clam throne as head of the Royal Clam Clan, must have an excellent British accent; Alf: 30s-Early 40s, an old seadog who's prouder of achieving the rank of "Mister" than he should be given the state of the competition, a white knight in search of a damsel (any damsel), something about him appeals to the feminine sensibility, might be his bow legs, his saucy gait or his kind heart, must have an excellent British accent. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Ivins, UT - AUDITIONS: February 3, 2012 between 5:00-8:00 pm for Open Call at Details Are only Available By Subscription. will be holding auditions for their 2012 season. Season Titles: ALADDIN. DIR, Scott S. Anderson; CHOREO, Deanna Dys. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 1, 4 & 6, 2012. Performance Dates: June 8-October 19, 2012 (in repertory in Ivins, UT). HAIRSPRAY. DIR/CHOREO, Derryl Yeager. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 2, 5 & 7, 2012. Performance Dates: June 9-October 20, 2012 (in repertory in Ivins, UT). AP, Ryan Norton; ART DIR, Scott S. Anderson. Contract: Equity LOA Contract ($710/wk.). Breakdown-- For ALADDIN - Aladdin: 20s, clever, resourceful street urchin with a heart of gold, best friends with Babkak, Omar, and Kassim, seeks a life beyond the confines of poverty; Jasmine: 20s, intelligent young princess with insight beyond her years and station, seeks a life beyond the confines of privilege; Babkak: 20s, chubby, romantic desert dweller, part of Aladdin's band, the "Crosby" of this Arabian "Road" picture, although perhaps with a bit more flair; Omar: 20s, nervous, diminutive desert dweller, part of Aladdin's band, the "Lamour"; Kassim: 20s, tough (inside and out) desert dweller, part of Aladdin's band, the "Hope"; Sultan: 50s, kind-hearted, widowed ruler of Agrabah, gets so caught up in following the law and tradition that he overlooks his daughter's desires and gets swindled by his own vizier; Jafar: 50s, bitter, deep-voiced, rapier-tongued advisor to the Sultan, cannot tolerate idiots, always looking out for number one, the comedic villain of the story; Iago: 40s, dim-witted, classic comedy lackey to Jafar; Genie: 30s-40s, quick-witted, fast-talking, ancient genie who knows all time and place, an old-school song-and-dance man. For HAIRSPRAY - Tracy Turnblad: To play high school age, female, Caucasian, a "pleasantly plump" teenager who dreams of fame and fights to racially integrate The Corny Collins Show, strong pop belt singer and great mover; Edna Turnblad: 40s-50s, male to play female, Caucasian, Tracy's kind plus-sized mother, runs a laundry business out of her home, needs a funny and grand character actor with singing ability who can convincingly play a woman; Wilbur Turnblad: 40s-50s, male, Caucasian, Tracy's goofy father who owns the Har-De-Har Hut joke shop and is still madly in love with his wife Edna, encourages Tracy to follow her dreams; Link Larkin: To play high school age, male, Caucasian, a teenage heartthrob and one of The Corny Collins Show council members, who falls in love with Tracy, strong pop singer and great mover; Seaweed J. Stubbs: To play high school age, male, African-American, a hip "Negro Day" dancer and the son of Motormouth Maybelle who falls in love with Penny, strong soulful tenor pop singer and great mover; Amber Von Tussle: To play high school age, female, Caucasian, a bratty and selfish resident princess of The Corny Collins Show, despite her lack of talent, is willing to do anything to win the Miss Teenage Hairspray pageant, strong pop belt singer and great mover; Penny Pingleton: To play high school age, female, Caucasian, Tracy's slightly dorky, devoted, and perky best friend, strong pop belt singer and mover; Corny Collins: 30s, male, Caucasian, the eccentric and cocky host of The Corny Collins Show, handsome, charming, engaging, and smooth, strong pop singer; Motormouth Maybelle: 40s-50s, female, African-American, the owner of a downtown record shop and the host of "Negro Day" on The Corny Collins Show, self-described as "big, blonde, and beautiful," strong soulful gospel/pop singer; Velma Von Tussle: 40s-50s, female, Caucasian, Amber's scheming mother and producer of The Corny Collins Show, who pushes her daughter to seek the stardom that she never had, good character singer; Little Inez: To play Early Teens, female, African-American, Seaweed's younger sister, who tries to audition for The Corny Collins Show but is turned away because she is black, strong Broadway/pop singer and mover; Male Authority Figure: 40s-50s, Caucasian, plays Mr. Pinky, owner of Mr. Pinky's Hefty Hideaway who gives Tracy and Edna a makeover, Principal of Patterson Park High School & Mr. Harriman F. Spritzer, the President of Ultra Clutch Hairspray; Female Authority Figure: 40s-50s, Caucasian, plays the Matron guarding The Big Dollhouse, the Gym Teacher & Prudy Pingleton, Penny's overprotective and often close-minded mother; The Council: A group of Teenage singers and dancers on The Corny Collins Show, characters include Brad, Tammy, Fender, Brenda, Sketch, IQ & Lou Ann (also part of the Council are Amber and Link); Seaweed's Pals: To play high school roles, male and female, African-American, singers and dancers, characters include Gilbert, Stooie, Cindy Watkins, Lorraine, Duane & Thad; The Dynamites: Females, African-American, three sexy singer-dancers inspired by the Supremes, should have glorious pop/gospel singing voices, should move well, featured in the showstopper "Welcome to the '60s". A monitor will not be provided; the producer will run all aspects of this audition. Wear comfortable character/dance shoes and clothing. Be ready to learn combination(s). Prepare 16 bars of a musical theater song in the style of the show(s), in case you are asked to stay and sing; have a contrasting selection prepared in case requested. Bring sheet music; an accompanist will be provided. Note: Seeking experienced musical theater performers for all roles; also seeking understudies for all roles. Ethnic performers are strongly encouraged to attend. Aladdin and Hairspray play in repertory June-October, 2012. Actors may be cast in both productions; some shorter contracts may be available. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Pittsburgh, PA)(New York, NY - AUDITIONS: February 3, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2012 season. Season Titles: A CHOURS LINE. DIR/CHOREO, Baayork Lee; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins June 7, 2012. Performance Dates: June 15-24, 2012 (in Pittsburgh, PA). ANNIE. DIR, Charles Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins June 21, 2012. Performance Dates: June 29-July 8, 2012 (in Pittsburgh, PA). FIDDLER ON THE ROOF. DIR, Jack Allison; CHOREO, Mark Esposito; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins July 5, 2012. Performance Dates: July 13-22, 2012 (in Pittsburgh, PA). SUNSET BOULEVARD. DIR/CHOREO, Barry Ivan; MUSIC DIR, Tom Helm. Rehearsal Dates: Begins July 16, 2012. Performance Dates: July 24-29, 2012 (in Pittsburgh, PA). PROD, Van Kaplan; CSTG, Telsey + Company. Contract: Equity RMTA Contract ($983 min./wk.). Breakdown-- All Roles Are Open. Note: The role of Norma Desmond in Sunset Boulevard has been cast. Prepare a brief musical theater song, uptempo or ballad. Bring sheet music in the correct key; an accompanist will be provided, but may not transpose. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(New Orleans, LA - AUDITIONS: February 4, 2012 between 1:00-2:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Titles: HAMLET. DIR, Clare Moncrief. Rehearsal Dates: Begins May 15, 2012. Performance Dates: June 16-July 8, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ROSENCRANTZ AND GUILDENSTERN ARE DEAD. DIR, Danny Bowen. Rehearsal Dates: Begins May 29, 2012. Performance Dates: June 23-July 7, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ART DIR, Ron Gural. Contract: Equity NOLA Tier C Contract ($231 min./wk.). Breakdown-- All Roles Are Open. Note: The roles of Rosencrantz and Guildenstern in both Hamlet and Rosencrantz and Guildenstern Are Dead are cast. Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a Shakespearean monologue, not to exceed 90 seconds. Always bring your Equity membership card to auditions. If you cannot attend during the above audition times (Equity members only), call to schedule an alternate time. Bring photographs & resumes, stapled together. (Posted: February 1, 2012)

(Brooklyn, NY - AUDITIONS: February 4, 2012 During the Day by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A RAISIN IN THE SUN. PROD, Brian Michael Flanagan; DIR, Reginald D. Douglas; WRTR, Lorraine Hansberry; CSTG, Destiny Lilly. Contract: Equity Showcase Code, approval pending. Rehearsal Dates: Begins February 18, 2012 (four weeks). Performance Dates: March 17-April 1, 2012 (12 performances at The Gallery Players in Brooklyn, NY). Breakdown-- Lena Younger: 59, female, African-American, resilient and wise, with the power to maintain a good humor despite the many hardships of her life, still in mourning over her recently deceased husband, but masking it with a confident demeanor and bravely bright smile and spirit, thoroughly tough, fierce, and thick-skinned, but her love for her children and desire to provide for their family reveals a quiet, gentle, and tender soul; Walter Lee Younger: 30, male, African-American, street smart from a life of struggle in the inner city, his confident pride and tough exterior masks the tender child and "mama's boy" that resulted from his life of love and familial safety and protection, striking in his grandeur and size (both physically and emotionally), with the ability to both cry and scream with emotional ease, his ability to shift between the harsh reality of his life and the brighter future that he dreams of is both electrifying and frighteningly harrowing; Ruth Younger: 28, female, African-American, a life of sacrifice has aged her beyond her years, but has not erased her sensuality, self-esteem, and deep love for her family, beautiful yet broken, has invested her dreams and passions into her son and husband with a grace and pride that is now starting to rip at the seams, a sharp wit coupled with a sincerely sweet spirit allows her to navigate her pain and frustrations with an easy laughter and infectious sense of humor, a fierce strength allows her to stand tall even as her world crumbles before her eyes; Beneatha Younger: 21, female, African-American, a confident and proud scholar and "know-it-all" with a big heart and even bigger zest for life and learning, an enthusiastic dreamer who aspires to be a doctor as an extension of her vibrant newfound political activism, boldly awakening to the joys of first love without the courage to admit how much she enjoys it; Joseph Asagai: 24, male, African-American, a suitor of Beneatha, Nigerian exchange student, enthusiastically proud of his Nigerian heritage, his power with words is captivating, entrancing, and allows him to take over any room he enters (an ability that he relishes), delights in Beneatha's fascination with his culture; George Murchison: 22, male, African-American, a suitor of Beneatha, handsome, privileged, and savvy, with a personality that is at once immediately charming and off-putting, actively aware of how his unique combination of good looks, money, and raging hormones makes him quite a catch, has a genuine interest in Beneatha that he hides under his mask of machismo and confidence, actor will double as a "Moving Man" in other scenes; Travis Younger: 9, boy, African-American, inner city life has made him wise beyond his years, quick-witted and bright-eyed, his joyful enthusiasm for life is kept in balance with the harsh realities of lack and struggle that burden his family and particularly his father, a mama's boy on the verge of adolescence, is discovering his voice and enjoying the thrill of pushing his mother's limits, the apple of his grandmother's eye and he knows it; Karl Lindner: 30, male, Caucasian, proud and big-hearted, projects a confidence and wisdom that masks his fear of the unknown and hard to understand, a family man who takes pride in his work, community, and sweet demeanor, a man on a mission that is in conflict with his conscience, is in many ways who Walter Lee could have been in another life; Bobo: 35, male, African-American, street smart without the common sense (as his name suggests), a friend of Walter Lee who is willing to risk his family's future on his personal ambitions, a man of pride without much dignity or honor, lives in his dreams with his head in the clouds, actor will double as a "Moving Man" in other scenes. Prepare the side for the audition for the role for which you are interested; cuttings will be for the characters Mama, Beneatha, Ruth, Walter, Asagai, Travis, Lindner or Ruth. If you do not get an appointment attend the open auditions on February 2 & 4, 2012. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Ivins, UT - AUDITIONS: February 4, 2012 between 9:30 am-11:00 am for Non-Required Chorus Open Singers Call & 11:00-1:00 pm for Non-Required Chorus Open Dance Call at Details Are only Available By Subscription. will be holding auditions for their 2012 season. Season Titles: ALADDIN. DIR, Scott S. Anderson; CHOREO, Deanna Dys. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 1, 4 & 6, 2012. Performance Dates: June 8-October 19, 2012 (in repertory in Ivins, UT). HAIRSPRAY. DIR/CHOREO, Derryl Yeager. Rehearsal Dates: Begins April 16, 2012. Preview Dates: June 2, 5 & 7, 2012. Performance Dates: June 9-October 20, 2012 (in repertory in Ivins, UT). AP, Ryan Norton; ART DIR, Scott S. Anderson. Contract: Equity LOA Contract ($710/wk.). Breakdown-- For ALADDIN - Aladdin: 20s, clever, resourceful street urchin with a heart of gold, best friends with Babkak, Omar, and Kassim, seeks a life beyond the confines of poverty; Jasmine: 20s, intelligent young princess with insight beyond her years and station, seeks a life beyond the confines of privilege; Babkak: 20s, chubby, romantic desert dweller, part of Aladdin's band, the "Crosby" of this Arabian "Road" picture, although perhaps with a bit more flair; Omar: 20s, nervous, diminutive desert dweller, part of Aladdin's band, the "Lamour"; Kassim: 20s, tough (inside and out) desert dweller, part of Aladdin's band, the "Hope"; Sultan: 50s, kind-hearted, widowed ruler of Agrabah, gets so caught up in following the law and tradition that he overlooks his daughter's desires and gets swindled by his own vizier; Jafar: 50s, bitter, deep-voiced, rapier-tongued advisor to the Sultan, cannot tolerate idiots, always looking out for number one, the comedic villain of the story; Iago: 40s, dim-witted, classic comedy lackey to Jafar; Genie: 30s-40s, quick-witted, fast-talking, ancient genie who knows all time and place, an old-school song-and-dance man. For HAIRSPRAY - Tracy Turnblad: To play high school age, female, Caucasian, a "pleasantly plump" teenager who dreams of fame and fights to racially integrate The Corny Collins Show, strong pop belt singer and great mover; Edna Turnblad: 40s-50s, male to play female, Caucasian, Tracy's kind plus-sized mother, runs a laundry business out of her home, needs a funny and grand character actor with singing ability who can convincingly play a woman; Wilbur Turnblad: 40s-50s, male, Caucasian, Tracy's goofy father who owns the Har-De-Har Hut joke shop and is still madly in love with his wife Edna, encourages Tracy to follow her dreams; Link Larkin: To play high school age, male, Caucasian, a teenage heartthrob and one of The Corny Collins Show council members, who falls in love with Tracy, strong pop singer and great mover; Seaweed J. Stubbs: To play high school age, male, African-American, a hip "Negro Day" dancer and the son of Motormouth Maybelle who falls in love with Penny, strong soulful tenor pop singer and great mover; Amber Von Tussle: To play high school age, female, Caucasian, a bratty and selfish resident princess of The Corny Collins Show, despite her lack of talent, is willing to do anything to win the Miss Teenage Hairspray pageant, strong pop belt singer and great mover; Penny Pingleton: To play high school age, female, Caucasian, Tracy's slightly dorky, devoted, and perky best friend, strong pop belt singer and mover; Corny Collins: 30s, male, Caucasian, the eccentric and cocky host of The Corny Collins Show, handsome, charming, engaging, and smooth, strong pop singer; Motormouth Maybelle: 40s-50s, female, African-American, the owner of a downtown record shop and the host of "Negro Day" on The Corny Collins Show, self-described as "big, blonde, and beautiful," strong soulful gospel/pop singer; Velma Von Tussle: 40s-50s, female, Caucasian, Amber's scheming mother and producer of The Corny Collins Show, who pushes her daughter to seek the stardom that she never had, good character singer; Little Inez: To play Early Teens, female, African-American, Seaweed's younger sister, who tries to audition for The Corny Collins Show but is turned away because she is black, strong Broadway/pop singer and mover; Male Authority Figure: 40s-50s, Caucasian, plays Mr. Pinky, owner of Mr. Pinky's Hefty Hideaway who gives Tracy and Edna a makeover, Principal of Patterson Park High School & Mr. Harriman F. Spritzer, the President of Ultra Clutch Hairspray; Female Authority Figure: 40s-50s, Caucasian, plays the Matron guarding The Big Dollhouse, the Gym Teacher & Prudy Pingleton, Penny's overprotective and often close-minded mother; The Council: A group of Teenage singers and dancers on The Corny Collins Show, characters include Brad, Tammy, Fender, Brenda, Sketch, IQ & Lou Ann (also part of the Council are Amber and Link); Seaweed's Pals: To play high school roles, male and female, African-American, singers and dancers, characters include Gilbert, Stooie, Cindy Watkins, Lorraine, Duane & Thad; The Dynamites: Females, African-American, three sexy singer-dancers inspired by the Supremes, should have glorious pop/gospel singing voices, should move well, featured in the showstopper "Welcome to the '60s". A monitor will not be provided; the producer will run all aspects of this audition. Wear comfortable character/dance shoes and clothing. Be ready to learn combination(s). Prepare 16 bars of a musical theater song in the style of the show(s), in case you are asked to stay and sing; have a contrasting selection prepared in case requested. Bring sheet music; an accompanist will be provided. Note: Seeking experienced musical theater performers for all roles; also seeking understudies for all roles. Ethnic performers are strongly encouraged to attend. Aladdin and Hairspray play in repertory June-October, 2012. Actors may be cast in both productions; some shorter contracts may be available. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Brooklyn, NY - AUDITIONS: February 4, 2012 between 11:00 am-4:00 pm [Registration between 10:30 am-3:30 pm] at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: A RAISIN IN THE SUN. PROD, Brian Michael Flanagan; DIR, Reginald D. Douglas; WRTR, Lorraine Hansberry; CSTG, Destiny Lilly. Contract: Equity Showcase Code, approval pending. Rehearsal Dates: Begins February 18, 2012 (four weeks). Performance Dates: March 17-April 1, 2012 (12 performances at The Gallery Players in Brooklyn, NY). Breakdown-- Lena Younger: 59, female, African-American, resilient and wise, with the power to maintain a good humor despite the many hardships of her life, still in mourning over her recently deceased husband, but masking it with a confident demeanor and bravely bright smile and spirit, thoroughly tough, fierce, and thick-skinned, but her love for her children and desire to provide for their family reveals a quiet, gentle, and tender soul; Walter Lee Younger: 30, male, African-American, street smart from a life of struggle in the inner city, his confident pride and tough exterior masks the tender child and "mama's boy" that resulted from his life of love and familial safety and protection, striking in his grandeur and size (both physically and emotionally), with the ability to both cry and scream with emotional ease, his ability to shift between the harsh reality of his life and the brighter future that he dreams of is both electrifying and frighteningly harrowing; Ruth Younger: 28, female, African-American, a life of sacrifice has aged her beyond her years, but has not erased her sensuality, self-esteem, and deep love for her family, beautiful yet broken, has invested her dreams and passions into her son and husband with a grace and pride that is now starting to rip at the seams, a sharp wit coupled with a sincerely sweet spirit allows her to navigate her pain and frustrations with an easy laughter and infectious sense of humor, a fierce strength allows her to stand tall even as her world crumbles before her eyes; Beneatha Younger: 21, female, African-American, a confident and proud scholar and "know-it-all" with a big heart and even bigger zest for life and learning, an enthusiastic dreamer who aspires to be a doctor as an extension of her vibrant newfound political activism, boldly awakening to the joys of first love without the courage to admit how much she enjoys it; Joseph Asagai: 24, male, African-American, a suitor of Beneatha, Nigerian exchange student, enthusiastically proud of his Nigerian heritage, his power with words is captivating, entrancing, and allows him to take over any room he enters (an ability that he relishes), delights in Beneatha's fascination with his culture; George Murchison: 22, male, African-American, a suitor of Beneatha, handsome, privileged, and savvy, with a personality that is at once immediately charming and off-putting, actively aware of how his unique combination of good looks, money, and raging hormones makes him quite a catch, has a genuine interest in Beneatha that he hides under his mask of machismo and confidence, actor will double as a "Moving Man" in other scenes; Travis Younger: 9, boy, African-American, inner city life has made him wise beyond his years, quick-witted and bright-eyed, his joyful enthusiasm for life is kept in balance with the harsh realities of lack and struggle that burden his family and particularly his father, a mama's boy on the verge of adolescence, is discovering his voice and enjoying the thrill of pushing his mother's limits, the apple of his grandmother's eye and he knows it; Karl Lindner: 30, male, Caucasian, proud and big-hearted, projects a confidence and wisdom that masks his fear of the unknown and hard to understand, a family man who takes pride in his work, community, and sweet demeanor, a man on a mission that is in conflict with his conscience, is in many ways who Walter Lee could have been in another life; Bobo: 35, male, African-American, street smart without the common sense (as his name suggests), a friend of Walter Lee who is willing to risk his family's future on his personal ambitions, a man of pride without much dignity or honor, lives in his dreams with his head in the clouds, actor will double as a "Moving Man" in other scenes. Prepare the side for the audition for the role for which you are interested; cuttings will be for the characters Mama, Beneatha, Ruth, Walter, Asagai, Travis, Lindner or Ruth. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(New Orleans, LA - AUDITIONS: February 5, 2012 between 1:00-2:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Titles: HAMLET. DIR, Clare Moncrief. Rehearsal Dates: Begins May 15, 2012. Performance Dates: June 16-July 8, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ROSENCRANTZ AND GUILDENSTERN ARE DEAD. DIR, Danny Bowen. Rehearsal Dates: Begins May 29, 2012. Performance Dates: June 23-July 7, 2012 (with possible one week extension. Shows perform in rep in New Orleans, LA). ART DIR, Ron Gural. Contract: Equity NOLA Tier C Contract ($231 min./wk.). Breakdown-- All Roles Are Open. Note: The roles of Rosencrantz and Guildenstern in both Hamlet and Rosencrantz and Guildenstern Are Dead are cast. Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are in effect. A monitor will not be provided; the producer will run all aspects of this audition. Prepare a Shakespearean monologue, not to exceed 90 seconds. Always bring your Equity membership card to auditions. If you cannot attend during the above audition times (Equity members only), call to schedule an alternate time. Bring photographs & resumes, stapled together. (Posted: February 1, 2012)

(New York, NY - AUDITIONS: February 5, 2012 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: PETER & THE STARCATCHER by Rick Elice. DIR, Roger Rees, Alex Timbers; CSTG, Jim Carnahan. Contract: Equity Broadway/Production Contract ($1,703 min./wk.). Rehearsal Dates: Begins February 20, 2012. Preview Dates: March 18, 2012. Performance Dates: Opens April 15, 2012 (at the Brooks Atkinson Theatre on Broadway in New York, NY). Breakdown-- Peter: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a boy who doesn't miss much, nameless, homeless, and friendless at the beginning of the play, and a hero by the end, feral, brave, competitive, the boy the others will come to look up to, a survivor, more than anything in the world he wants a home and a family, will stare at adult life from a distance but will never understand it or enjoy it, because he will be forever held back in childhood, if he could grow up he'd fall for Molly in a big way, but it'll never happen; Molly Aster: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), raised to believe females can do anything males can, a natural leader at a time when girls are mostly followers, fearless, passionate, devoted to her father, her country, and her Queen, willing to risk everything for the sake of doing right, curious, intelligent, beginning to feel things she doesn't yet understand (romantic longings that revert to childish tantrums under pressure) because for the moment she's still a 13-year-old kid, will be one hell of a woman one day, must have an excellent British accent; Prentiss: Early-Mid Teens (but must be played by an adult actor who appears Early-Mid 20s), a bit older than Peter, ambitious, hyper-articulate, logical, yearns to be a leader even as he knows he never shall be one on account of the fact that the boys wouldn't follow him no matter what, and also just the teeny-tiniest touch of cowardice; Ted: Early-Mid Teens (but must be played by an adult actor who appears early to mid-20s), obsessed with food (the finding of, the eating of, the fighting over, and the dreaming about), the most talented of the boys, a natural actor, and easy wit, maybe even a poet, called "Tubby" by Prentiss, though not due to girth (of which orphans, given their meager diets, have very little indeed), fed up with Prentiss, but hungry for companionship. Also seeking the following adult characters - The Black Stache: 30s, continues to terrorize the seven seas long after most everyone else had gotten out of the pirate business, started shaving at age 10 and had the blood of 20 frigate crews on his hands by age 12, ruthless, peerless, heartless, and hirsute, suspiciously well read, partial to the poetical and theatrical, and married to his piratical career with a ferocity from which no good shall ever spring, must have an excellent British accent; Lord Leonard Aster: Late 30s-Early 40s, the very model of a Victorian English gentleman, loyal subject to the Queen, devoted father, faithful friend, also (and not irrelevant to the story) is a Starcatcher, dedicated to protecting the Earth and all who dwell there from the awesome power of Starstuff, must have an excellent British accent; Mrs. Bumbrake/Teacher: Two-character female track (to be played by a male actor) includes Mrs. Bumbrake, Late 30s-Early 40s, Molly's nanny, British through and through, not afraid of anything (including her husband, who is no longer alive), a no-nonsense good-time gal, who liked a rough shag and a quick drag too back in the day, still has enough of her girlish charm intact to turn a sailor's head and leaven his dreams, stiff in the lip, loose in the hip, fun on a ship & Teacher, formerly a salmon, now an ancient and knowledgeable mermaid, must have excellent British and Scottish accents; Captain Robert Falcon Scott: Late 30s-Early 40s, captain of the sports teams at Trinity School, now commander of the Wasp (the fastest ship in Victoria's fleet), if you don't ask he won't tell about his schoolboy crush on Leonard Aster (who was also a student at Trinity), years later Scott would lead an expeditionary team to the South Pole, freeze to death, and become an iconic British hero, "Scott of the Antarctic," must have an excellent British accent; Grempkin/Mack/Fighting Prawn: Three-character track for one actor includes Grempkin, Early-Mid 30s, the mean and malodorous schoolmaster from St. Norbert's Orphanage for Lost Boys, known as "The Angel of Anguish," keeps his boys in the dark, as sunlight is known to feed rebellious notions, Mack, a very bad sailor who wants to be anywhere else but under the thumb of Bill Slank & Fighting Prawn, King of the Mollusk natives, son of Jumbo Prawn and Littleneck Clam, kidnapped by British sailors and brought in chains to England, served as sous-chef below stairs in a country estate in Derbyshire, where for no good reason he learned Italian wines and mastered Italian cuisine, since returning to his island kingdom he has vengefully murdered any English with the temerity to land on his Mollusk Isle domain, must have an excellent British accent; Smee: Early-Mid 30s, first mate to The Black Stache, simple-minded, but single-mindedly dedicated to his Captain's every whim, no first name, and from the day he was out of diapers was packed off somewhere to be subservient to somebody, his motto is "'Tis good to be busy," must have an excellent British accent; Bill Slank/Hawking Clam: Two-character track for one actor includes Slank, Late 30s-Early 40s, a vicious captain without the skill or quality to lead anyone but himself (and always into disaster), would sell his own mother for a ship to command, would kill his best friend for a leg up from the stinking hole he calls home, cheerfully aids the awful machinations of those who would use Starstuff for personal gain, global domination, or worse, an orphan too & Hawking Clam, son of Fighting Prawn, the issue of a night of love mere moments before Fighting Prawn was torn from the nuptial bed he shared with Princess Sweetnsour Prawn and whisked into a British kitchen half a world away, understands his father's hatred for the British, but (as often happens with younger generations) will gladly bend such strictures when one day he ascends to the Clam throne as head of the Royal Clam Clan, must have an excellent British accent; Alf: 30s-Early 40s, an old seadog who's prouder of achieving the rank of "Mister" than he should be given the state of the competition, a white knight in search of a damsel (any damsel), something about him appeals to the feminine sensibility, might be his bow legs, his saucy gait or his kind heart, must have an excellent British accent. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: January 30, 2012)

(Santa Maria, CA) - To schedule an audition appointment, Call/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their 2012 summer season. Season Titles: THE RIVALS. Rehearsal Dates: Begins May 29, 2012. Performance Dates: June 23-July 22, 2012 (in Santa Maria, CA). LEGALLY BLONDE. Rehearsal Dates: Begins May 29, 2012. Performance Dates: July 7-August 19, 2012 (in Santa Maria, CA). DADDY LONG LEGS. Rehearsal Dates: Begins July 24, 2012. Performance Dates: August 3-September 9, 2012 (in Santa Maria, CA). CSTG, Erik Stein. Contract: Equity URTA Contract ($658/wk). Audition Dates & Locations (All Dates / Locations are subject to change):

Seattle, WA - February 5, 2012 between 10:00 am- 1:00 pm by Appointment Only at Details Are only Available By Subscription..

Breakdown-- For THE RIVALS - Lydia: Early 20s; Julia: Early 20s; Faulkland: Late 20s; Sir Lucious: 40-60; Thomas: 20s-30s; Mr. Fag: 20s-30s. For LEGALLY BLONDE - Elle Woods: Mid 20s, beautiful, amazing actor and pop singer, carries the show, audience must fall in love with her; Emmett Forrest: Late 20s, good actor/singer who knows how to play a "nice average Joe"m strong bari/tenor; Professor Callahan: 40s-50s, good looking, powerful actor who commands attention, strong baritone; Warner Huntington III: Mid 20s, very good looking strong singer, suave comic actor; Brooke Wyndham: Late 20s or Early 30s, very beautiful and in very good shape, strong singer, dancer, actor, professional fitness trainer; Serena & Pilar: Mid 20s, strong pop singers and very good dancers, leaders of UCLA's Delta Nu Sorority; Male & Female Ensemble: 20s-30s, strong dancers of any ethnicity who sing and act well to play many small roles. For DADDY LONG LEGS - Understudies. Note: All ethnicities are encouraged to apply. A monitor will not be provided. The producer will run all aspects of the audition. Prepare one monologue and one song. An accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: November 28, 2011)

(Fort Atkinson, WI)(New York, NY - AUDITIONS: February 6, 2012 between 10:00 am-1:00 pm & 1:30-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: LEGALLY BLONDE. PROD/DIR, Ed Flesch; CHOREO, Ann Nieman; MUSIC DIR, Mary Ehlinger. Contract: Equity Fireside Dinner Theatre Agreement ($568 min./wk.). Rehearsal Dates: Begins April 23, 2012. Performance Dates: May 10-July 1, 2012 (in Fort Atkinson, WI). Breakdown-- Elle Woods: Early 20s, pretty, perky, a sorority queen whose shallow, entitled exterior covers a sharp, intelligent, purposeful interior, must sing and move well with great comic instincts; Emmett Forrest: Late 20s-Early 30s, leading man, earnest, likable, slightly nerdy but cute; Paulette Bonafonte: 30s-Early 40s, warm, funny, working class, attractive but a bit insecure, good comic ability; Professor Callahan: Late 30s-40s, attractive, charismatic, smart, arrogant, narcissist, very full of himself with very little respect for others, especially women; Warner Huntington III: Early 20s, a younger version of Callahan but without the intelligence; Vivienne Kensington: Early 20s, smart, sophisticated, the polar opposite of Elle, judgmental at first but warms up as she gets to know Elle; Brooke Wyndham: Late 20s-Early 30s, slightly older version of Elle; Kyle: 30s-Early 40s, working class, attractive, a bit shy, delivery man for a UPS-like delivery service; Chutney: 20s, spoiled young east coast version of Elle's sorority sisters, angry and jealous of Brooke; Nikos: 20s-30s, European, good-looking, effeminate, good comic ability. Prepare a short song in the style of the show. Singing from the show is fine. Bring sheet music in the correct key; an accompanist will be provided but may not transpose. Bring photographs & resumes, stapled together. (Posted: January 31, 2012)

(Los Angeles, CA - AUDITIONS: February 6, 2012 at 9:30 am for Non-Required Principal [Registration at 9:00 am] at Details Are only Available By Subscription. holds monthly EPAs on the first or second Monday. CSTG, Erika Sellin, Mark Simon. Contract: Equity LORT Non-Rep Contract (Ahmanson: A+, Taper: A, Douglas: D). Breakdown-- Equity Actors. A monitor will not be provided. The producer will run all aspects of this audition. Actors must have current AEA card to gain entry. Prepare two contrasting monologues; each of the pieces should be one to two minutes in length. They prefer that your selections be from a published American play and not an original composition. (Posted: January 23, 2012)

(Toronto, Canada) - Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: CAN I REALLY DATE A GUY WHO WEARS A YARMULKE? by Amy Holson-Schwartz. Performance Dates: February 29-March 11, 2012 (at the Toronto Centre for the Arts [former Ford Center] Studio Theatre). Breakdown-- Eleanor: Late 20s. A PHD candidate; Aaron: Age range 23-30, male, a young Jewish physician. Lead; Will: Age range 23-30, male. Actor will be playing various roles. Supporting Lead; Lila: Female. Actress will be playing various roles; One Female: Actress will be playing various roles; One Male: Actor will be playing various roles. Please prepare one comedic and one dramatic monologue (maximum 2 minutes each). Only those selected for an audition will be contacted. Knowledge of play is an asset. Play available upon request. (Posted: December 6, 2011)