(Saskatoon, Canada)(Winnipeg, Canada - AUDITIONS: July 22, 2010 at Details Are only Available By Subscription. will be holding out-of-town General Auditions. Artists will be required to prepare two contrasting pieces of no longer than 5 minutes in total. Artists whose work is familiar to Artistic Director Del Surjik are encouraged to submit a package and letter of interest but will not be required to audition. (Posted: June 21, 2010)

(Saskatoon, Canada)(Winnipeg, Canada - AUDITIONS: July 23, 2010 at Details Are only Available By Subscription. will be holding out-of-town General Auditions. Artists will be required to prepare two contrasting pieces of no longer than 5 minutes in total. Artists whose work is familiar to Artistic Director Del Surjik are encouraged to submit a package and letter of interest but will not be required to audition. (Posted: June 21, 2010)

(New York, NY - AUDITIONS: July 6, 2010 between 10:00 am-2:00 pm & 3:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: PHOTOGRAPH 51 by Anna Ziegler. DIR, Linsay Firman. Contract: Equity LOA-NYC Contract ($500 min./wk.). Rehearsal Dates: Begins September 27, 2010. Performance Dates: October 27-November 21, 2010. Breakdown-- Rosalind Franklin: Mid 30s, female, Jewish British, scientist, strong, guarded, dedicated; Don Caspar: Late 20s-Early 30s, male, Jewish American, Rosalind's assistant, faithful to her; Maurice Wilkins: Late 30s-Early 40s, male, British, proper, stubborn, scientist, partner to Rosalind, not good at being a partner to her; James Watson: Early-Mid 20s, American, scientist, in competition with Franklin and Wilkins, partner to Crick; Ray Gosling: Mid-Late 20s, British, awkward, endearing, admires Franklin, falls for her; Francis Crick: Early-Mid 30s, British, very proper, in competition with Franklin and Wilkins, partner to Watson. Prepare a brief contemporary monologue. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(Fort Myers, FL)(New York, NY - AUDITIONS: July 6, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season Titles: NOISES OFF by Michael Frayn. DIR, Robert Cacioppo. Rehearsal Dates: Begins October 5, 2010. Performance Dates: October 26-November 20, 2010. GASLIGHT by Patrick Hamilton. DIR, Robert Cacioppo. Rehearsal Dates: Begins November 9, 2010. Performance Dates: November 30-December 19, 2010. SYLVIA by A.R. Gurney. DIR, Maureen Heffernan. Rehearsal Dates: Begins December 14, 2010. Performance Dates: January 4-23, 2011. AUGUST: OSAGE COUNTY by Tracy Letts. DIR, Robert Cacioppo. Rehearsal Dates: Begins February 15, 2011. Performance Dates: March 8-27, 2011. PROD ART DIR, Robert Cacioppo. Contract: Equtiy LOA Contract, Approval Pending (2009-2010 salary: $493 min./wk., current level pending). Breakdown-- For NOISES OFF - Fredrick Fellowes: 40s-50s, debonair leading man type, prone to nosebleeds, gets weak at the sight of violence, rather dim; Selsdon Mowbray: 70s, befuddled and confused actor, has an alcohol problem and a propensity for falling asleep and/or missing entrances - especially when he's had too much to drink. For GASLIGHT - Jack Manningham: Mid 40s, classic, handsome, suavely diabolical villain with an air of mystery, slowly, methodically torturing his wife into insanity; Inspector Rough: middle-aged, stylish, warm-hearted police inspector, a bit brusque and overbearing, plays a hunch, orchestrates Manningham's undoing. For SYLVIA - Greg: Recent empty nester, career is beginning to slow down, Sylvia, the dog he found in the park, becomes the object of his middle-aged affection. For AUGUST: OSAGE COUNTY - Beverly Weston: 69, the missing patriarch; Ivy Weston: 44, middle Weston daughter, a bit plain, hasn't had luck with men, not the favorite daughter, has found love with her cousin, Little Charles; Karen Weston: 40, youngest Weston daughter; Johnna Monevata: 26, Native American woman, housekeeper, new to the family, quiet, strong. Prepare two contrasting one-minute monologues. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(Charlotte, NC - AUDITIONS: July 7, 2010 between 6:30-8:30 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HERE'S A GOOD MAN. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(Baltimore, MD - AUDITIONS: July 7, 2010 between 10:00 am-2:00 pm & 3:00-7:00 pm for Equity Performer by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE WIZ. ART DIR/DIR, Irene Lewis. Contract: Equity LORT B Contract ($750 min./wk.). Rehearsal Dates: Begins August 27, 2010. Performance Dates: September 29-November 7, 2010 (in Baltimore, MD). Breakdown-- Dorothy: Appears 13-14, curious, warm, energetic, with lots of heart, but unsentimental; Wiz: 30s-40s, a highly theatrical actor who can be menacing, also doubles as Dorothy's Uncle; Evaline/Addaperle: plays Addaperle, 30-40, comic, a ham, an entertainer, though her "magic act" rarely works and Evaline, theatrically evil, pushy, takes up a lot of room; Glinda/Aunt Em: 30s-40s, Glinda is the glamorous good witch in contrast with Aunt Em, who is a poor Kansas woman raising Dorothy, warm; Scarecrow: 30s, wants some brains, rubber body; Tinman: 30s, needs a heart; Lion: 30-50, needs courage, afraid of everything but at the same time he's a ham, almost a Vegas song-and-dance man. Also seeking Ensemble: Eight highly inventive singer-dancer-actors to play a wide variety of fun roles. Note: This is the original version of The Wiz, which is an all-black version of The Wizard of Oz, set roughly in the 1970s. The entire cast needs to be serious singers, dancers and actors. Seeking all sizes and shapes. Many in the cast need to be "transformers," since they will play a variety of roles needing real imagination. For the audition, prepare a three-minute monologue and/or 16 bars of a song. Bring sheet music; an accompanist will be provided. Non-Equity performers will be seen as time permits during the day and may call for an appointment at times TBD. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(New York, NY - AUDITIONS: July 7, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: FRECKLEFACE STRAWBERRY, a new musical based on the children's book by Julianne Moore, illustrations by LeUyen Pham. DIR, Buddy Crutchfield; CSTG, Matthew Maisto. Contract: Equity TYA Contract, Approval Pending ($853 min./wk. plus health/pension). Rehearsal Dates: Begins August 9, 2010 (tentative). Performance Dates: Opens in September, 2010 (at New World Stages [Stage 4] in New York, NY). Breakdown-- Strawberry: 18+ to play 7-10, female, Caucasian, extremely appealing, cute, smart, and diminutive, hates her red hair and freckles, beautiful in her own way, extremely empathetic and a bit of a tomboy, based on Julianne Moore at a young age, seeking a strong singer with an excellent contemporary musical theater voice, strong mover, very strong actress. Lead; Mother/Teacher: Late 20s-Early 40s, female, Caucasian, plays Mother, Strawberry's mother, based on Julianne Moore as she is today, beautiful, maternal, tender and Teacher, fun, funny, creative, free spirit, very cheerful, a bit odd, a good singer w/warm soprano voice required for Mother, actress should also be able to perform a hilarious faux-rap number as the Teacher, strong singer, very strong actress; Ballet Girl: 18+ to play 7-10, female, any ethnicity, character is a driven ballet dancer, self-involved, innocently conceited loner who secretly longs for a friend, comes off as a bit of a snob, but actually quite insecure, true comedienne, should be a very strong singer skilled in ballet technique, pointe work a plus; Danny: 18+ to play 7-10, male, any ethnicity, a popular jock, goofy, but also extremely charming and good-looking, loves to be the center of attention, strong singer; Jake: 18+ to play 7-10, male, any ethnicity, Strawberry's best friend, very smart, very sensitive, strong pop tenor singer; Harry/Strawberry's Baby Brother: 18+ to play 7-10, male, Caucasian, plays Harry, cute, childish (baby-face), and stocky, but not unfit, full of life, great comic timing required and Strawberry's Baby Brother, strong singer-dancer; Emily: 18+ to play 7-10, female, any ethnicity, endearingly ditzy, beautiful, popular, confident, a magnet, has a big crush on Danny, strong singer-dancer; Jane: 18+ to play 7-10, female, any ethnicity, a friendly and intelligent bookworm, takes herself very seriously, intense for a girl of her age, marches to the beat of her own drum, strong singer. Note: For all roles other than Mother/Teacher, seeking actors 18+, with exceptional contemporary musical theater voices, to play characters age 7-10 honestly and believably. Prepare a brief contemporary musical theater or pop song. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(New York, NY - AUDITIONS: July 8, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE IMPORTANCE OF BEING EARNEST by Oscar Wilde. DIR, Brian Bedford; CSTG, Jim Carnahan, Carrie Garnder. Contract: Equity LORT Contract ($1,207 min./wk.). Rehearsal Dates: Begins November 16, 2010. Performance Dates: December 20, 2010-March 20, 2011 (on Broadway at the American Airlines Theatre in New York, NY). Breakdown-- Jack Worthing: Mid 20s-Mid 30s, seemingly responsible and respectable young man who leads a double life, in Hertfordshire, where he has a country estate, he is known as Jack, in London he is known as Ernest, his family pedigree is a mystery, but his seriousness and sincerity are evident, in love with his friend Algernon's cousin, Gwendolen Fairfax; Algernon Moncrieff: Mid 20s-Mid 30s, charming, idle, decorative bachelor, nephew of Lady Bracknell, cousin of Gwendolen Fairfax, and best friend of Jack Worthing, whom he has known for years as Ernest, brilliant, witty, selfish, amoral, given to making delightful paradoxical and succinct pronouncements, has invented a fictional invalid friend, "Bunbury," to get him out of unpleasant or dull social obligations; Gwendolen Fairfax: Mid 20s-Early 30s, Algernon's cousin, Lady Bracknell's daughter, in love with Jack, whom she knows as Ernest, a model and arbiter of high fashion and society, speaks with unassailable authority on matters of taste and morality, sophisticated, intellectual, cosmopolitan, utterly pretentious, fixated on the name "Ernest" and says she will not marry a man without that name; Cecily Cardew: Early-Mid 20s, Jack's ward, the granddaughter of the old gentleman who found and adopted Jack when Jack was a baby, probably the most realistically drawn character in the play, like Gwendolen she is obsessed with the name "Ernest," but she is even more intrigued by the idea of wickedness, this idea, rather than the virtuous-sounding name, has prompted her to fall in love with Jack's brother Ernest in her imagination, and to invent an elaborate romance and courtship between them; Miss Prism: 50s-60s, Cecily's governess, endless source of pedantic bromides and clichés, highly approves of Jack's presumed respectability, and harshly criticizes his "unfortunate" brother, puritan though she is, her severe pronouncements have a way of going so far over the top that they inspire laughter, seems to have a softer side despite her rigidity, entertains romantic feelings for Dr. Chasuble; Rev. Chasuble: 60s+, rector on Jack's estate, like Miss Prism, he is the source of Victorian moral judgments, but appears to be an old lecher under the surface, his sermons are interchangeable, mocking religious conventions, however, beneath the religious exterior, his heart secretly beats for Miss Prism; Lane: 30s-60s, traditional English manservant; Merriman: 30s-60s, traditional English butler. Note: Excellent British accent required for all roles. The role of Lady Bracknell is cast. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: July 6, 2010)

(Atlanta, GA)(Austell, GA - AUDITIONS: July 8, 2010 between 6:00-8:00 pm for Actors & Singers & Dancers at Details Are only Available By Subscription. will be holding auditions for the stage play. Title: ADDICTION: NO ONE KNOWS BUT ME. DIR/WRTR, Andre Knighton. Performance Dates: Tentatively scheduled for December 3-4, 2010 (at Georgia Tech's Ferst Center for the Arts, Atlanta, GA). Breakdown-- Actors & Singers & Dancers: 8+, males & females. Prepare a short monologue (actors), a short song (singers) or a routine to one song (dancers). Bring photographs & resumes, stapled together. (Posted: July 6, 2010)

(Chicago, IL - AUDITIONS: July 8, 2010 between 10:00 am-3:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Titles: IN DARFUR by Winter Miller. DIR, Nick Bowling. Rehearsal Dates: Begins November 29, 2010. Performance Dates: January 19-March 20, 2011. THE FRONT PAGE by Ben Hecht & Charles MacArthur. DIR, Nick Bowling. Rehearsal Dates: Begins February 28, 2011. Performance Dates: April 13-June 19, 2011. Contract: Equity CAT Contract, Tier N ($240 min./wk.). Breakdown-- For IN DARFUR - Hawa: 20s-30s, female, African-American; Carlos: 30s, male, Latino; Maryka: 30s, female, any ethnicity; Jan: 40s-50s, female, African-American; Hamida: 20s-30s, female, African-American; Ensemble: 20s-40s, two males, African-American. For THE FRONT PAGE - Wilson: 30s-50s, male; Endicott: 30s-50s, male; Murphy: 30s-50s, male; McCue: 30s-50s, male; Schwartz: 30s-50s, male; Kruger: 30s-50s, male; Bensinger: 30s-50s, male; Mrs. Schlosser: 30s-50s, female; Woodenshoes Eichorn: 30s-50s, male; Diamond Louis: 30s-50s, male; Jennie: 30s-50s, female; Sheriff Hartmann: 40s-50s, male; Peggy Grant: 30s, female; Mrs. Grant: 60s, female; The Mayor: 50s, male; Mr. Pincus: 40s-50s, male; Earl Williams: 30s, male; Carl: 30s-50s, male; Frank: 30s-50s, male; Policemen: 30s-50s, male. Prepare a monologue of your choice, 3 minutes max. Bring photographs & resumes, stapled together (Include your phone number and email address on your resume). (Posted: July 6, 2010)

(New York, NY - AUDITIONS: July 8, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BOTTOM OF THE WORLD. ART DIR, Neil Pepe; WRTR, Lucy Thurber. Contract: Equity Mini Contract, Approval Pending ($402 min./wk.). Rehearsal Dates: Begins approximately August 9, 2010. Performance Dates: Approximately September 3-October 3, 2010 (at Atlantic Stage 2). Breakdown-- Abigail: 33, female, grieving over the recent loss of her sister Kate, who died five months earlier; Susan/Dana: Susan is 33, Abigail's best friend, coping with her parents' divorce, Dana is Late Teens-Early 20s, small town, Josh's wife, very much in love with him, seeking actress who can believably play both age ranges; Ely: Late Teens-Early 20s, male, best friends with Josh, rough and tumble farm boy, pursuing a hopeless love; Josh: Late Teens-Early 20s, male, best friends with Ely, rough-and-tumble farm boy, but shy; Gina/Sally: 20s, female, Gina is urban, sophisticated, Abigail's lover, struggling with Abby's grief over the loss of her sister, Sally is small-town, best friends with Dana, marrying the wrong man; Kate: female, 26, Abigail's sister, a young novelist killed prematurely, and a ghost, trying to make sense of life and death; Louise/Christine: Late 50s, female, Louise is sophisticated and urban, left her husband after 35 years of marriage to look for a more adventurous sex life, Christine is small-town, maternal, with a sense of emptiness; Marshall/Paul: Late 50s, male, Marshall is sophisticated and urban, recently separated, and still in love with Louise, who has left him for another man, Paul is Josh's father, rural, stoic but feeling. Note: All roles are open to any ethnicity. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: July 6, 2010)

(Charlotte, NC - AUDITIONS: July 8, 2010 between 6:30-8:30 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HERE'S A GOOD MAN. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(Vancouver, Canada - AUDITIONS: July 19, 2010) - Send/Email photographs & resumes by July 9, 2010 to: Details Are only Available By Subscription. will be holding General Auditions. Those who are invited to audition will be contacted with an audition time. Equity members will be asked to prepare 2 contrasting monologues, less than 2 minutes each. One of these monologues should be Canadian. Non-equity actors will be asked to prepare one contemporary monologue of their choosing, less than 2 minutes. Priority will be given to those not previously seen by Mr. Reimer and to Equity Members. (Posted: June 21, 2010)

(Vancouver, Canada - AUDITIONS: July 26, 2010) - Send/Email photographs & resumes by July 9, 2010 to: Details Are only Available By Subscription. will be holding General Auditions. Those who are invited to audition will be contacted with an audition time. Equity members will be asked to prepare 2 contrasting monologues, less than 2 minutes each. One of these monologues should be Canadian. Non-equity actors will be asked to prepare one contemporary monologue of their choosing, less than 2 minutes. Priority will be given to those not previously seen by Mr. Reimer and to Equity Members. (Posted: June 21, 2010)

(Atlanta, GA)(Austell, GA - AUDITIONS: July 9, 2010 between 6:00-8:00 pm for Actors & Singers & Dancers at Details Are only Available By Subscription. will be holding auditions for the stage play. Title: ADDICTION: NO ONE KNOWS BUT ME. DIR/WRTR, Andre Knighton. Performance Dates: Tentatively scheduled for December 3-4, 2010 (at Georgia Tech's Ferst Center for the Arts, Atlanta, GA). Breakdown-- Actors & Singers & Dancers: 8+, males & females. Prepare a short monologue (actors), a short song (singers) or a routine to one song (dancers). Bring photographs & resumes, stapled together. (Posted: July 6, 2010)

(Broadway, NY & Las Vegas, NV & National Tour)(New York, NY - AUDITIONS: July 10, 2010 at 10:00 am [Registration between 9:00-11:00 am] at Details Are only Available By Subscription. will be holding auditions for THE LION KING. DIR, Julie Taymor; CHOREO, Garth Fagan; CSTG, Mark Brandon. Contract: Equity BVTVI/Production Contract ($1,605 min./wk.). Performance Dates: Open-ended run on Broadway, NY & Las Vegas, NV & National Tour. Breakdown-- Child Actors: 9-12, male & female, 5'2"-5'8", who can sing, dance, and act, to play the African lion cubs Simba & Nala, children of all backgrounds are encouraged to attend, no performance experience necessary. Prepare to be taught the last verse of "I Just Can’t Wait to be King." All children must be accompanied by a parent or guardian who must remain at the audition site at all times. Be ready to wait. Bring photographs & resumes, stapled together. (Posted: July 7, 2010)

(Dallas, TX - AUDITIONS: July 10, 2010 between 10:00 am-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: CLOSER TO HEAVEN. DIR, Bruce R. Coleman; MUSIC DIR, Adam C. Wright; CHOREO, John de los Santos. Contract: Equity SPT Contract ($265/wk.). Rehearsal Dates: Begins the week of September 6, 2010. Performance Dates: October 1-24, 2010 (at the Kalita Humphreys Theater). Breakdown-- Straight Dave: Early-Late 20s, high pop rock voice, very good looking, must sing and dance very well, speaks with an Irish accent, has very intense emotional affairs with Shell and Lee, partial nudity and same-sex kissing required; Vic: 40s-50s, mid-to-high pop rock voice, Shelly's dad, runs a night club, fairly hip, but troubled, a man that came out after being a husband and father, good rock 'n' roll voice; Bob Saunders: 40s-50s, mid hard rock voice, slimy record exec who has the hots for Dave; Mile High Lee: Early-Mid 20s, mid pop-rock voice, bisexual drug dealer, solitary and guarded until he meets Dave, sleeps with Billie, but loves Dave, partial nudity and same sex kissing required; Flynn: 20-40, high hard rock voice, Saunders' assistant, sleazy and flamboyant; Billie Trix: 40s-50s, low hard rock voice, attractive cougar, the show's emcee and narrator, speaks with a German accent, good singer, funny and caustic; Shelly: Early-Late 20s, has a rocky sexual/emotional relationship with Dave, level-headed, real and smart, partial nudity required, good singer; Ensemble: 5 men and 5 women, 18-40, ethnically diverse singer-dancers, must be able to move well, all ensemble characters need a contemporary rock sound and must speak with a British accent. Equity monitor will not be provided; producer runs all aspects of this call. Prepare the verse and chorus of one contemporary pop song that shows your vocal range. You may also be asked to read a short monologue in the accent required for your character. Bring sheet music in the correct key. Bring 2 photographs & 2 resumes, stapled together. (Posted: July 7, 2010)

(Atlanta, GA)(Austell, GA - AUDITIONS: July 10, 2010 between 2:00-4:00 pm for Actors & Singers & Dancers at Details Are only Available By Subscription. will be holding auditions for the stage play. Title: ADDICTION: NO ONE KNOWS BUT ME. DIR/WRTR, Andre Knighton. Performance Dates: Tentatively scheduled for December 3-4, 2010 (at Georgia Tech's Ferst Center for the Arts, Atlanta, GA). Breakdown-- Actors & Singers & Dancers: 8+, males & females. Prepare a short monologue (actors), a short song (singers) or a routine to one song (dancers). Bring photographs & resumes, stapled together. (Posted: July 6, 2010)

(Durham, NC - AUDITIONS: July 10-31, 2010 between 11:00 am-3:00 pm at Details Are only Available By Subscription. will be holding auditions for their 2010-11 season. Title: ASYLUM SWEET SEDUCTION. Breakdown-- Leads, Standbys, Understudies, Singers & Dancers. Walk-ins will be seen as time allots. Bring photographs & resumes, stapled together. (Posted: July 5, 2010)

(Signal Hill, CA - AUDITIONS: July 11, 2010 between 10:00 am-3:00 pm by Appointment Only) - To schedule an audition appointment, Email photographs & resumes with list of related experience ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HYPERBOLE: ORIGINS. DIR, Sean T. Cawelti; CSTG, Miles Taber. Contract: Producer plans to apply for an Equity 99-Seat Plan ($9-$12/perf.). Rehearsal Dates: Begins August 23, 2010. Performance Dates: October 23-December 13, 2010 (at Inside the Ford). Breakdown-- Ducis: The host, electronic musician or DJ experience preferred with computer experience and good natural rhythm; The Twins: one who favors order, one who favors destruction; Ensemble: Four cast members, plus understudies, will play varying characters and roles in addition to manipulating puppet characters. Note: All roles are open to male and female, 18-65, any ethnicity, excellent physical performers with athletic ability and experience in clowning, mask work, or as a mime. Prepare a one-minute physical character performance piece with or without dialogue that contains a beginning, middle and end. Feel free to use a mask, props or puppets, but the audition must incorporate your entire body. Dress comfortably and be prepared for improv or mime prompts for callbacks. Bring photographs & resumes, stapled together. (Posted: July 7, 2010)

(Albany, OR - AUDITIONS: July 12, 2010 by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: ALICE IN WONDERLAND. DIR, Kaity Boyce. Performance Dates: September 10-25, 2010 (at the Albany Civic Theatre in Albany, OR). Breakdown-- Alice: 13-22, an imaginative girl, often melodramatic or contrary, with a good head on her shoulders, full of wonder and curiosity; White Rabbit: 15+, the unofficial narrator of Wonderland, a thoroughly nervous creature; Caterpillar: 16+, a mild-mannered riddler; Duchess: 16+, a rough, angry woman; Cook: 16+, a slightly wild chef; Frog-Footman: 13+, wry but helpful; March Hare: 15+, the Mad Hatter's slightly saner sidekick; Mad Hatter: 16+, crazy and nonsensical, filled with riddles; Dormouse: 13+, a less active character who tries to sleep through the insanity around him; Mock Turtle: 13+, a scornful soup peddler; Gryphon: 16+, a sad and superior sort; Tweedledee & Tweedledum: 14+, a dopey duo; King of Hearts: 18+, the regal leader of Wonderland; Knave of Hearts: 16+, a fearful member of the court; Red Queen: 18+, loud, boisterous and fond of beheadings; White Queen: 18+, a kind and gentle ruler; Executioner: 18+, walks softly and carries a big axe. Bring photographs & resumes, stapled together. (Posted: July 7, 2010)

(Albany, OR - AUDITIONS: July 13, 2010 by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: ALICE IN WONDERLAND. DIR, Kaity Boyce. Performance Dates: September 10-25, 2010 (at the Albany Civic Theatre in Albany, OR). Breakdown-- Alice: 13-22, an imaginative girl, often melodramatic or contrary, with a good head on her shoulders, full of wonder and curiosity; White Rabbit: 15+, the unofficial narrator of Wonderland, a thoroughly nervous creature; Caterpillar: 16+, a mild-mannered riddler; Duchess: 16+, a rough, angry woman; Cook: 16+, a slightly wild chef; Frog-Footman: 13+, wry but helpful; March Hare: 15+, the Mad Hatter's slightly saner sidekick; Mad Hatter: 16+, crazy and nonsensical, filled with riddles; Dormouse: 13+, a less active character who tries to sleep through the insanity around him; Mock Turtle: 13+, a scornful soup peddler; Gryphon: 16+, a sad and superior sort; Tweedledee & Tweedledum: 14+, a dopey duo; King of Hearts: 18+, the regal leader of Wonderland; Knave of Hearts: 16+, a fearful member of the court; Red Queen: 18+, loud, boisterous and fond of beheadings; White Queen: 18+, a kind and gentle ruler; Executioner: 18+, walks softly and carries a big axe. Bring photographs & resumes, stapled together. (Posted: July 7, 2010)

(AL & GA & KY & LA & MS & TN & TX)(Chicago, IL - AUDITIONS: July 14, 2010 between 10:00 am-4:00 pm at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 tour. Title: JACK AND THE BEANSTALK. PROD, William J. Crumb, Sr. Contract: $550/wk. for actors, plus travel and $100/wk. bonus (total $650 bonus paid at end of tour); $650/wk. for production coordinator, plus travel and $100/wk. bonus (total $750 bonus paid at end of tour). Rehearsal Dates: Begins September 7, 2010 (in the New Orleans, LA area). Tour Performance Dates: September 16, 2010-February 11, 2011 (in AL & GA & KY & LA & MS & TN & TX). Breakdown-- Jack: Young, male, 5'6"-5'10", looking for an adventure and finds one that tests his resolve and his belief in his father; Giant: Male, 5'10"-6'2", character role, must be athletic and able to walk on stilts, actor also doubles as Milky White the cow; Marsha: Female, 5'4"-5'10", character role, servant to the giant, also doubles as Jack's Mother; Hen: Female, 5'4"-5'10", character role, must dance, smart talking hen that lays golden eggs, also doubles as Bean Seller who operates the bean café. Note: Performers of all ethnicities are encouraged to audition. Also seeking Production Coordinator: Duties include maintaining quality of show, driving company van, making motel reservations, locating schools, seating and dismissing audiences, sending weekly reports, and helping with the load in and out. (Posted: July 13, 2010)

(Center Valley, PA)(New York, NY - AUDITIONS: July 14, 2010 between 11:00 am-2:00 pm [Registration at 10:30 am] at Details Are only Available By Subscription. will be holding auditions for their Fall, 2010 WillPower touring production. Title: HAMLET. PROD ART DIR, Patrick Mulcahy; DIR, Erin Hurley. Contract: $330/wk., plus housing provided. Rehearsal Dates: Begins September 16, 2010. Tours Performance Dates: October 6-November 19, 2010 (at schools in PA). Breakdown-- All Roles Are Open: 21-35, male and female, must have experience and training in Shakespeare. Note: Actors of all ethnic backgrounds are encouraged to attend. Actors will also teach workshops at schools (training provided) and participate in load-in/load-out of set. Prepare any Shakespeare monologue. (Posted: July 13, 2010)

(Greensboro, NC - AUDITIONS: July 14, 2010 between 11:00 am-6:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: EDUCATING RITA. DIR, Eleanor Holdridge; WRTR, Willy Russell. Contract: Equity SPT Contract, approval pending (2009-10 salary: $502 min./wk., current level pending). Rehearsal Dates: Begins September 22, 2010. Performance Dates: October 17-November 7, 2010 (in Greensboro, NC). Breakdown-- Frank: Approximately 50, patrician, handsome, but has let himself go to seed, there might be a bit of the old hippie about him, tenacious, once brilliant, witty, exudes a deep sense of weariness, but has sudden moments of charm, wit, warmth, and a quick and ironic sense of humor, behind the numbness of his alcoholism there is yearning and hope for something fresh and new and green, drinks with self-destructive violence and a hard tenacity; Rita: 36, ebullient, brimming with a sense of possibility and life, quirky, warmhearted, loving, gritty, down-to-earth, compassionate, working-class, has a raging hunger for learning and new experience, a rebel at heart, unafraid to speak her mind, plagued by insecurity and self-doubt, constantly questions the world around her and her choices within it, speaks with a British accent (northwest industrial city). Equity members without appointment will be seen throughout the audition day as time permits. Follow auditions signs to the third floor rehearsal hall. Prepare two contrasting contemporary monologues. Bring photographs & resumes, stapled together. (Posted: July 12, 2010)

(New York, NY & USA Tour)(New York, NY - AUDITIONS: July 14, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for future replacements for the Broadway & National tour companies. Title: PHANTOM OF THE OPERA. PROD, Cameron Mackintosh, The Really Useful Company; DIR, Harold Prince; CHOREO, Gillian Lynne. Contract: Equity Production Contract ($1,605 min./wk.). Breakdown-- Christine Daae: 20s, beautiful young singer, soprano voice that combines elements of classical and pop singing, a light and floaty soprano, sings briefly to high E; The Phantom: 30s-40s, high lyric baritone or tenor (with a good low range) from low A flat to high A flat, must be dynamic, bravura, "star" performance, both frightening and irresistible; Raoul, Vicomte de Chagny: Late 20s-Early 30s, dashing, handsome young artistocrat, high baritone, two octave range from A flat to A flat; Firmin & Andre: Late 30s-50ish, the managers of the Paris Opera House, trying to be elegant, slightly befuddled and bumbling, must have good instincts for stylish comedy, baritones (one sings to A and one to G), supporting roles; Carlotta Giudicelli: 30s-Early 40s, the prima donna of the Paris Opera, a diva in every sense of the word, coloratura soprano to high E, opera training required; Madame Giry: Late 30s-Early 50s, the Opera's ballet mistress, an ominous, stern, and forbidding figure, mezzo soprano to high B flat; Meg Giry: Late Teens-Early 20s, a member of the Corps du Ballet, must dance on pointe and sing mezzo soprano to G; Ubaldo Piangi: Late 30s-50s, the opera's leading tenor, Italian-style singer, sings to high C, opera training required. Note: Casting for The Phantom of the Opera is interracial; performers of all ethnic backgrounds and races are encouraged to attend. Seeking women who are sopranos (lyric or coloratura), mezzo sopranos, or contraltos with strong legit musical theater or opera voices, and men who are strong legit musical theater or opera tenors, baritones, or basses; two of the basses in the chorus must sing to low F. Prepare a brief song from legit musical theater repertoire; do not sing pop or rock. Bring your book of music in case you are asked for another selection; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 8, 2010)

(Milburn, NJ)(New York, NY - AUDITIONS: July 14, 2010 at 10:00 am for Female Dancers who Sing & at 2:00 pm for Male Dancers who Sing at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HAIRSPRAY. PROD ART DIR, Mark S. Hoebee; DIR, Matt Lenz; MUSIC DIR, Tom Helm; CHOREO, Michele Lynch; CSTG, Craig Burns. Contract: Equity COST Contract ($777 min./wk.). Rehearsal Dates: Begins August 30, 2010. Performance Dates: September 22-October 17, 2010 (with possible extension until October 31, 2010). Breakdown-- Ensemble Dancers: Male & Female, adults to play high-schoolers, all types and ethnicities, with strong pop singing voices and great personalities, to play various ensemble characters and possibly cover principal roles; The Dynamites: Three sexy African-American female singer/dancers, inspired by the Supremes, should have glorious pop/gospel singing voices, are featured in the showstopper "Welcome to the '60's". Producer runs all aspects of this call. Equity audition procedures will not be in effect and no Equity monitor will be provided. Be warmed up and ready to dance when the call begins. Bring sneakers or jazz shoes. Some may be asked to stay and sing after dancing. Prepare 16 bars of an uptempo song (a 1960s style pop song is preferred but not required) showing range. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 8, 2010)

(Vancouver, Canada - AUDITIONS: July 22 & 23, 2010 from 10:00 am5:00 pm at Details Are only Available By Subscription. will be holding General Auditions. Prepare 2 contrasting contemporary monologues, 2 minutes in duration each. Canadian content is encouraged. Audition slots will be booked on a first come first served basis, and Canadian Actors Equity members will be given preference. Non-Equity artists will be seen on July 23, 2010 ONLY, from 2:00-5:00pm and will perform 1 monologue only. These are introductory auditions only - separate calls will be held for available roles. It is not necessary to read specific scripts, but please familiarize yourself with the mandates and production histories of the companies. Bring photographs & resumes, stapled together. (Posted: July 1, 2010)

(Vancouver, Canada - AUDITIONS: July 20 & 22, 2010) - Send photographs & resumes by July 16, 2010 to: Details Are only Available By Subscription.. Title: HAIRSPRAY. Rehearsal/Performance Dates: May 12, 2011. Those selected for an audition will be asked to prepare 16 bars of an uptempo song from the musical theatre canon and to bring sheet music, as well as clothing and footwear appropriate for a dance audition. Actors who are unable to attend the audition are asked to send a photograph, resume and video audition tape showing two contrasting songs from a musical. (Posted: July 12, 2010)

(AL & GA & KY & LA & MS & TN & TX)(New York, NY - AUDITIONS: July 16, 2010 between 10:00 am-4:00 pm at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 tour. Title: JACK AND THE BEANSTALK. PROD, William J. Crumb, Sr. Contract: $550/wk. for actors, plus travel and $100/wk. bonus (total $650 bonus paid at end of tour); $650/wk. for production coordinator, plus travel and $100/wk. bonus (total $750 bonus paid at end of tour). Rehearsal Dates: Begins September 7, 2010 (in the New Orleans, LA area). Tour Performance Dates: September 16, 2010-February 11, 2011 (in AL & GA & KY & LA & MS & TN & TX). Breakdown-- Jack: Young, male, 5'6"-5'10", looking for an adventure and finds one that tests his resolve and his belief in his father; Giant: Male, 5'10"-6'2", character role, must be athletic and able to walk on stilts, actor also doubles as Milky White the cow; Marsha: Female, 5'4"-5'10", character role, servant to the giant, also doubles as Jack's Mother; Hen: Female, 5'4"-5'10", character role, must dance, smart talking hen that lays golden eggs, also doubles as Bean Seller who operates the bean café. Note: Performers of all ethnicities are encouraged to audition. Also seeking Production Coordinator: Duties include maintaining quality of show, driving company van, making motel reservations, locating schools, seating and dismissing audiences, sending weekly reports, and helping with the load in and out. (Posted: July 13, 2010)

(London, UK) - Send photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: BILLY ELLIOT – THE MUSICAL (Recasting). PROD, Universal, Working Title & the Old Vic; DIR, Stephen Daldry. Rehearsal Dates: Begins October 4, 2010. Performance Dates: Opens November 29, 2010 (one year contracts & the show is playing at the West End’s Victoria Palace). Audition Dates: From July 19, 2010 (for four weeks with recalls from week commencing August 9, 2010). Breakdown-- Dad: 40s, male. Billy’s Dad. Leading actor. Genuine northern or Geordie. Strong singing voice. Geordie miner. Working class. Single parent. Narrow minded. Tries to do the best for his family. At the end of his tether. Feels sorry for himself; Gran: Female, needs to be able to sing. Good dance or movement skills. Tap if possible. Good Geordie or Northern accent. Good comedy skills required; Tony: Early 20s, male. Billy’s brother. Geordie miner. Good singing voice. Outspoken, loud, macho, up for a fight. They are looking for a straight actor (who has the ability to sing well and move), not a musical theatre performer; George: Late 30s-50s, male, must be genuine Geordie. Billy’s boxing teacher, Geordie miner. Excellent comedy skills. Friend of Dad’s. Community spirited. Working class. Singing not essential but able to put across a character song and no tap required. Qualities of a pub entertainer needed. Must have great comic ability; Mr Braithwaite: Male, dance school pianist and miner. Geordie. Strong singer. Good comedy skills. Tap and dance skills essential. Ideally an ex-dancer who is still able to get his leg shoulder high; Dead Mam: 30s, female. Billy’s deceased mum. Geordie. Strong singer. Warm, compassionate, sympathetic; Sheila/cover Grandma: 50s-Late 60s, female. Featured Ensemble. Strong singer/comedic actress. Good movement skills. Tap would be an advantage. Good Geordie accent; Ensemble/Swings: Excellent singing voices and ability to dance or move well. Good Tap skills essential. Good Geordie/ northern accent required. Character men and women of all ages, older rather than younger. Men need to be physically big, burly, out of shape and possess great stamina. To play miners, officials, parents, friends, etc. Ability to cover principal roles. Good minor roles and cameos to come from ensemble; Male Ballet Dancer: Excellent ballet dancer who can tap and sing with a strong physique to join the Ensemble. To cover the ballet sequence. Must be able to cope with Geordie or Northern or Scottish accent. Minimum height 5'9". Excellent ballet dancer who can cover/or play the older Billy; Mrs Wilkinson: Female, Billy’s dancer teacher. Northern, excellent singing voice, great energy, drive, determination, warmth and compassion. Doesn’t suffer fools gladly, good comedic skills. Must be able to tap and be a strong mover/dancer. Bring photographs & resumes, stapled together. (Posted: July 13, 2010)

(New York, NY - AUDITIONS: July 21, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for the Broadway production. Title: SISTER ACT. DIR, Jerry Zaks; CHOREO, Anthony van Laast; CSTG, Telsey + Company. Contract: Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins Early 2011. Performance Dates: Opens Spring, 2011 (on Broadway). Breakdown-- Deloris Van Cartier: 25-40, female, African-American, a disco diva wannabe with a mega-watt dream of Donna Summer-eque glory, mouthy, ballsy, brassy, and quick on the quip, has no faith in anything or anyone but herself, needs a powerhouse disco diva voice with a range up to the skies; Mother Superior: 45-65, female, an old-school Catholic traditionalist with a spine of steel, a will of iron, an acid tongue, and a hidden heart, strong, unwavering voice, alto or mezzo; Curtis Shank: 25-45, male, African-American, a super cool, super confident, and super smooth bad guy with soul, a tough narcissist with flair, sex appeal, and charisma, elegant and dangerous, needs to be extremely strong-voiced with big range, low baritone or high baritenor, a strong falsetto a big plus; Lt. Eddie Souther: 25-45, male, African-American, a desk cop, charming and straightforward, but his gun is locked in a drawer, as it were, should have a beautiful high baritone or tenor; Sister Mary Robert: 18-25, female, a young and timid novitiate, teetering on the decision of whether to take her final vows or leave the convent to rejoin the world that intimidates her so, her shy personality masks a huge and powerful singing voice, should have an "unexpectedly" huge belt, along with a legit range up to the rafters; Sister Mary Patrick: 25-45, female, upbeat, corny, fun, filled with love and delight in God, food, and friendship, a loyal sister and head cheerleader, always ready for an adventure, a life experience, or between-meal snack, has a heavyset physique, needs a strong belt and legit voice; Sister Mary Lazarus: 60s-Early 70s, female, tough, out of the Depression Era, full of vinegar and humor, with twice the energy of anyone half her age, has seen them come and go, and nothing fazes this Sister, quick on the wisecracks and always ready to roll up her sleeves and dig in, strong belt and legit a plus, but needs to be able to rap and be funny; Monsignor: 50s-60s, male, stately but benevolent, with a "Going My Way" twinkle, think Joseph Maher from the film, strong character actor with strong baritone voice; TJ: 20s-40s, male, African-American, Shank's nephew, an undersized and overeager kiss-ass, very strong tenor, with a disco falsetto; Bones: 30-60, male, Shank's driver, a pasty-white, big slob of a gangster, but exceedingly loyal to The Man, strong baritone, but needs a very strong workable disco falsetto; Dinero: 20-35, male, Latino, Shank's bodyguard who keeps mouthing off in Spanish, can be baritone or tenor, but needs a very strong workable disco falsetto. Prepare a brief pop song, disco song, or contemporary musical theater song in the style of Alan Menken. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(New York, NY & Atlanta, GA)(New York, NY - AUDITIONS: July 21, 2010 between 11:00 am-2:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BRING IT ON: THE MUSICAL. EXEC PROD, Kristin Caskey, Mike Isaacson; DIR/CHOREO, Andy Blankenbuehler; MUSIC DIR, Alex Lacamoire; CSTG, Telsey + Company. Contract: Equity Workshop Contract ($578 min./wk. [five-day work week] & $683 min./wk. [6-day work week]). New York City Workshop Dates: September 13-October 3, 2010. Rehearsal Dates: Begins December 6, 2010 (in Atlanta, GA). Performance Dates: January 15-February 20, 2011 (at the Alliance Theatre). Breakdown-- La Cienega: Transgendered woman, born a male (and played by a male), any ethnicity, her gender is simply not an issue, accepted by her friends, barely referred to, BFFs with Nautica and Danielle, has a wicked tongue but a generous spirit, good singer with R&B and bluesy chops, dance/cheerleading skills a plus. Equity audition procedures are not in effect. No Equity monitor provided; producer runs all aspects of this call. Prepare 16 bars of an R&B song. An accompanist will be provided. It is not necessary to come in costume. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(New York, NY - AUDITIONS: July 22, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for the Broadway production. Title: SISTER ACT. DIR, Jerry Zaks; CHOREO, Anthony van Laast; CSTG, Telsey + Company. Contract: Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins Early 2011. Performance Dates: Opens Spring, 2011 (on Broadway). Breakdown-- Deloris Van Cartier: 25-40, female, African-American, a disco diva wannabe with a mega-watt dream of Donna Summer-eque glory, mouthy, ballsy, brassy, and quick on the quip, has no faith in anything or anyone but herself, needs a powerhouse disco diva voice with a range up to the skies; Mother Superior: 45-65, female, an old-school Catholic traditionalist with a spine of steel, a will of iron, an acid tongue, and a hidden heart, strong, unwavering voice, alto or mezzo; Curtis Shank: 25-45, male, African-American, a super cool, super confident, and super smooth bad guy with soul, a tough narcissist with flair, sex appeal, and charisma, elegant and dangerous, needs to be extremely strong-voiced with big range, low baritone or high baritenor, a strong falsetto a big plus; Lt. Eddie Souther: 25-45, male, African-American, a desk cop, charming and straightforward, but his gun is locked in a drawer, as it were, should have a beautiful high baritone or tenor; Sister Mary Robert: 18-25, female, a young and timid novitiate, teetering on the decision of whether to take her final vows or leave the convent to rejoin the world that intimidates her so, her shy personality masks a huge and powerful singing voice, should have an "unexpectedly" huge belt, along with a legit range up to the rafters; Sister Mary Patrick: 25-45, female, upbeat, corny, fun, filled with love and delight in God, food, and friendship, a loyal sister and head cheerleader, always ready for an adventure, a life experience, or between-meal snack, has a heavyset physique, needs a strong belt and legit voice; Sister Mary Lazarus: 60s-Early 70s, female, tough, out of the Depression Era, full of vinegar and humor, with twice the energy of anyone half her age, has seen them come and go, and nothing fazes this Sister, quick on the wisecracks and always ready to roll up her sleeves and dig in, strong belt and legit a plus, but needs to be able to rap and be funny; Monsignor: 50s-60s, male, stately but benevolent, with a "Going My Way" twinkle, think Joseph Maher from the film, strong character actor with strong baritone voice; TJ: 20s-40s, male, African-American, Shank's nephew, an undersized and overeager kiss-ass, very strong tenor, with a disco falsetto; Bones: 30-60, male, Shank's driver, a pasty-white, big slob of a gangster, but exceedingly loyal to The Man, strong baritone, but needs a very strong workable disco falsetto; Dinero: 20-35, male, Latino, Shank's bodyguard who keeps mouthing off in Spanish, can be baritone or tenor, but needs a very strong workable disco falsetto. Prepare a brief pop song, disco song, or contemporary musical theater song in the style of Alan Menken. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(Los Angeles, CA) - Send photographs & resumes by July 23, 2010 to: Details Are only Available By Subscription. will be holding auditions for their co-production. Title: VENICE. PROD, Michael Ritchie (CTG), Eric Rosen (KCR); AP, Kelley Kirkpatrick (CTG); ART DIR/DIR, Eric Rosen (KCR); MUSIC DIR, Curtis Moore; CHOREO, John Carrafa, Tanisha Scott; CSTG, Bonnie Grisan (CTG), Stephanie Klapper (KCR). Contract: Equity LORT Non-Rep Contract ($555/wk.). Rehearsal Dates: Begins September 7, 2010 (in Los Angeles, CA). Performance Dates: October 7-November 14, 2010 (in the Kirk Douglas Theatre in Los Angeles, CA). Breakdown-- Venice: Mid 20s-30, male, any ethnicity except Caucasian, strong leading man with great stage presence to play charismatic leader and General of the Army, Broadway level singer with soul, must be comfortable singing in a contemporary rock/R&B style, tenor/bari-tenor with range up to a G-sharp/A-flat and strong falsetto; Markos: Late 20s-Mid 30s, male, African-American or mixed ethnicity, strong actor, helpful to have classical acting background and comfort with verse, half-brother to Venice of whom he is extremely jealous, a captain in the Army, outwardly very charming but incredibly manipulative, not a singer per se but must be musical, excellent rap skills required; Michael Victor/as cast: Early 20s, male, Caucasian, Latino, or Asian, young military officer, handsome, masculine, and charismatic, tough exterior but with a soft side, a boy playing at being a man, not mature enough to handle so much responsibility, strong, beautiful voice, tenor/bari-tenor with range up to an A; Male Ensemble (2 roles): 20s-30s, any ethnicity, excellent hip-hop dancers who are also strong contemporary hip-hop style singers, play various soldiers, reporters, and citizens of Venice, tenor; Female Ensemble: 20s-30s, any ethnicity, excellent hip-hop dancers who are also strong contemporary hip-hop style singers, play various soldiers, reporters, and citizens of Venice, belt. (Posted: July 19, 2010)

(New York, NY - AUDITIONS: July 23, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription.) - Title: ELF, a new musical. PROD, Warner Bros. Theatre Ventures & Unique Features; DIR/CHOREO, Casey Nicholaw; MUSIC DIR, Phil Reno; CSTG, Telsey + Company. Contract: Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins September 27, 2010. Performance Dates: November 2, 2010-January 2, 2011 (at the Al Hirschfeld Theatre on Broadway). Breakdown-- Buddy: 30ish, male, role played by Will Ferrell in the movie, funny and warm, with an infectious personality, has been raised as one of Santa's elves and has the innocence of a child, has outrageous enthusiasm for everything he sees and does but it is very genuine, seeking a comedian with great subtle timing and an amazing singing voice; Walter: 50s, male, role played by James Caan in the movie, upscale, successful businessman, has become cold and distant with his family until Buddy enters their life, workaholic with little time left for enjoying life or appreciating simple things, must have a great singing voice; Emily: 40s, female, warm, amazing singing voice; Michael: 10, boy, funny, smart, amazing singing voice; Jovie: 20s-30s, female, role played by Zooey Deschanel in the movie, warm, funny, comedic, New York who doesn't have much Christmas spirit until meeting Buddy, must have a great singing voice; Deb: 30s-40s, female, funny secretary, full of character and sharp wit, amazing singing voice; Mr. Greenway: 50s, male, shrewd businessman, actor must have an amazing singing voice and great comedic timing; Santa: 50s-60s, male, jolly, warm, funny, amazing singing voice. Note: All characters may be any ethnicity. Prepare a brief contemporary musical theater song, showing range. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(New York, NY - AUDITIONS: July 23, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for the Broadway production. Title: SISTER ACT. DIR, Jerry Zaks; CHOREO, Anthony van Laast; CSTG, Telsey + Company. Contract: Equity Broadway/Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins Early 2011. Performance Dates: Opens Spring, 2011 (on Broadway). Breakdown-- Deloris Van Cartier: 25-40, female, African-American, a disco diva wannabe with a mega-watt dream of Donna Summer-eque glory, mouthy, ballsy, brassy, and quick on the quip, has no faith in anything or anyone but herself, needs a powerhouse disco diva voice with a range up to the skies; Mother Superior: 45-65, female, an old-school Catholic traditionalist with a spine of steel, a will of iron, an acid tongue, and a hidden heart, strong, unwavering voice, alto or mezzo; Curtis Shank: 25-45, male, African-American, a super cool, super confident, and super smooth bad guy with soul, a tough narcissist with flair, sex appeal, and charisma, elegant and dangerous, needs to be extremely strong-voiced with big range, low baritone or high baritenor, a strong falsetto a big plus; Lt. Eddie Souther: 25-45, male, African-American, a desk cop, charming and straightforward, but his gun is locked in a drawer, as it were, should have a beautiful high baritone or tenor; Sister Mary Robert: 18-25, female, a young and timid novitiate, teetering on the decision of whether to take her final vows or leave the convent to rejoin the world that intimidates her so, her shy personality masks a huge and powerful singing voice, should have an "unexpectedly" huge belt, along with a legit range up to the rafters; Sister Mary Patrick: 25-45, female, upbeat, corny, fun, filled with love and delight in God, food, and friendship, a loyal sister and head cheerleader, always ready for an adventure, a life experience, or between-meal snack, has a heavyset physique, needs a strong belt and legit voice; Sister Mary Lazarus: 60s-Early 70s, female, tough, out of the Depression Era, full of vinegar and humor, with twice the energy of anyone half her age, has seen them come and go, and nothing fazes this Sister, quick on the wisecracks and always ready to roll up her sleeves and dig in, strong belt and legit a plus, but needs to be able to rap and be funny; Monsignor: 50s-60s, male, stately but benevolent, with a "Going My Way" twinkle, think Joseph Maher from the film, strong character actor with strong baritone voice; TJ: 20s-40s, male, African-American, Shank's nephew, an undersized and overeager kiss-ass, very strong tenor, with a disco falsetto; Bones: 30-60, male, Shank's driver, a pasty-white, big slob of a gangster, but exceedingly loyal to The Man, strong baritone, but needs a very strong workable disco falsetto; Dinero: 20-35, male, Latino, Shank's bodyguard who keeps mouthing off in Spanish, can be baritone or tenor, but needs a very strong workable disco falsetto. Prepare a brief pop song, disco song, or contemporary musical theater song in the style of Alan Menken. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(Cumberland, MD - AUDITIONS: July 26, 2010 between 2:00-9:00 pm for Equity Performer at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: ROCKY HORROR SHOW. AP, Gary Goodson; ART DIR, Don Whisted; WRTR, Richard O'Brien; MUSIC DIR, Chris E. McCabe. Contract: Equity SPT Level 4 Contract, approval pending ($293/wk.). Rehearsal Dates: Begins October 4, 2010. Performance Dates: October 14-31, 2010 (in Cumberland, MD). Breakdown-- Frank 'N' Furter: Transexual mad scientist, pop/rock powerful performer; Magenta/Popcorn Girl: Pop sound; Columbia: Pop sound; Narrator: Character male, any age; Eddie: Rock singer; Dr. Scott: Character male, older; Brad Majors: Male ingénue, dorky, pop sound; Riff Raff: Pop/rock powerful performer; Transylvanians: Male and female. Note: Three Equity contracts are available, one of which being a chorus contract, to be cast among the available roles. The roles of Janet Weiss and Rocky have been cast. For the auditions, prepare a musical number in the style of the show. Bring sheet music; an accompanist will be provided. Note: This will be the only call for this show. Bring photographs & resumes, stapled together. (Posted: July 19, 2010)

(Los Angeles, CA)(New York, NY - AUDITIONS: Week of July 26, 2010 by Appointment Only) - For consideration, Send photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their co-production. Title: VENICE. PROD, Michael Ritchie (CTG), Eric Rosen (KCR); AP, Kelley Kirkpatrick (CTG); ART DIR/DIR, Eric Rosen (KCR); MUSIC DIR, Curtis Moore; CHOREO, John Carrafa, Tanisha Scott; CSTG, Bonnie Grisan (CTG), Stephanie Klapper (KCR). Contract: Equity LORT Non-Rep Contract ($555/wk.). Rehearsal Dates: Begins September 7, 2010 (in Los Angeles, CA). Performance Dates: October 7-November 14, 2010 (in the Kirk Douglas Theatre in Los Angeles, CA). Breakdown-- Venice: Mid 20s-30, male, Latino, mixed race, African-American, Middle Eastern, Southeast Asian, Asian, and/or Mediterranean (if does not read Caucasian), strong actor and leading man, powerful, charming, versatile, charismatic, dynamic, a great actor with presence, a leader and powerful speaker with a beautiful strong voice, general of the Army, able to portray a masculine warrior as well as show a deeply sensitive, emotional, and poetic nature, must be comfortable singing in a contemporary rock/R&B style, as well as riffing, a Broadway singer with soul, tenor or bari-tenor with range up to a G#/Ab, comfortable singing in falsetto, some dance skills; Markos: Late 20s-Mid 30s, male, African-American or mixed race, strong actor, a captain in the army, half-brother to Venice (of whom he is extremely jealous), outwardly very charming but incredibly manipulative, should be a well-trained actor and should not feel "street," must be able to handle rhythm and tell a story well, tremendously helpful to have classical acting background and comfort with verse, not a singer per se but must be musical, excellent rap skills required. Note: They are looking to assemble a very diverse cast of all ethnic backgrounds. Open to all types, all ethnicities, and actors with disabilities unless otherwise noted. All actors will need to have strong dance/movement skills to be able to handle hip-hop style/contemporary movement. Seeking submissions from Actors' Equity members only for these auditions. Read the notice carefully, and submit only if you are right for one or more roles. (Posted: July 19, 2010)

(New York & White Plains, NY)(New York, NY - AUDITIONS: July 29, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: WALLENBERG, a New Musical Drama. DIR, Annette Jolles; CSTG, Michael Cassara, CSA. Contract: Equity LOA Contract ($400 min./wk.). Rehearsal Dates: Begins September 27, 2010 (in New York & White Plains, NY). Performance Dates: Runs through November 21, 2010 (in White Plains, NY). Breakdown-- Elizabeth Kemeny: 20s, beautiful, well-educated, yet naive to the realities of the world around her, must be very strong actress, soprano, Bb-G; Baron Kemeny: 30s, Elizabeth's husband, high-ranking military official, elite, upper-class, handsome, sure of himself, baritone; Pal Szalai: 30s-40s, born to a working-class family, has worked himself up to be a high-ranking official with the ruling party in Hungary, double agent with many layers of sides to his personality, baritone with tenor notice, B-F; David Berger: 8 years old, boy, smart and clever for his age, with a good sense of humor, must be a strong singer-actor, B-G#; Per Anger: Early 30s, the consummate Swedish diplomat, straitlaced, serious, plays by the rules, yet in the end is swayed by his heart, baritenor, G-E. Note: The following five roles are cast; auditioning performers will be considered as possible replacements, should any become necessary - Raoul Wallenberg: 32, baritone with tenor notes, Bb-F#, strong singer-actor, charismatic, able to carry the show; Maj von Dardel: 55-70, Raoul's mother, warm and passionate, but a strong independent thinker, strong singer-actress, alto, A-D; Rosa Gruen: 30s, young Jewish mother, resourceful, intelligent, driven by her intense love for her children, soprano, Bb-F; Adolf Eichmann: Late 30s-Early 40s, the notorious Nazi colonel, cold and calculating in his actions, passionate about his cause, tenor, A-G; Vilmos Langfelder: Late 20s-Early 30s, funny, sarcastic, uses his humor to cover up deep pain, baritenor, B-G. Prepare a brief contemporary or traditional musical theater song; no pop. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: July 27, 2010)

(New York, NY - AUDITIONS: July 29, 2010 between 10:00 am-1:30 pm for Equity Principal for the role of Lyncoya Only & 2:30-6:00 pm for Equity Principal for the role of Andrew Jackson Only [Equity Monitor Registration at 9:00 am for both roles] at Details Are only Available By Subscription. will be holding auditions for the Broadway production. Title: BLOODY BLOODY ANDREW JACKSON. DIR, Alex Timbers; MUSIC DIR, Justin Levine; CSTG, Carrie Gardner. Contract: Equity Production Contract ($1,605 min./wk.). Rehearsal Dates: Begins August 3, 2010. Previews Date: Begin September 21, 2010. Performance Dates: Broadway opening TBD. Breakdown-- Lyncoya: 8-11 to play younger, male, Native American, Andrew Jackson's adopted son, actor does not need to sing. Note: The following role is cast; seeking possible future replacements only at this time - Andrew Jackson: Emo rock re-imagining of America's seventh president, actor must be attractive and charismatic, with a great voice and fantastic comedic ability. Actors auditioning for the role of Lyncoya will read sides (a scene from the show), which will be provided at the audition. No further preparation is necessary. Actors auditioning to be considered as possible replacements for Andrew Jackson should prepare a short rock song. Bring sheet music; an accompanist will be provided from 2:30-6:00 pm only. Bring photographs & resumes, stapled together. (Posted: July 27, 2010)
 

(Dayton, OH)(Chicago, IL - AUDITIONS: August 9, 2010 between 10:00 am-3:00 pm for Equity Performers by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season Titles: 8-TRACK: THE SOUNDS OF THE '70s. DIR, Scott Stoney. Rehearsal Dates: Begins November 8, 2010. Performance Dates: December 2-19, 2010 & may extend to December 31, 2010. THE DROWSY CHAPERONE. Rehearsal Dates: Begins February 7, 2011. Performance Dates: March 8-20, 2011 (under an Equity LOA to LORT D Contract at 1,100-seat proscenium Victoria Theatre). RIGHT NEXT TO ME. Rehearsal Dates: Begins April 25, 2011. Performance Dates: May 26-June 12, 2011. PROD/EXEC DIR, Kevin Moore. Contract: Equity SPT Contract ($367 min./wk.). Breakdown-- Actor-Singers: Male & Female. Equity audition procedures are in effect, and a monitor will be provided. Prepare one song, three minutes max; theater suggests '70s pop for 8-Track, traditional Broadway for Drowsy Chaperone, or contemporary Broadway for Right Next to Me. Bring sheet music in your key; an accompanist will be provided. Performers of all ethnic and racial backgrounds are encouraged to attend. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: July 20, 2010)

(New York, NY) - Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription.. Title: THE MAN WHO ATE MICHAEL ROCKEFELLER, adapted from the short story by Christopher Stokes. PROD, Dog Run Rep; DIR, Alfred Preisser. Contract: Producer plans to apply for Equity Basic Showcase Code (Professional pay provided). Rehearsal Dates: Begins August 9, 2010. Performance Dates: Opens September 9, 2010 (at the West End Theatre in New York, NY). Breakdown-- Designing Man: 30s, male, African-American, narrator, grapples with the concept of "love"; Half-Moon Terror: 30s, male, African-American, a warrior, looking for a good "feast"; Breezy: female, 20s, African-American, Designing's wife, very beautiful; Plentiful Bliss: 20s, female, African-American, Half-Moon's wife, fertile and sexual; Bringing Man: Male, African-American/Indonesian, brings Westerners to the Asmats; Michael Rockefeller: 20s, male, Caucasian, innocent, enthusiastic, idealistic. (Posted: June 7, 2010)

(Birmingham, AL - AUDITIONS: August 14, 2010 at 1:00 pm for Male & Female Performers at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: WUTHERING HEIGHT by Emile Bronte. DIR, Kenny Morris. Performance Dates: October 14-17, 21-24 & 28-31, 2010. Breakdown-- All Roles Are Open. Be prepared to read from the script. Bring photographs & resumes, stapled together. (Posted: June 7, 2010)