(Covina, CA - AUDITIONS: March 1-3, 2010 at 7:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: NUNSENSE. PROD, Angelo B. Collado; DIR/CHOREO, Ali England Sam. Contract: Equity 99-Seat Plan. Rehearsal Dates: Begins March 10, 2010. Performance Dates: April 16-May 16, 2010. Breakdown-- Sister Mary Regina: 35-50, overweight, outrageous, quick-witted soul who knows how to get a laugh, Mother Superior, tries to convince you that she is strict but everyone knows that her bark is worse than her bite, can't resist the spotlight. Vocal Mezzo; Sister Mary Hubert: 30-40, kind person who always tries to be understanding and diplomatic, teaches the Novices the ground rules, supposed to be dignified but at the slightest bit of encouragement is ready to kick up her heels, second in command, competing with Mother Superior. Vocal Alto; Sister Robert Anne: 25-30 , tough streetwise nun who has a heart of gold, all the kids adore her because she speaks their language and can hit a baseball out of the park, constant source of aggravation for Mother Superior. Vocal Alto belt; Sister Mary Amnesia: 23-29, the picture of innocence, lost her memory when a crucifix fell on her head, can't remember her past, looks at each day with a childlike joy. Vocal Soprano; Sister Mary Leo: 21-25, former professional dancer before entering the convent, always eager to display her talent, also impressionable because she is young and could easily be lead astray, entered the convent to become the first ballerina nun. Vocal Soprano. Prepare 16 bars of music similar to the show. Ok to sing from show. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 2, 2010 between 1:00-5:00 pm by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: SPACESHIP TO VENUS by Stephanie Fleuratin. PROD, Sofia Barclay, Lydia Medeiros, Damon Krometis; DIR, Damon Krometis. Contract: Equity NYC Showcase, approval pending ($100 stipend provided). Rehearsal Dates: Begins March 8, 2010. Performance Dates: April 7-18, 2010 (at the Cherry Lane Studio in New York, NY). Breakdown-- David: 26, Jackie's older brother, suffering from post-traumatic stress, kind-hearted, but off balance, delusional, paranoid, and easily upset, always looking towards the future; Man: 30, cocky, smart, fairly attractive, occasionally abrasive, but ultimately nice and insecure, has trust issues, a bit of a romantic, should be able to move well; Tim: Mid 20s, David's best friend from the army, unbeknownst to audience he is a ghost, small, solemn, soft-spoken, but can suddenly become firm and even menacing, slightly ambiguous; Father/Old Man: one actor to play Father, 60s, delusional, aggressive, easily angered, his anger comes from remorse, dying from lung cancer and Old man, 60s, kind, good-humored, generous, a Vietnam veteran. Sides will be provided. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(Boca Raton, FL - AUDITIONS: March 2, 2010 between 12:00 noon-4:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DISTRACTED by Lisa Loomer. ART DIR/DIR, Clive Cholerton. Contract: Equity LOA Contract ($578 min./wk.). Rehearsal Dates: Begins March 22, 2010. Performance Dates: April 11-May 16, 2010. Breakdown-- Jesse: 9, male, funny, wild, sweet, angry, with a mouth on him, mostly done as an off-stage voice; Dr. Waller/Mrs. Holly/Nurse: Mid 30s-Mid 40s, female, African-American, to play several roles, must be able to easily portray multiple characters, command of accents is a must; Vera/Waitress: Female, to play Vera, a neighbor with no people skills and a ditsy Waitress; Natalie: female, late teens, a cutter, kind, has lots of issues. The following roles are CAST; performers will be considered as possible replacements - Mama: Early-Mid 40s, female, smart, warm, wry, positive, dedicated but distractible; Dad: Early-Mid 40s, male, a guy's guy, working-class background, designs car crashes; Dr. Daniel Broder/Dr. Jinks/Dr. Karnes/Actor with ADD: Late 30s-Early 40s, male, must be able to easily portray multiple characters, command of accents a must; Dr. Zavala/Carolyn/Sherry: Female, to play multiple roles including a well-off Mother who wants the best for her child and an anxious Psychologist. Equity members without appointments will be seen throughout the audition day as time permits, but auditions are strongly suggested. Prepare a brief (preferably two-minute) contemporary monologue. No sides at this audition. Bring two sets of your photographs & resumes, stapled together. (Posted: March 1, 2010)

(Arlington, VA - AUDITIONS: March 2, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal/Chorus at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season will consist of 4 musicals and 3 plays. The musicals include two pop operas, a Sondheim and a new musical; the plays are a comedy and two small cast character dramas. ART DIR, Eric Schaeffer; CSTG, Michael Baron. Contract: Equity LORT D Contract ($555 min./wk.). Breakdown-- Performers. Equity members without appointments will be seen throughout the audition day as time permits. Prepare either a brief monologue, a brief song, or 16 bars of a song and a brief monologue. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 2, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: OLIVER!, Not A Musical. DIR, Evan Cabnet; WRTR, Elizabeth Meriwether; CSTG, James Calleri (Calleri Casting). Contract: Equity LOA-NYC Contract ($517 min./wk., plus pension and health provided). Rehearsal Dates: Begins April 13, 2010. Performance Dates: May 8-June 6, 2010 (on the mainstage at The Cherry Lane Theatre in New York, NY). Breakdown-- Oliver: 18+ to play 17, male, whip-smart high-school outcast, constantly using humor and awkward and offensive social behavior to cover up the perpetual hurt and pain underneath, wealthy, sheltered, horny, occasionally out-of-control, with no friends his own age, a scared and sad child deep down who's desperately confused and incredibly lonely, funny yet deep; Jasper: Late 50s-Late 60s, male, sturdy, friendly Midwestern man whose life has come undone in the last few years, an army veteran who used to run a multi-million dollar manufacturing plant in Michigan, now drinking himself to death in a NY dive of an apartment, ever-optimistic and kind, nevertheless devoured by the sins of his past; Willa: Mid 40s-Late 50s, female, tough, composed politician who has recently endured a traumatic event, just barely keeping her life (and composure) together, strong-willed and independent woman who is secretly abusing prescription medication to maintain her sanity, underneath her hard shell is a very loving and deeply wounded mother who misses her daughter; Agnes: Early 20s, female, non-Caucasian, ethnically ambiguous in appearance, "I'm Filipino, I'm Puerto Rican, I'm African-American, and I'm Italian, and 1/16th Swedish," the ultimate intern, efficient, organized, aggressive, anxious, a type-A personality who has made the care of her superior her life's work, her intensity borders on the absurd, and a crack in her armor reveals a wild side that's equally aggressive, a young woman with a plan, and no one and no thing will ever alter her course. Prepare a brief contemporary seriocomic monologue (this is a play, not a musical). Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 3, 2010 between 9:00 am-12:30 pm & 1:30-5:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: ANOTHER PART OF THE FOREST by Lillian Hellman. DIR/CSTG, Dan Wackerman. Contract: Equity Seasonal Showcase ($500 Stipend Provided). Rehearsal Dates: Begins April 19, 2010. Performance Dates: May 20-June 19, 2010 (at the Theatre at Saint Clement's in New York, NY). Breakdown-- Marcus Hubbard: Early 60s, a powerful presence, both physically and intellectually, having made a good deal of money, Marcus is convinced of his superiority to ordinary men, wears a mask of civility and refinement that conceals a contempt for family and friends alike, there is something "thuggish" beneath the genteel surface, an inner "Tony Soprano"; Benjamin Hubbard: Early 30s, Marcus's eldest son, fiercely intelligent, and measured in his responses, knows how to "play" a situation to his own advantage, whether that means quietly biding his time or brutally crushing an opponent, the consummate "politician," cold-blooded and calculating; Regina Hubbard: Early 20s, Marcus's daughter, beautiful, headstrong and self-possessed, spoiled rotten by her father, "southern belle" with a will of iron, a dangerous, calculating flirt; Oscar Hubbard: Late 20s, Marcus's younger son, an overgrown "boy," muscle-bound but not very bright, quick to take offense and quick to fall in love, passionate, headstrong, ridiculous; Livinia Hubbard: Late 50s, Marcus's wife, pious, simple-minded, frail, easily distracted, emotionally vulnerable, prone to hysterical fits; John Bagtry: Mid 30s, once-handsome officer of the Confederacy with a sad, care-worn face, there is still a nobility about him, a deep-seated pride and sense of duty, tragic, deeply romantic figure; Birdie Bagtry: Early 20s, John's cousin, pale, high-strung, slightly built, well-bred, but frequently nervous and self-conscious, easily intimidated, a frightened little sparrow; Laurette Sincee: Mid 20s, comically crude and voluptuous, an "easy woman," vulgar in her tastes and manner, uneducated, but a shrewd judge of character. Note: American southern accents required for all parts. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Madison, NJ)(New York, NY - AUDITIONS: March 3, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MAHIDA'S EXTRA KEY TO HEAVEN. ART DIR/DIR, John Pietrowski; WRTR, Russell Davis. Contract: Equity SPT Contract ($357 min./wk., plus pension and health provided. Travel from NYC for rehearsal and performance is reimbursed for train travel only). Rehearsal Dates: Begins March 23, 2010. Performance Dates: April 22-May 9, 2010. Breakdown-- Mahida: Early 20s, female, Iranian-born, undergraduate student studying literature at a college in the U.S., wants to be a writer; Thomas: Early 20s, male, American-born, visual artist, recent college graduate, a bit adrift; Edna: 50s, Thomas's mother, lives on an island off the coast of Maine, would consider herself a good Christian, knows what's right and wrong; Ramin: Late Teens-Early 20s, male, Iranian-born, Mahida's brother, does not live in the U.S., may be studying at a madrassa in Pakistan, claims he has come to the U.S. to bring his sister back to Iran after the death of their father, has no affection or affinity for the U.S., but is more of a lost soul than our typical conception of a terrorist. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(St. Louis, MO - March 3, 2010 between 6:00-9:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: IT HAD TO BE YOU by Renee Taylor & Joseph Bologna. DIR, Sydnie Grosberg Ronga. Contract: Equity Special Appearance Contract ($300 min./wk.). Rehearsal Dates: Begins June 22, 2010 Performance Dates: July 14-August 1, 2010 (in St. Louis, MO). Breakdown-- Vito Pignoli: Mid 50s-Early 60s, successful director of commercials, worked for the same company for 15 years but has been unable to commit to a relationship, warm but quick to anger, with a lot of depth and artistic ambitions that have gone unfulfilled. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are not in effect and a monitor will no be provided. The producer will run all aspects of this audition. Prepare a one- to two-minute comedic monologue. You will also be asked to read from sides provided at the audition. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(New York, NY - AUDITIONS: March 3, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE PARENTS EVENING by Bathsheba Dorn. PROD, Carol Ostrow, Jim Simpson; DIR, Jim Simpson; CSTG, James Calleri (Calleri Casting). Contract: Equity Mini Contract ($402 min./wk.). Rehearsal Dates: Begins March 15, 2010. Performance Dates: April 20-June 12, 2010. Breakdown-- The Father: Mid 30s-Mid 40s, male, New Yorker, blocked writer, deeply passionate, gifted intellectual/artist, verbal, incisive, all of the armaments of an adult hiding the needy heart of a child, displays anger easily, also physically explosive, sexy; The Mother: Mid 30s-Mid 40s, female, New Yorker, faces a "modern woman's dilemma" in that she wants to do/have it all and still be liked, ambitious, working her way toward a partnership in her law firm, the main provider for the family at present, wearing the pants but trying her best not to own the fact of it, overwhelmed with all the balls she has in the air and fulfilling the needs of her job and family. Sides will be provided at the audition. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Los Angeles, CA - AUDITIONS: March 3, 2010 at 10:00 am for for Non-Required Principal [Registration at 9:30 am] at Details Are only Available By Subscription. will be holding audition for their production. Title: IN THE HEIGHTS: THE MUSICAL. PROD, Kevin McCollum, Jeffrey Seller, Jill Furman; DIR, Thomas Kail; MUSIC DIR, Alex Lacamoire; CHOREO, Andy Blankenbuehler; CSTG, Telsey + Company. Contract: Equity Production (League) Contract ($1,605/wk). Breakdown-- Usnavi: Early-Mid 20s, male, to play Latino, our hip-hop narrator, young, energetic bodega owner who dreams of making enough to go back home to Dominican Republic, puts a brave face on his genuine financial trouble, must be able to rap well. Principal Role; Nina: 18-25, female, to play Latina, intelligent, book-smart, starry-eyed, naïve, ready to conquer the world but still trying to find her way. Principal Role; Vanessa: 18-25, female, to play Latina, a great sense of humor, lively, vivacious personality, bright, moody, easily frustrated, she buries a lot of stress. Principal Role; Benny: Early-Mid 20s, male, African-American, a taxi driver/aspiring businessman, looking to rise from his station in life, but utterly at home on any street in NY. Principal Role; Sonny: Mid-Late Teens, male, to play Latino, completely streetwise, part political genius, part goofball who wants to play video games, makes everyone laugh, you just want to pinch his cheek. Principal Role; Kevin: 38-Late 50s, male, to play Latino, an upstanding businessman, a total wheeler-dealer in the most personable kind of way, a lion slowed down by time and, injury and over-working, traditional in his beliefs, very hardworking and proud, wants desperately to remain the leader of his family, must sing very well. Principal Role; Camilla: 40s, female, to play Latina, strong, beautiful, wise, she helps everyone, asks for nothing, and loves being active in the community, traditionalist. Principal Role; Claudia: 50s-70s, female, to play Latina, proud, tired from another era, but also watches a lot of TV, working class, she scrubbed floors all her life, and is in the twilight of her life. Principal Role; Daniela: 30s, female, to play Latina, straight-ahead businesswoman, gossip queen, great sense of comic timing. Supporting; Carla: 20s, female, to play Latina, loves to dance and get her hair done. Supporting; Graffiti Pete: Late Teens-Early 20s, male, any ethnicity, streetwise, dances a lot, amazing hip hop dance skills. Supporting; Piragua Man: 30s-60s, male, to play Latino, sings, should move well, and will understudy principal roles, featured ensemble; Ensemble Dancers: 18-45, male and female, must play Latino(a) or African-American, ages all shapes and sizes, must be technically strong dancer and very proficient in the areas of hip-hop and all forms of Latin dance, must be able to sing and possibly understudy principal roles, onstage ensemble and offstage covers; Ensemble Singers: 18-60, male and female, must play Latino(a) or African-American, all shapes and sizes, must be able to sing very well and cover principal roles, should be able to move well, onstage ensemble and offstage covers. Note: All must be technically strong dancers who are very proficient in the areas of hip-hop and all forms of Latin dance. Must be able to sing very well. A monitor will not be provided. The producer will run all aspects of this audition. Bring sneakers and movement clothing, women should bring dance heels. Prepare 16 bars of a pop/R&B song with sheet music and bring your book of songs. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Arlington, VA - AUDITIONS: March 3, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal/Chorus at Details Are only Available By Subscription. will be holding auditions for their 2010-2011 season. Season will consist of 4 musicals and 3 plays. The musicals include two pop operas, a Sondheim and a new musical; the plays are a comedy and two small cast character dramas. ART DIR, Eric Schaeffer; CSTG, Michael Baron. Contract: Equity LORT D Contract ($555 min./wk.). Breakdown-- Performers. Equity members without appointments will be seen throughout the audition day as time permits. Prepare either a brief monologue, a brief song, or 16 bars of a song and a brief monologue. Bring photographs & resumes, stapled together. (Posted: March 1, 2010)

(New York, NY - AUDITIONS: March 3-5, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription.) - Title: YOU CAN'T TAKE IT WITH YOU by Moss Hart & George S. Kaufman. PROD, Elizabeth Ireland McCann, Joey Parnes; ART DIR, Peter DuBois; DIR, Anna D. Shapiro; CSTG, Binder Casting. Contract: Equity Production & LORT Contracts ($1,605 min./wk.). Rehearsal Dates: Begins August 23, 2010 (for pre-Broadway tryout production in Boston, MA). Performance Dates: September 24-October 24, 2010 (at the Huntington Theatre in Boston, MA) & Broadway preview begins October 29, 2010 & Opens approximately November 7, 2010 (on Broadway at a theatre TBA). Breakdown-- Grandpa Vanderhof: Late 60s-Mid 70s, Paul's father-in-law, Penny's father, Alice and Essie's grandfather, warm, happy man whom the years have treated kindly, his face is youthful, despite the lines that seam it, his eyes are very much alive, made his peace with the world long long ago, and his whole attitude and manner are quietly persuasive than this, exudes a gentle authority, the patience of a philosopher, a wry wit and a twinkle in his eye, as does everyone in the play, loves his family deeply, treats everyone he comes in contact with equally, be they a man on the street or a king on the throne, has never paid his income tax, because he doesn't believe in it, as he feels that the government wouldn't know what to do with the money if he paid it, lives his life by the philosophy "don't do anything that you're not going to enjoy doing"; Paul Sycamore: Very Late 40s-Mid 50s, Essie and Alice's father, Penny's husband, Grandpa's son-in-law, has a kind of youthful charm, his quiet charm and mild manner are distinctly engaging, delights in manufacturing fireworks in the basement with the help of his assistant, Mr. De Pinna, loves his daughter Alice very much; Ed Carmichael: Mid 30s, Essie's husband, Paul and Penny's son-in-law, extremely good-natured and innocent, xylophone player, distributes Essie's candies, amateur printer who prints anything that sounds good to him, places little quotes in boxes of Essie's candy, which gets him into trouble when the government thinks he is printing anti-American propaganda, just loves the way the words sound, playing the xylophone is certainly a plus but definitely not necessary; Tony Kirby: Mid 20s, fiancé of Alice, Mr. and Mrs. Kirby's son, vice-president of Kirby and Co., very handsome, intelligent, charming, romantic, not long out of Yale, fits all the physical requirements of a boss's son, his face has something of an idealist in it, hopelessly in love with Alive, his own family is very proper, has many issues none of them will admit, sees the Sycamores as the really perfect family; Boris Koklenkhov: 40s-60s, Russian, escaped to America shortly before the Russian revolution, Essie's ballet instructor, knows she's not good at dancing, but knows that she enjoys it, so he keeps working with her, an honorary member of the Sycamore family, and always welcome, very, very Russian, has a larger-than-life personality, is not afraid to tell anybody what he thinks or feels about them, embraces life to the fullest; Mr. Kirby: Late 50s-Early 60s, Mrs. Kirby's husband, Tony's father, very proper, pompous man, president of Kirby and Co., his hobby is raising expensive orchids, also a member of the Harvard Society, the Union Club, the National Geographic Society, and the Racquet Club, through the course of the play, he realizes that he despises his job, accepts and understands Grandpa's philosophy of life and accepts the fact that Tony and Alice are a perfect match; Mr. De Pinna: Mid 40s-Mid 50s, iceman who delivered ice to the house one day and never left, he simply was accepted, and joined the family, bald-headed man with a serious manner, loves helping Ed to build his fireworks, moonlights as a model in Mrs. Sycamore's paintings, could be short and round, but not necessarily; Donald: Mid 30s, male, African-American, Rheba's boyfriend, affable, good-natured, enjoys the wonderful madness of the Sycamore family; Henderson: Mid 30s, IRS employee, comes to collect the tax money Grandpa owes, can't understand why Grandpa won't pay income tax, very official and officious; Penny Vanderhof Sycamore: Very Late 40s-Mid 50s, Essie and Alice's mother, Paul's wife, Grandpa's daughter, comfortable-looking, gentle and homey, warm and caring, one would not suspect that under that placid exterior there surges the Divine Urge but it does, one day, a typewriter arrived at the house, and for the past eight years, she's become a playwright, the first two years didn't really count because she was learning to type, at times may seem a bit vague, but that's only because she is completely happy in her own world, has a blithe, light tough, fervent optimism, boundless energy, and feminine charm, the mother of her brood, loves and cares for them fiercely; Alice Sycamore: Early 20s, Grandpa's granddaughter and Penny's daughter, but there is something that sets her apart from the rest of the family, for one thing, she is in daily contact with the world, and in addition, she seems to have escaped the tinge of mild insanity that pervades the rest of them, but she is a Sycamore for all that, and her devotion and love for them are plainly apparent, lovely, fresh as paint and head-over-heels in love with Tony, her boss's son, exudes warmth and romance, but with a grounded awareness of the real world; Essie Carmichael: Late 20s, Penny's eldest daughter, has the curious air of a pixie about her, obsessed with becoming a ballet dancer, has been studying for years, but actually isn't very good (but it doesn't matter, because she think she's wonderful), also an avid maker of homemade candy, so between her candy and her ballet, she couldn't be happier, has a wonderful innocence and naivete, very much in love with her husband Ed, does the entire play either in ballet slippers or en pointe, casting personnel are not necessarily looking for a dancer, but someone who could have aptitude to learn, or a dancer; Rheba: Mid 30s, female, African-American, the Sycamore's maid, an equal part of the family, game for anything, with a wry sense of humor, absolutely adores being a part of the Sycamore family, in love with Donald, who is on relief after the war; Mrs. Kirby: Late 50s-Early 60s, handsome woman, classic snobbish, upper-class society matron, Tony's mother, completely resistant to any change in her insulated, upper-crust sensibility, on the surface, she never displays anything less than frosty good manners, very prim and proper, stays up with the fads of the times, her hobby is spiritualism; Gay Wellington: 30s-50s, Penny meets this actress on a bus, and asks her to read her plays, what Penny and everyone else soon realizes is that Gay is a hopeless drunk who can barely stand and utter a word, let alone read a play, in fact, within in the first five minutes of her entrance, she passes out and comes to at the most embarrassing moments possible; Grand Duchess Olga Katrina: 60s-Early 70s, one of the Grand Duchesses of Russia, before the revolution, since then, she has been forced to flee to American, where she has found work as a waitress in Childs Restaurant (but once a duchess, always a duchess), "star" cameo possible. Note: We encourage performers of all ethnicities to attend. All actors in the play must have light comedy experience and have the ability to make these characters not only comic but also endearingly truthful. Prepare a brief (preferably 1-2 minutes) monologue; suggested authors include Kaufman & Hart, Neil Simon, S.N. Behrman, Wendy Wasserstein, Lindsay & Crouse, and Alfred Uhry. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Vancouver, Canada - AUDITIONS: March 14, 15, 20 & 21, 2010 between 8:45 am-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming productions. Title: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR, Shel Piercy; MUSIC DIR, Kevin Michael Cripps; CHOREO, Keri Minty. Rehearsal Dates: Begins May 17, 2010. Performance Dates: July 9-August 20, 2010 (at Stanley Park’s outdoor theatre, Malkin Bowl). SINGIN’ IN THE RAIN. DIR, Shel Piercy; MUSIC DIR, Wendy Bross Stuart; CHOREO, Shelley Stewart Hunt. Rehearsal Dates: Begins May 17, 2010. Performance Dates: July 10-August 21, 2010 (at Stanley Park’s outdoor theatre, Malkin Bowl). Breakdown-- For JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT - Joseph: 19-30. An extraordinary singer, dancer and actor with huge charisma and strong experience carrying a show; 8 Males & 6 Females: Must be at least 16 years old; 3 Boys & 6 Girls: 8-15. For SINGIN’ IN THE RAIN - R.F. Simpson: 40+. He is distinguished and a strong character actor; Cosmo Brown: 20-35. A superb singer, dancer and stong comedian; Lina Lamont: 20-35. A superb singer and strong comedienne; Roscoe Dexter: 30-50. Strong comic actor with a distinctive appearance; Don Lockwood: Superb singer and dancer; Kathy Selden: Superb singer and dancer; 10 Males & 10 Females; 2 Boys: 10; 2 Girls: 8-12. Everyone must be able to both sing and dance as well as being strong actors. Bring sheet music in your key. Prepare two contrasting musical theatre pieces of your choice, at least 16 bars each. An accompanist will be provided. Please come prepared to dance. A dance routine will be taught. Bring dance shoes if you have them: character, soft (flat) and tap. Bring two stes of photographs & resumes, stapled together. (Posted: March 2, 2010)

(St. Louis, MO - March 4, 2010 between 1:00-5:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: IT HAD TO BE YOU by Renee Taylor & Joseph Bologna. DIR, Sydnie Grosberg Ronga. Contract: Equity Special Appearance Contract ($300 min./wk.). Rehearsal Dates: Begins June 22, 2010 Performance Dates: July 14-August 1, 2010 (in St. Louis, MO). Breakdown-- Vito Pignoli: Mid 50s-Early 60s, successful director of commercials, worked for the same company for 15 years but has been unable to commit to a relationship, warm but quick to anger, with a lot of depth and artistic ambitions that have gone unfulfilled. Note: Performers of all ethnic and racial backgrounds are encouraged to attend. EPA rules are not in effect and a monitor will no be provided. The producer will run all aspects of this audition. Prepare a one- to two-minute comedic monologue. You will also be asked to read from sides provided at the audition. Always bring your Equity membership card to auditions. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Birmingham, AL - AUDITIONS: March 7,2010 between 9:00 am-5:00 pm at Details Are only Available By Subscription. will be holding Equity & Non-Equity auditions for their upcoming comedy production. Title: SECRET OF SOCCER MOM by Kathleen Clark. DIR, Jeanmarie Collins. Rehearsal Dates: Begins May 11, 2010. Performance Dates: May 27-June 6, 2010. Breakdown-- Nancy: In her 40’s. The oldest of the women. She is a former model, still attractive, but, shy. She does not seek attention; her main goal in life is to keep her children happy and so she devotes herself to them, and does not like to share her time otherwise. Because of her attitude, she appears to be tough to others, but, is gentle with her children; Lynn: In her 30’s. An organizer, member of the PTA,and can be intimidating. "I wind up doing everything for everyone everyday of the week and I'm not fair?...."; Alison: In her 20’s. The youngest of the three. She was voted best athlete in high school and resents that her husband asked her to give it all up. She is aggressive, competitive, has a troubled marriage, and a troubled past as a child with her own mother. Note: Three females of any race or ethnicity. Non-Union actresses welcome to audition. Prepare 2 short contrasting monologues. Reading from the script may be asked for. (Posted: March 2, 2010)

(Concord, NC - AUDITIONS: March 8, 2010 between 7:00-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE BOYS NEXT DOOR by Tom Griffin. DIR, Phil Taylor. Performance Dates: April 29-May 9, 2010. Breakdown-- Arnold Wiggins: 25-60. Marginally intellectually disabled. A depressive...; Norman Bulansky: 25-50, needs to be slightly overweight. Intellectually disabled; Lucien P. Smith: 30-55. Intellectually disabled; Barry Klemper: 22-35. Grade A schizophrenic; Jack Palmer: 30-50. Social Worker; Sheila: 25-50. Intellectually disabled; Mr. Klemper: 42-65. Barry Klemper's father. The following roles may be single or multiple cast, the ages may be done thru makeup - Mrs. Fremus: 55-75M. The next door neighbor, deaf; Mrs. Warren: 20-75. A new next door neighbor; Clara: 20-75. Intellectually disabled. Sheila's friend: Mr. Hedges: 35-75. Takes golf lesson from Barry; Mr. Corbin: 30-75. Arnold's boss at a movie theatre; Senator Clarke: 30-75, male or female. A U.S. Senator. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(Concord, NC - AUDITIONS: March 9, 2010 between 7:00-9:00 pm at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE BOYS NEXT DOOR by Tom Griffin. DIR, Phil Taylor. Performance Dates: April 29-May 9, 2010. Breakdown-- Arnold Wiggins: 25-60. Marginally intellectually disabled. A depressive...; Norman Bulansky: 25-50, needs to be slightly overweight. Intellectually disabled; Lucien P. Smith: 30-55. Intellectually disabled; Barry Klemper: 22-35. Grade A schizophrenic; Jack Palmer: 30-50. Social Worker; Sheila: 25-50. Intellectually disabled; Mr. Klemper: 42-65. Barry Klemper's father. The following roles may be single or multiple cast, the ages may be done thru makeup - Mrs. Fremus: 55-75M. The next door neighbor, deaf; Mrs. Warren: 20-75. A new next door neighbor; Clara: 20-75. Intellectually disabled. Sheila's friend: Mr. Hedges: 35-75. Takes golf lesson from Barry; Mr. Corbin: 30-75. Arnold's boss at a movie theatre; Senator Clarke: 30-75, male or female. A U.S. Senator. Bring photographs & resumes, stapled together. (Posted: March 2, 2010)

(York, SC - AUDITIONS: March 22, 2010 at 7:00 pm at Details Are only Available By Subscription.. Title: THE CANTERBURY TALES. DIR/WRTR, Burton Bumgarner. Breakdown-- Flexible Male & Female Casts of 15-60: Ages 10 & up including adult roles. No preparation required (head shot helpful, but not required). (Posted: March 2, 2010)

(York, SC - AUDITIONS: March 27, 2010 at at 10:00 am at Details Are only Available By Subscription.. Title: THE CANTERBURY TALES. DIR/WRTR, Burton Bumgarner. Breakdown-- Flexible Male & Female Casts of 15-60: Ages 10 & up including adult roles. No preparation required (head shot helpful, but not required). (Posted: March 2, 2010)