Toronto, Canada - February 13, 2010 between 10:00 am-6:00 pm.

Toronto, Canada - February 14, 2010 between 12:00 noon-8:00 pm.

Ottawa, Canada - February 19, 2010 between 12:00 noon-8:00 pm.

Ottawa, Canada - February 20, 2010 between 10:00 am-6:00 pm.

Perth, Canada - February 21, 2010 between 5:00-8:00 pm.

Breakdown-- For BLITHE SPIRIT - Elvira: 25-30. British accent required; Madame Arcati: 45-65. British accent required; Mrs. Bradman: 40-50. British accent required; Edith: 20-30. British accent required. For THE VOICE OF THE TURTLE - Sally: 20's; Olive: 20's; Bill: 20's. Only those selected for an audition will be contacted. Equity members will be signed to an Indie form of contract. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 1, 2010 by Appointment Only) - For consideration, Send photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE SUBJECT WAS ROSES. ART DIR, J.R. Sullivan; DIR, Amy Wright; WRTR, Frank D. Gilroy; CSTG, Stephanie Klapper. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins March 9, 2010. Performance Dates: April 9-May 9, 2010 (seven shows per week in New York, NY). Breakdown-- Timmy Cleary: 20s, clean-cut, average WWII vet, the only child of John and Nettie Cleary, returns from one war only to be trapped in the middle of another at home, still "boyish" after the war, but still most definitely a man, with a bit of darkness in him, attractive, appealing, masculine, a "good guy" and peacekeeper for his parents, actor must be in good physical shape and able to appear "of the time" and capture the sense of the period in 1946. Note: Seeking submissions from Equity members only for these auditions. Read the notice carefully, and submit only if you are right for the role. (Posted: January 27, 2010)

(Covina, CA - AUDITIONS: February 1, 2010 at 7:00 pm by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE FOREIGNER. PROD, Angelo Collado; DIR, John Butz. Contract: Equity 99-Seat Plan. Performance Dates: February 26-March 28, 2010. Breakdown-- Rev. David Marshall Lee: Late 20s-Mid 30s, male, Caucasian, southern accent, think Jimmy Carter, open, friendly, "kind of pastor you'd like to have, but he hides a secret" believes he's doing the Lord's work and that he's smarter than the people he's dealing with, engaged to Catherine. Prepare to cold read from the script. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: February 1, 2010 between 10:00 am-2:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)

(New York, NY - AUDITIONS: Early February, 2010 by Appointment) - To schedule an audition appointment, Send photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for the Mentor Project 2010. Titles: STRAY by Ruth McKee. DIR, Gionvanna Sardelli. Reading will be held February 22, 2010. Rehearsal Dates: Begins February 22, 2010. Performance Dates: March 16-27, 2010. THE BELLE OF BELFAST by Nate Rufus Edelman. DIR, Eric Tucker. Reading will be held February 8, 2010. Rehearsal Dates: Begins April 6, 2010. Performance Dates: April 27-May 8, 2010. PATERNITY by Winter Miller. DIR, Craig Lucas. Rehearsal Dates: Begins April 26, 2010. Performance Dates: May 18-29, 2010. ART DIR, Angelina Fiordellisi. CSTG, Pat Golden. Contract: Equity Basic Showcase, Approval Pending ($500 stipend provided). Breakdown-- For STRAY - Rachel: 30s, white African, the mother, adventurous, smart and strong, actress must speak in an African dialect; James: 30s, white African, the father, intelligent, charming, much like a big puppy dog; Tanya: 40s-50s, African-American, the principal, a strong woman and a force to be reckoned with; Ms. Kennedy: 20s, white American, the teacher, frazzled, overwhelmed and in over her head; Lucia: 40s, Latina, the counselor, a strong maternal figure, good at her job, speaks with an American accent. For THE BELLE OF BELFAST - Father Ben Reilly: 35, Belfast parish priest, a devout Catholic, decent, an IRA supporter, handsome, easy to talk to; Emma Malloy: 55-70, an observant Catholic, serial confessor, heavy drinker, thick Irish accent, Anne's guardian; Anne Malloy: 17, pretty, clever, fiery, but her status as an orphan has rendered her lost, angry and lonely, thinks she's in love with her parish priest, Emma's great niece; Ciara: 17, Anne's best friend, insecure, possibly overweight or heavyset, doesn't feel as pretty as she thinks Anne is, will never leave Belfast; Father Dermott Behan: 55-70, alcoholic, weather-beaten parish priest, a by-the-line Catholic, supports the IRA and believes in an Ireland united and free, a best mate to Ben Reilly, they live together with their own moral code in a Belfast rectory, although Father Behan would secretly prefer a quiet life surfing in Donegal. Note: All must speak with an Irish accent. It is important that these characters not be played as stock or a "stage Oirish" - they are alive, very real and three-dimensional. For PATERNITY - Sam: 35-45, any ethnicity, a successful actor in an unsuccessful personal relationship, partial nudity may be required; Tina: 35-45, any ethnicity, an award-winning "downtown" actor who is unhappy in her personal relationship, wants to get pregnant, partial nudity may be required; Paul Kimrick: 40-55, any ethnicity, an audience member, a blue-collar guy who has risen to middle management, occasionally enjoys the theatre, an odd-duck; Carl Appomatax: 35-45, any ethnicity, audience member, blue-collar, a sweet, loving guy who drives an old, beat up car, partial nudity may be required; Marcy Little: 40s, any ethnicity, the theatre's follow spot operator, a character. Note: Play contains sexual content. Partial nudity may be required for some roles, but not full-frontal. No nudity required at the auditions. (Posted: January 27, 2010)

(St. Petersburg, FL - AUDITIONS: February 2, 2010 between 12:00 noon-5:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HAIR. PROD ART DIR, Todd Olson; DIR, Eric Davis; MUSIC DIR, Vince di Mura. Contract: Equity SPT Contract ($396 min./wk.). Rehearsal Dates: Begins March 30, 2010. Performance Dates: Through May 16, 2010. Breakdown-- Claude: Late Teens-20s, male, the most beautiful beast in the forest, smart, attractive, with a playful side, lover of life and the picture of a young-man-next-door of the '60s, Berger's best friend, recently drafted, his only valuable possession, other than his freedom, is his hair, a charismatic leader whom women adore, boys emulate and men will follow into the breach, a man of conscience who struggles with the conflict between what his heart tells him is right and what the authorities around him lead him to believe, requires a strong actor, rock baritone/tenor; George Berger: Late Teens-20s, social activist, recently banished from high school, an unrestrained animal, knows what is right and sticks to it, no matter the consequence, leader of the tribe, high-energy, athletic, wild, strong presence, though he may be a young man, people look up to him, tenor; Sheila: Late Teens-20s, second-semester student and passionate protester from NYU, lives with Berger and Claude, aspires to spread love, loves Berger, the most intelligent of the tribe, wants to change society through peaceful protest, rock alto/belter; Jeanie: Late Teens-20s, a follower, not a leader, incredibly sweet, understands Claude better than anyone, wise, passionate, creative, pregnant with the tribe's baby, has taken every drug, takes care of the tribe, alto; Crissy: Late Teens-20s, flower child mourning a lost love, youngest female of the tribe, sings "Frank Mills," mezzo; Dionne: Late Teens-20s, female, African-American, sassy and lots of fun, sings "Aquarius," alto/mezzo belt; Hud: Late Teens-20s, male, African-American, speaks his mind and hopes you can keep up with him, requires a high-energy, spiritual performer with a strong voice and presence, soul/rock baritone/tenor; Woof: Late Teens-20s, may not want to admit it, but he's gay, young animal, looks up to Berger and Mick Jagger, high-energy, versatile performer, must be a natural with comedy, rock baritone/tenor; Ensemble. Note: Seeking a multicultural cast of unique and charismatic singer/actor/dancers. At least 60% of casting will be on Equity contracts. Especially interested in performers with interesting/unusual hair or looks. All performers must be sensational rock/pop vocalists and strong, creative actors. Equity members without appointments will be seen throughout the audition day as time permits. Prepare a brief pop/rock song appropriate to the show's late '60s musical style. No musical theatre songs (except for songs from Hair or from a similarly authentic pop/rock score of the same period). Bring sheet music; an accompanist will be provided. Songs should not exceed three minutes. In addition to singing be prepared to read from sides, which will be provided at the audition. Visually-impaired performers may request an advance copy of sides when making an audition appointment. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY - AUDITIONS: February 2, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: HAMLET, PRINCE OF DENMARK. DIR, Stephen Burdman. Rehearsal Dates: Begins March 1, 2010. Performance Dates: April 1-18, 2010 (at the World Financial Center). RICHARD III. DIR, Teresa Pond. Rehearsal Dates: Begins May 6, 2010. Performance Dates: June 3-27, 2010 (in Central Park). MUCH ADO ABOUT NOTHING. DIR, Stephen Burdman. Rehearsal Dates: Begins June 19, 2010 (in Battery Park). Performance Dates: July 17-August 1, 2010 (on selected days). Rehearsal Dates: Begins July 27, 2010 (in Central Park). Performance Dates: August 5-29, 2010. ART DIR, Stephen Burdman. Contract: Equity Seasonal Showcase Code ($1,000 stipend provided for Hamlet and Richard III; $2000 stipend provided for Much Ado about Nothing due to the extended run). Breakdown-- For HAMLET, PRINCE OF DENMARK - All Roles Are Open. For RICHARD III - All Roles Are Open. For MUCH ADO ABOUT NOTHING - All Roles Are Open. Prepare a brief Shakespearean monologue in verse. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(East Haddam, CT)(New York, NY - AUDITIONS: February 2, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BAND GEEKS! PROD, Michael Price; AP, Bob Alwine; DIR, Gordon Greenberg; CHOREO, Denis Jones; CSTG, Paul Hardt/SH Entertainment. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins April 20, 2010. Performance Dates: Through June 6, 2010 (at the Norma Terris Theatre in Chester, CT). Breakdown-- Jake Fowler: African-American/Hispanic, troubled and good-looking, all-star football player, baritenor, must play drums; Mr. Hornsby: 45-50, an excellent comic actor/singer with heart, humor and soulfulness; Spitz: Male, geeky Jewish trumpet player; Natalia: Exchange student from the former Soviet Union, strong-willed, disciplined, ironic and determined to be the best trumpeter, must have strong European dialect and play trumpet; Molly Winderman: Any ethnicity, dry wit and strong smart presence, somewhat anti-social, will have to play trombone; Alvin: Quick dry wit, and a penchant to say what the rest of the band thinks, excellent comic actor/singer, may have a boycrush on Kyle, but still one of the guys, must play a marching band instrument exceptionally well; Kyle: Wealthy, addicted to his Gameboy, so doesn't realize his best friend's crush, especially seeking African-American or Hispanic actor with excellent comic and musical skills, must play a marching band instrument. Note: Unless age range is mentioned, all must appear youthful enough to play high school students. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY - AUDITIONS: February 2, 2010 between 1:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)

(N. Hollywood, CA - AUDITIONS: February 2-3, 2010 between 10:00 am-6:00 pm for Equity Principal [Registration at 9:00 am] at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: SPAMALOT. DIR, Glenn Casale; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins June 21, 2010. Performance Dates: July 9-18, 2010. JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. DIR/CHOREO, Richard Stafford; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins July 9, 2010. Performance Dates: July 20-25, 2010. OKLAHOMA! DIR, Marcia Milgrom Dodge; CHOREO, Bob Richard; MUSIC DIR, Michael Rice. Rehearsal Dates: Begins July 12, 2010. Performance Dates: July 27-August 1, 2010. DIRTY ROTTEN SCOUNDRELS. DIR/CHOREO, Richard Stafford; MUSIC DIR, Darren Cohen. Rehearsal Dates: Begins July 19, 2010. Performance Dates: August 3-8, 2010. FUNNY GIRL. DIR, Glenn Casale; CHOREO, Bob Richard; MUSIC DIR, Dennis Castellano. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-15, 2010. THE MARVELOUS WONDERETTES. DIR, Roger Bean; CHOREO, Janet Miller; MUSIC DIR, Michael Borth. Rehearsal Dates: Begins August 6, 2010. Performance Dates: August 17-22, 2010. 42ND STREET. DIR, Charley Repole; CHOREO, Michael Lichtefeld; MUSIC DIR, Craig Barna. Rehearsal Dates: Begins August 9, 2010. Performance Dates: August 24-29, 2010. EXEC PROD, Richard Lewis; AP, Scott Klier; ART DIR, Glenn Casale. Contract: Equity RMTA Contract ($951/wk). Breakdown-- All Roles Are Open: All ethnicities encouraged. Note: All roles for The Marvelous Wonderettes have been cast. EPA Rules are in effect. A monitor will be provided. Prepare a brief musical theater song appropriate for the season; singing material from the show is acceptable and encouraged. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Lewiston, ME)(New York, NY - AUDITIONS: Early February, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes by February 3, 2010 to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: MAGNETIC NORTH. DIR, Christopher Schario; WRTR, William Donnelly. Contract: Equity SPT 8 Contract ($450 min./wk., plus housing and transportation provided). Rehearsal/Performance Dates: March 1-28, 2010. Breakdown-- Mara: Early 40s, the sexy, feminine, alluring, very attractive former girlfriend of the married male lead, charmingly predatory yet still likable, appears confident and entertaining, but struggles internally with being single, still in love with her old boyfriend. Actors will read from the script at the auditions. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 3, 2010 between 10:30 am-2:00 pm & 3:00-6:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: THE KID. DIR, Scott Elliott; WRTR, Dan Savage; MUSIC DIR, Dominick Amendum; CHOREO, Josh Prince; CSTG, Judy Henderson. Contract: Equity ANTC Contract ($487 min./wk.). Rehearsal Dates: Begins February 22, 2010. Performance Dates: April 7-May 29, 2010. Breakdown-- Jack/Friend #1: 20s,male; Alice/Waitress/Friend #2: 30s, female; Tom/Friend #3: 30s-40s, male; Male: 20s. The following roles are CAST. Performers will be considered as possible replacements - Dan: 30s, sex columnist, self-assured, opinionated, arrogant, yet self-deprecating, doubtful of his ability as a father; Terry: Mid 20s, Dan's boyfriend, works as a barista and enjoys clubs and dance music, but has an intellectual side, the voice of reason in their relationship; Melissa; Teens-20s, homeless, pregnant teenager (a "gutter punk"), closed-mouthed and affectless, but strong-willed; Dan's Mom: 60s, maternal, with traditional values, yet used to - and accepting of - Dan's life and outspoken opinions, thrilled about getting to be a grandmother; Bacchus: 20s, father of Melissa's unborn child, homeless as a lifestyle, rootless, but he believes he is ready for the responsibility of fatherhood; Ruth/Anne/Marilyn: 40s-50s, female; Carol/Susan: 20s, female. Prepare a brief song that shows vocal range and ability. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(St. Petersburg, FL - AUDITIONS: February 3, 2010 between 12:00 noon-5:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: HAIR. PROD ART DIR, Todd Olson; DIR, Eric Davis; MUSIC DIR, Vince di Mura. Contract: Equity SPT Contract ($396 min./wk.). Rehearsal Dates: Begins March 30, 2010. Performance Dates: Through May 16, 2010. Breakdown-- Claude: Late Teens-20s, male, the most beautiful beast in the forest, smart, attractive, with a playful side, lover of life and the picture of a young-man-next-door of the '60s, Berger's best friend, recently drafted, his only valuable possession, other than his freedom, is his hair, a charismatic leader whom women adore, boys emulate and men will follow into the breach, a man of conscience who struggles with the conflict between what his heart tells him is right and what the authorities around him lead him to believe, requires a strong actor, rock baritone/tenor; George Berger: Late Teens-20s, social activist, recently banished from high school, an unrestrained animal, knows what is right and sticks to it, no matter the consequence, leader of the tribe, high-energy, athletic, wild, strong presence, though he may be a young man, people look up to him, tenor; Sheila: Late Teens-20s, second-semester student and passionate protester from NYU, lives with Berger and Claude, aspires to spread love, loves Berger, the most intelligent of the tribe, wants to change society through peaceful protest, rock alto/belter; Jeanie: Late Teens-20s, a follower, not a leader, incredibly sweet, understands Claude better than anyone, wise, passionate, creative, pregnant with the tribe's baby, has taken every drug, takes care of the tribe, alto; Crissy: Late Teens-20s, flower child mourning a lost love, youngest female of the tribe, sings "Frank Mills," mezzo; Dionne: Late Teens-20s, female, African-American, sassy and lots of fun, sings "Aquarius," alto/mezzo belt; Hud: Late Teens-20s, male, African-American, speaks his mind and hopes you can keep up with him, requires a high-energy, spiritual performer with a strong voice and presence, soul/rock baritone/tenor; Woof: Late Teens-20s, may not want to admit it, but he's gay, young animal, looks up to Berger and Mick Jagger, high-energy, versatile performer, must be a natural with comedy, rock baritone/tenor; Ensemble. Note: Seeking a multicultural cast of unique and charismatic singer/actor/dancers. At least 60% of casting will be on Equity contracts. Especially interested in performers with interesting/unusual hair or looks. All performers must be sensational rock/pop vocalists and strong, creative actors. Equity members without appointments will be seen throughout the audition day as time permits. Prepare a brief pop/rock song appropriate to the show's late '60s musical style. No musical theatre songs (except for songs from Hair or from a similarly authentic pop/rock score of the same period). Bring sheet music; an accompanist will be provided. Songs should not exceed three minutes. In addition to singing be prepared to read from sides, which will be provided at the audition. Visually-impaired performers may request an advance copy of sides when making an audition appointment. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(East Haddam, CT)(New York, NY - AUDITIONS: February 3, 2010 by Appointment Only) - To schedule an audition appointment, Send/Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BAND GEEKS! PROD, Michael Price; AP, Bob Alwine; DIR, Gordon Greenberg; CHOREO, Denis Jones; CSTG, Paul Hardt/SH Entertainment. Contract: Equity LORT D Contract ($555 min./wk.). Rehearsal Dates: Begins April 20, 2010. Performance Dates: Through June 6, 2010 (at the Norma Terris Theatre in Chester, CT). Breakdown-- Jake Fowler: African-American/Hispanic, troubled and good-looking, all-star football player, baritenor, must play drums; Mr. Hornsby: 45-50, an excellent comic actor/singer with heart, humor and soulfulness; Spitz: Male, geeky Jewish trumpet player; Natalia: Exchange student from the former Soviet Union, strong-willed, disciplined, ironic and determined to be the best trumpeter, must have strong European dialect and play trumpet; Molly Winderman: Any ethnicity, dry wit and strong smart presence, somewhat anti-social, will have to play trombone; Alvin: Quick dry wit, and a penchant to say what the rest of the band thinks, excellent comic actor/singer, may have a boycrush on Kyle, but still one of the guys, must play a marching band instrument exceptionally well; Kyle: Wealthy, addicted to his Gameboy, so doesn't realize his best friend's crush, especially seeking African-American or Hispanic actor with excellent comic and musical skills, must play a marching band instrument. Note: Unless age range is mentioned, all must appear youthful enough to play high school students. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY - AUDITIONS: February 3, 2010 between 10:00 am-1:30 pm & 2:30-6:00 pm for Equity Principal at Details Are only Available By Subscription.) - Title: FIDDLER ON THE ROOF. PROD, Troika Entertainment; DIR, Sammy Dallas Bayes; CSTG, Dave Clemmons Casting. Contract: Equity Production Contract, Tier C ($1,008 min./wk., plus $770/wk. per diem provided). Tour Performance Dates: Currently booked through May 2010. Breakdown-- Tevye: 40-55, dairy man, father of five daughters, a dreamer, lives his faith and values its traditions, must be an excellent singer-actor with an exuberant personality; Golde: 35-55, dairy farmer's wife, looks older than her age from the hard lifestyle, strong-willed, a disciplinarian, able to convey a command with a look or a clap of the hands; Tzeitel: 20-25, eldest daughter, cut from her mother's apron, wants to be a good mother and wife in the tradition of her faith, strong belt; Hodel: 20-23, second eldest daughter, opinionated and strong-willed, knows the teaching of her faith, has very definitive ideas about marriage, to marry a man who is learned is a prerequisite, warm soprano; Chava: 17-19, third eldest and Tevye's favorite daughter, a dreamer like him, likes to read, lives her life in worlds where her books take her, just crossing over from child to young lady, with the innocence of a young child, strong dancer a plus; Shprintze/Bielke: 18+ to play 8-12, Tevye's youngest daughters, very dutiful in their place as children; Yente: 40-55, the town matchmaker, a widow, always busy with a sense of no time to slow down, even in her conversations, character belt; Lazar Wolf: 50-60, town butcher, wealthiest man in town, strong and big in stature, a widower, has a sense of the finer things in life but a bit crude in presence due to the nature of his work; Motel: 23-28, a tailor, thin and lanky, very quiet and reserved in his manner, a hard worker striving to make ends meet to support himself and marry Tzeitel, baritone-tenor; Perchik: 23-28, a student and revolutionary who has his own ideas about the problems of the world and his people, and has the answers to solve them, attracted to Hodel and the intellectual challenge she presents, baritone; Fyedka: 20-23, Russian peasant, enjoys reading, has a very gentle manner, displays a sense of respect for people, including those of the Jewish community, has very strong feelings for Chava, tenor; Constable: 40-60, the local law official, very much a peasant himself, with a sense of duty to his job, treats all with equal respect, but considers himself a cut above the rest (most notably the Jewish population) due to the uniform he wears. Note: Seeking strong legit singers who are excellent actors for all roles. Prepare a brief legit musical theater song that shows off range and personality. Bring sheet music; an accompanist will be provided. Bring photographs & resumes, stapled together. (Posted: January 27, 2010)

(Austin, TX - AUDITIONS: February 3 & 4, 2010 between 6:00-10:00 pm for Equity Principal by Appointment at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: BECKY'S NEW CAR. ART DIR, Dave Steakley; DIR/WRTR, Steven Dietz. Contract: Equity SPT Contract ($284/wk.). Rehearsal Dates: Begins May 3, 2010. Performance Dates: June 3-July 3, 2010 (in Austin, TX). Breakdown-- Joe Foster: Late 40s, Becky's husband, a roofer; Chris Foster: 26, Joe and Becky's son, a psychology student; Walter Flood: 60s, a very wealthy businessman, widowed; Kensington (Kenni) Flood: 23, Walter's daughter; Steve: 50, Becky's co-worker, widowed; Ginger: 50, a neighbor of Walter's, single. Note: Seeking male and female actors ages 18+ for all roles. A monitor will not be provided. The producer will run all aspects of this audition. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 4, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: HAMLET, PRINCE OF DENMARK. DIR, Stephen Burdman. Rehearsal Dates: Begins March 1, 2010. Performance Dates: April 1-18, 2010 (at the World Financial Center). RICHARD III. DIR, Teresa Pond. Rehearsal Dates: Begins May 6, 2010. Performance Dates: June 3-27, 2010 (in Central Park). MUCH ADO ABOUT NOTHING. DIR, Stephen Burdman. Rehearsal Dates: Begins June 19, 2010 (in Battery Park). Performance Dates: July 17-August 1, 2010 (on selected days). Rehearsal Dates: Begins July 27, 2010 (in Central Park). Performance Dates: August 5-29, 2010. ART DIR, Stephen Burdman. Contract: Equity Seasonal Showcase Code ($1,000 stipend provided for Hamlet and Richard III; $2000 stipend provided for Much Ado about Nothing due to the extended run). Breakdown-- For HAMLET, PRINCE OF DENMARK - All Roles Are Open. For RICHARD III - All Roles Are Open. For MUCH ADO ABOUT NOTHING - All Roles Are Open. Prepare a brief Shakespearean monologue in verse. Bring photographs & resumes, stapled together. (Posted: February 1, 2010)

(New York, NY - AUDITIONS: February 4, 2010 between 1:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their upcoming festival of New Plays & a Spring Production. EXEC ART DIR, Melanie Moyer Williams. Festival Rehearsal Dates: In February, 2010. Performance Dates: March 4-21, 2010. Spring Production Rehearsal Dates: In March, 2010. Performance Dates: April 7-25, 2010. Contract: Equity Seasonal Showcase Code. Breakdown-- Actors: All types, ages and ethnicities. (Posted: January 27, 2010)

(Minneapolis, MN)(New York, NY - AUDITIONS: February 4 & 5, 2010 by Appointment Only) - To schedule an audition appointment, Email photographs & resumes ASAP to: Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: DOLLHOUSE by Rebecca Gilman. CSTG, Pat McCorkle. Contract: Equity LORT B Contract ($750 min./wk.). Rehearsal Dates: Begins April 27, 2010. Performance Dates: May 28-July 11, 2010. Breakdown-- Nora: 30s, actress must be very attractive and able to play flighty (even if she isn't) as that is Nora's basic mode of defense and offense, high-energy, committed to the moment, in self-denial, willful, determined, stubborn, worries all the time about money; Terry: Very committed to notions of masculinity and normalcy, an incredibly hard worker, worries all the time about money, good-looking, very fit, it's easy to cast him as a jerk, but he has a very strong undercurrent of insecurity running through him that motivates everything he does, desperately needs to fit in, the most Chicago-y of all the characters (no Chicago accent, but has an idea of how guys behave in Chicago), still goes to Cubs games and drinks too much and high-fives people; Raj Patel: East Indian, basically that guy who was so smart in college but who everybody resented because he let everybody know how smart he was, is also recovering from not fitting in and takes it out on people by trying to beat them, hyper-competitive, has a real insecurity as well, loved Kristine. Seeking submissions from Equity members only for these auditions. Read the notice carefully and submit only if you are right for one or more roles. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(Sag Harbor, NY - AUDITIONS: February 4 & 5, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal by Appointment Only at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: DISSONANCE by Damian Lanigan. DIR, Lonnie Price. Rehearsal Dates: Begins May 10, 2010. Performance Dates: June 1-27, 2010. 5TH OF JULY by Lanford Wilson. Rehearsal Dates: Begins June 15, 2010. Performance Dates: July 6-August 1, 2010. ROMANCE by David Mamet. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-September 5, 2010. ART DIR, Murphy Davis. Contract: Equity LORT C Contract ($696 min./wk.). Breakdown-- For DISSONANCE - James: 50s, an Englishman, first violinist; Hal: 30s, an American, second violinist; Paul: 40s, an Englishman, violist; Beth: 30s, an American, a cellist; Jonny: 30, an American, a rock star. Note: The characters are musicians in the play, but actors will not be actually playing those instruments. For 5TH OF JULY - Kenneth Talley Jr.: 35, had both legs shot off seven years ago in the Vietnam War, strong, good-looking, a touch cynical, but not deeply; Jed Jenkins: 25, his lover, larger, stronger, an almost silent listener; June Talley: 33, Ken's sister; Shirley Talley: 14, June's daughter; John Landis: 35, childhood friend of the Talleys, deeply cynical; Gwen Landis: 33, John's wife, racy; Sally Friedman: 67, Ken and June's Aunt, not really batty, preoccupied. For ROMANCE - The Prosecutor: 40s+, single-minded and humorless; The Defendant: 30s, puzzled and Woody Allen(ish); The Defense Attorney: 40s+, hard worker and dedicated; The Judge: 60s, absentminded and elderly; The Baliff: 50s, good-natured and dedicated; Bernard: Late 20s, gay beyond words; The Doctor: 40s, serious and dedicated. Equity members without appointment will be seen as time permits, but appointment are recommended. Prepare a brief contemporary monologue, preferably no longer than two minutes. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(USA & Canada Tour)(Detroit, MI - AUDITIONS: February 5, 2010 at 2:00 pm for Full-Body Costume Characters & Live-Mic Performers at Details Are only Available By Subscription. will be holding auditions for future tours and replacements on SESAME STREET LIVE & CURIOUS GEORGE LIVE. Contract: Non-Union (Salary, plus travel provided). Tours run approximately 10 months throughout the USA & Canada. Breakdown-- Full-Body Costume Characters: 18+, male & female, 4'10"-6'1" in height, versatile dancers with strong technical ability in jazz & musical theatre dance styles. Gymnastics and tap a plus. Dance combinations will be taught; Live-Mic Performers: 18+, must be able to dance well, sing and act. Dance combinations will be taught. Prepare two vocal selections, 32 bars each: ballad and up-tempo (a capella or instrumental tape). Also, prepare a one-minute monologue, appropriate for family/children's theatre. TO BE CONSIDERED FOR A LIVE ROLE, ALL PERFORMERS MUST FIRST COMPLETE THE DANCE PORTION OF THE AUDITION. Bring photographs & resumes and wear or bring dance attire. Performers must be 18 or older. (Posted: January 20, 2010)

(USA & Canada Tour)(New York, NY - AUDITIONS: February 8, 2010at 6:00 pm for Full-Body Costume Characters & Live-Mic Performers [Registration at 5:45 pm, Studio #504] at Details Are only Available By Subscription. will be holding auditions for future tours and replacements on SESAME STREET LIVE & CURIOUS GEORGE LIVE. Contract: Non-Union (Salary, plus travel provided). Tours run approximately 10 months throughout the USA & Canada. Breakdown-- Full-Body Costume Characters: 18+, male & female, 4'10"-6'1" in height, versatile dancers with strong technical ability in jazz & musical theatre dance styles. Gymnastics and tap a plus. Dance combinations will be taught; Live-Mic Performers: 18+, must be able to dance well, sing and act. Dance combinations will be taught. Prepare two vocal selections, 32 bars each: ballad and up-tempo (a capella or instrumental tape). Also, prepare a one-minute monologue, appropriate for family/children's theatre. TO BE CONSIDERED FOR A LIVE ROLE, ALL PERFORMERS MUST FIRST COMPLETE THE DANCE PORTION OF THE AUDITION. Bring photographs & resumes and wear or bring dance attire. Performers must be 18 or older. (Posted: January 20, 2010)

(Santa Maria, CA) - To schedule an audition appointment, Call: Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: CURTAINS. DIR, Roger DeLaurier; CHOREO, Michael Jenkinson. Performance Dates: April 15-July 3, 2010. SYLVIA. Rehearsal Dates: Begins May 25, 2010. Performance Dates: June 24-July 25, 2010. WEST SIDE STORY. DIR/CHOREO, Michael Jenkinson. Rehearsal Dates: Begins June 1, 2010. Performance Dates: July 9-August 22, 2010. SONGS FOR A NEW WORLD. Performance Dates: August 6-September 12, 2010. INVIERNO. DIR, Mark Booher. Rehearsal Dates: Begins July 13, 2010. Performance Dates: August 28-September 19, 2010. CSTG, Erik Stein. Contract: Equity URTA Contract ($626/wk). Audition Dates & Locations: Memphis, TN - February 5-8, 2010 at Unified Professional Theatre Auditions (UPTA).

Seattle, WA - February 28, 2010 for Seattle Open call at Location TBA.

Breakdown-- For CURTAINS - Ensemble Replacements: Any ethnicity, strong dancer/singers. For SYLVIA - Sylvia: 20s, female, any ethnicity, quirky yet attractive, strong comic actor, strong mover; Greg: Middle aged, any ethnicity, feels something is missing in his life; Kate: Middle aged, any ethnicity, Greg's wife, her kids are out of the house and she is starting a new career; Male: Any ethnicity, strong comic actor, plays three roles: A Man, A Woman & An Androgynous Character. For WEST SIDE STORY - Tony: 18-21, strong actor, beautiful tenor voice; Maria: 16-18, strong actor, beautiful soprano voice; Riff: 18-21, athletic, leader of the Jets, strong dancer, singer, actor; Bernardo: 18-21, ethnic, dignified, leader of the Sharks, strong dancer, singer, actor; Anita: 18-21, ethnic, fiery, Bernardo's girlfriend, strong dancer, singer, actor. For SONGS FOR A NEW WORLD - Two Males & Two Females: Any ethnicity, great singing actors who move, especially looking for a very strong ethnic pop tenor. Note: Seeking strong ethnic dancers who act and sing and dancers of any ethnicity who act and sing. For INVIERNO - Males & Females: Latinos strongly encouraged to attend, for complete breakdown see Shakespeare's Winter's Tale. A monitor will not be provided. The producer will run all aspects of this audition. Prepare one contemporary monologue 60-90 seconds long and one song 16-32 bars, and bring sheet music. Bring photographs & resumes, stapled together. (Posted: December 1, 2009)

(Auburn, NY)(New York, NY - AUDITIONS: February 14, 2010 between 10:00 am-1:00 pm & 2:00-6:00 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: THE DROWSY CHAPERONE. DIR, Ed Sayles; MUSIC DIR, Corinne Aquilina; CHOREO, Lori Leshner. Rehearsal Dates: Begins May 27, 2010. Performance Dates: June 9-30, 2010 (in Auburn, NY). PROMISES, PROMISES. DIR, Paul Bryant; MUSIC DIR, Mark Goodman; CHOREO, Lori Leshner. Rehearsal Dates: Begins June 24, 2010. Performance Dates: July 7-28, 2010 (in Auburn, NY). MEET ME IN ST. LOUIS. DIR/CHOREO, Kate Swan; MUSIC DIR, Corinne Aquilina. Rehearsal Dates: Begins July 22, 2010. Performance Dates: August 4-25, 2010 (in Auburn, NY). MAN OF LA MANCHA. MUSIC DIR, Mark Goodman. Rehearsal Dates: Begins August 19, 2010. Performance Dates: September 1-18, 2010 (in Auburn, NY). RING OF FIRE, the Johnny Cash musical show. DIR, David Lutken; MUSIC DIR, Eric Anthony; CHOREO, Sherry Stregack. Rehearsal Dates: Begins September 9, 2010. Performance Dates: September 22-October 9, 2010 (in Auburn, NY). CHURCH BASEMENT LADIES 2: A SECOND HELPING. DIR, Curt Wollan; MUSIC DIR, Mark Goodman; CHOREO, Wendy Short-Hayes. Rehearsal Dates: Begins September 30, 2010. Performance Dates: October 13-30, 2010 (in Auburn, NY). PROD DIR, Ed Sayles. Contract: Equity LOA Contract ($547 min./wk.). Breakdown-- For THE DROWSY CHAPERONE - Man in Chair: Musical theater enthusiast, neurotic, precise, mischievous, passionate, ideally think Tony Randall 30 years ago, non-singing role. Lead; Janet Van deGraff, the Bride: 20s-early 30s, female, leggy young leading lady, actress should be a strong dancer, acrobatic and any other bizarre skills a plus, character is right out of a 1930s movie, a real movie star from the golden age, sings G3 to Eb, with power; The Drowsy Chaperone: 40s-50s, female, boozy, sexy, jaded, deadpan, wisecracking lady, Eve Arden type, highly comedic, dance skills a plus, actress must belt or have a good mix, sing F3 to D5; Robert Martin, the Groom: 20s-30s, male, movie star good looks, athletic build, very charming, with a big smile and small brain, a deeply superficial person, actor should be a good song-and-dance man with strong tap skills, must be comfortable on roller skates, sings C3 to Ab4; Adolpho: Approximately 30s-40s, male, "Latin lover" type, cross between Cesar Romero and Desi Arnaz, hysterically funny, over-the-top Latino accent complete with trilled "R"s, great physical comedy skills and strong vocal control required, chews scenery for breakfast, rich bass/baritone, A#2 to G4, with falsetto; George, the Best Man: 40s, shorter character look, regular guy type, very energetic and goal-oriented, a heart attack waiting to happen, straight man to the groom, excellent tap dancer preferred, sings F3 to Bb4; Mrs. Tottendale: Middle Aged or older, very cute, endearing, gentle, dizzy but not dotty, widowed socialite who appears to be pleasantly medicated at all times, ukulele playing and dance skills a plus, character singing, G3 to Db5; Underling the Butler: Middle Aged or older, Mrs. Tottendale's butler and comedic partner, very much the droll and refined British butler, more worldly-wise than his employer but extremely devoted to her, actor should have great comedic skills and be able to tolerate a spit-take or two, tap skills a plus, sings Ab3 to Eb5; Feldzieg, the Producer: Middle Aged, hard-nosed showbiz guy, blustery, with a strong presence, basically the stereotypical old-time producer, cigar-smoking wheeler-dealer, sings Db# to Db4; Kitty, a Chorine: Late 20s-30s, dumb but sweet chorus girl who wants to be the leading lady, real Judy Holliday type, has been around the block but still gets lost, has the dumbest jokes in the show and must be able to pull them off, she and Feldzieg have a real Burns-and-Allen thing going on, actress must be a strong dancer and belt, Bb3 to F5; The Tall Brothers: Two males, 30s-40s, no taller than 5'8", former Vaudeville brother act, cast as gangsters, disguised as pastry chefs, real tough-guy look and style which is made humorous by the fact that they are short in stature, seeking strong dancers, acrobatics a plus, character baritones; Ensemble. For PROMISES, PROMISES - Chuck Baxter: Late 20s-Early 30s, nice guy who's always finishing last, stuck in a dead-end job at a large corporation, head-over-heels for Fran, the classic underdog whose day at last arrives, seeking a warm and friendly comedic actor who can handle some pretty serious scenes and can truly connect with the audience, baritone, Bb to F; Fran Kubelik: Late 20s-Early 30s, works in the company cafeteria, having an affair with Mr. Sheldrake, winning smile, cute rather than glamorous, girl next door but very desirable, must have a powerful singing voice with a broad range, low G to high C (belt) to Eb (belt-mix), should be proficient in folk guitar; J.D. Sheldrake: 40s-50s, head of personnel who controls Chuck's future at the company, Fran's married boyfriend, charming and handsome, not unattractive on the outside but a ladies' man without a conscience, seeking a strong dramatic actor with comedic skills, refined baritone voice, low C# to high F; Dr. Dreyfuss: 50s, character type, pudgy and of medium stature, Chuck's next-door neighbor, easily flustered family doctor with a heart of gold, think Lou Jacobi, seeking an exceptional character comic, funny without trying to funny, sings one number with Chuck, strong character voice, low Bb to high G; Marge MacDougall: 40s, very sexy woman who picks Chuck up in a bar, cameo role, but real tour-de-force performance required, strong character voice, low A to high D (belt-mix); Dobitch, Kirkeby, Eichelberger & Vanderhof: Four males, 40-50s, philandering senior executives at the company who advance Chuck's career in return for using his apartment for their dalliances, seeking real character men with great comedic timing, sing a very darkly funny quartet, low Bb to high F#; Ensemble. For MEET ME IN ST. LOUIS - Esther Smith: Plays Late Teens, lively, attractive, forceful, great comedic sense, the middle child of the Smith family, superb belt/mix, low G to E, must also be a proficient dancer; Rose Smith: Plays Late Teens, the chic and beautiful Smith daughter, Esther's older sister, sophisticated, romantic, flirtatious, mezzo soprano to G, must also be a proficient dancer; Alonso Smith: 40ish, the family patriarch, seemingly stuffy attorney with a heart of gold, tries to rule the roost with an iron hand but is constantly undermined, baritone to E; Anna Smith: 40ish, loving wife and mother, diplomatic and supportive, good at balancing everyone's needs, mezzo to E; Lon Smith: Early 20s, oldest of the Smith children and the only son, big man on campus at Princeton, very good-natured, lyric baritone to G, should be a great dancer; Grandpa Prophater: 60s, Mrs. Smith's father, charming Civil War veteran, fun and childlike, with a twinkle in his eye, loves his grandchildren, baritone to F; Katie: Approximately 50, Irish, the Smith family's cook and housemaid, delightful working-class woman, strong singer-mover with large range, mezzo, F below middle C to G; John Truitt: Approximately 19, the "boy next door," handsome, charming, athletic, lyric, the apple of Esther's eye, baritone to F, must also be a proficient dancer; Warren Sheffield: Rose's suitor, eligible young man from a rich family, very shy, has difficulty expressing his true feelings to Rose, baritone to E, must also be a proficient dancer; Ensemble. For MAN OF LA MANCHA - Don Quixote (Cervantes): 40s, tall, thin, distinguished look, seeking a highly experienced actor with a rich speaking voice with a Shakespearean feel, must move well and command the stage, enthusiastic and optimistic, strong singer, low B to high F; Aldonza (Dulcinea): Mid 20s-Early 30s, tall, very attractive, olive complexion, has a very hard edge and has learned to expect only the worst from life, seeking a strong singer-actress, low Ab to high C (belt) and high Ab (soprano); Sancho Panza: Mid 30s-40s, short, round, seeking a character actor with great comedic skills and a very expressive face, Don Quixote's pragmatic but loyal servant and sidekick, strong high baritenor, low C to high G; Innkeeper: 40s-50s, powerfully built man who looks like he could hurt someone if he wanted to, slowly develops an affection for the eccentric Quixote, seeking an experienced actor, strong bass-baritone, low G to at least C#; Antonia: 20s, attractive ingénue, Quixote's niece, gravely embarrassed by her uncle's behavior, it is strongly implied that she is most concerned with protecting her inheritance, beautiful soprano sound, low C to high F; Dr. Carrasco: 30s-40s, sinister but handsome look, tall and thin, engaged to Antonia, obsessed with making Quixote see reality and return home, must be a strong actor who can sing well, low B to high F; Housekeeper: 40s-50s, character look, Quixote's busybody servant, in league with Antonia, rich mezzo soprano, low F to high F; Barber: Mid 20s-30s, short, pudgy, very energetic and likable, great comedic skills required, must be a strong and bright baritenor to high G; Padre: 30s-40s, confessor to Antonia and the housekeeper, sincerely religious man, also a realist, strong high baritenor, low C to high G; Ensemble. For RING OF FIRE - Woman #1: 20s-30s, soprano, must play good country fiddle and move very well, also plays guitar, mandolin, and drums; Man #1: 20s-30s, baritone, must play acoustic and electric guitar and stand-up and electric bass, moves very well; Woman #2: 40s, mezzo, must play guitar and move very well, also plays ukulele and percussion; Man #2: 40s, bass/baritone, must play acoustic and electric guitar, stand-up bass, Scruggs-style banjo, and dobro, moves very well, also plays mandolin and harmonica; Woman #3: 50s, alto, must play stand-up bass, autoharp, and guitar, moves well, also plays ukulele; Man #3: 50s, bass/baritone, must play guitar and harmonica, must move well; Band #1: Plays lead guitar (acoustic and electric), stand-up bass, mandolin, and banjo, sings and moves well; Band #2: Plays keyboard, accordion, guitar, mandolin, stand-up bass, and trumpet, sings and moves well; Band #3: Plays drums, also plays mandolin, guitar, and spoons, sings and moves well. For CHURCH BASEMENT LADIES 2: A SECOND HELPING - The Pastor: Indeterminate age, has been the pastor at this church for some time, has a wife "half his age," the ladies have a great deal of respect for him and tolerate his wife, a nice man if perhaps not a terribly dynamic preacher, lives a life of service and humility; Mrs. Elroy Engelson (Karin): Mid-Late 40s, Beverly's mother, the most fashionable of the ladies and the best cook in the kitchen, married young, has always strived to be a good wife and mother, appears happy, but had she been born in another time her life might have turned out quite differently; Beverly Signe (Engelson) Hauge: Early-Mid 20s, newlywed, left home a year ago to move to "the City" with her new husband Harry after graduating from the "U," grew up in this kitchen and has a great deal of affection for the women of the basement, strong-willed but has a good head on her shoulders and a genuine love for the community; The Widow Snustad (Vivian): Late 60s, her husband died very early in their marriage, the matriarch of the kitchen, holds tightly to tradition with both hands, the other women get a kick out of her and secretly enjoy watching her squirm a little when she is challenged; Mrs. Gilmer Gilmerson (Mavis): 50s, able-bodied farm wife, extremely good-natured, often tries to dispel any tension in the kitchen by changing the subject or telling a joke, knows the lineage of every family in town, always willing to pitch in and fix someone's tractor, peel a potato, or scrub the lutefisk pot, believes hard work is good for the soul. Prepare a brief song that best displays your vocal style and strengths. The song may or may not be from the upcoming Merry-Go-Round Playhouse season. Bring sheet music; an accompanist will be provided. If auditioning for the non-singing role of Man in Chair, prepare a brief comedic monologue. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)

(Trussville, AL - AUDITIONS: February 15 & 16, 2010 at 7:00 pm for Male & Female Actors at Details Are only Available By Subscription. will be holding auditions for their upcoming production. Title: IRON DAISIES. DIR/WRTR, David Garrett. Performance Dates: April, 2010. Breakdown-- Males & Females. Bring headshots. No preparation needed, as everyone will read from the script. (Posted: September 24, 2009)

(Orlando, FL)(Kissimmee, FL - AUDITIONS: February 22, 2010 at 10:00 am for Male Vocalists [Registration between 9:00-10:00 am] & 1:00 pm for Female Vocalists [Registration between 12:00 noon-1:00 pm] at Details Are only Available By Subscription. will be holding auditions for the HOOP DEE DOO MUSICAL REVUE, an evening of old-time food, fun, and song as a troupe of Civil War-era traveling players barnstorm into Disney's Fort Wilderness with silly skits, fancy footwork, and heart-warming song. Contract: Equity Walt Disney World Contract (Salary: $14.94/hour for principals), plus Equity pension, Equity 401k, and Disney health provided). Performs live at the Walt Disney World Resort (in Orlando, FL). Breakdown-- Jim Handy: Leader of the troupe, leading man type, handsome, outgoing, friendly, vocal soloist, heroic bass/baritone; Flora Long: Beautiful leading lady, sweet, petite, vocal soloist, soprano; Johnny Ringo: Handsome, dapper, the song and dance man, a true gentleman, singer who moves well; Claire DeLune: Johnny's girl, adorable, lovable, full of life, best known for her outrageous "giggle," singer who moves well; Six Bits: A "punster," the target of many jokes, his brand of humor is often slapstick, character actor/comedian; Dolly Drew: The strong woman and Annie Oakley type, her mannerisms and style of dress are less than demure, character actor/comedienne. Note: Seeking male and female principal vocalists for all roles; all applicants must be 18+. Prepare 16 bars of a musical selection. Provide music in the correct key; an accompanist will be provided. Prerecorded music or a cappella auditions are not allowed. Bring photographs & resumes, stapled together. (Posted: January 14, 2010)

(Sag Harbor, NY)New York, NY - AUDITIONS: February 23, 2010 between 9:30 am-1:00 pm & 2:00-5:30 pm for Equity Principal at Details Are only Available By Subscription. will be holding auditions for their 2010 season. Season Titles: DISSONANCE by Damian Lanigan. DIR, Lonnie Price. Rehearsal Dates: Begins May 10, 2010. Performance Dates: June 1-27, 2010. 5TH OF JULY by Lanford Wilson. Rehearsal Dates: Begins June 15, 2010. Performance Dates: July 6-August 1, 2010. ROMANCE by David Mamet. Rehearsal Dates: Begins July 20, 2010. Performance Dates: August 10-September 5, 2010. ART DIR, Murphy Davis. Contract: Equity LORT C Contract ($696 min./wk.). Breakdown-- For DISSONANCE - James: 50s, an Englishman, first violinist; Hal: 30s, an American, second violinist; Paul: 40s, an Englishman, violist; Beth: 30s, an American, a cellist; Jonny: 30, an American, a rock star. Note: The characters are musicians in the play, but actors will not be actually playing those instruments. For 5TH OF JULY - Kenneth Talley Jr.: 35, had both legs shot off seven years ago in the Vietnam War, strong, good-looking, a touch cynical, but not deeply; Jed Jenkins: 25, his lover, larger, stronger, an almost silent listener; June Talley: 33, Ken's sister; Shirley Talley: 14, June's daughter; John Landis: 35, childhood friend of the Talleys, deeply cynical; Gwen Landis: 33, John's wife, racy; Sally Friedman: 67, Ken and June's Aunt, not really batty, preoccupied. For ROMANCE - The Prosecutor: 40s+, single-minded and humorless; The Defendant: 30s, puzzled and Woody Allen(ish); The Defense Attorney: 40s+, hard worker and dedicated; The Judge: 60s, absentminded and elderly; The Baliff: 50s, good-natured and dedicated; Bernard: Late 20s, gay beyond words; The Doctor: 40s, serious and dedicated. Prepare a brief contemporary monologue, preferably no longer than two minutes. Bring photographs & resumes, stapled together. (Posted: February 2, 2010)

(New York, NY - AUDITIONS: February 27, 2010 between 12:00 noon-6:00 pm Open Call at Details Are only Available By Subscription.. Title: DENIAL! TIME TO FACE THE MUSICAL. PROD, Crystal Field; DIR, Aaron Pratt; WRTR, Nikki Jenkins; MUSIC DIR, Brad Gardner. Contract: Seasonal AEA Showcase ($100 stipend Non-Union & $869 Union). Rehearsal Dates: Begins Mid March, 2010. Performance Dates: April 15-May 2, 2010 (at Theater for the New City). Breakdown: Amanda Gottadolla (Mandi) : Early 20's, African-American female, "Black Barbie" type, legit soprano with strong belt. Lead; Ashley Sue: Early 20's, Caucasian female, "Blonde Bombshell" type, folksy alto voice, plays guitar (not required); Daniel Goodman: Mid 20's, Caucasian male, leading man, a "guy's guy", pop rock tenor; Bee-Bee Machelstein: Early 20's, 5'7"+, Jewish/Catholic female, heavyset, sweet demeanor, pop belt; Dee-Dee Machelstein: Early 20's, super-short - 5'2", Jewish/Catholic female, fiesty, pop belt; Stephen Q. Burkowski: 20's, comic villain, any ethnicity, flamboyantly sinister, tenor with strong vocal flexibility; Margharita Torres: Late 20's-Early 30's, Hispanic, Comic villainess, gritty, strong alto belt with some high notes; Man #1: Late 20's-Early 40's, African-American male, able to play male and female, strong gospel/R&B voice; Man #2: Any age, Asian male, plays multiple female characters *must be comfortable in "drag"*, strong comic instincts, character singer. Prepare 16-bar cut from contemporary musical theatre. Sides will be provided. Bring photographs & resumes, stapled together. (Posted: January 25, 2010)